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Im Jahre 1903 erschien, herausgegeben von Paul Kaiser, die erste neuzeitliche Ausgabe des Werkes ""Cause et Cure"". Kaiser schrieb diesen Text Hildegard von Bingen zu. Die Edition Kaiser war ein Jahrhundert lang die maßgebliche Textversion gleichwohl wurde in Rezensionen bald nach Erscheinen auf Mängel und offensichtliche Schwächen hingewiesen (Transkriptionsfehler, keine nennenswerten Apparate, sprachliche Anpassungen an das klassische Latein).Das Werk ""Cause et Cure"" selbst hat zu Forschungen in erheblicher Zahl und mit breiter Wirkung auf die Erforschung der Medizingeschichte angeregt: hinsichtlich der überaus schmalen handschriftlichen Überlieferung (eine Handschrift und ein Fragment in Berlin letzteres wurde in den 50er Jahren von Heinrich Schipperges neu entdeckt und publiziert) in bezug auf die darin verarbeiteten Quellen in bezug auf den authentischen Anteil Hildegards an diesem Werk hinsichtlich der Datierung der Endredaktion über das mittelhochdeutsche pharmakologisch-medizinische Vokabular etc.Die international herausragende Spezialistin für die Medizin Hildegards von Bingen, die französische Historikerin Laurence Moulinier unternimmt in dieser Ausgabe, in Zusammenarbeit mit Rainer Berndt, eine neue kritische Ausgabe. Diese beruht auf einer vollständigen Neuherstellung des kritischen Textes aus der einzigen vollständigen, der Kopenhagener Handschrift. Im Quellenapparat sind die gesamten Forschungsergebnisse der letzten Jahre rezipiert. Der Text wird begleitet von vier Apparaten: Zitationen, Quellen, Similia im Werk Hildegards, Textapparat. Das medizinische Vokabular erfährt dabei besondere Aufmerksamkeit, indem es mit zeitgenössischen Parallelen verglichen wird.Die entscheidende Authentizitätsproblematik diskutiert die Herausgeberin in extenso. So kann sie präzise einen ursprünglichen Hildegardschen Kerntextbestand ausmachen, der von späteren Redaktoren erweitert worden ist dergestalt, dass schließlich der vorliegende Text aus diesem Prozess her

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·With around 190 works by the German ceramicist Beate Kuhn (1927-2015) from over five decades and all periods of creativity, the Freiberger Collection provides an outstanding review of the impressive oeuvre of this internationally renowned artist·Featuring many previously unseen ceramics in new photographs taken for this publication· Beate Kuhn's works are owned by leading museums worldwide, including the GRASSI Museum of Applied Art Leipzig; Hetjens-Museum, Düsseldorf; Musée Ariana, Geneva; Museum Bellerive, Zurich; Museum Boijmans Van Beuningen, Rotterdam; National Museum of Modern Art, Kyoto; Taipeh Fine Arts Museum; and the Victoria and Albert Museum, LondonWith her unmistakable signature and exuberant imagination, Beate Kuhn (1927-2015) is one of the most significant German ceramicists of the post-war era. She turned to the liberal arts as early as the end of the 1950s. In linking sculptural reasoning with the possibilities of the material and inherent pottery techniques, the internationally renowned artist conquered the frontiers of ceramics and created virtuosic works that went on to form their own contribution to the history of modern sculpture.With around 190 works from all her periods of creativity, the Mannheim architect Klaus Freiberger was able to compile a collection unmatched anywhere else in the world. In honour of its foundation at the Neue Sammlung, the impressive oeuvre of Beate Kuhn is now being presented for the first time in this comprehensive publication.This book accompanies an exhibition at Die Neue Sammlung - The Design Museum, Munich (DE), 13th July - 19th November 2017.Text in English and German.

·With around 190 works by the German ceramicist Beate Kuhn (1927-2015) from over five decades and all periods of creativity, the Freiberger Collection provides an outstanding review of the impressive oeuvre of this internationally renowned artist·Featuring many previously unseen ceramics in new photographs taken for this publication· Beate Kuhn's works are owned by leading museums worldwide, including the GRASSI Museum of Applied Art Leipzig; Hetjens-Museum, Düsseldorf; Musée Ariana, Geneva; Museum Bellerive, Zurich; Museum Boijmans Van Beuningen, Rotterdam; National Museum of Modern Art, Kyoto; Taipeh Fine Arts Museum; and the Victoria and Albert Museum, LondonWith her unmistakable signature and exuberant imagination, Beate Kuhn (1927-2015) is one of the most significant German ceramicists of the post-war era. She turned to the liberal arts as early as the end of the 1950s. In linking sculptural reasoning with the possibilities of the material and inherent pottery techniques, the internationally renowned artist conquered the frontiers of ceramics and created virtuosic works that went on to form their own contribution to the history of modern sculpture.With around 190 works from all her periods of creativity, the Mannheim architect Klaus Freiberger was able to compile a collection unmatched anywhere else in the world. In honour of its foundation at the Neue Sammlung, the impressive oeuvre of Beate Kuhn is now being presented for the first time in this comprehensive publication.This book accompanies an exhibition at Die Neue Sammlung - The Design Museum, Munich (DE), 13th July - 19th November 2017.Text in English and German.

Im Jahre 1903 erschien, herausgegeben von Paul Kaiser, die erste neuzeitliche Ausgabe des Werkes ""Cause et Cure"". Kaiser schrieb diesen Text Hildegard von Bingen zu. Die Edition Kaiser war ein Jahrhundert lang die maßgebliche Textversion gleichwohl wurde in Rezensionen bald nach Erscheinen auf Mängel und offensichtliche Schwächen hingewiesen (Transkriptionsfehler, keine nennenswerten Apparate, sprachliche Anpassungen an das klassische Latein).Das Werk ""Cause et Cure"" selbst hat zu Forschungen in erheblicher Zahl und mit breiter Wirkung auf die Erforschung der Medizingeschichte angeregt: hinsichtlich der überaus schmalen handschriftlichen Überlieferung (eine Handschrift und ein Fragment in Berlin letzteres wurde in den 50er Jahren von Heinrich Schipperges neu entdeckt und publiziert) in bezug auf die darin verarbeiteten Quellen in bezug auf den authentischen Anteil Hildegards an diesem Werk hinsichtlich der Datierung der Endredaktion über das mittelhochdeutsche pharmakologisch-medizinische Vokabular etc.Die international herausragende Spezialistin für die Medizin Hildegards von Bingen, die französische Historikerin Laurence Moulinier unternimmt in dieser Ausgabe, in Zusammenarbeit mit Rainer Berndt, eine neue kritische Ausgabe. Diese beruht auf einer vollständigen Neuherstellung des kritischen Textes aus der einzigen vollständigen, der Kopenhagener Handschrift. Im Quellenapparat sind die gesamten Forschungsergebnisse der letzten Jahre rezipiert. Der Text wird begleitet von vier Apparaten: Zitationen, Quellen, Similia im Werk Hildegards, Textapparat. Das medizinische Vokabular erfährt dabei besondere Aufmerksamkeit, indem es mit zeitgenössischen Parallelen verglichen wird.Die entscheidende Authentizitätsproblematik diskutiert die Herausgeberin in extenso. So kann sie präzise einen ursprünglichen Hildegardschen Kerntextbestand ausmachen, der von späteren Redaktoren erweitert worden ist dergestalt, dass schließlich der vorliegende Text aus diesem Prozess her

·With around 190 works by the German ceramicist Beate Kuhn (1927-2015) from over five decades and all periods of creativity, the Freiberger Collection provides an outstanding review of the impressive oeuvre of this internationally renowned artist·Featuring many previously unseen ceramics in new photographs taken for this publication· Beate Kuhn's works are owned by leading museums worldwide, including the GRASSI Museum of Applied Art Leipzig; Hetjens-Museum, Düsseldorf; Musée Ariana, Geneva; Museum Bellerive, Zurich; Museum Boijmans Van Beuningen, Rotterdam; National Museum of Modern Art, Kyoto; Taipeh Fine Arts Museum; and the Victoria and Albert Museum, LondonWith her unmistakable signature and exuberant imagination, Beate Kuhn (1927-2015) is one of the most significant German ceramicists of the post-war era. She turned to the liberal arts as early as the end of the 1950s. In linking sculptural reasoning with the possibilities of the material and inherent pottery techniques, the internationally renowned artist conquered the frontiers of ceramics and created virtuosic works that went on to form their own contribution to the history of modern sculpture.With around 190 works from all her periods of creativity, the Mannheim architect Klaus Freiberger was able to compile a collection unmatched anywhere else in the world. In honour of its foundation at the Neue Sammlung, the impressive oeuvre of Beate Kuhn is now being presented for the first time in this comprehensive publication.This book accompanies an exhibition at Die Neue Sammlung - The Design Museum, Munich (DE), 13th July - 19th November 2017.Text in English and German.

For the first time National Book Award winner Walter Wangerin Jr turns his keen eye upon the craft of writing By adding a lifetime of experience to the wisdom and examples of other writers Shakespeare Goethe Berry Chaucer and many more he builds for us an intricate picture of the craft and its subtlties But in revealing his personal missteps his own processes and his own story Wangerin provides lampposts for young writers as they embark on the long road toward mastery Through practical advice ethical considerations and a master s definition of art itself Wangerin draws us all closer to what it means to write and to write well

Unread book in perfect condition.

·With around 190 works by the German ceramicist Beate Kuhn (1927-2015) from over five decades and all periods of creativity, the Freiberger Collection provides an outstanding review of the impressive oeuvre of this internationally renowned artist·Featuring many previously unseen ceramics in new photographs taken for this publication· Beate Kuhn's works are owned by leading museums worldwide, including the GRASSI Museum of Applied Art Leipzig; Hetjens-Museum, Düsseldorf; Musée Ariana, Geneva; Museum Bellerive, Zurich; Museum Boijmans Van Beuningen, Rotterdam; National Museum of Modern Art, Kyoto; Taipeh Fine Arts Museum; and the Victoria and Albert Museum, LondonWith her unmistakable signature and exuberant imagination, Beate Kuhn (1927-2015) is one of the most significant German ceramicists of the post-war era. She turned to the liberal arts as early as the end of the 1950s. In linking sculptural reasoning with the possibilities of the material and inherent pottery techniques, the internationally renowned artist conquered the frontiers of ceramics and created virtuosic works that went on to form their own contribution to the history of modern sculpture.With around 190 works from all her periods of creativity, the Mannheim architect Klaus Freiberger was able to compile a collection unmatched anywhere else in the world. In honour of its foundation at the Neue Sammlung, the impressive oeuvre of Beate Kuhn is now being presented for the first time in this comprehensive publication.This book accompanies an exhibition at Die Neue Sammlung - The Design Museum, Munich (DE), 13th July - 19th November 2017.Text in English and German.

Papers from a conference held June 2008, Koc University.

Flexing her funny bone, these adidas x AVAVAV SUPERFINGER SUPERSTAR see designer Beate Karlsson take on the world of sportswear. Featuring a classic superstar design that's made with grained leather, unusual and unique fingers attached on the toe cap are detachable and can be as a bag. Leather Upper, Detachable Rubber Fingers, Lace Closure, Rubber Outsole, Style Code: JP7141. Adidas Women's by Avavav Superfinger Superstar Sneaker in Core Black/Off White, Size UK 8

Tama HP30 single kick drum pedal featuring the same offset cam design as the Iron Cobra Power Glide offering increased power and speed as the beate...

Beate Karlsson of AVAVAV brings an eccentric edge to the running track, reinterpreting adidas heritage to highlight the contrast between high-performance athleticism and fashion's enduring, often impractical, obsession with sportswear. This super puffy jacket in adidas’ signature “Better Scarlet” red is oversized in both proportions and style, detailed with subtle co-branding on each side of the chest. And of course, the 3-Stripes line each sleeve to drive home adidas’ archival legacy. 100% Recycled Polyester, Funnel Neck, Zip Closure, Embroidered Branding, Adidas. Adidas Women's by Avavav Puffer Jacket in Better Scarlet, Size Medium

Debuted at Milan Fashion Week, Beate Karlsson’s AVAVAV offers a bold reinterpretation of adidas’ sporting legacy. Sharply cropped, this track top from the capsule is styled with thick contrasting trims and thumbholes on the cuffs. Made from sporty nylon, it’s detailed with co-branding on the chest and of the iconic 3-Stripes down each sleeve, naturally. 100% Cotton, Loose Fit, Cropped Length, Side Pockets, Embroidered Branding, Ribbed Cuffs & Hem, Adidas. Adidas Women's by Avavav Cropped Track Top in Better Scarlet, Size Small

Debuted at Milan Fashion Week, Beate Karlsson’s AVAVAV offers a bold reinterpretation of adidas’ sporting legacy. Sharply cropped, this track top from the capsule is styled with thick contrasting trims and thumbholes on the cuffs. Made from sporty nylon, it’s detailed with co-branding on the chest and of the iconic 3-Stripes down each sleeve, naturally. 100% Cotton, Loose Fit, Cropped Length, Side Pockets, Embroidered Branding, Ribbed Cuffs & Hem, Adidas. Adidas Women's by Avavav Cropped Track Top in Better Scarlet, Size Large

Debuted at Milan Fashion Week, Beate Karlsson’s AVAVAV offers a bold reinterpretation of adidas’ sporting legacy. Sharply cropped, this track top from the capsule is styled with thick contrasting trims and thumbholes on the cuffs. Made from sporty nylon, it’s detailed with co-branding on the chest and of the iconic 3-Stripes down each sleeve, naturally. 100% Cotton, Loose Fit, Cropped Length, Side Pockets, Embroidered Branding, Ribbed Cuffs & Hem, Adidas. Adidas Women's by Avavav Cropped Track Top in Better Scarlet, Size X-Large

Flexing her funny bone, these adidas x AVAVAV SUPERFINGER SUPERSTAR see designer Beate Karlsson take on the world of sportswear. Featuring a classic superstar design that's made with grained leather, unusual and unique fingers attached on the toe cap are detachable and can be as a bag. Leather Upper, Detachable Rubber Fingers, Lace Closure, Rubber Outsole, Style Code: JP7141. Adidas Women's by Avavav Superfinger Superstar Sneaker in Core Black/Off White, Size UK 9

Debuted at Milan Fashion Week, Beate Karlsson’s AVAVAV offers a bold reinterpretation of adidas’ sporting legacy. Sharply cropped, this track top from the capsule is styled with thick contrasting trims and thumbholes on the cuffs. Made from sporty nylon, it’s detailed with co-branding on the chest and of the iconic 3-Stripes down each sleeve, naturally. 100% Cotton, Loose Fit, Cropped Length, Side Pockets, Embroidered Branding, Ribbed Cuffs & Hem, Adidas. Adidas Women's by Avavav Cropped Track Top in Better Scarlet, Size X-Small