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The autobiography of D.W. Griffith's main cameraman during the productions of "The Birth of a Nation" and "Intolerance" and other classics. An important addition to the history of early silent films.

The autobiography of D.W. Griffith's main cameraman during the productions of "The Birth of a Nation" and "Intolerance" and other classics. An important addition to the history of early silent films.

When a seaside carnival lures the whole flock away from a herding competition, will Bitzer the sheepdog be forced to turn in his clipboard?Bitzer the sheepdog is looking, well, sheepish. Not only is Top Dog, his sniggering rival, flaunting the latest eHerder device, now Bitzer can’t find his flock! Even if a madcap chase with Shaun uncovers their woolly friends amid a frenzy of cotton candy, fortune-teller’s booths, acrobat tents, and clown cars, can they all make it back to the sheep-herding contest in time—and figure out how to wow the judges?

Hardcover. The iconic first Hairy Maclary book, which introduces Hercules Morse, Bitzer Maloney, Muffin McLay, Bottomley Potts, Schnitzel von Krumm and of course the famous Hairy Maclary from Donaldon's Dairy. The six dogs go out for a walk, but little do they know that Scarface Claw, the toughest tom in town is lurking round the next corner. The iconic first Hairy Maclary book, which introduces Hercules Morse, Bitzer Maloney, Muffin McLay, Bottomley Potts, Schnitzel von Krumm and of course the famous Hairy Maclary from Donaldon's Dairy. The six dogs go out for a walk, but little do they know that Scarface Claw, the toughest tom in town is lurking round the next corner. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

The first rule is “the rules can change at any time” as Shaun and the sheep take on the pigs in a comically chaotic game of ball—and then some.It’s a hot day, and Shaun is in the meadow, tossing a tennis ball up and down, looking for mischief. Boink! An annoyed Bitzer swings at the ball with his dog bone, sending it sailing across the meadow. Soon the flock has joined in a frenetic game of Bitzerball, with flowerpot bases, sprinkler hazards, and a hopelessly complicated, wildly shifting set of rules. And that’s before—squeee!—the pigs get involved. . . .

AAARRROOOooo! What’s making that hair-raising howl? Can Bitzer the sheepdog and his flock find the beast — before it finds them?One dark, misty night at Mossy Bottom Farm, a starving creature creeps silently through the farmyard, waiting to feed. Well, actually, it’s just Bitzer the sheepdog with a growling stomach, holding his clipboard as he checks on the flock and chickens. But wait—what’s that howl that’s making his fur stand on end? Is it Shaun the sheep playing one of his pranks? The Farmer practicing his trombone? Suddenly the moon appears, and there it is: a hulking shadow on the side of the barn that must be the outline of a ... beast! Are they all doomed, or can Bitzer and his crew concoct a plan that’s so madcap it just might work?

Here, after a quarter century of additional study and reflection, Bitzer presents a new critical edition of George Campbell’s classic. Bitzer provides a more complete review and assessment of Campbell’s work, giving particular emphasis to Campbell’s theological views, which he demonstrates played an important part in Campbell’s overall view of reasoning, feeling, and moral and religious truth. The Rhetoric is widely regarded as the most important statement of a theory of rhetoric produced in the 18th century. Its importance lies, in part, in the fact that the theory is informed by the leading assumptions and themes of the Scottish Enlightenment―the prevailing empiricism, the theory of the association of ideas, the effort to explain natural phenomena by reference to principles and processes of human nature. Campbell’s work engages such themes in an attempt to formulate a universal theory of human communication. Campbell attempts to develop his theory by discovering deep principles in human nature that account for all instances and kinds of human communication. He seeks to derive all communication principles and processes empirically. In addition, all statements in discourse that have to do with matters of fact and human affairs are likewise to be empirically derived. Thus, his theory of rhetoric is vastly wider than, and different from, such classical theories as those proposed by Aristotle, Cicero, and Quintilian, whose theories focused on discourse related to civic affairs.Bitzer shows that, by attempting to elaborate a general theory of rhetoric through empirical procedures, Campbell’s project reveals the limitations of his method. He cannot ground all statements empirically and it is at this point that his theological position comes into play. Inspection of his religious views shows that God’s design of human nature, and God’s revelations to humankind, make moral and spiritual truths known and quite secure to human beings, although not empirically.