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These outdoor rugs are exquisite in appearance, color and texture. Made with a proprietary construction process which blends a distinct pattern direction that is unique to the market. The braided-woven look is dense and extremely durable to withstand the harsh outdoor elements year round. Manufactured with 100% polypropylene fiber which is easy to clean, soil, stain and sun resistant making them the perfect choice for easy living and easy maintenance. Color: Navy. Pattern: Striped.

These outdoor rugs are exquisite in appearance, color and texture. Made with a proprietary construction process which blends a distinct pattern direction that is unique to the market. The braided-woven look is dense and extremely durable to withstand the harsh outdoor elements year round. Manufactured with 100% polypropylene fiber which is easy to clean, soil, stain and sun resistant making them the perfect choice for easy living and easy maintenance. Color: Orange. Pattern: Striped.

With over 8000 entries, and written for the general market, this volume uncovers the often surprising connections between words. Written in a clear and informative style, the dictionary describes the Indo-European origins of English and includes many new words and coinages adopted each year.

Roger Fry, a core member of the Bloomsbury Group, was involved with all aspects of the art market as artist, critic, curator, historian, journalist, advisor to collectors, and gallery operator. He is especially remembered as the person who introduced postimpressionist art to Britain. Reprinted in this volume are seventeen of Fry's works on commerce in art. Although he had no formal training in economics, Fry addressed the art market as a modern economist might do. It is therefore fitting that his writings receive here an original interpretation from the perspective of a modern economist, Craufurd D. Goodwin. Goodwin explores why Fry's work is both a landmark in the history of cross-disciplinary thought and a source of fresh insights into a wide range of current policy questions. The new writings included contain Fry's most important contributions to theory, history, and debates over policy as he explored the determinants of the supply of art, the demand for art, and the art market institutions that facilitate exchange. His ideas and speculations are as stimulating and provocative today as when they were written."A fascinating selection of essays by one of the twentieth century's most thoughtful and stimulating critics. Goodwin's introduction sets the stage beautifully, providing useful links to Veblen and Keynes." --D. E. Moggridge, University of Toronto"Art and the Market uncovers new connections between aesthetics and art in the Bloomsbury Group. . . . Goodwin adds significantly to the understanding of cultural economics in the work of Fry himself as well as J. M. Keynes and even Leonard and Virginia Woolf." --S. P. Rosenbaum, University of Toronto"All those interested in the arts and economics, and their connections, will be delighted by this collection, as will be students of Bloomsbury." --Peter Stansky, Stanford UniversityCraufurd D. Goodwin is James B. Duke Professor of Economics, Duke University.

Roger Fry, a core member of the Bloomsbury Group, was involved with all aspects of the art market as artist, critic, curator, historian, journalist, advisor to collectors, and gallery operator. He is especially remembered as the person who introduced postimpressionist art to Britain. Reprinted in this volume are seventeen of Fry's works on commerce in art. Although he had no formal training in economics, Fry addressed the art market as a modern economist might do. It is therefore fitting that his writings receive here an original interpretation from the perspective of a modern economist, Craufurd D. Goodwin. Goodwin explores why Fry's work is both a landmark in the history of cross-disciplinary thought and a source of fresh insights into a wide range of current policy questions. The new writings included contain Fry's most important contributions to theory, history, and debates over policy as he explored the determinants of the supply of art, the demand for art, and the art market institutions that facilitate exchange. His ideas and speculations are as stimulating and provocative today as when they were written."A fascinating selection of essays by one of the twentieth century's most thoughtful and stimulating critics. Goodwin's introduction sets the stage beautifully, providing useful links to Veblen and Keynes." --D. E. Moggridge, University of Toronto"Art and the Market uncovers new connections between aesthetics and art in the Bloomsbury Group. . . . Goodwin adds significantly to the understanding of cultural economics in the work of Fry himself as well as J. M. Keynes and even Leonard and Virginia Woolf." --S. P. Rosenbaum, University of Toronto"All those interested in the arts and economics, and their connections, will be delighted by this collection, as will be students of Bloomsbury." --Peter Stansky, Stanford UniversityCraufurd D. Goodwin is James B. Duke Professor of Economics, Duke University.

It's the 21st century and global warming is here to stay, so forget the way your country used to look. And get used to the free market, too -- the companies possess all the best hardware, and they're calling the shots now. In a world like this, a man open to any offers can make out just fine. A man like Greg Mandel for instance, who's psi-boosted, wired into the latest sensory equipment, carrying state-of-the-art weaponry -- and late of the English Army's Mindstar Battalion. As the cartels battle for control of a revolutionary new power source, and corporate greed outstrips national security, tension is mounting to boiling point -- and Greg Mandel is about to face the ultimate test.