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Barbaric Vast & Wild is a continuation and a possible culmination of the project that began with Jerome Rothenberg's Technicians of the Sacred in 1968 and led to the first four volumes of Poems for the Millennium in the 1990s and 2000s. In this new and equally groundbreaking volume, Rothenberg and John Bloomberg-Rissman have assembled a wide-ranging gathering of poems and related language works, whose outside/outsider and subterranean/subversive positions challenge some of the boundaries to where poetry has been or may be practiced, as well as the form and substance of the poetry itself. It also extends the time frame of the preceding volumes in Poems for the Millennium, hoping to show that, in all places and times, what the dominant culture has taken as poetry has only been part of the story.

Awesome U47-style tube mic from Barbaric Amplification. Recently sent back to Barbaric Amplification to install a genuine Neumann K49 capsule. K49 ...

Smart, funny, and fresh, The Barbaric Heart argues that the present environmental crisis will not be resolved by the same forms of crony capitalism and managerial technocracy that created the crisis in the first place. With his trademark wit, White argues that the solution might very well come from an unexpected quarter: the arts, religion, and the realm of the moral imagination.

In an interdisciplinary study of black intellectual history at the dawn of the nineteenth century, Stefan M. Wheelock shows how black antislavery writers were able to counteract ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he discusses―Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart―engaged the concepts of democracy, freedom, and equality as these ideas ripened within the context of racial terror and colonial hegemony. Wheelock highlights the ways in which religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. By appealing to religious sensibilities and calling for emancipation, these writers addressed slavery and its cultural bearing on the Atlantic in varied, complex, and sometimes contradictory ways during a key period in the development of Western political identity and modernity.

Eighteenth-century antislavery writers attacked the slave trade as "barbaric traffic"--a practice that would corrupt the mien and manners of Anglo-American culture to its core. Less concerned with slavery than with the slave trade in and of itself, these writings expressed a moral uncertainty about the nature of commercial capitalism. This is the argument Philip Gould advances in Barbaric Traffic. A major work of cultural criticism, the book constitutes a rethinking of the fundamental agenda of antislavery writing from pre-revolutionary America to the end of the British and American slave trades in 1808.Studying the rhetoric of various antislavery genres--from pamphlets, poetry, and novels to slave narratives and the literature of disease--Gould exposes the close relation between antislavery writings and commercial capitalism. By distinguishing between good commerce, or the importing of commodities that refined manners, and bad commerce, like the slave trade, the literature offered both a critique and an outline of acceptable forms of commercial capitalism. A challenge to the premise that objections to the slave trade were rooted in modern laissez-faire capitalism, Gould's work revises--and expands--our understanding of antislavery literature as a form of cultural criticism in its own right.

In an interdisciplinary study of black intellectual history at the dawn of the nineteenth century, Stefan M. Wheelock shows how black antislavery writers were able to counteract ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he discusses―Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart―engaged the concepts of democracy, freedom, and equality as these ideas ripened within the context of racial terror and colonial hegemony. Wheelock highlights the ways in which religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. By appealing to religious sensibilities and calling for emancipation, these writers addressed slavery and its cultural bearing on the Atlantic in varied, complex, and sometimes contradictory ways during a key period in the development of Western political identity and modernity.

Deathcult Barbaric Hell Amputator - LP 020286223856

Christians cannot ignore the intersection of religion and violence, whether contemporary or ancient. In our own Scriptures, war texts that appear to approve of genocidal killings and war rape―forcibly taking female captives for wives―raise hard questions about biblical ethics and the character of God. Have we missed something in our traditional readings? In Bloody, Brutal, and Barbaric? William Webb and Gordon Oeste address the ethics of reading biblical war texts today. Theirs is a biblical-theological reading with an eye to hermeneutical, ethical, canonical, and ancient cultural contexts. Identifying a spectrum of views on war texts ranging from "no ethical problems" to "utterly repulsive," the authors pursue a middle path using a hermeneutic of incremental, redemptive-movement ethics. Instead of trying to force traditional Christian answers to fit contemporary questions, they argue, we must properly connect the traditional answers with the biblical storyline questions that were on the minds of Scripture's original readers. And there are indeed better answers to the ethical problems in the war texts. Woven throughout the Old Testament, a collection of antiwar and subversive war texts suggest that Yahweh's involvement in Israel's warfare required some degree of accommodation to people living in a fallen world. Yet, God's redemptive influence even within the ugliness of ancient warfare shouts loudly about a future hope―a final battle fought with complete and untainted justice by Christ.

Linn, Karen, That Half-Barbaric Twang: The Banjo In American Popular Culture

Christians cannot ignore the intersection of religion and violence, whether contemporary or ancient. In our own Scriptures, war texts that appear to approve of genocidal killings and war rape―forcibly taking female captives for wives―raise hard questions about biblical ethics and the character of God. Have we missed something in our traditional readings? In Bloody, Brutal, and Barbaric? William Webb and Gordon Oeste address the ethics of reading biblical war texts today. Theirs is a biblical-theological reading with an eye to hermeneutical, ethical, canonical, and ancient cultural contexts. Identifying a spectrum of views on war texts ranging from "no ethical problems" to "utterly repulsive," the authors pursue a middle path using a hermeneutic of incremental, redemptive-movement ethics. Instead of trying to force traditional Christian answers to fit contemporary questions, they argue, we must properly connect the traditional answers with the biblical storyline questions that were on the minds of Scripture's original readers. And there are indeed better answers to the ethical problems in the war texts. Woven throughout the Old Testament, a collection of antiwar and subversive war texts suggest that Yahweh's involvement in Israel's warfare required some degree of accommodation to people living in a fallen world. Yet, God's redemptive influence even within the ugliness of ancient warfare shouts loudly about a future hope―a final battle fought with complete and untainted justice by Christ.

A hilarious illustrated middle grade series for reluctant readers starring a vampire girl, Amelia Fang. Welcome to the world of Nocturnia, where darkness reigns supreme, glitter is terrifying, and unicorns are the stuff of nightmares!Amelia Fang would much rather hang out with her pet pumpkin Squashy and her friends Florence the yeti (DON'T CALL HER BEAST!) and Grimaldi the reaper than dance at her parents' annual Barbaric Ball.Then the King's spoiled son Tangine captures Squashy, Amelia and her friends must escape the party to plan a daring rescue! In their race against time, they begin to realize things in Nocturnia may not be quite what they seem...

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 1.06

Book is in NEW condition. 1.06

In the swift, cynical SWEET SMELL OF SUCCESS, directed by Alexander Mackendrick (THE LADYKILLERS), Burt Lancaster (BRUTE FORCE, THE LEOPARD) stars as barbaric Broadway gossip columnist J. J. Hunsecker, and Tony Curtis (SOME LIKE IT HOT, SPARTACUS) as Sidney Falco, the unprincipled press agent he ropes into smearing the up-and-coming jazz musician romancing his beloved sister. Featuring deliciously unsavory dialogue in an acid, brilliantly structured script by Clifford Odets (NOTORIOUS, BIGGER TH

Acknowledged as the "Grand Master of Fantasy Art," Frank Frazetta changed the illustration world with this trademark paintings of primitive heroes, full-figured heroines, and barbaric beasts. His works, which introduced the world to the likes of "Death Dealer" and "Jaguar God" were featured in comics and on book and magazine covers throughout the second half of the twentieth century. This calendar revisits his classic masterpieces and offers refreshing insight into the legendary artist's 50-year career.

Of the ancient Greek Sophists, Gorgias of Leontini (ca. 483-ca. 376 b.c.e.) has endured more than his share of insistent detractors. Aristophanes depicted him as a barbaric sycophant, Plato considered him an opportunistic charlatan indifferent to truth and morality, and Aristotle saw him as a gaudy but inept stylist. Scott Consigny joins the commentators who find merit in Gorgias's thought, but his perceptions of Gorgias differ from those of the two most influential efforts at rehabilitation. He maintains that both the "subjectivist" reading by Hegel and the "empiricist" reading by George Grote-and among the rhetoricians of today by Richard Enos and Edward Schiappa-grant too much to Plato and Aristotle at the same time that, like most current interpretations of Gorgias, they fail to take into account all the extant remarks by the Sophist. By viewing Gorgias as in more radical disagreement with Plato and Aristotle than the other rehabilitators do, Consigny brings order to the Sophist's elusive, enigmatic ideas and peculiar style and stations him as a seminal philosopher and skilled artist, a formidable rival to Plato and Parmenides. On Consigny's reading, Gorgias is an antifoundationalist who repudiates the idea that knowledge and truth must be grounded in objective standards or in subjective certainty but instead views truth as a category that a community employs to endorse what it finds persuasive. Consigny's reading is one development of Stanley Fish's assertion that "modern antifoundationalism is old Sophism writ analytic," and he pursues his insight into Gorgias's moral and political philosophy, where he sees antifoundationalism manifesting itself in a conventionalist ethic and the advocacy of a peaceful competition among different societies. In Gorgias's notorious style Consigny detects a playful mocking of the genres in which his contemporaries worked but the serious underscoring of the rhetoricity of all texts.

The ancient Romans used the word barbarian to describe people who were coarse, rude, or even just foreign. Over time the word has also come to connote bloodthirsty cruelty. But were the Goths, the Huns, the Vikings, and the Mongols as barbaric as we?ve been led to believe? In dynamic, detailed spreads that young readers will pore over, bestselling author Steven Kroll and illustrator Robert Byrd explore how these nomadic warriors lived, worshipped, and celebrated. Their wandering armies brought together Europe and Asia through trade and conquest and, in doing so, changed the world forever.

Most savage and barbaric of all the Space Marine Chapters, the Sons of Russ are proud, noble and fierce. In battle each warrior rages like the thunderstorms of their ice-bound home world of Fenris, and his wrath is as the fires of Asaheim. Yet their red-hot battle-lust is tempered with cunning, just as their raw strength is augmented by power armour, boltgun and frost axe. They are warriors of myth, and in their wake spring legends.

Before the 1760s -- with the major exception of Chaucer -- nearly all of Middle English literature lay undiscovered and ignored. Because established scholars regarded later medieval literature as primitive and barbaric, the study of this rich literary heritage was relegated to antiquarians and dilettantes. In The Making of Middle English, 1765-1910, David Matthews chronicles the gradual rediscovery of this literature and the formation of Middle English as a scholarly pursuit.Matthews details how the careers, class positions, and ambitions of only a few men gave shape and direction to the discipline. Mostly from the lower middle class, they worked in the church or in law and hoped to exploit medieval literature for financial success and social advancement. Where Middle English was concerned, Matthews notes, these scholars were self-taught, and their amateurism came at the price of inaccurately edited and often deliberately "improved" texts intended for a general public that sought appealing, rather than authentic, reading material.This study emphasizes the material history of the discipline, examining individual books and analyzing introductions, notes, glossaries, promotional materials, lists of subscribers, and owners' annotations to assess the changing methodological approaches of the scholars and the shifts in readership. Matthews explores the influence of aristocratic patronage and the societies formed to further the editing and publication of texts. And he examines the ideological uses of Middle English and the often contentious debates between these scholars and organizations about the definition of Englishness itself.A thorough work of scholarship, The Making of MiddleEnglish presents for the first time a detailed account of the formative phase of Middle English studies and provides new perspectives on the emergence of medieval studies, canon formation, the politics of editing, and the history of the book.

The kinds of punishment used in a society have long been considered an important criterion in judging whether a society is civilized or barbaric, advanced or backward, modern or premodern. Focusing on Japan, and the dramatic revolution in punishments that occurred after the Meiji Restoration, Daniel Botsman asks how such distinctions have affected our understanding of the past and contributed, in turn, to the proliferation of new kinds of barbarity in the modern world. While there is no denying the ferocity of many of the penal practices in use during the Tokugawa period (1600-1868), this book begins by showing that these formed part of a sophisticated system of order that did have its limits. Botsman then demonstrates that although significant innovations occurred later in the period, they did not fit smoothly into the "modernization" process. Instead, he argues, the Western powers forced a break with the past by using the specter of Oriental barbarism to justify their own aggressive expansion into East Asia. The ensuing changes were not simply imposed from outside, however. The Meiji regime soon realized that the modern prison could serve not only as a symbol of Japan's international progress but also as a powerful domestic tool. The first English-language study of the history of punishment in Japan, the book concludes by examining how modern ideas about progress and civilization shaped penal practices in Japan's own colonial empire.