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During the period 1890-1910 the German Army of Kaiser Wilhelm II was ablaze in color, particularly the Garde and Cavalry regiments. In this superb new volume the author brings to the student of uniforms, as well as the art and military historian, the true glory of this brief, but most colorful time. Carl Becker was a skillful and talented artist of the late 19th and early 20th centuries, whose treatment of German uniforms, the military pomp and ceremony, as well as the work-a-day activities of the Kaiser's army, are both realistically and artistically among the very best. The 104 never before published uniform plates are a treasure trove of color, action, and rarity which have only been viewed by a select few before this publication. The additional illustrations from books and the postcard art reproduced here well display the scope and depth of Becker's work. Technically correct, and artistically rendered on the subject of Kaiser Wilhelm II's flamboyant army of 1890-1910, this book will be a welcome addition to the library of the collector, the student of military costume, modelers and the appreciator of well executed military art.

During the period 1890-1910 the German Army of Kaiser Wilhelm II was ablaze in color, particularly the Garde and Cavalry regiments. In this superb new volume the author brings to the student of uniforms, as well as the art and military historian, the true glory of this brief, but most colorful time. Carl Becker was a skillful and talented artist of the late 19th and early 20th centuries, whose treatment of German uniforms, the military pomp and ceremony, as well as the work-a-day activities of the Kaiser's army, are both realistically and artistically among the very best. The 104 never before published uniform plates are a treasure trove of color, action, and rarity which have only been viewed by a select few before this publication. The additional illustrations from books and the postcard art reproduced here well display the scope and depth of Becker's work. Technically correct, and artistically rendered on the subject of Kaiser Wilhelm II's flamboyant army of 1890-1910, this book will be a welcome addition to the library of the collector, the student of military costume, modelers and the appreciator of well executed military art.

In Shooting from the Hip, Patricia Vettel-Becker reveals how photography helped to reconstruct and redefine the American idea of masculinity after the traumas of World War II. She argues that from 1945 to 1960 photography became increasingly concerned with restoring the male body and psyche, glorifying traditional masculinity - cowboys, boxers, athletes, military men - while treading carefully in an increasingly homophobic Cold War climate. Examining photojournalism as well as art and fashion photography, Shooting from the Hip finds in the crisp images of postwar photography five models of masculinity - the breadwinner, the action hero, the tough guy, the playboy, and the rebel. Vettel- Becker shows how the professionalization of photography itself was an attempt by male photographers to identify themselves as breadwinners. She goes on to analyze combat photography, exposing its valorization of action, subjugation of the enemy, and the use of the blurred shot to signify credibility. She links street photography - heir to Depression-era social documentary - with hard-boiled crime photography, exemplified in the works of William Klein and Weegee. And sexualized fashion models and their relationships with photographers, such as Richard Avedon and Irving Penn, fuel the ideal of the consummate playboy. Finally, Vettel-Becker demonstrates the authentic and sometimes rebellious nature of the male body as presented by sports photographers and others influenced by the Beat generation, including Robert Frank and Bruce Davidson. Taking a wide view of postwar photography, Vettel-Becker presents it as the triumph of a new form of modernist photography, centered on individual expression and the seductive image of the male body, and stimulated by a quest for the existential truth of masculinity.