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Inspired by William Blake’s Songs of Innocence and Songs of Experience, this delightful collection of poetry for children brings to life Blake’s imaginary inn and its unusual guests.

This series presents complete poems and generous excerpts from longer works. Each book includes a biographical and critical introduction, a commentary and notes on the poems.

The nature of William Blake's genius and of his art is most completely expressed in his illuminated books. In order to give full and free expression to his vision, he invented a method of printing which enabled him to create works in which images combine to form pages uniquely rich in content and beautiful in form. Blake's hope that the books would obtain wide circulation was unfilfilled: some exist only in unique copies, and none was printed in more than very small numbers. This is the first of six volumes comprising a collected edition of the illuminated books. Fine copies have been photographed and the best modern technology has been applied with a view to ensuring that the originals are reproduced as faithfully as possible. The edited texts are accompanied by introductions, notes and commentaries.

The core of William Blake's vision, his greatness as one of the British Romantics, is most fully expressed in his Illuminated Books, masterworks of art and text intertwined and mutually enriching. Made possible by recent advances in printing and reproduction technology, the publication of new editions of Jerusalem and Songs of Innocence and of Experience in 1991 was a major publishing event. Now these two volumes are followed by The Early Illuminated Books and Milton, A Poem. The books in both volumes are reproduced from the best available copies of Blake's originals and in faithfulness and accuracy match the acclaimed standards set by Jerusalem and Songs. These two volumes are uniform in format and binding with the first two volumes. The Early Illuminated Books comprises All Religions Are One and There Is No Natural Religion; Thel; Marriage of Heaven and Hell; and Visions of the Daughters of Albion. Milton, A Poem, second only to Jerusalem in extent and ambition, is accompanied by Laocon, The Ghost of Abel, and On Homer's Poetry.

The core of William Blake's vision, his greatness as one of the British Romantics, is most fully expressed in his Illuminated Books, masterworks of art and text intertwined and mutually enriching. Made possible by recent advances in printing and reproduction technology, the publication of new editions of Jerusalem and Songs of Innocence and of Experience in 1991 was a major publishing event. Now these two volumes are followed by The Early Illuminated Books and Milton, A Poem. The books in both volumes are reproduced from the best available copies of Blake's originals and in faithfulness and accuracy match the acclaimed standards set by Jerusalem and Songs. These two volumes are uniform in format and binding with the first two volumes. The Early Illuminated Books comprises All Religions Are One and There Is No Natural Religion; Thel; Marriage of Heaven and Hell; and Visions of the Daughters of Albion. Milton, A Poem, second only to Jerusalem in extent and ambition, is accompanied by Laocon, The Ghost of Abel, and On Homer's Poetry.

William Blake (1757 - 1827) is one of the great figures in literature, by turns poet, artist and visonary. Profoundly libertarian in outlook, Blake's engagement with the issues of his day is well known and this - along with his own idiosynratic concerns - flows through his poetry and art. Like Milton before him, the prodigality of his allusions and references is little short of astonishing. Consquently, his longer viosnary poems can challege the modern reader, who will find in this avowedly open edition all they might need to interpret the poetry. W. H. Stevenson's Blake is a masterpiece of scrupulous scholarship. It is, as the editor makes clear in his introduction, 'designed to be widely, and fluently, read' and this Third Edition incorporates many changes to further that aim. Many of the headnotes have been rewritten and the footnotes updated. The full texts of the early prose tracts, All Religions are One and There is no Natural Religion, are included for the first time. In many instances, Blake's capitalisation has been restored, better to convey the expressive individuality of his writing. In addition, a full colour plate section contains a representation of Blake's most significant paintings and designs. As the 250th anniversary of his birth approaches, Blake has perhaps more readers than ever before; Blake: The Complete Poems will stand those readers, new and old, in good stead for many years to come.

Starting with William Blake's lost painting The Ancient Britons, this book shows how the visionary artist and poet reworked the Matter of Britain--the corpus of legends presenting an alternative history of Britain--into his own mythology. He thus adds to a tradition of Arthurian epic begun by Layamon in the 13th century and continued by Edmund Spenser in the 16th, in which a Romano-Celtic warlord becomes an icon of the English imagination. This book shows how Britain became the promised land of a pagan goddess where mythical events are as important as those of history, and how the figure of Arthur is transformed into a British Messiah whose Christian realm is in continuous interaction with the Otherworld of Faerie, an imagined place between the spiritual and the earthly. Arthur as perceived through Blake's vision is the earthly embodiment of the fallen Albion; this exploration of the mythic underpinnings of the English sense of nationhood reveals an imaginative consciousness that links us to "human existence itself."

This boxed set of nine paperback Dover Thrift Edition books contains the following collection of poems: · The Complete Sonnets by William Shakespeare · Lyric Poems by John Keats · Songs of innocence and Songs of Experience by William Blake · The Rhyme of the Ancient Mariner and Other Poems by Samuel Taylor Coleridge · Favorite Poems by William Wordsworth · Sonnets from the Portuguese and Other Poems by Elizabeth Barrett Browning · The Rubaiyat of Omar Khayyam: First and Fifth Editions by Edward FitzGerald · Selected Poems by Alfred, Lord Tennyson · Gunga Din and Other Favorite Poems by Rudyard Kipling.

William Blake (1757 - 1827) is one of the great figures in literature, by turns poet, artist and visonary. Profoundly libertarian in outlook, Blake's engagement with the issues of his day is well known and this - along with his own idiosynratic concerns - flows through his poetry and art. Like Milton before him, the prodigality of his allusions and references is little short of astonishing. Consquently, his longer viosnary poems can challege the modern reader, who will find in this avowedly open edition all they might need to interpret the poetry. W. H. Stevenson's Blake is a masterpiece of scrupulous scholarship. It is, as the editor makes clear in his introduction, 'designed to be widely, and fluently, read' and this Third Edition incorporates many changes to further that aim. Many of the headnotes have been rewritten and the footnotes updated. The full texts of the early prose tracts, All Religions are One and There is no Natural Religion, are included for the first time. In many instances, Blake's capitalisation has been restored, better to convey the expressive individuality of his writing. In addition, a full colour plate section contains a representation of Blake's most significant paintings and designs. As the 250th anniversary of his birth approaches, Blake has perhaps more readers than ever before; Blake: The Complete Poems will stand those readers, new and old, in good stead for many years to come.

At the dawn of the 19th century, Blake created this imaginative series of 116 watercolors to illustrate 13 poems by Thomas Gray. Including such popular poems as "Elegy in a Country Churchyard" and "Ode on the Death of a Favourite Cat," these rarely exhibited treasures remained exclusively in the hands of collectors for close to 175 years. This is the first inexpensive, full-color reproduction, with the complete text of the poems.

This series aims to provide students, lecturers and the general reader with complete and fully annotated editions of the major English poets. The result of recent scholarship and criticism are embodied in each volume. The poems are arranged in the chronological order of their composition, and each has a headnote on its general significance, footnotes elucidating its local obscurities and a discussion of its meaning and occasion. This volume aims to present all Blake's verse, including scattered fragments and epigrams and also to provide as much annotation as is necessary to make the poetry accessible to the reader.

At the dawn of the 19th century, Blake created this imaginative series of 116 watercolors to illustrate 13 poems by Thomas Gray. Including such popular poems as "Elegy in a Country Churchyard" and "Ode on the Death of a Favourite Cat," these rarely exhibited treasures remained exclusively in the hands of collectors for close to 175 years. This is the first inexpensive, full-color reproduction, with the complete text of the poems.

This first full-scale interpretation of Blake's most complex poetic prophecy, The Four Zoas, argues that the poem's famous difficulty is intrinsic to the poet's transformative narrative strategies. Already highly influential in Blake studies, Ault's book is a line-by-line guide to the poem and an inquiry into a core issue of contemporary poetics: how do altered processes of reading restructure consciousness?

Narrative Unbound is the first full-scale interpretation of the verbal text of Blake's most complex long poetic prophecy, The Four Zoas. Never engraved or published in the poet/artist's lifetime, the poem remains in a single manuscript, apparently unfinished and heavily revised, and yet is widely celebrated as one of Blake's most powerful narrative works. Ault challenges the view that the poem is intrinsically incomplete and flawed, arguing instead that the famous difficulties of the text are aspects of Blake's transformative narrative strategies. By respecting the integrity of Blake's work, taking every written mark on the page as potentially functional, Ault shows how the intricate interweaving of narrative patterns and interruptions are instrumental to conscious reading. The poetic intent is nothing less than a complete renovation of the reading experience, the potential of which is the realization of what Blake has called Four-fold vision. Ault's approach serves as a guide both to reading The Four Zoas and to participating in a radical poetic method.

A leading poet (1757-1827) about whom Harold Bloom is always enthusiastic, William Blake is most famous for poems such as "The Tyger" and "The Marriage of Heaven and Hell."

Celebrated around the world as a literary monument, The Divine Comedy, completed in 1321 and written by Dante Alighieri (1265–1321), is widely considered the greatest work ever composed in the Italian language. The epic poem describes Dante’s journey through Hell, Purgatory, and Heaven, representing, on a deeper level, the soul’s path towards salvation.In the last few years of his life, Romantic poet and artist William Blake (1757–1827) produced 102 illustrations for Dante’s masterwork, from pencil sketches to finished watercolors. Like Dante’s sweeping poem, Blake’s drawings range from scenes of infernal suffering to celestial light, from horrifying human disfigurement to the perfection of physical form. While faithful to the text, Blake also brought his own perspective to some of Dante’s central themes.Today, Blake’s illustrations, left in various stages of completion at the time of his death, are dispersed among seven different institutions. This TASCHEN edition brings these works together again, alongside key excerpts from Dante’s masterpiece. Two introductory essays consider Dante and Blake, as well as other major artists who have been inspired by The Divine Comedy, including Sandro Botticelli, Michelangelo, Eugène Delacroix, Gustave Doré, and Auguste Rodin.With an intimate reading of Blake’s illustrations, and many close-ups to allow the most delicate of details to dazzle, this is a breathtaking encounter with two of the finest artistic talents in history, as well as with such universal themes as love, guilt, punishment, revenge, and redemption.

This is the most accessible introduction available to one of the greatest British artists. The art of William Blake unites visionary simplicity with profound complexity of thought. In this illuminating new study, illustrated throughout in colour, Raymond Lister provides an engaging and lucid approach to Blake's paintings, fully alive to their infinite power of suggestion and refreshingly unfettered by polemic. The biographical introduction, making extensive use of Blake's writings and of contemporary accounts of him, traces the vicissitudes of this absolutely individual artist's life; his very human nature is revealed, no less than his boundless creative energies. The seventy-five colour plates represent the whole span of Blake's working life and all the major areas of his art: his biblical pictures, his allegorical subjects and his illuminated books, which he wrote, engraved and decorated himself. The detailed commentary to each plate explores as much of his symbolism as is readily comprehensible, and explains his often idiosyncratic techniques.

Examines the artistic development of William Blake, depicts his printing techniques, and analyzes his treatment of historical and religious themes

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