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W : 392 Pages, 300 Ills. Quarterbound Hardcover 23 x 29 cm - The associations and connections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common. This richly illustrated catalogue is the first to undertake a profound exploration of this multilayered relationship, while investigating both artists' future-oriented potential.

The Visvim Beuys Trekker-Folk Boots are a versatile shoe that can be styled for any occasion. Crafted from vegetable tanned leather, these hand-sewn shoes are finished with tonal embossed branding on the heel for a subtle brand hit that symbolises unbeatable quality. Vegetable Tanned Cowhide, Crepe Outsole, Hand-Sewn Upper, Cork Insole, Lace Up Closure, Embossed Branding. Visvim Women's Beuys Trekker Folk in Camel, Size UK 4

Neu -Keinen anderen Künstler hat Joseph Beuys in Gesprächen und Interviews häufiger erwähnt als den um eine Generation älteren Marcel Duchamp. Und kaum jemand schien ihn stärker herauszufordern. Direkter Beleg dafür ist die häufig zitierte Aktion »Das Schweigen von Marcel Duchamp wird überbewertet« von 1964, mit der Beuys die politisch-gesellschaftliche Dimension seines erweiterten Kunstbegriffs in den Fokus rücken wollte. Die Bezüge und Verbindungen zwischen den Künstlern reichen tief. Beide nutzten ähnlich radikale Strategien, um den Begriff von Kunst und die Rolle der Kunst im Alltag zu erneuern; ihre Fragestellungen berühren sich in einer Vielzahl von Aspekten. Dieser reich bebilderte Katalog nimmt erstmals eine profunde Auseinandersetzung mit diesem vielschichtigen Verhältnis vor und untersucht die zukunftsweisenden Potenziale beider Künstler. 392 pp. Deutsch

Verleger: Hatje Cantz Verlag . Herausgeber: Holzhey, Magdalena ; Neuburger, Katharina ; Roeder, Kornelia . Datum: 2021. 392 Seiten mit meist farb. 300 Abb. . Deutsch . 4to. (Quartformat). Texte von: Hans Dickel, Antje von Graevenitz, Gerhard Graulich, Christa-Maria Lerm Hayes, Katharina Neuburger, Leah Sweet. deutsche ausgabe. AK Kunstmuseen Krefeld (Kaiser Wilhelm Museum), 8.10.202116.1.2022. gepr. OHalblneinbd./ Hardcover. Keinen anderen Kuenstler hat Joseph Beuys in Gespraechen und Interviews haeufiger erwaehnt als den um eine Generation aelteren Marcel Duchamp. Und kaum jemand schien ihn staerker herauszufordern. Direkter Beleg dafuer ist die haeufig zitierte Aktion Das Schweigen von Marcel Duchamp wird ueberbewertet von 1964, mit der Beuys die politisch-gesellschaftliche Dimension seines erweiterten Kunstbegriffs in den Fokus ruecken wollte. Die Bezuege und Verbindungen zwischen den Kuenstlern reichen tief. Beide nutzten aehnlich radikale Strategien, um den Begriff von Kunst und die Rolle der Kunst im Alltag zu erneuern; ihre Fragestellungen beruehren sich in einer Vielzahl von Aspekten. Dieser reich bebilderte Katalog nimmt erstmals eine profunde Auseinandersetzung mit diesem vielschichtigen Verhaeltnis vor und untersucht die zukunftsweisenden Potenziale beider Kuenstler. sehr gutes Exemplar. 978-3-7757-5067-7.

239 Seiten ; 30 cm NEUBUCH ! 9783775751087 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 550

Unread book in perfect condition.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Unread book in perfect condition.

New Book. Shipped from UK. Established seller since 2000.

239 Seiten mit zahlreichen Illustrationen. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1400

151 S. Einband gering berieben u. bestaubt // Beuys, Joseph , Christologie , Gespräch, Christliche Religion, Bildende Kunst NG017 9783460328617 *.* Sprache: Deutsch Gewicht in Gramm: 360

An in-depth look at the fascinating sculptural works of one of the twentieth century's most innovative artists. Joseph Beuys (1921-86), - the German sculptor, teacher, activist and performance artist, became one of the most influential figures in modern and contemporary art. His charismatic presence, extraordinary life, and unconventional artistic style gained him international fame and notoriety during the 1960s, '70s, and '80s. Beuys's innovative influence is particularly felt in the field of sculpture, whose definition he expanded to encompass performance art, activism and site-specific environments. His use of unconventional materials including fat, felt, honey, blood and living trees reflected both the mythologising of his personal history and his growing political commitment. This beautifully illustrated book investigates Beuys's sculpture, arguably the most fundamental aspect of his artistic work, as well as his extraordinary influence. Featured objects include a selection of Beuys's remarkable vitrines, cousins of standard museum presentations, featuring both hand-made and found objects blackboards on which he jused in delivering lectures and performances; room-sized environments; and many other objects that served as physical documentation of Beuys's performances. With a comprehensive chronology of Beuys's activities both as an artist and activist, this book is essential for those interested in the life, work, and legacy of one of twentieth century art's most intriguing figures.

Out of print since 1999, the classic catalogue raisonnª of Joseph Beuys's multiples is available again at last. Beuys, the most influential German--and perhaps the most influential European--artist of the postwar period, was born in 1921. He had planned to be a doctor, but following World War II he enrolled in the Dsseldorf Academy of Art. As a professor there in the early 1960s he encountered the influence of Fluxus and began to make and show the multiples--prints and boxes and other objects in editions--that became such a key part of his work. Those highlighted here include sleds, pieces of felt, signed head shots of the artist and texts calligraphed onto bank notes in francs, marks and schillings. Bruno Cora Tea mocks both mass production and boutique cachet by refilling a Coca-Cola bottle with tea, resealing it with flourishes worthy of a Belgian beer, and putting the whole thing in a glass-fronted box. Joseph Beuys: Multiples includes some 600 pieces, annotated lists of the major collections where they can be found, essays from significant curators and scholars and an interview with the artist.

In shrink wrap. Looks like an interesting title!

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

On January 9th, 1974, Joseph Beuys travelled to America for the very first time in his life. His trip was meticulously planned, with an art/performance scheduled in between each airplane, taxi and hotel, at prominent universities and galleries. Each venture in the New World was documented in these photographs. Single shots, sequences and photo-novels were produced, in addition to film stills and the movies Dillinger and The Dead Eyes of London. Beuys himself put together the layout for this book just before he died in October 1985. This unique travel report, which lay unpublished for over 20 years, is now presented in the exact format intended by Beuys.

The early drawings and watercolors of Joseph Beuys are counted among the treasures of international public and private collections. They are works of the highest artistic sensitivity, their filigree aesthetics as impressive as their conceptual and emotional depth. For Beuys, working on paper had an existential character. Drawing and painting with watercolors was a form of exploring a spiritual world of images which provided him with the fundamental relationships and terms for his later work as a politically active artist. To illustrate the entire wealth of Beuys’ language of images, we have decided to combine two separately published volumes of watercolors (1989) and drawings (1992). Together they will provide a handy guide to Beuys’ complex œuvre for all future Beuys exhibitions.

[319] S. : überwiegend Ill. ; 21 cm Exemplar mit Gebrauchsspuren (das kann heißen: das Buch KANN normale Leseverformung wie Knicke am Buchrücken, oder leichte Nachdunklung o. ä. haben oder auch, obwohl unbeschädigt, als Mängelexemplar gekennzeichnet sein, ferner können auch Notizen oder Unterstreichungen im Text vorhanden sein. Alles dies zählt zur Kategorie des GUT ERHALTENEN). In jedem Falle aber dem Preis und der Zustandsnote entsprechend GUT ERHALTEN. und ACHTUNG: Die Covers können vom abgebildeten Cover und die Auflagen können von den genannten abweichen AUSSER bei meinen eigenen Bildern (die mit den aufrechtstehenden Büchern vor schwarzem Hintergrund, wie auf einer Bühne) MEINE EIGENEN BILDER SIND MASSGEBEND FÜR AUFLAGE, AUSGABE UND COVER w-011a-0423 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450

Essential texts on a legendary twentieth-century artist, including key essays by Benjamin H. D. Buchloh, Rosalind Krauss, Peter Bürger, Thierry de Duve, and others.Twentieth-century artist Joseph Beuys (1921-1986)―legendary and self-mythologizing, enigmatic and controversial―remains an important influence on artists today. Beuys embraced radically democratic artistic and political ideas, proclaiming “Everyone is an artist,” and advocating direct democracy through referenda. He famously worked with such nontraditional materials as felt, fat, and plants and animals both alive and dead. Beuys and his work―performance art, drawing, painting, sculpture, installation―received perhaps the most contentious reception of any postwar artist. This reader brings together the crucial writings on Beuys and his work, presenting key essays by prominent artists and critics from North America and Europe. With a foreword by Arthur C. Danto, “Style and Salvation in the Art of Beuys,” Benjamin H. D. Buchloh's now classic 1980 essay, “Beuys, Twilight of the Idol,” and influential texts by Vera Frenkel, Thierry de Duve, Rosalind Krauss, Peter Bürger, Irit Rogoff, and others, Joseph Beuys: The Reader is the most significant gathering of critical texts on this challenging artist that has ever been assembled. It will be essential reading for any student of Beuys and for all those interested in postwar art, the cult of the artist, and art's engagement with politics and society. ContributorsJoseph Beuys, Eugen Blume, Benjamin H. D. Buchloh, Peter Bürger, Jean-François Chevrier, Catherine David, Thierry de Duve, Vera Frenkel, Stefan Germer, Rosalind Krauss, Barbara Lange, Dirk Luckow, Claudia Mesch, Viola Michely, Irit Rogoff, Gregory Ulmer, Theodora Vischer, Antje von Graevenitz, Dorothea Zwirner

Five pages of text have underlining and marginal marks. Private blind stamp on the contents page.