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Megg and Mogg, whose story is told in three previous, international, best-selling graphic novels, come to a breaking point in this volume. Perpetually drunk and high, lovable degenerates Megg and Mogg have drifted through a life full of raucous antics and free of consequences. But their heavy drug use, once a gateway to adventure, has begun to take a grim psychological toll. As her unstable lifestyle finally catches up to her, Megg must turn to her past to uncover the roots of her self-destructive habits that have led her down this dark path. Full-color illustrations throughout.

Chicago: Regnery Gateway, 1984. Hardbound, 8vo (about 8'' to 9.5'' tall), 679 pages. Index, notes.

Excerpt from Windsor Castle: And Its EnvironsChanges in Taste - Specimen of bad Taste. - Round Tower. Sir J. Wyatvrlle. - Circumference of the castle.-principal Gateway. -upper Ward - Entrance to the State Apartments. - Queen's Ball room. - Introduction of Verrie to Windsor. - Anecdotes. - Sums paid for his ceilings.-grinling Gibbons - Pictures in the Queen's Ball-room. Countess of Carlisle. Duchess of Richmond. Countess of Dorset. - Lady Venetia Digby. - Carew and Killigrew.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A History of Western Musical Aesthetics follows through the centuries debates about the place and function of music, the perceived role of music as a good or bad influence on the development of character, as a magical art or a domestic entertainment, and as a gateway to transcendental truths. Edward Lippman describes the beginnings of mu-sical tradition in the myths and philosophies of antiquity. He shows how music theory began to take on new dimensions and intensity in the seventeenth century, how musical esthetics was specifically defined and elaborated in the eighteenth century, and how, by the nineteenth century, music became the standard by which other arts were judged. The twentieth century added problems, pressure, and theories as music continued to diversify and as cultures viewed each other with more respect.

The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture.Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style.This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.

Located in Laurel Maryland and sandwiched in between an FBI training facility, the massive central NSA complex and a juvenile detention center, the abandoned Forest Haven Asylum can be seen as an epicenter of bad policies and worse politics. Just as any one of these new institutions can become a gateway that separates you from your freedom, it had been the same for the many patients committed to the asylum, often against their will. Standing on these grounds can cause most people to give pause to contemplate society’s and the government’s ability to strip you of all your rights and that there is a fine line separating those who are on the inside and those on the outside.   While the only road leading into the ruined asylum is protected by a gate and armed guards, locals know that there are trails through the woods that lead into the facility. As anyone who has made the hike in knows, it is a haunting, frightening and exhilarating experience. In From the Inside, Mark Hahn uses his photographic art to both share his experiences, thoughts and emotions that were stirred up while spending three days inside this abandoned asylum and document the ruins as they are preserved today. His images can be seen as a platform from which to ponder the questions of freedom, mental illness and the social contracts that we most often ignore while trying to get through life.   Speaking on this body of work, Hahn has said, “My goal was never to create a work that would shock or horrify the viewer, even though the facility has a brutal history and aspects of it are [and were] horrifying. But as an artist, I used the experience as a way to explore my own emotions though photography in a place where the archaeology could be used to transcend its past and through the experience, become an exploration into my own inner-self.”

The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture.Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style.This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.