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The Berlin Collection features compelling global inspired designs brimming with elegance and grace. The perfect addition for any home, these pieces will add eclectic charm to any room. The meticulously woven construction of these pieces boasts durability and will provide natural charm into your decor space. Made with Polypropylene; Polyester in Turkey, and has Medium Pile. Spot Clean Only, 1-Year Limited Warranty. Color: Black/Cream. Pattern: Abstract.

The Berlin Collection features compelling global inspired designs brimming with elegance and grace. The perfect addition for any home, these pieces will add eclectic charm to any room. The meticulously woven construction of these pieces boasts durability and will provide natural charm into your decor space. Made with Polypropylene; Polyester in Turkey, and has Medium Pile. Spot Clean Only, 1-Year Limited Warranty. Color: Black/Cream. Pattern: Abstract.

The Berlin Collection features compelling global inspired designs brimming with elegance and grace. The perfect addition for any home, these pieces will add eclectic charm to any room. The meticulously woven construction of these pieces boasts durability and will provide natural charm into your decor space. Made with Polypropylene; Polyester in Turkey, and has Medium Pile. Spot Clean Only, 1-Year Limited Warranty. Color: Butter/Black. Pattern: Abstract.

The Berlin Collection features compelling global inspired designs brimming with elegance and grace. The perfect addition for any home, these pieces will add eclectic charm to any room. The meticulously woven construction of these pieces boasts durability and will provide natural charm into your decor space. Made with Polypropylene; Polyester in Turkey, and has Medium Pile. Spot Clean Only, 1-Year Limited Warranty. Color: Black/Cream. Pattern: Abstract.

The Berlin Collection features compelling global inspired designs brimming with elegance and grace. The perfect addition for any home, these pieces will add eclectic charm to any room. The meticulously woven construction of these pieces boasts durability and will provide natural charm into your decor space. Made with Polypropylene; Polyester in Turkey, and has Medium Pile. Spot Clean Only, 1-Year Limited Warranty. Color: Black/Gray. Pattern: Abstract.

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How do stories of particular events turn into global myths, while others fade away? What becomes known and seen as a global iconic event? In Stories without Borders, Julia Sonnevend considers the ways in which we recount and remember news stories of historic significance. Focusing on journalists covering the fall of the Berlin Wall and on subsequent retellings of the event in a variety of ways - from Legoland reenactments to slabs of the Berlin Wall installed in global cities - Sonnevend discusses how certain events become built up so that people in many parts of the world remember them for long periods of time. She argues that five dimensions determine the viability and longevity of international news events. First, a foundational narrative must be established with certain preconditions. Next, the established narrative becomes universalized and a mythical message developed. This message is then condensed and encapsulated in a simple phrase, a short narrative, and a recognizable visual scene. Counter-narratives emerge that reinterpret events and in turn facilitate their diffusion across multiple media platforms and changing social and political contexts. Sonnevend examines these five elements through the developments of November 9, 1989 - what came to be known as the fall of the Berlin Wall. Stories Without Borders concludes with a discussion of how global iconic events have an enduring effect on individuals and societies, pointing out that after common currencies, military alliances, and international courts have failed, stories may be all that we have to bring hope and unity.

This book explains how and why Berlin became the symbolic capital of the Cold War. Paul Steege anchors his account of this emerging global conflict in the terrain of a city literally shattered by World War II. By focusing on what happened 'on the ground' in Berlin, the book shows how ordinary people mattered for the development of a global Cold War that dominated world affairs for four decades and offers an interpretive framework with which to reevaluate international conflict in the present.

This book explains how and why Berlin became the symbolic capital of the Cold War. Paul Steege anchors his account of this emerging global conflict in the terrain of a city literally shattered by World War II. By focusing on what happened 'on the ground' in Berlin, the book shows how ordinary people mattered for the development of a global Cold War that dominated world affairs for four decades and offers an interpretive framework with which to reevaluate international conflict in the present.

The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture.The invasion of Germany by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. On the one hand it fueled an impassioned debate about the properties of cinema and the specter of wholesale Americanization. On the other hand it spawned unprecedented levels of cooperation and exchange.In Berlin, American motion pictures not only entertained all social classes and film tastes but also served as a vehicle for American values and a source of sharp economic competition. Hollywood in Berlin correlates the changing forms of Hollywood's contributions to Weimar culture and the discourses that framed and interpreted them, restoring historical contours to a leading aspect of cultural interchange in this century. At the same time, the book successfully embeds Weimar cinema in its contemporary international setting.

This book explains how and why Berlin became the symbolic capital of the Cold War. Paul Steege anchors his account of this emerging global conflict in the terrain of a city literally shattered by World War II. By focusing on what happened 'on the ground' in Berlin, the book shows how ordinary people mattered for the development of a global Cold War that dominated world affairs for four decades and offers an interpretive framework with which to reevaluate international conflict in the present.

This book explains how and why Berlin became the symbolic capital of the Cold War. Paul Steege anchors his account of this emerging global conflict in the terrain of a city literally shattered by World War II. By focusing on what happened 'on the ground' in Berlin, the book shows how ordinary people mattered for the development of a global Cold War that dominated world affairs for four decades and offers an interpretive framework with which to reevaluate international conflict in the present.

The fast-track guide for the smart traveller.Your passport to global style, Wallpaper* City Guides present an insider's checklist of all you need to know about the world's most intoxicating cities. Under slick Pantone covers, these pocket-sized travel bibles unearth the hippest nightlife, the buzziest hotels, the coolest retail, the most influential art galleries and cultural spaces, the best in local design and the contemporary architecture that defines a city.

Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability—at the level of literature, history, and politics—to grasp the scale and violence of climate change. The extreme nature of today’s climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the novel; they are automatically consigned to other genres. In the writing of history, too, the climate crisis has sometimes led to gross simplifications; Ghosh shows that the history of the carbon economy is a tangled global story with many contradictory and counterintuitive elements. Ghosh ends by suggesting that politics, much like literature, has become a matter of personal moral reckoning rather than an arena of collective action. But to limit fiction and politics to individual moral adventure comes at a great cost. The climate crisis asks us to imagine other forms of human existence—a task to which fiction, Ghosh argues, is the best suited of all cultural forms. His book serves as a great writer’s summons to confront the most urgent task of our time.  

At the Berlin Auto Show in 1938, Adolf Hitler presented the prototype for a small, oddly shaped, inexpensive family car that all good Aryans could enjoy. Decades later, that automobile-the Volkswagen Beetle-was one of the most beloved in the world. Bernhard Rieger examines culture and technology, politics and economics, and industrial design and advertising genius to reveal how a car commissioned by Hitler and designed by Ferdinand Porsche became an exceptional global commodity on a par with Coca-Cola.Beyond its quality and low cost, the Beetle's success hinged on its uncanny ability to capture the imaginations of people across nations and cultures. In West Germany, it came to stand for the postwar "economic miracle" and helped propel Europe into the age of mass motorization. In the United States, it was embraced in the suburbs, and then prized by the hippie counterculture as an antidote to suburban conformity. As its popularity waned in the First World, the Beetle crawled across Mexico and Latin America, where it symbolized a sturdy toughness necessary to thrive amid economic instability.Drawing from a wealth of sources in multiple languages, The People's Car presents an international cast of characters-executives and engineers, journalists and advertisers, assembly line workers and car collectors, and everyday drivers-who made the Beetle into a global icon. The Beetle's improbable story as a failed prestige project of the Third Reich which became a world-renowned brand illuminates the multiple origins, creative adaptations, and persisting inequalities that characterized twentieth-century globalization.

With the collapse of the Soviet Union, the fall of the Berlin Wall, and the deregulation of international financial markets in 1989, governments and entrepreneurs alike became intoxicated by forecasts of limitless expansion into newly open markets. No one would foresee that the greatest success story to arise from these events would be the globalization of organized crime. Current estimates suggest that illegal trade accounts for nearly one-fifth of global GDP.McMafia is a fearless, encompassing, wholly authoritative investigation of the now proven ability of organized crime worldwide to find and service markets driven by a seemingly insatiable demand for illegal wares. Whether discussing the Russian mafia, Colombian drug cartels, or Chinese labor smugglers, Misha Glenny makes clear how organized crime feeds off the poverty of the developing world, how it exploits new technology in the forms of cybercrime and identity theft, and how both global crime and terror are fueled by an identical source: the triumphant material affluence of the West.To trace the disparate strands of this hydra-like story, Glenny talked to police, victims, politicians, and members of the global underworld in eastern Europe, North and South America, Africa, the Middle East, China, Japan, and India. The story of organized crime’s phenomenal, often shocking growth is truly the central political story of our time. McMafia will change the way we look at the world.

In March 1977, John "Johnny Rotten" Lydon of the punk band the Sex Pistols looked over the Berlin wall onto the grey, militarized landscape of East Berlin, which reminded him of home in London. Lydon went up to the wall and extended his middle finger. He didn't know it at the time, but the Sex Pistols' reputation had preceded his gesture, as young people in the "Second World" busily appropriated news reports on degenerate Western culture as punk instruction manuals. Soon after, burgeoning Polish punk impresario Henryk Gajewski brought the London punk band the Raincoats to perform at his art gallery and student club-the epicenter for Warsaw's nascent punk scene. When the Raincoats returned to England, they found London erupting at the Rock Against Racism concert, which brought together 100,000 "First World" UK punks and "Third World" Caribbean immigrants who contributed their cultures of reggae and Rastafarianism. Punk had formed networks reaching across all three of the Cold War's "worlds".The first global narrative of punk, Punk Crisis examines how transnational punk movements challenged the global order of the Cold War, blurring the boundaries between East and West, North and South, communism and capitalism through performances of creative dissent. As author Raymond A. Patton argues, punk eroded the boundaries and political categories that defined the Cold War Era, replacing them with a new framework based on identity as conservative or progressive. Through this paradigm shift, punk unwittingly ushered in a new era of global neoliberalism.

UN STUDIO Mercedes-Benz Museum Stuttgart, Germany MORPHOSIS University of Cincinnati Campus Recreation Center Cincinnati, Ohio, U.S.A. OMA Netherlands Embassy Berlin Berlin, Germany RICHARD ROGERS New Area Terminal, Madrid Barajas Airport Madirid, Spain RICHARD ROGERS National Assembly for Wales Cardiff, Wales, U.K. RICHARD ROGERS Antwerp Law Courts Antwerp, Belgium

Prepared for the World Commission on Twenty-First Century Urbanization Conference in Berlin in July 2000. This book is an entirely new and comprehensive review of the state of world urban development at the millennium and a forecast of the main issues that will dominate urban debates in the next 25 years. It is the most significant book on cities and city planning problems to appear for many years.

The 12 Cellists of the Berlin Philharmonic have enjoyed the adoration of a global fan club ever since their debut in Tokyo, and not Berlin, decades ago. The 8cd, 1978-2010 albums, brought together in this format for the first time, document all the facets of the instrument's technical range in breathtaking and sensuous cello works from Bach to the Beatles, from film hits to chansons and jazz, and from South American music to the avant-garde style of the likes of Iannis Xenakis, who wrote origina