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Fine copy, some traces of use to the cover. [HK12P6]

Drawing on a rich, interdisciplinary collection of U.S. and Mexican sources, this volume explores the conflict that redrew the boundaries of the North American continent in the nineteenth century. Among the many period texts included here are letters from U.S. and Mexican soldiers, governmental proclamations, songs, caricatures, poetry, and newspaper articles. An Introduction, a chronology, maps, and suggestions for further reading are also included.

An in-depth look at the people and institutions connected with the Itaipu Dam, the world’s biggest producer of renewable energyHydropolitics is a groundbreaking investigation of the world’s largest power plant and the ways the energy we use shapes politics and economics. Itaipu Binational Hydroelectric Dam straddles the Paraná River border that divides the two countries that equally co-own the dam, Brazil and Paraguay. It generates the carbon-free electricity that powers industry in both the giant of South America and one of the smallest economies of the region. Based on unprecedented access to energy decision makers, Christine Folch reveals how Paraguayans harness the dam to engineer wealth, power, and sovereignty, demonstrating how energy capture influences social structures.During the dam’s construction under the right-wing military government of Alfredo Stroessner and later during the leftist presidency of liberation theologian Fernando Lugo, the dam became central to debates about development, governance, and prosperity. Dams not only change landscapes; Folch asserts that the properties of water, transmuted by dams, change states. She argues that the dam converts water into electricity and money to produce hydropolitics through its physical infrastructure, the financial liquidity of energy monies, and the international legal agreements managing transboundary water resources between Brazil and Paraguay, and their neighbors Argentina, Bolivia, and Uruguay.Looking at the fraught political discussions about the future of the world’s single largest producer of renewable energy, Hydropolitics explores how this massive public works project touches the lives of all who are linked to it.

Illuminating the dark side of economic globalization, this book gives a rare insider's view of the migrant farmworkers' binational circuit that stretches from the west central Mexico countryside to central California. Over the course of ten years, Ann Aurelia López conducted a series of intimate interviews with farmworkers and their families along the migrant circuit. She deftly weaves their voices together with up-to-date research to portray a world hidden from most Americans―a world of inescapable poverty that has worsened considerably since NAFTA was implemented in 1994. In fact, today it has become nearly impossible for rural communities in Mexico to continue to farm the land sustainably, leaving few survival options except the perilous border crossing to the United States. The Farmworkers' Journey brings together for the first time the many facets of this issue into a comprehensive and accessible narrative: how corporate agribusiness operates, how binational institutions and laws promote the subjugation of Mexican farmworkers, how migration affects family life, how genetically modified corn strains pouring into Mexico from the United States are affecting farmers, how migrants face exploitation from employers, and more. A must-read for all Americans, The Farmworkers' Journey traces the human consequences of our policy decisions.

Since 1997, architect and installation artist Markus Heinsdorff has focused much of his work on the potential and possibilities afforded by bamboo. This volume shows how that interest played out in his design for the Sino-German pavilion at Expo 2010 in Shanghai. The pavilion, the only binational building at the Expo, employs an innovative two-story bamboo membrane structure, while the rest of the building is composed almost entirely of bamboo canes and laminates. This highly illustrated volume documents the planning and creation of the building, as well as the environmentalist ideology underlying its design. In addition, the book features a chapter that addresses some of Heinsdorff’s other projects, including an airship built in Bali, a treehouse in the canopy of a primeval forest, and a perpetually regrowing bamboo dome.

In this book, Mireya Loza sheds new light on the private lives of migrant men who participated in the Bracero Program (1942–1964), a binational agreement between the United States and Mexico that allowed hundreds of thousands of Mexican workers to enter this country on temporary work permits. While this program and the issue of temporary workers has long been politicized on both sides of the border, Loza argues that the prevailing romanticized image of braceros as a family-oriented, productive, legal workforce has obscured the real, diverse experiences of the workers themselves. Focusing on underexplored aspects of workers' lives--such as their transnational union-organizing efforts, the sexual economies of both hetero and queer workers, and the ethno-racial boundaries among Mexican indigenous braceros--Loza reveals how these men defied perceived political, sexual, and racial norms.Basing her work on an archive of more than 800 oral histories from the United States and Mexico, Loza is the first scholar to carefully differentiate between the experiences of mestizo guest workers and the many Mixtec, Zapotec, Purhepecha, and Mayan laborers. In doing so, she captures the myriad ways these defiant workers responded to the intense discrimination and exploitation of an unjust system that still persists today.

Un lugar sagrado, a sacred place where two or more are gathered in the name of community, can be found almost anywhere and yet it is elusive: a charro arena behind a rock quarry, on the pilgrimage trail to Chimayó, a curandero's shrine in South Texas, or at a binational Mass along the border. Sagrado is neither a search for identity nor a quest for a homeland but an affirmation of an ever-evolving cultural landscape. Embedded at the heart of this remarkable book, in which prose, photographs, and poems complement each other, is a photopoetic journey across the Chicano Southwest.

At its creation in 1957, NORAD was given operational control over the vast U.S. and Canadian continental air defence forces. Canada in NORAD, 1957-2007 follows Canadian involvement in the binational command as the threat shifted from Soviet bombers to ballistic missiles to terrorist-highjacked aircraft. It focuses particularly on what continental air defence has meant for the Canadian air force and for Canadian airspace and territory. It also looks at the differing Canadian and U.S. conceptions of NORAD's role in warning of nuclear attack, and the implications of Ottawa's decisions not to participate in missile defence. control over Canadian and U.S. forces, which were equipped for years with nuclear air defence weapons, as well as the command's impact on Canadian sovereignty. Finally, it outlines what Ottawa sought to achieve in the NORAD agreements with Washington, from the first one in 1958 to the most recent.

Binational cities play a pivotal role in situations of long-term conflict, and few places have been more marked by the tension between intimate proximity and visceral hostility than Jaffa, one of the "mixed towns" of Israel/Palestine. In this nuanced ethnographic and historical study, Daniel Monterescu argues that such places challenge our assumptions about cities and nationalism, calling into question the Israeli state’s policy of maintaining homogeneous, segregated, and ethnically stable spaces. Analyzing everyday interactions, life stories, and histories of violence, he reveals the politics of gentrification and the circumstantial coalitions that define the city. Drawing on key theorists in anthropology, sociology, urban studies, and political science, he outlines a new relational theory of sociality and spatiality.

Surveyors called the San Diego and Arizona Railway (SD&A) “The Impossible Railroad” because of its jagged, mountainous, and brutal desert route. The financier and driving force behind building this binational 148-mile rail connection to the east from San Diego, California, was businessman John D. Spreckels. Because of his perseverance, the jinxed 1907–1919 construction overcame a series of disasters, including the Mexican Revolution, a prolonged lawsuit, floods, World War I, labor shortages, a tunnel cave-in, and a lethal pandemic. Once up and running, the line was intermittently in and out of service and later sold and renamed the San Diego and Arizona Eastern Railway. While “The Impossible Railroad” still faces constant challenges and partial closures, freight and trolley service currently operate on its right-of-way, and tourist excursions are offered at its Campo, California, depot.

An in-depth look at the people and institutions connected with the Itaipu Dam, the world’s biggest producer of renewable energyHydropolitics is a groundbreaking investigation of the world’s largest power plant and the ways the energy we use shapes politics and economics. Itaipu Binational Hydroelectric Dam straddles the Paraná River border that divides the two countries that equally co-own the dam, Brazil and Paraguay. It generates the carbon-free electricity that powers industry in both the giant of South America and one of the smallest economies of the region. Based on unprecedented access to energy decision makers, Christine Folch reveals how Paraguayans harness the dam to engineer wealth, power, and sovereignty, demonstrating how energy capture influences social structures.During the dam’s construction under the right-wing military government of Alfredo Stroessner and later during the leftist presidency of liberation theologian Fernando Lugo, the dam became central to debates about development, governance, and prosperity. Dams not only change landscapes; Folch asserts that the properties of water, transmuted by dams, change states. She argues that the dam converts water into electricity and money to produce hydropolitics through its physical infrastructure, the financial liquidity of energy monies, and the international legal agreements managing transboundary water resources between Brazil and Paraguay, and their neighbors Argentina, Bolivia, and Uruguay.Looking at the fraught political discussions about the future of the world’s single largest producer of renewable energy, Hydropolitics explores how this massive public works project touches the lives of all who are linked to it.

At its creation in 1957, NORAD was given operational control over the vast U.S. and Canadian continental air defence forces. Canada in NORAD, 1957-2007 follows Canadian involvement in the binational command as the threat shifted from Soviet bombers to ballistic missiles to terrorist-highjacked aircraft. It focuses particularly on what continental air defence has meant for the Canadian air force and for Canadian airspace and territory. It also looks at the differing Canadian and U.S. conceptions of NORAD's role in warning of nuclear attack, and the implications of Ottawa's decisions not to participate in missile defence. control over Canadian and U.S. forces, which were equipped for years with nuclear air defence weapons, as well as the command's impact on Canadian sovereignty. Finally, it outlines what Ottawa sought to achieve in the NORAD agreements with Washington, from the first one in 1958 to the most recent.

In this book, Mireya Loza sheds new light on the private lives of migrant men who participated in the Bracero Program (1942–1964), a binational agreement between the United States and Mexico that allowed hundreds of thousands of Mexican workers to enter this country on temporary work permits. While this program and the issue of temporary workers has long been politicized on both sides of the border, Loza argues that the prevailing romanticized image of braceros as a family-oriented, productive, legal workforce has obscured the real, diverse experiences of the workers themselves. Focusing on underexplored aspects of workers' lives--such as their transnational union-organizing efforts, the sexual economies of both hetero and queer workers, and the ethno-racial boundaries among Mexican indigenous braceros--Loza reveals how these men defied perceived political, sexual, and racial norms.Basing her work on an archive of more than 800 oral histories from the United States and Mexico, Loza is the first scholar to carefully differentiate between the experiences of mestizo guest workers and the many Mixtec, Zapotec, Purhepecha, and Mayan laborers. In doing so, she captures the myriad ways these defiant workers responded to the intense discrimination and exploitation of an unjust system that still persists today.

Un lugar sagrado, a sacred place where two or more are gathered in the name of community, can be found almost anywhere and yet it is elusive: a charro arena behind a rock quarry, on the pilgrimage trail to Chimayó, a curandero's shrine in South Texas, or at a binational Mass along the border. Sagrado is neither a search for identity nor a quest for a homeland but an affirmation of an ever-evolving cultural landscape. Embedded at the heart of this remarkable book, in which prose, photographs, and poems complement each other, is a photopoetic journey across the Chicano Southwest.

A fascinating reassessment of the work of one of the most innovative artists of the 20th century, emphasizing his Argentine background and interdisciplinary approach to both art and life A major figure of postwar European art and a binational resident of Argentina and Italy, Lucio Fontana (1899–1968) blurred numerous boundaries in his life and art, crossing borders both literally and figuratively. This volume takes a fresh look at the renowned artist whose simultaneous innovations in painting, drawing, ceramics, and sculpture, as well as his spatial explorations, pushed the painterly into the sculptural and redefined the relationship between the arts.   Evaluating Fontana’s interest in synthesis and moving beyond his famous slashed canvases, this book reveals Fontana to be one of the first installation artists. Essays by international experts address his work from both an Italian and Argentine perspective, providing numerous insights into Fontana’s expansive practice. Archival images of environments, public commissions, installations, and now-destroyed pieces accompany lavish illustrations covering his production from 1930 to the late 1960s, establishing a new approach to an artist who responded to the political, cultural, and technological thresholds that defined the mid-20th century.

In this book, Mireya Loza sheds new light on the private lives of migrant men who participated in the Bracero Program (1942–1964), a binational agreement between the United States and Mexico that allowed hundreds of thousands of Mexican workers to enter this country on temporary work permits. While this program and the issue of temporary workers has long been politicized on both sides of the border, Loza argues that the prevailing romanticized image of braceros as a family-oriented, productive, legal workforce has obscured the real, diverse experiences of the workers themselves. Focusing on underexplored aspects of workers' lives--such as their transnational union-organizing efforts, the sexual economies of both hetero and queer workers, and the ethno-racial boundaries among Mexican indigenous braceros--Loza reveals how these men defied perceived political, sexual, and racial norms.Basing her work on an archive of more than 800 oral histories from the United States and Mexico, Loza is the first scholar to carefully differentiate between the experiences of mestizo guest workers and the many Mixtec, Zapotec, Purhepecha, and Mayan laborers. In doing so, she captures the myriad ways these defiant workers responded to the intense discrimination and exploitation of an unjust system that still persists today.

Since 1997, architect and installation artist Markus Heinsdorff has focused much of his work on the potential and possibilities afforded by bamboo. This volume shows how that interest played out in his design for the Sino-German pavilion at Expo 2010 in Shanghai. The pavilion, the only binational building at the Expo, employs an innovative two-story bamboo membrane structure, while the rest of the building is composed almost entirely of bamboo canes and laminates. This highly illustrated volume documents the planning and creation of the building, as well as the environmentalist ideology underlying its design. In addition, the book features a chapter that addresses some of Heinsdorff’s other projects, including an airship built in Bali, a treehouse in the canopy of a primeval forest, and a perpetually regrowing bamboo dome.