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Minor shelf wear to binding on corners, edges & spine. Light wear & soiling on edges of text block. Text and images unmarked. The dust jacket shows some light handling, in a mylar cover.

Collection of literary criticism. A fine copy in a jacket that has slight fraying on lower right front cover.

In the 1960s Donald Barthelme came to prominence as the leader of the Postmodern movement. He was a fixture at the New Yorker, publishing more than 100 short stories, including such masterpieces as "Me and Miss Mandible," the tale of a thirty-five-year-old sent to elementary school by clerical error, and "A Shower of Gold,"in which a sculptor agrees to appear on the existentialist game show Who Am I? He had a dynamic relationship with his father that influenced much of his fiction. He worked as an editor, a designer, a curator, a news reporter, and a teacher. He was at the forefront of literary Greenwich Village which saw him develop lasting friendships with Thomas Pynchon, Kurt Vonnegut, Tom Wolfe, Grace Paley, and Norman Mailer. Married four times, he had a volatile private life. He died of cancer in 1989. The recipient of many prestigious literary awards, he is best remembered for the classic novels Snow White, The Dead Father, and many short stories, all of which remain in print today.  This is the first biography of Donald Barthelme, and it is nothing short of a masterpiece.

A Batman episode slowed to soap-opera speed; a game of baseball played by T. S. Eliot and Willem de Kooning; an illustrated account of a scientific quest for God. These imaginative riffs on reality could only have been generated by the brilliant bad boy of American letters, Donald Barthelme. Here, 63 rare short works by Barthelme satires and gables, plays for stage and radio, and collages have been assembled in a single volume. Gleeful, melancholy, erudite, and wonderfully subversive, The Teachings of Don B. is sure to alter any reader’s consciousness.

A retrospective collection of Donald Barthelme's most notable writings includes "Me and Miss Mandible," "Views of My Father Weeping," "The King of Jazz," nine new stories, and other outstanding selections

Fifteen short stories by author/satirist Barthelme.

William H. Gass has written of Donald Barthelme that "he has permanently enlarged our perception of the possibilities open to short fiction." In Forty Stories, the companion volume to Sixty Stories, we encounter a dazzling array of subjects: Paul Klee, Goethe, Captain Blood, modern courtship, marriage and divorce, armadillos, and other unique Barthelmean flights of fancy. These pithy, brilliantly acerbic pieces tangle with the ludicrous, pose questions that remain unresolved, and challenge familiar bits of language heretofore unexamined. Forty Stories demonstrates Barthelme's unrivaled ability to surprise, to stimulate, and to explore.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.From the Trade Paperback edition.

Donald Barthelme was one of the most influential and inventive writers of the twentieth century. Through his unique, richly textured, and brilliantly realized novels, stories, parodies, satires, fables, and essays, Barthelme redefined a generation of American letters. To John Hawkes, he was one of our greatest of all comic writers.” Robert Coover called him one of our great citizens of contemporary world letters.” And to Thomas Pynchon, who coined the term Barthelismo, his work conveyed something of the clarity and sweep, the intensity of emotion, the transcendent weirdness of the primary experience.”This collection presents all of Barthelme's previously unpublished and uncollected short fiction, as well as work not published in his two compendium editions, Sixty Storiesand Forty Stories. Highlights of Flying to America include three unpublished stories, Among the Beanwoods,” Heather,” and Pandemonium”; fourteen stories never before available in book form-from his first published story, Pages from the Annual Report” (1959), to his last, Tickets” (1989); and the long out-of-print Sam's Bar, with illustrations by Seymour Chwast. With Flying to America, fans and new readers alike have the huge pleasure of a new collection from one of America's great literary masters.

trip is celebrated Grapevine photographer Susan Lipper and distinctive prose stylist Frederick Barthelmes new, conceptually ambitious artists book: an assembled narrative of a fictional road trip in America, destination and starting point unknown. Adrift. The date is the present, but only slightly so. The viewer is cast without aid amongst snatches of text and vernacular objects, staged or found, that render the landscape neither familiar nor foreign. Semiotic interplay is introduced with seemingly objective signs and symbols, readable in a traditional sense, yetwhat meanings do they serve here? Re-appropriating the documentary tradition of road photography, Lipper and Barthelmes "trip" is a new American narrative, perfectly suited for our hyper-mediating times, and is by turns arcanely sophisticated, solipsistically funny, resolutely urbane, and grammatically hokey. An accessible joyride on many levels, trip is destined to become a landmark photography book. trip will be the subject of an exhibition at the New Orleans Museum of Art in November, 1999.

Capturing the rhythms, lifestyle, attitudes, and spirit of jazz music, this intriguing anthology encompasses stories by Amiri Baraka, Langston Hughes, James Baldwin, Eudora Welty, Donald Barthelme, Maya Angelou, and other notable writers

In this post-modern work, Donald Barthelme brilliantly deconstructs the mythical and omnipresent figure of the father through the irony of those who know that a son can never truly become a father. En esta obra post-moderna, Donald Barthelme deconstruye brillantemente la figura mítica y omnipresente del padre mediante la ironía de quien sabe que un hijo nunca podrá llegar a convertirse en padre.

Named a Best Book of 2015 by NPR and Vanity Fair "Rifles through fear, identity, meaning, and cultural memory in forty-four short, surreal stories." Vanity Fair"By turns moving, funny, and maddening . very much in the key of Donald Barthelme." The New York Times Book Review"Somehow both grounded and absurd, each one of the stories trying get at that heart of the confusion and sadness at the core of contemporary life." VICEFrom the highly acclaimed author of Edisto and The Interrogative Mood, Padgett Powell’s new collection of stories, Cries for Help, Various, follows his mentor Donald Barthelme’s advice that wacky mode” must break their hearts.” The surrealistic and comical terrain of most of the forty-four stories here is grounded by a real preoccupation with longing, fear, work, loneliness, and cultural nostalgia. These universal concerns are given exhilarating life by way of Powell’s wit, his . . . dazzling turns of phrase” (Scott Spencer).Padgett Powell’s language is both lofty and low-down, his tone cranky and heartfelt, exuberant and inconsolable. His characters rebel against convention and ambition, hoping to maintain their very sanity by doing so. Even the most hilarious or fantastical stories in Cries for Help, Various ring gloriously, poignantly, true.

Fifteen short stories by author/satirist Barthelme.

Fiction. Poetry. Jewish Studies. Admired by Donald Barthelme and Lydia Davis, Mitch Sisskind is a professional satirist whose stories and poems can finally be read in one new volume. DO NOT BE A GENTLEMAN WHEN YOU SAY GOODNIGHT, a selection from the last five decades, includes an introduction from poet Amy Gerstler, who calls Sisskind "a postmodern master of the anti–epiphany," and an afterword by David Lehman. Bestowed with outlandish names, Sisskind's characters make up a cast of failures for whom grace is absent. The hilarity and sadness of many of their surprising situations have the ability to startle readers until, as in his imagined filmography of Tokyo Liscomb, "all hell breaks loose." The divine is often called upon and sometimes shows up but never in expected ways, since Sisskind, gifted with originality, unsettles all we thought we knew about this world and the next. "Mitch Sisskind's DO NOT BE A GENTLEMAN... opens the door to a world of another time, in an unusual mix of stories and poems, of solid realism and weird fantasy and wit, combining steamy sex and nostalgia, the Mickey Mouse Club and Talmudic scholarship. Sisskind gives us an unapologetically and un–politically–correct male world, but a quirky and appealing one, a world of old guys with funny names like Steve Tomato and Hub Snell—maybe you knew them? My favorite is 'Twenty Questions': a dead father, sitting in a magic chair, speaks to his son for a while about his life, and in this story, speaking from beyond the grave seems as natural as breathing, and the voice, talking about how he used to dress or eat or conduct business, completely alive." —Lydia Davis "Donald Barthelme told me, early on, that Mitch Sisskind is the funniest living writer in America—and when I read "A Mean Teacher," I was convinced. This collection renders me helpless with laughter and admiration. Man, is he oblique or what?" —Michael Silverblatt

trip is celebrated Grapevine photographer Susan Lipper and distinctive prose stylist Frederick Barthelmes new, conceptually ambitious artists book: an assembled narrative of a fictional road trip in America, destination and starting point unknown. Adrift. The date is the present, but only slightly so. The viewer is cast without aid amongst snatches of text and vernacular objects, staged or found, that render the landscape neither familiar nor foreign. Semiotic interplay is introduced with seemingly objective signs and symbols, readable in a traditional sense, yetwhat meanings do they serve here? Re-appropriating the documentary tradition of road photography, Lipper and Barthelmes "trip" is a new American narrative, perfectly suited for our hyper-mediating times, and is by turns arcanely sophisticated, solipsistically funny, resolutely urbane, and grammatically hokey. An accessible joyride on many levels, trip is destined to become a landmark photography book. trip will be the subject of an exhibition at the New Orleans Museum of Art in November, 1999.

Padgett Powell’s National Book Award-nominated first novel (1984) about coming of age on Edisto, an undeveloped strip of coast between Savannah and Charleston, is "a startling book, full of new sights, sounds, and ways of feeling. . . .The book is subtle, daring, and brilliant" (Donald Barthelme). Padgett Powell’s first novel (1984) is about coming of age on Edisto, an undeveloped strip of coast between Savannah and Charleston, a “named but never discovered place in the South.” Simons Manigault (“You say it ‘Simmons.’ I’m a rare one-m Simons”) lives with his mother, an eccentric professor known locally as the Duchess, who is convinced her twelve-year-old son can become a writer of genius. She has immersed Simons in the literary classics since birth and has given him free rein to gather material in such spots as a nightclub called Marvin’s R.O. Sweet Shop and Baby Grand. At the center of Simons’s life on Edisto is an enigmatic character who tutors the boy in the art of watching the world without presumption. “Taurus,” as he is dubbed by Simons, acts as a father surrogate as well, taking his precocious young charge in stride. He leads him to, among other discoveries, his first prizefight, date, and hangover. The way Simons sees the world will change radically when he leaves his ad-lib life among the denizens of Edisto for the private schools and tennis tournaments of Hilton Head, South Carolina―the territory of his father, “The Progenitor.” Using the combination of a child’s run-on phrasing and the vigorous prose and deft comic touches of a writer who is sure of every step, Padgett Powell established himself as a vivid new American writer.

This new collection of stories marks a departure in Barthelme's work with the introduction of a new mode in which he abandons all forms of characterization other than dialogue in an attempt to shift and alter reader expectations and perceptions

William H. Gass has written of Donald Barthelme that "he has permanently enlarged our perception of the possibilities open to short fiction." In Forty Stories, the companion volume to Sixty Stories, we encounter a dazzling array of subjects: Paul Klee, Goethe, Captain Blood, modern courtship, marriage and divorce, armadillos, and other unique Barthelmean flights of fancy. These pithy, brilliantly acerbic pieces tangle with the ludicrous, pose questions that remain unresolved, and challenge familiar bits of language heretofore unexamined. Forty Stories demonstrates Barthelme's unrivaled ability to surprise, to stimulate, and to explore.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Modern fiction writers, including John Barth, Donald Barthelme, Toni Morrison, Diane Johnson, Stanley Elkin, and E.L. Doctorow, talk about their careers, influences, and works