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Capture your imagination with this magnificent, colorful glass art by Jessi Raulet. This vibrant abstract brings an entire color spectrum to your home in bold, broad strokes. This is not your average wall art: Each of the Blake art pieces is printed on glass for a shimmering, eye-catching look to dazzle your family, friends and guests. Framed in a sleek modern frame, this fun, contemporary design is the perfect art piece to add to your home decor collection. Printed and this framed glass art will be a pleasure to look at every day in your living room, bedroom, nursery or any room in the home. This colorful wall art has 2-hangers already attached for easy wall display. The outer dimensions are 24 in. tall x 18 in. wide x 1.6 in. deep. Print Name: "Bright Abstract". About the Artist: Artist, designer and social media influencer, Jessi Raulet, has become well-known for her hand-painted, colorful and bold designs. With an ability to craft vibrantly optimistic color palettes, Jessi's work is packed with good vibes. The American born, Paris-based artist has an engaged social media following of 30k+ and fruitful collaborations with leading brands including Pottery Barn Teen, Sally Hansen, Crayola, Blurb Books and Fab Fit Fun. Jessi landed EttaVee in 2014, a lifestyle brand that expresses optimism and joy through color. Color: Natural.

Blake Jensen Forever Growing Sister Angels Hand-Painted Figurine Collection Adorned With Inspirational Messages, Cardinal Art And Tree Imagery - Growing up with a sister, the bond you share becomes deeply rooted in love, respect, and strengthens throughout the years as your family tree grows. Now, with these angel figurines you can honor this natural, loving connection through the acclaimed artistry of Blake Jensen and the beauty of nature! Introducing the Forever Growing Sister Angels Figurine Collection, a limited edition available exclusively from The Hamilton Collection. Your collection begins with Issue One, A Sisters Strength Is Rooted in Love. Soon your collection will continue with Issue Two, A Sister's Love Grows Naturally, followed by Issue Three, A Sister's Heart Is Always Connected and additional angel sister figurines, each a separate issue to follow.Guided by the renowned artistry of Blake Jensen, our Master Craftsman have created a dazzling collection of handcrafted tributes that you and your sister will be proud to display. The hand-painted brush strokes on each of their beautiful gowns create a realistic tree bark texture, symbolic of your own deeply rooted connection - from the strength of birch and mightiness of oak to the longevity of the maple tree. Colorful bird artwork and inspirational messages featured on each figurine carry wishes of happiness whether your sister is near or far. Plus, the angel figurines wings showcase the clever designs and intricate handcrafting that go into forming each realistic branch and leaf detail. Top to bottom, these heavenly figurines are simply stunning and are sure to make a lovely personal keepsake and sister gift! Strong demand is anticipated, so don't delay. Order now!

Historians have commonly characterized Puritan family life as joyless, repressive, even brutal. By such accounts, Puritan parents disciplined their children mercilessly, crushed their wills, responded callously to their deaths, and routinely sent them out of the home to be raised by cold-hearted surrogates. The diary of Samuel Sewall (1652-1730) contradicts this grim portrait of the Puritan household.Although Sewall was an exceptional Puritan father and not a representative one, his judicial, civic, religious, and business activities projected him far beyond his own privileged and respectable circumstances. As a record of the family and social life of New England's third generation, his remarkable journal, which spans fifty-five years, is rivaled only by that of his friend Cotton Mather. Sewall provides rich details about the home where his and Hannah Sewall's fourteen children were born, and the six who survived infancy were raised. He takes the reader through the streets and byways of Boston, to the meetinghouse, to the places where his children were educated and apprenticed, and to the homes of friends, neighbors, and kin. Judith S. Graham's close reading of Sewall's diary and family papers reveals that warmth, sympathy, and love often marked the Puritan parent-child relationship. She suggests that the special nature of childhood was a concept that parents understood well, and that there was a practical and clear purpose for the "putting out" of children. Graham provides a much-needed balance to accepted scholarship on Puritan life and offers new insights into the history of both early New England and the family.

The work is based largely on carefully researched articles in genealogical journals and family histories, together with probate and land records, and town and church vital statistics. This second complete revision has new discoveries, additional documentation and changes in format.

Binding tight, content clean and straight with the exception of previous owner's address label on front fly leaf. Pictures provided upon request. If purchasing internationally, please inquire about shipping charges before purchase. Ships within 1-2 business days.

Genealogy and images of early Texas pioneers and Alamo Defender Gordon Cartwright Jennings' family through his son Samuel K. Jennings' lineage. Samuel was one of Captain Cady's First Mounted Texas Rangers. His daughter, Laura Ellen Jennings, married C.A. Williams. Her granddaughter and g granddaughter compiled the information with family photos passed down to Mary Jean (Williams) Kelso.

Genealogy and images of early Texas pioneers and Alamo Defender Gordon Cartwright Jennings' family through his son Samuel K. Jennings' lineage. Samuel was one of Captain Cady's First Mounted Texas Rangers. His daughter, Laura Ellen Jennings, married C.A. Williams. Her granddaughter and g granddaughter compiled the information with family photos passed down to Mary Jean (Williams) Kelso.

A beautifully clean, crisp, hardcover reprint of the riginal 1955 Oxford edition in fine condition. No DJ, as issued.

The industrial farmhouse feel doesn't have to begin and end in your kitchen and living room, add a touch of rustic design to your bathroom with the Blake family of vanity lights. Blake will highlight all angles of your visage without sacrificing your style, combining matte black and wood finishes with metal cages as shades. Versatility is key as it can be installed as an up or down light.

The industrial farmhouse feel doesn't have to begin and end in your kitchen and living room, add a touch of rustic design to your bathroom with the Blake family of vanity lights. Blake will highlight all angles of your visage without sacrificing your style, combining matte black and wood finishes with metal cages as shades. Versatility is key as it can be installed as an up or down light.

The industrial farmhouse feel doesn't have to begin and end in your kitchen and living room, add a touch of rustic design to your bathroom with the Blake family of vanity lights. Blake will highlight all angles of your visage without sacrificing your style, combining matte black and wood finishes with metal cages as shades. Versatility is key as it can be installed as an up or down light.

Palmer began his career as an artist at an early age. He first exhibited at the Royal Academy at the age of fourteen (one of his sketchbooks from this time is in the British Museum's collection). In 1824, he met William Blake whose influence helped confirm his visionary approach to art. Palmer retreated into rural isolation in the village of Shoreham, Kent, his own 'Valley of Vision'. Here he produced his most distinctive work, and gathered around him a group of artists (including Edward Calvert and George Richmond) known as 'the Ancients'. He married in 1837, and on his two-year honeymoon in Italy, his style turned to intensely coloured watercolours, with an obvious spiritual connection to his subjects. The striking watercolour A Cornfield by Moonlight with the Evening Star is one of his finest works from the Shoreham period and was acquired by the British Museum in 1985 after a public appeal. Samuel Palmer was active during the great flowering of British landscape painting in the first half of the nineteenth century. His work influenced many artists of the twentieth century, including Graham Sutherland and Eric Ravilious. audience to rediscover his beautiful, moving and popular works.

Samuel Palmer (1805–1881) was one of the leading British landscape painters of the 19th century. Inspired by his mentor, the artist and poet William Blake, Palmer brought a new spiritual intensity to his interpretation of nature, producing works of unprecedented boldness and fervency. Pre-eminent scholar William Vaughan—who organized the Palmer retrospective at the British Museum and The Metropolitan Museum of Art in 2005—draws on unpublished diaries and letters, offering a fresh interpretation of one of the most attractive and sympathetic, yet idiosyncratic, figures of the 19th century. Far from being a recluse, as he is often presented, Palmer was actively engaged in Victorian cultural life and sought to exert a moral power through his artwork. Beautifully illustrated with Palmer's visionary and enchanted landscapes, the book contains rich studies of his work, influences, and resources. Vaughan also shows how later, enthralled by the Pre-Raphaelite movement, Palmer manipulated his own artistic image to harmonize with it. Little appreciated in his lifetime, Palmer is now hailed as a precursor of modernism in the 20th century.

Mary Paik Lee, born Paik Kuang Sun in 1900, left her native country in 1905, traveling with her parents as a political refugee after Japan imposed control over Korea at the close of the Russo-Japanese War. Her father labored in the sugar plantations of Hawaii for a year and a half before taking his family to California, where Mrs. Lee has lived ever since. Though her father knew the comforts enjoyed by the educated traditional elite in Korea, after emigration he and his family shared the poverty stricken existence endured by thousands of Asian immigrants in early twentieth century America. Mrs. Lee's parents earned their living as farm laborers, tenant farmers, cooks, and janitors, and the family always took in laundry. Her father tried mercury mining until his health gave out. In their turn, Mrs. Lee and her husband farmed, sold produce, and managed apartment buildings.The author is engagingly outspoken and is extremely observant of her social and natural surroundings. Recounted incidents take on memorable life, as do the sharply etched settings of California's agricultural and mining country. She tells of singular hardship surmounted with resilience and characteristic grace. During much of her life Asian Americans were not treated as full human beings, yet she kept a powerful vision of what the United States could be.

This special picture book offers a window into the African American community of Columbia, South Carolina, during the early twentieth century. While the town is specific, the themes and photographs are universal--weddings and funerals, teachers and preachers, sassy cars and baseball teams, and, of course, families of all sizes. More than half a century later, Richard Samuel Roberts's photographs and Dinah Johnson's lyrical text come together to illustrate the pride, joy, and strength of a bustling community.

The Aguinaldos & Seises will open your musical mind to the ancient world of Christmas music that dates back centuries. Originally a traditional music gift during the Christmas season, aguinaldos were performed by family and friends during a parranda or a trulla. Bring back this tradition that is slowly getting lost in oblivion, far from the hearts of today’s genext culture. This book, authored by Samuel Ramos, brings back memories of happy childhood Christmases, packed with treats at the parranda and singing these unforgettable aguinaldos accompanied by several uncles strumming away gaily on their Cuatros. This is your chance to revive those memories by learning to play the aguinaldos in ways that cannot be forgotten. Another form of folk music, the seis , is an immensely enjoyable one to learn. Usually utilized as ground for poets to showcase their talents in lyric writing, seises were songs that were made up on the spot based on ideas given by the audience. Revive the seis by learning to play it with the assistance of this very special book. The book instructs in a clear and concise pattern the styles in which you can play the seis. The book has been written in the standard notation and tablature (TAB) format and includes guitar chords, in anticipation of fun times to come when you’re sitting with your family. Features: Clear and concise style of writing Covers well-known aguinaldos and seises Authored by a renowned musician Written in the standard notation and tablature (TAB) format Includes guidelines on practicing This book is a beautiful attempt at reviving age-old traditions and music. Let’s make this attempt a success and learn to play these gorgeous melodies every year at every parranda in every house!

Samuel Palmer (1805–1881) was one of the leading British landscape painters of the 19th century. Inspired by his mentor, the artist and poet William Blake, Palmer brought a new spiritual intensity to his interpretation of nature, producing works of unprecedented boldness and fervency. Pre-eminent scholar William Vaughan—who organized the Palmer retrospective at the British Museum and The Metropolitan Museum of Art in 2005—draws on unpublished diaries and letters, offering a fresh interpretation of one of the most attractive and sympathetic, yet idiosyncratic, figures of the 19th century. Far from being a recluse, as he is often presented, Palmer was actively engaged in Victorian cultural life and sought to exert a moral power through his artwork. Beautifully illustrated with Palmer's visionary and enchanted landscapes, the book contains rich studies of his work, influences, and resources. Vaughan also shows how later, enthralled by the Pre-Raphaelite movement, Palmer manipulated his own artistic image to harmonize with it. Little appreciated in his lifetime, Palmer is now hailed as a precursor of modernism in the 20th century.

This volume integrates psychoanalysis and family therapy. It demonstrates the significance of early childhood development as well as the effect of ongoing family interactions on the genesis and maintenance of developmental arrest and psychopathology. The author has drawn on the richness of psychoanalysis and presents four specific patterns of family interaction that should be of use to all therapists.

Samuel Thomson, born in New Hampshire in 1769 to an illiterate farming family, had no formal education, but he learned the elements of botanical medicine from a "root doctor," who he met in his youth. Thomson sought to release patients from the harsh bleeding or purging regimens of regular physicians by offering inexpensive and gentle medicines from their own fields and gardens. He melded his followers into a militant corps of dedicated believers, using them to successfully lobby state legislatures to pass medical acts favorable to their cause.            John S. Haller Jr. points out that Thomson began his studies by ministering to his own family. He started his professional career as an itinerant healer traveling a circuit among the small towns and villages of Maine, New Hampshire, and Massachusetts. Eventually, he transformed his medical practice into a successful business enterprise with agents selling several hundred thousand rights or franchises to his system. His popular New Guide to Health (1822) went through thirteen editions, including one in German, and countless thousands were reprinted without permission.            Told here for the first time, Haller's history of Thomsonism recounts the division within this American medical sect in the last century. While many Thomsonians displayed a powerful, vested interest in anti-intellectualism, a growing number found respectability through the establishment of medical colleges and a certified profession of botanical doctors.            The People's Doctors covers seventy years, from 1790, when Thomson began his practice on his own family, until 1860, when much of Thomson's medical domain had been captured by the more liberal Eclectics. Eighteen halftones illustrate this volume.

Samuel Thomson, born in New Hampshire in 1769 to an illiterate farming family, had no formal education, but he learned the elements of botanical medicine from a "root doctor," who he met in his youth. Thomson sought to release patients from the harsh bleeding or purging regimens of regular physicians by offering inexpensive and gentle medicines from their own fields and gardens. He melded his followers into a militant corps of dedicated believers, using them to successfully lobby state legislatures to pass medical acts favorable to their cause.            John S. Haller Jr. points out that Thomson began his studies by ministering to his own family. He started his professional career as an itinerant healer traveling a circuit among the small towns and villages of Maine, New Hampshire, and Massachusetts. Eventually, he transformed his medical practice into a successful business enterprise with agents selling several hundred thousand rights or franchises to his system. His popular New Guide to Health (1822) went through thirteen editions, including one in German, and countless thousands were reprinted without permission.            Told here for the first time, Haller's history of Thomsonism recounts the division within this American medical sect in the last century. While many Thomsonians displayed a powerful, vested interest in anti-intellectualism, a growing number found respectability through the establishment of medical colleges and a certified profession of botanical doctors.            The People's Doctors covers seventy years, from 1790, when Thomson began his practice on his own family, until 1860, when much of Thomson's medical domain had been captured by the more liberal Eclectics. Eighteen halftones illustrate this volume.