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This story collection examines relationships between friends, brothers and sisters, parents and children, husbands and wives, and lovers

Minor shelf wear to binding on corners, edges & spine. Light wear & soiling on edges of text block. Text and images unmarked. The dust jacket shows some light handling, in a mylar cover.

In the 1960s Donald Barthelme came to prominence as the leader of the Postmodern movement. He was a fixture at the New Yorker, publishing more than 100 short stories, including such masterpieces as "Me and Miss Mandible," the tale of a thirty-five-year-old sent to elementary school by clerical error, and "A Shower of Gold,"in which a sculptor agrees to appear on the existentialist game show Who Am I? He had a dynamic relationship with his father that influenced much of his fiction. He worked as an editor, a designer, a curator, a news reporter, and a teacher. He was at the forefront of literary Greenwich Village which saw him develop lasting friendships with Thomas Pynchon, Kurt Vonnegut, Tom Wolfe, Grace Paley, and Norman Mailer. Married four times, he had a volatile private life. He died of cancer in 1989. The recipient of many prestigious literary awards, he is best remembered for the classic novels Snow White, The Dead Father, and many short stories, all of which remain in print today.  This is the first biography of Donald Barthelme, and it is nothing short of a masterpiece.

A Batman episode slowed to soap-opera speed; a game of baseball played by T. S. Eliot and Willem de Kooning; an illustrated account of a scientific quest for God. These imaginative riffs on reality could only have been generated by the brilliant bad boy of American letters, Donald Barthelme. Here, 63 rare short works by Barthelme satires and gables, plays for stage and radio, and collages have been assembled in a single volume. Gleeful, melancholy, erudite, and wonderfully subversive, The Teachings of Don B. is sure to alter any reader’s consciousness.

Named a Best Book of 2015 by NPR and Vanity Fair "Rifles through fear, identity, meaning, and cultural memory in forty-four short, surreal stories." Vanity Fair"By turns moving, funny, and maddening . very much in the key of Donald Barthelme." The New York Times Book Review"Somehow both grounded and absurd, each one of the stories trying get at that heart of the confusion and sadness at the core of contemporary life." VICEFrom the highly acclaimed author of Edisto and The Interrogative Mood, Padgett Powell’s new collection of stories, Cries for Help, Various, follows his mentor Donald Barthelme’s advice that wacky mode” must break their hearts.” The surrealistic and comical terrain of most of the forty-four stories here is grounded by a real preoccupation with longing, fear, work, loneliness, and cultural nostalgia. These universal concerns are given exhilarating life by way of Powell’s wit, his . . . dazzling turns of phrase” (Scott Spencer).Padgett Powell’s language is both lofty and low-down, his tone cranky and heartfelt, exuberant and inconsolable. His characters rebel against convention and ambition, hoping to maintain their very sanity by doing so. Even the most hilarious or fantastical stories in Cries for Help, Various ring gloriously, poignantly, true.

Donald Barthelme was one of the most influential and inventive writers of the twentieth century. Through his unique, richly textured, and brilliantly realized novels, stories, parodies, satires, fables, and essays, Barthelme redefined a generation of American letters. To John Hawkes, he was one of our greatest of all comic writers.” Robert Coover called him one of our great citizens of contemporary world letters.” And to Thomas Pynchon, who coined the term Barthelismo, his work conveyed something of the clarity and sweep, the intensity of emotion, the transcendent weirdness of the primary experience.”This collection presents all of Barthelme's previously unpublished and uncollected short fiction, as well as work not published in his two compendium editions, Sixty Storiesand Forty Stories. Highlights of Flying to America include three unpublished stories, Among the Beanwoods,” Heather,” and Pandemonium”; fourteen stories never before available in book form-from his first published story, Pages from the Annual Report” (1959), to his last, Tickets” (1989); and the long out-of-print Sam's Bar, with illustrations by Seymour Chwast. With Flying to America, fans and new readers alike have the huge pleasure of a new collection from one of America's great literary masters.

Audacious, controversial and shockingly frank, Forbidden Hollywood: Volume Six turns the spotlight on adultery, alcoholism, prostitution and racism, issues the Production Code would soon ban from the screen. Starring the pre-Code era's biggest stars, including John Gilbert, Richard Barthelme's, Myrna Loy, Kay Francis and Ann Dvorak, these four rarely seen gems are a provocative reflection of American mores in a not-so-innocent time. The Wet Parade (1932): Demon whiskey brings ruin to two familie

Richard Barthelme's gives a sensitive portrayal of a Chinese man who travels to England to spread the pacifist teachings of the Orient, but it is Lillian Gish who illuminates the screen. In this, the most heart-rending performance of her career, she plays a fifteen-year-old street urchin who longs to escape her miserable existence. Emotionally scarred by the torment and neglect of her abusive father (Donald Crisp), she collapses in the shop of the lonely and disillusioned "yellow man." As he ten

With a special section on Donald Barthelme, including remembrances from Ann Beattie, David Gates, and Oscar Hijuelos, and some of Barthelme’s barely published and never-collected early work, and a highly theoretical but potentially amazing Z-binding that we can’t describe very well here, or even to each other, McSweeney’s 24 will never be mistaken for anything else. (Except possibly the June 1978 issue of Popular Mechanics.)

This excellent collection of Donald Barthelme's literary output during the 1960s and 1970s covers the period when the writer came to prominence--producing the stories, satires, parodies, and other formal experiments that altered fiction as we know it--and wrote many of the most beautiful sentences in the English language. Due to the unfortunate discontinuance of many of Barthelme's titles, 60 Stories now stands as one of the broadest overviews of his work, containing selections from eight previously published books, as well as a number of other short works that had been otherwise uncollected.

Fifteen short stories by author/satirist Barthelme.

Barthelme s fourth book, a collection of fourteen stories.

Padgett Powell’s National Book Award-nominated first novel (1984) about coming of age on Edisto, an undeveloped strip of coast between Savannah and Charleston, is "a startling book, full of new sights, sounds, and ways of feeling. . . .The book is subtle, daring, and brilliant" (Donald Barthelme). Padgett Powell’s first novel (1984) is about coming of age on Edisto, an undeveloped strip of coast between Savannah and Charleston, a “named but never discovered place in the South.” Simons Manigault (“You say it ‘Simmons.’ I’m a rare one-m Simons”) lives with his mother, an eccentric professor known locally as the Duchess, who is convinced her twelve-year-old son can become a writer of genius. She has immersed Simons in the literary classics since birth and has given him free rein to gather material in such spots as a nightclub called Marvin’s R.O. Sweet Shop and Baby Grand. At the center of Simons’s life on Edisto is an enigmatic character who tutors the boy in the art of watching the world without presumption. “Taurus,” as he is dubbed by Simons, acts as a father surrogate as well, taking his precocious young charge in stride. He leads him to, among other discoveries, his first prizefight, date, and hangover. The way Simons sees the world will change radically when he leaves his ad-lib life among the denizens of Edisto for the private schools and tennis tournaments of Hilton Head, South Carolina―the territory of his father, “The Progenitor.” Using the combination of a child’s run-on phrasing and the vigorous prose and deft comic touches of a writer who is sure of every step, Padgett Powell established himself as a vivid new American writer.

trip is celebrated Grapevine photographer Susan Lipper and distinctive prose stylist Frederick Barthelmes new, conceptually ambitious artists book: an assembled narrative of a fictional road trip in America, destination and starting point unknown. Adrift. The date is the present, but only slightly so. The viewer is cast without aid amongst snatches of text and vernacular objects, staged or found, that render the landscape neither familiar nor foreign. Semiotic interplay is introduced with seemingly objective signs and symbols, readable in a traditional sense, yetwhat meanings do they serve here? Re-appropriating the documentary tradition of road photography, Lipper and Barthelmes "trip" is a new American narrative, perfectly suited for our hyper-mediating times, and is by turns arcanely sophisticated, solipsistically funny, resolutely urbane, and grammatically hokey. An accessible joyride on many levels, trip is destined to become a landmark photography book. trip will be the subject of an exhibition at the New Orleans Museum of Art in November, 1999.

Fiction. Five stories―several as long as novellas―introduce the world to Jen George, a writer whose furiously imaginative new voice calls to mind Donald Barthelme and Leonora Carrington no less than Kathy Acker and Chris Kraus. In "Guidance/The Party," an ethereal alcoholic "Guide" in robes and flowing hair appears to help a thirty- three-year-old woman prepare a party for her belated adulthood; "Take Care of Me Forever" tragically lambasts the medical profession as a ship of fools afloat in loneliness and narcissism; "Instruction" chronicles a season in an unconventional art school called The Warehouse, where students divide their time between orgies, art critiques, and burying dead racehorses. Combining slapstick, surrealism, erotica, and social criticism, Jen George's sprawling creative energy belies the secret precision and unexpected tenderness of everything she writes.

trip is celebrated Grapevine photographer Susan Lipper and distinctive prose stylist Frederick Barthelmes new, conceptually ambitious artists book: an assembled narrative of a fictional road trip in America, destination and starting point unknown. Adrift. The date is the present, but only slightly so. The viewer is cast without aid amongst snatches of text and vernacular objects, staged or found, that render the landscape neither familiar nor foreign. Semiotic interplay is introduced with seemingly objective signs and symbols, readable in a traditional sense, yetwhat meanings do they serve here? Re-appropriating the documentary tradition of road photography, Lipper and Barthelmes "trip" is a new American narrative, perfectly suited for our hyper-mediating times, and is by turns arcanely sophisticated, solipsistically funny, resolutely urbane, and grammatically hokey. An accessible joyride on many levels, trip is destined to become a landmark photography book. trip will be the subject of an exhibition at the New Orleans Museum of Art in November, 1999.

With these audacious and murderously witty stories, Donald Barthelme threw the preoccupations of our time into the literary equivalent of a Cuisinart and served up a gorgeous salad of American culture, high and low. Here are the urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Barthelme's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Fifteen short stories by author/satirist Barthelme.

Dec.1977 Kangaroo Book(Pocket Books) mass market PB. Donald Barthelme (The Dead Father, Guilty Pleasures) aims his satiric wit and "cool mockery....on the pretensions and foibles of the human lot." The blurb (quoting The Los Angeles Times) compares the author to Pynchon, Barth, Vonnegut and Heller!