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The Blaue Reiter (Blue Rider) art movement was founded in 1911, by the young painters Wassily Kandinsky and Franz Marc, and remained active in Europe until 1914. Originally published in "Munich", in 1912, and edited by Kandinsky and Marc, "The Blaue Reiter Almanac" presented the movement's synthesis of international culture to the European avant-garde at large. In both the selection of the essays and its innovative interplay of word and image, the Almanac remains one of the most critically important works on artistic theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of modernism, includes the original documents and musical notations, as well as essays by Kandinsky, Schonberg, Marc, and others, and an extensive critical introduction, placing the "Blaue Reiter" in context for contemporary readers. Nearly 150 illustrations, from ancient, primitive, and contemporary sources, capture the wide-ranging passions that inspired Kandinsky's attempt to make modernism accessible across national and chronological boundaries.

Add a touch of artistry to your finger with this delicate ring from Charlotte Chesnais. Made with silver and vermeil, this precious jewel is perfect for everyday wear or special occasions. The multicolored design and unique contours make it a standout piece. Made in France with 100% Argent 925 Plaque OR 18 CT. Width: 1. Height: 5. Length: 5. Fabric details: 100% Silver 18K Gold Plated.

Add a touch of artistry to your finger with this delicate ring from Charlotte Chesnais. Crafted from silver and vermeil, this precious jewel is perfect for everyday wear or special occasions. Made in France, the ring features unique contours and is available in a multicolored vermeil and silver finish. Dimensions: Width: 1. Height: 3. Length: 5. Material: 100% Argent 925 Plaque OR 18 Ct.. Fabric details: 100% Silver 18K Gold Plated.

The Blaue Reiter (Blue Rider)--art movement was founded in 1911 by the young painters Wassily Kandinsky and Franz Marc, and was active in Europe until 1914. Originally published in Munich in 1912 and edited by Kandinsky and Marc-- the movements's almanac presented their synthesis of international culture to the European avant-garde at large. In both the selection of essays and its innovative interplay of word and image, The Blaue Reiter Almanac remains one of our most critically important works of literature on the art theory and culture of the 20th century. This edition, long unavailable in English and indispensable to any student of modernism, simulates the original German format, and includes documents, and musical notations, as well as seminal essays by Kandinsky, Schoenberg, Marc, and others. Nearly 150 illustrations, from ancient and contemporary sources, capture the wide-ranging interests and passions that inspired Kandinsky's and Marc's programmatic attempt to make modernism accessible across national and chronological boundaries. Also included is Klaus Lankheit's extensive critical introduction, which places the Blaue Reiter in context for contemporary readers."The almanac remains unique among European writings on art; no other country produced a comparable work capturing the excitement and tension of the years before World War I." (Will Grohmann)

60 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Einband leicht staubfleckig. (Rückseite), sonst wie neu Sprache: Deutsch Gewicht in Gramm: 200

Documentary edition and introduction by Klaus Lankheit. Simulates original format, with nearly 150 illustrations and its documentary apparatus, including letters between the editors, the first drafts of prefaces, and musical examples. Nearly 150 reproductions. Extensive critical and bibliographic introduction. 296p. Index.

The Blaue Reiter (Blue Rider)--art movement was founded in 1911 by the young painters Wassily Kandinsky and Franz Marc, and was active in Europe until 1914. Originally published in Munich in 1912 and edited by Kandinsky and Marc-- the movements's almanac presented their synthesis of international culture to the European avant-garde at large. In both the selection of essays and its innovative interplay of word and image, The Blaue Reiter Almanac remains one of our most critically important works of literature on the art theory and culture of the 20th century. This edition, long unavailable in English and indispensable to any student of modernism, simulates the original German format, and includes documents, and musical notations, as well as seminal essays by Kandinsky, Schoenberg, Marc, and others. Nearly 150 illustrations, from ancient and contemporary sources, capture the wide-ranging interests and passions that inspired Kandinsky's and Marc's programmatic attempt to make modernism accessible across national and chronological boundaries. Also included is Klaus Lankheit's extensive critical introduction, which places the Blaue Reiter in context for contemporary readers."The almanac remains unique among European writings on art; no other country produced a comparable work capturing the excitement and tension of the years before World War I." (Will Grohmann)

The Blaue Reiter (Blue Rider) art movement was founded in 1911, by the young painters Wassily Kandinsky and Franz Marc, and remained active in Europe until 1914. Originally published in "Munich", in 1912, and edited by Kandinsky and Marc, "The Blaue Reiter Almanac" presented the movement's synthesis of international culture to the European avant-garde at large. In both the selection of the essays and its innovative interplay of word and image, the Almanac remains one of the most critically important works on artistic theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of modernism, includes the original documents and musical notations, as well as essays by Kandinsky, Schonberg, Marc, and others, and an extensive critical introduction, placing the "Blaue Reiter" in context for contemporary readers. Nearly 150 illustrations, from ancient, primitive, and contemporary sources, capture the wide-ranging passions that inspired Kandinsky's attempt to make modernism accessible across national and chronological boundaries.

Documentary edition and introduction by Klaus Lankheit. Simulates original format, with nearly 150 illustrations and its documentary apparatus, including letters between the editors, the first drafts of prefaces, and musical examples. Nearly 150 reproductions. Extensive critical and bibliographic introduction. 296p. Index.

432 Seiten Sprache: Deutsch Gewicht in Gramm: 536 13,0 x 3,7 x 20,8 cm, Gebundene Ausgabe

Die Blaue Mazur Frank Beermann - CD 761203733125

Neu -Nachdem Erich Kästner von den Nazis als Autor verboten worden war, entschloss er sich, ein geheimes Tagebuch zu führen. Dazu griff er auf ein blau eingebundenes, unbeschriftetes Buch zurück, das er zwischen den anderen viertausend Bänden seiner Bibliothek versteckte. Von 1941 bis zum Kriegsende schrieb Kästner auf, was sich an der Front und in Berlin ereignete. Seine Aufzeichnungen aus einem zunehmend von Stromsperren und Bombenangriffen geprägten Alltag sind ein einzigartiges Zeitdokument und ein erschütternder Bericht aus dem Inneren des »Dritten Reichs«. 406 pp. Deutsch

Geïllustreerd / Illustrated / Illustré / Illustriert, met ex-libris etiket van de vorige eigenaar / 3791320653 / General art / Duits / German / Allemand / Deutsch / hard cover / dust jacket / 25 x 30 cm / 400 .pp /

Buy with confidence! Book is in new, never-used condition 0.57

This catalogue accompanies a major exhibition devoted to Vasily Kandinsky. It explores the evolution of his work from the Blaue Reiter to the Bauhaus years. During this period, Kandinsky developed his revolutionary abstract style and began to move beyond conventional easel painting. As master of the mural workshop at the Bauhaus, Kandinsky was able to put his ambition to create large-scale art environments into practice, particularly in his mural designs for the 1922 Juryfreie exhibition in Berlin and later in his decorations for the Salon de Musique in 1931. At this time, he developed a strong interest in the Wagnerian concept of the Gesamtkunstwerk, or total work of art. Embracing the principles of synesthesia, Kandinsky focused on the relationship between art and music, pushing the boundaries of the medium.Vasily Kandinsky (1866–1944) began painting at the age of 30, after putting aside a highly successful career in law. After studying at the Academy of Fine Arts in Munich, he returned to his native Moscow just after the outbreak of World War I. Uninspired by the prevalent Suprematist and Futurist art there, he returned to Germany in 1921, teaching at the Bauhaus until the school was closed by the Nazis. He then moved to France, where he lived until his death in 1944.

This catalogue accompanies a major exhibition devoted to Vasily Kandinsky. It explores the evolution of his work from the Blaue Reiter to the Bauhaus years. During this period, Kandinsky developed his revolutionary abstract style and began to move beyond conventional easel painting. As master of the mural workshop at the Bauhaus, Kandinsky was able to put his ambition to create large-scale art environments into practice, particularly in his mural designs for the 1922 Juryfreie exhibition in Berlin and later in his decorations for the Salon de Musique in 1931. At this time, he developed a strong interest in the Wagnerian concept of the Gesamtkunstwerk, or total work of art. Embracing the principles of synesthesia, Kandinsky focused on the relationship between art and music, pushing the boundaries of the medium.Vasily Kandinsky (1866–1944) began painting at the age of 30, after putting aside a highly successful career in law. After studying at the Academy of Fine Arts in Munich, he returned to his native Moscow just after the outbreak of World War I. Uninspired by the prevalent Suprematist and Futurist art there, he returned to Germany in 1921, teaching at the Bauhaus until the school was closed by the Nazis. He then moved to France, where he lived until his death in 1944.

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A reappraisal of the Blue Rider group in the context of their legendary almanacFor just a few years at the beginning of the 20th century, Munich was the hot spot of Germany‘s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc’s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a catalyst for the arts. The journal and the 1911 exhibition of the same name created international waves and heralded the start of the modern era in Germany before the First World War. Today, the names of the movement’s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky and Paul Klee stand for a pivotal chapter in the international history of art, marked by the transition of painting into a vibrant, colorful and transcendental form of abstraction. This volume surveys their accomplishments.The Blaue Reiter was an art movement that lasted from 1911 to 1914 and was fundamental to Expressionism. Founded by Russian emigrants in Munich including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, along with native German artists Franz Marc, August Macke and Gabriele Münter, the group's unified goal was to express spiritual truths through art--largely through a spontaneous, intuitive approach to painting, which, for many group members, took the form of abstraction. The group organized touring exhibitions before disbanding around the outbreak of the First World War in 1914.

A reappraisal of the Blue Rider group in the context of their legendary almanacFor just a few years at the beginning of the 20th century, Munich was the hot spot of Germany‘s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc’s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a catalyst for the arts. The journal and the 1911 exhibition of the same name created international waves and heralded the start of the modern era in Germany before the First World War. Today, the names of the movement’s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky and Paul Klee stand for a pivotal chapter in the international history of art, marked by the transition of painting into a vibrant, colorful and transcendental form of abstraction. This volume surveys their accomplishments.The Blaue Reiter was an art movement that lasted from 1911 to 1914 and was fundamental to Expressionism. Founded by Russian emigrants in Munich including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, along with native German artists Franz Marc, August Macke and Gabriele Münter, the group's unified goal was to express spiritual truths through art--largely through a spontaneous, intuitive approach to painting, which, for many group members, took the form of abstraction. The group organized touring exhibitions before disbanding around the outbreak of the First World War in 1914.