13 products were found matching your search for Blouson Moto Femme Course in 4 shops:

Brand from South Korea: DABAGIRL. Color: Black, Brown, Materials: 100% Polyurethane , Size: One Size: Shoulder 52cm, Bust 121cm, Sleeve 57cm, Arm Hole 51cm, Total Length 59cm , Care: Wipe Clean

Men’s loose trousers – My inspiration for this piece is actor Madeleine Dietrich. When she was at a train station in Paris arrested because of the men’s trousers. Like you know, you can’t find at La Femme Mimi clamped trousers, so there are loose too. They of course have pockets and one pearl button. It looks good every time and with everything. Washing program 30 degrees Iron program for cotton or wool

Men’s loose trousers – My inspiration for this piece is actor Madeleine Dietrich. When she was at a train station in Paris arrested because of the men’s trousers. Like you know, you can’t find at La Femme Mimi clamped trousers, so there are loose too. They of course have pockets and one pearl button. It looks good every time and with everything. Washing program 30 degrees Iron program for cotton or wool

“Bordeaux” or burgundy colour. In winter, we all love to warm our hands around a mug of mulled wine, orange and cinnamon. The color matches our shirt exactly. Shirt collar, small pearl buttons and of course long sleeves. It will be nice on a turtleneck or with a waistcoat, but it won’t get tired of its colour on its own. The material is fine silk, which is very soft to the touch. Hand wash or dry cleaning only Total length 65cm 100% Silk Hand wash or dry cleaning only Ironing program for silk

Mickalene Thomas's vivid paintings, collages, and photographs explode off the wall. Their larger-than-life women stare back and down at the viewer, confronting them head on. Over the course of her prolific career, Thomas has created a body of work that expands notions of beauty, gender, sexuality, and race, offering a complex vision of what it means to be a Black woman.In Femmes Noires, Thomas moves breezily between pop culture and the long history of Western and African art, inserting images of Black women into iconic paintings. At times she poses them nude; at other times, she draws on elements as diverse as 1970s black-is-beautiful images of women, Edouard Mamet's odalisque figures, the mise-en-scène studio portraiture of James Van Der Zee and Malick Sidibé, and her own collection of personal portraits and staged scenes. Her ability to detect and contain contradictions and to wrestle with stereotypes translates into powerful, self-possessed depictions of Black women that confront and subvert stereotypes.Femmes Noires is a bold examination of Thomas's work and her artistic practise at an important moment in history. It blends writing from iconic Black writers and essayists (Alice Walker, Chimamanda Ngozi Adichie, Edwidge Danticat, and Lorraine O’Grady) with 120 reproductions from Thomas's oeuvre (collages, paintings, film stills, and photographs). Original essays by Andrea Andersson, visual arts curator of the Contemporary Art Center of New Orleans; Julie Crooks, curator at the Art Gallery of Ontario; and writer-art critic Antwaun Sargent complete the book.Mickalene Thomas: Femmes Noires accompanies an international touring exhibition organized by the Art Gallery of Ontario and the Contemporary Art Centre in New Orleans. It will open at the AGO in late November 2018.

Mickalene Thomas's vivid paintings, collages, and photographs explode off the wall. Their larger-than-life women stare back and down at the viewer, confronting them head on. Over the course of her prolific career, Thomas has created a body of work that expands notions of beauty, gender, sexuality, and race, offering a complex vision of what it means to be a Black woman.In Femmes Noires, Thomas moves breezily between pop culture and the long history of Western and African art, inserting images of Black women into iconic paintings. At times she poses them nude; at other times, she draws on elements as diverse as 1970s black-is-beautiful images of women, Edouard Mamet's odalisque figures, the mise-en-scène studio portraiture of James Van Der Zee and Malick Sidibé, and her own collection of personal portraits and staged scenes. Her ability to detect and contain contradictions and to wrestle with stereotypes translates into powerful, self-possessed depictions of Black women that confront and subvert stereotypes.Femmes Noires is a bold examination of Thomas's work and her artistic practise at an important moment in history. It blends writing from iconic Black writers and essayists (Alice Walker, Chimamanda Ngozi Adichie, Edwidge Danticat, and Lorraine O’Grady) with 120 reproductions from Thomas's oeuvre (collages, paintings, film stills, and photographs). Original essays by Andrea Andersson, visual arts curator of the Contemporary Art Center of New Orleans; Julie Crooks, curator at the Art Gallery of Ontario; and writer-art critic Antwaun Sargent complete the book.Mickalene Thomas: Femmes Noires accompanies an international touring exhibition organized by the Art Gallery of Ontario and the Contemporary Art Centre in New Orleans. It will open at the AGO in late November 2018.

Over the course of nearly eight decades, Moto Guzzi has built just about every motorcycle engine configuration possible -- singles, twins, triples, fours, and even a V-8. Still, for the last 30 years, the 90-degree V-twin has dominated the Italian company's activities on the road as well as the track.

Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers.With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.

From the rear cover of this 224 page book: "They're all here, those lovable, irascible, sometimes irrational creatures from the Okefenokee Swamp: Albert the Alligator, Howlan' Owl, Porky Pine, Churchy La Femme, Rackety Coon, Bun Rabbit, Barnstable Bear and, of course, Pogo Possum. 'Pogo Even Better' takes up where 'The Best of Pogo' left off. It's a must for Pogophiles of long and short standing, a compilation of never-reprinted Pogo daily newspaper strips from the first years of national syndication (1949-1950) and other drawings and writings by creator Walt Kelly. This funny and touching collection features rare illustrations from Kelly's early work, such as 'The Life of P.T. Barnum', fantasy and children's drawings, advertising art like the first promotional piece for Pogo, 'The Pogo Primer for Parent', and even a new half-verse of the Okefenokee residents' special Christmas carol 'Deck Us All with Boston Charlie'. There's a bonus too: a biographical section on Walt Kelly, revealing the origin of the strip, photos of Kelly at work and at ease, memories of his days at the Disney studios, and a chapter on Pogo's shenanigans during the 1952 presidential campaign, a time when Pogo's popularity rivaled Ike's"

Aux XVIe et XVIIe siècles, des centaines de milliers d'hommes et de femmes, convertis à l'islam, sont devenus des " renégats " La plupart furent emmenés en captivité un soir de défaite, après une razzia ou victimes de la course " barbaresque " en Méditerranée ou sur l'Atlantique. Certaines conversions furent volontaires. C'est l'histoire extraordinaire de ces milliers de destins, archivés par l'Inquisition, que retracent Lucile et Bartolomé Bennassar.

"Butch is a Noun is a book that a) should be required reading in any gender studies curriculum; b) femmes should read whenever they're feeling unloved, lonely, or misunderstood; c) butches should read; d) all of the above. The answer, of course, is d. Thank you, dear Bear."—Kate Bornstein, author of Gender Outlaw"Bear's poetry of butchness lets us see into facets of gender that usually aren't so transparent. And made me fall in love with butches all over again."?Carol Queen, author of Real Live Nude GirlButch is a Noun, the first book by activist, gender-jammer, and performer S. Bear Bergman, won wide acclaim when published by Suspect Thoughts in 2006: a funny, insightful, and purposely unsettling manifesto on what it means to be butch (and not). In thirty-four deeply personal essays, Bear makes butchness accessible to those who are new to the concept, and makes gender outlaws of all stripes feel as though they have come home. From girls' clothes to men's haircuts, from walking with girls to hanging with young men, Butch is a Noun chronicles the perplexities, dangers, and pleasures of living life outside the gender binary. This new edition includes a new introduction by the author.S. Bear Bergman is also the author of The Nearest Exit May Be Behind You (Arsenal Pulp Press, 2009). Ze is also a frequent university and college lecturer on issues relating to gender and sexuality.

Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers.With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.

When a successful business man meets a femme fatale, gratitude quickly evolves into lust in this fast-paced, sexy thriller. Little does he know, his life is headed for a collision course and he must make the ultimate decision to discover something he has yet to find... himself.