28 products were found matching your search for Bast Eva Maria Bochumer Geheimnisse in 2 shops:

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

In this remarkable book historian Daniel James presents the gripping, poignant life-story of Doña María Roldán, a woman who lived and worked for six decades in the meatpacking community of Berisso, Argentina. A union activist and fervent supporter of Juan and Eva Perón, Doña María’s evocative testimony prompts James to analyze the promise and problematic nature of using oral sources for historical research. The book thus becomes both fascinating narrative and methodological inquiry. Doña María’s testimony is grounded in both the local context (based on the author’s thirteen years of historical and ethnographic research in Berisso) and a broader national narrative. In this way, it differs from the dominant genre of women’s testimonial literature, and much recent ethnographic work in Latin America, which have often neglected historical and communal contextualization in order to celebrate individual agency and self-construction. James examines in particular the ways that gender influences Doña María’s representation of her story. He is careful to acknowledge that oral history challenges the historian to sort through complicated sets of motivations and desires—the historian’s own wish to uncover “the truth” of an informant’s life and the interviewee’s hope to make sense of her or his past and encode it with myths of the self. This work is thus James’s effort to present his research and his relationship with Doña María with both theoretical sophistication and recognition of their mutual affection. While written by a historian, Doña María’s Story also engages with concerns drawn from such disciplines as anthropology, cultural studies, and literary criticism. It will be especially appreciated by those involved in oral, Latin American, and working-class history.

In this remarkable book historian Daniel James presents the gripping, poignant life-story of Doña María Roldán, a woman who lived and worked for six decades in the meatpacking community of Berisso, Argentina. A union activist and fervent supporter of Juan and Eva Perón, Doña María’s evocative testimony prompts James to analyze the promise and problematic nature of using oral sources for historical research. The book thus becomes both fascinating narrative and methodological inquiry. Doña María’s testimony is grounded in both the local context (based on the author’s thirteen years of historical and ethnographic research in Berisso) and a broader national narrative. In this way, it differs from the dominant genre of women’s testimonial literature, and much recent ethnographic work in Latin America, which have often neglected historical and communal contextualization in order to celebrate individual agency and self-construction. James examines in particular the ways that gender influences Doña María’s representation of her story. He is careful to acknowledge that oral history challenges the historian to sort through complicated sets of motivations and desires—the historian’s own wish to uncover “the truth” of an informant’s life and the interviewee’s hope to make sense of her or his past and encode it with myths of the self. This work is thus James’s effort to present his research and his relationship with Doña María with both theoretical sophistication and recognition of their mutual affection. While written by a historian, Doña María’s Story also engages with concerns drawn from such disciplines as anthropology, cultural studies, and literary criticism. It will be especially appreciated by those involved in oral, Latin American, and working-class history.

Eva Rose returns as police inspector Maria Wern in two new movies based on the bestselling crime novels by Swedish author Anna Jansson. After the death of her husband, Maria moves to the picturesque Swedish island of Gotland with her two children to start over. While struggling to raise two children on her own and still mourning her husband's death, Maria manages to sustain her female perspective and approach to life in a harsh and male-dominated environment. She constantly encounters rage, deat

Eva-Maria Westbrook, Christopher Ventris, Carole Wilson, and Vladimir Vaneev star in this de Nederlandse Opera production of the Shostakovich opera conducted by Mariss Janson's.

Erwartung 1 Und 2 Eva-maria Houben - LP 880918233758

Blu-ray. Alec Guinness takes center stage as Adolf Hitler in director Ennio de Concini's (Daniel and Maria) Hitler: The Last Ten Days. Leading up to Hitler's suicide, the film recounts the final days of strategizing and infighting among the Fuhrer's closest advisors, as well as his relationship with Eva Braun (Doris Kunstmann, Funny Games) within the confines of the infamous underground bunker. Alec Guinness' performance offers the viewer a rare look inside the mind of a mad man - manic, irratio

Nearly 4,000 Mexican troops and convicts landed in Manila Bay in the Philippines from 1765 to 1811. The majority were veterans and recruits; the rest were victims of vagrancy campaigns. Eva Maria Mehl follows these forced exiles from recruiting centers, jails and streets in central Mexico to Spanish outposts in the Philippines, and traces relationships of power between the imperial authorities in Madrid and the colonial governments and populations of New Spain and the Philippines in the late Bourbon era. Ultimately, forced migration from Mexico City to Manila illustrates that the histories of the Spanish Philippines and colonial Mexico have embraced and shaped each other, that there existed a connectivity between imperial processes in the Pacific and the Atlantic Oceans, and that a perspective of the Spanish empire centered on the Atlantic cannot adequately reflect the historical importance of the richly textured transpacific world.

Beginning in the 1960s, artists like Frank Stella, Donald Judd, Carl Andre, Dan Flavin, Sol LeWitt, Robert Morris, Robert Smithson, Walter De Maria, Richard Serra, Keith Sonnier, Eva Hesse, Robert Grosvenor, and Joel Shapiro reacted against what they saw as the flamboyance of Abstract Expressionism, seeking instead materials, forms, and procedures that explicitly do not convey the personal touch of the fabricator. Many observers have judged the artworks that resulted obstinately cerebral and unapproachable - or, worse, barren beyond the point of tedium.Others have recognized that these works are, in fact, revolutionary, embodying an elemental immediacy unprecedented in Western art. Giving no quarter to complacent illusion and habits of perception, the Minimalists pushed aesthetic thought deeply into the crust of unexamined ideas that most of us take for granted as cultural terra firma.In this volume, illustrated with works ranging from small-scale sculpture and hermetic paintings to vast "earthworks," Kenneth Baker, the award-winning art critic of the San Francisco Chronicle, explores the history and challenge of Minimalism in the context not only of the trends it succeeded, but of those that have succeeded it. Minimalism: Art of Circumstance is one of those rare essays of critical insight that combine a comprehensive point of view with a revisionist spirit; for, in unfolding the history of his subject, Baker finally challenges the very notion of a "minimalist movement."

burgundy & black illustrated wraps w/ white printing. 111 pgs w/ bw & color illustrations. Remains very tightly bound; likely unread. Artists included: Terry Adkins, Dana Duff, Claudia Matzko, Tomoharu Murakami, Eva Schlegel, BP, Maria Elena Gonzalez, Curtis Mitchell, and Charles Ray. VG (light edge-wear, rubbing to spine ends & corners. toning to pg edges. small, coffee-like spot to endpaper.)

XI, 334 S. Gebraucht, aber exzellent erhalten. - Eva-Maria Remberger/Guido Mensching: Einleitung: Romanistische Syntax - minimalistisch. -- Ausgewählte Probleme romanischer Syntax aus minimalistischer Perspektive -- Esther Rinke: OV-VO-Variation im Portugiesischen: eine diachronische Analyse periphrastischer Kausativkonstruktionen. -- Eva-Maria Remberger: Restrukturierung: Ein minimalistischer Analysevorschlag anhand des Italienischen und (Alt)Französischen. -- Tonjes Veenstra: Syntax pur: Expletiva im Papiamentu. -- Kay-Eduardo Gonzâlez-Vilbazo/Volker Struckmeier: Asymmetrien im Code-Switching: Eine DM-Lösung zur Partizipselektion -- Lucia Grìmaldi: Die Syntax italienischer Äquativkonstruktionen. -- Studien zur romanischen Satzperipherie -- Cecilia Poletto: Die linke Peripherie der "unteren Phase": OV-Stellung im Altitalienischen -- Sandra Paoli: Vollständige oder rudimentäre Merkmalsdoppelung? Zu den Flexionsmerkmalen unter C -- Kleanthes K. Grohmann: Zur Grammatik von Wurzelinfinitiven. -- Luis Lopez: Zur Analyse der romanischen Rechtsdislokation -- Minimalistische Syntax und ihre Schnittstellen -- Natascha Pomino: Aspekte der spanischen Verbalflexion im Rahmen der Distributed Morphology -- Christoph Gabriel: Prosodisch motivierte Bewegungen im Spanischen: Versuch einer minimalistischen OT-Modellierung -- Roberta D'Alessandro: Syntaktische und pragmatische Merkmale: eine Fallstudie. -- Heidrun Völker: Computer-Simulation und Visualisierung minimalistischer Derivation. ISBN 9783823363583 Sprache: Deutsch Gewicht in Gramm: 550

In this remarkable book historian Daniel James presents the gripping, poignant life-story of Doña María Roldán, a woman who lived and worked for six decades in the meatpacking community of Berisso, Argentina. A union activist and fervent supporter of Juan and Eva Perón, Doña María’s evocative testimony prompts James to analyze the promise and problematic nature of using oral sources for historical research. The book thus becomes both fascinating narrative and methodological inquiry. Doña María’s testimony is grounded in both the local context (based on the author’s thirteen years of historical and ethnographic research in Berisso) and a broader national narrative. In this way, it differs from the dominant genre of women’s testimonial literature, and much recent ethnographic work in Latin America, which have often neglected historical and communal contextualization in order to celebrate individual agency and self-construction. James examines in particular the ways that gender influences Doña María’s representation of her story. He is careful to acknowledge that oral history challenges the historian to sort through complicated sets of motivations and desires—the historian’s own wish to uncover “the truth” of an informant’s life and the interviewee’s hope to make sense of her or his past and encode it with myths of the self. This work is thus James’s effort to present his research and his relationship with Doña María with both theoretical sophistication and recognition of their mutual affection. While written by a historian, Doña María’s Story also engages with concerns drawn from such disciplines as anthropology, cultural studies, and literary criticism. It will be especially appreciated by those involved in oral, Latin American, and working-class history.

Nearly 4,000 Mexican troops and convicts landed in Manila Bay in the Philippines from 1765 to 1811. The majority were veterans and recruits; the rest were victims of vagrancy campaigns. Eva Maria Mehl follows these forced exiles from recruiting centers, jails and streets in central Mexico to Spanish outposts in the Philippines, and traces relationships of power between the imperial authorities in Madrid and the colonial governments and populations of New Spain and the Philippines in the late Bourbon era. Ultimately, forced migration from Mexico City to Manila illustrates that the histories of the Spanish Philippines and colonial Mexico have embraced and shaped each other, that there existed a connectivity between imperial processes in the Pacific and the Atlantic Oceans, and that a perspective of the Spanish empire centered on the Atlantic cannot adequately reflect the historical importance of the richly textured transpacific world.

In the tourist’s imagination, Havana triggers a wealth of tropical images and nostalgic projections, from old cars on sun-drenched cobblestone streets to pastel colors, rum, and ballroom dancing. Photographer Eva-Maria Fahrner-Tutsek focuses her gaze beyond these clichés, honing in on everyday life in Havana instead. Capturing the shifting mood of locals in the wake of the economic recession, Fahrner-Tutsek’s photographs show the inhabitants of the city as they sit in the street, play with their children, and go about their business, when there’s business to be had. Additionally, Cuban writer Leonardo Padura describes life in present-day Havana, and noted photographic theorist Michael Freeman shares insights on the inspirational power of documentary photography. Poignantly illustrated throughout, this volume offers a sensitive portrait of the capital of Cuba.  

Seis Siglos De Arte, Cien Grandes Maestros (Six Centuries of Art, One Hundred Masters) Spanish Edition by Eva Maria Ayala Canseco; Minerva Mogollan Garcia. Museo Soumaya, 2006. Hardcover. New. Gift quality, Fine. Folio. A superior copy in new condition. 489 p. Clean, unmarked pages. Fine binding, hardcover and dust jacket.

As told to Eva Maria Chapman, the story of Viktoria Mullova's life is one of striking contrasts and huge challenges. She stunned the world when, along with her Georgian lover, she defected from the USSR as a 23-yearold in 1983, famously leaving behind the priceless Stradivarius with which she had won the coveted gold medal at the International Tchaikovsky Competition. With nothing but her violin bow and her astonishing looks, she went on to conquer the classical world stage. Mullova's life consists of two halves. The first was spent in the austere totalitarian society of the USSR and the second half in the expansive liberalism of the West. The book tell us how she has assimilated these antithetical experiences in her music, and her personal life makes for a compelling story. Her own history is particularly gripping, with the background of the terror and uncertainty of Cold War Russia. This is an amazing true story of adventure, fear, love and music.

Eva-Maria Westbroek, Susan Bickley, Jeremy White, Rebecca de Pont Davies, Lore Lixenberg, Grant Doyle, Gerald Finley, Andrew Rees, Alan Rees, Alan Oke, Peter Hoare, Jeffrey Lloyd-Roberts, Allison Cook, and Dominic Rowntree star in this Royal Opera production.

2009 3 X CD 250th Anniversary edition of Salomo (Salomon) Oratorium in Drei Akten HWV 67. Rundfunk Sinfonie Orchester Berlin conducted by Heinz Rogner. Performers include Marga Schiml, Eberhard Buchner, Hermann Christian Polster, Regina Werner, Eva Maria Bundschuh, Helga Termer & more.

Alec Guinness takes center stage as Adolf Hitler in director Ennio de Concini's (Daniel and Maria) Hitler: The Last Ten Days. Leading up to Hitler's suicide, the film recounts the final days of strategizing and infighting among the Fuhrer's closest advisors, as well as his relationship with Eva Braun (Doris Kunstmann, Funny Games) within the confines of the infamous underground bunker. Alec Guinness' performance offers the viewer a rare look inside the mind of a mad man - manic, irrational, cont

This is the Royal Opera's first complete presentation of Puccini's Il trittico since 1965. Leading director Richard Jones staged his witty, darkly comic realization of Gianni Schicchi for the Royal Opera in 2007, and here he completes the trio. Antonio Pappano conducts an acclaimed cast including Eva-Maria Westbroek, Ermonela Jaho, Lucio Gallo, Elena Zilio and rising star Francesco Demuro in these three one-act works, which were broadcast on BBC Radio 3 and went to cinemas world-wide in February