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Les deux chefs-d’œuvre de Lewis Carroll, monuments du non-sens, illustrés par un artiste qui s’est approprié le monde onirique de l’écrivain pour sublimer cette édition bilingue.Le chef-d’œuvre de Lewis Carroll est présenté dans son intégralité et en version bilingue, afin de mieux appréhender l’extrême vivacité de langage, riche d’inventivité, de jeux de mots et de calembours.Habité depuis toujours par l’archétype féminin d’Alice, l’artiste d’origine néerlandaise Pat Andrea, « maître du déséquilibre » en raison de sa surprenante force dramatique, a réalisé pour cette édition 49 tableaux au format 150 x 180 cm mêlant gouaches, aquarelles, crayons de couleurs, fusains et collages, feuilles d’or et d’argent. De ses tableaux émane une remarquable correspondance avec l’esprit et la lettre de Lewis Carroll.

Expedition Sous 48 H En Suivi La Poste / Emballage Bullepack

Andreas Schlüter. The Father of Baroque Berlin At the turn of the seventeenth to the eighteenth century Andreas Schlüter (1659/60–1714), the most important architect and sculptor of the Baroque period north of the Alps, transformed Berlin into a modern, Baroque city with a royal court. This opulent catalogue tells the intriguing story of Schlüter’s artistic career and provides a well-founded overview of his oeuvre on the occasion of the 300th anniversary of his death.

Expedition Sous 48 H En Suivi La Poste / Emballage Bullepack

Additional background information This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius' De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book's vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.

Ademas de una nueva demostracion de su admirable capacidad para analizar la naturaleza humana, los lectores de Andrea Camilleri encontraran los habituales momentos hilarantes que han hecho de los casos de Montalbano una lectura de culto para aquellos que aprecian las historias impregnadas de inteligencia y sensibilidad.

A cura di V. Martinelli e V. De Feo.Milano, 1996; custodia in cofanetto, pp. 256, 136 ill. b/n, 72 ill. col., cm 25x28.(Architettura e Architetti Classici).

The complete extant correspondence between a key fin-de-siecle intellectual and one of the most revered poets of the twentieth century. He would become one of the most important poets of the twentieth century; she was the über-muse of Europe's turn-of-the-century thinkers and artists. In this never-before-translated collection of letters spanning almost thirty years, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that moves from that of lovers to that of mentor and protégé, to that of deepest personal and literary allies. From the time of their first meeting and consequent affair to Rilke's death in 1926, Rilke and Salomé reeled through extremes of love, pain, annoyance, desire, and need―yet guided each other in one of the most fruitful artistic exchanges in twentieth-century literature. Despite illness, distance, and emotional and psychological pain, they managed to cultivate, through strikingly honest prose, an enduring and indispensable friendship, a decades-long heartfelt dialogue that encompassed love, art, and the imagination.

Firenze, 2014; ril., pp. 128, ill. col., cm 26x30. Il volume è una monografia su Andrea di Mariotto Cini, detto Andrea del Minga (Firenze 1535 - 1596), un pittore allievo di Ridolfo del Ghirlandaio e poi attivo sotto la direzione la direzione di Giorgio Vasari nella decorazione del celebre Studiolo di Francesco I de' Medici in Palazzo Vecchio a Firenze (1570 - 1572). Fino ad oggi questo artista è stato poco studiato e poco conosciuto perché all'epoca circolò una diceria secondo la quale la pala d'altare con l'Orazione nell'orto da lui eseguita per Santa Croce a Firenze non sarebbe tutta opera sua, ma per dipingerla si sarebbe fatto aiutare da altri artisti, specialmente per l'esecuzione del paesaggio. Questa calunnia ha condizionato la critica, che ha voluto individuare la collaborazione di altri pittori anche in altre sue opere. Invece questi dipinti sono tutti autografi, anche se in una occasione egli collaborò con lo scultore Baccio Bandinelli alla realizzazione di alcuni quadri per la duchessa Eleonora di Toledo, oggi conservati in Palazzo Pitti a Firenze. Andrea del Minga fu anche autore di una raffigurazione dell'Allegoria della Fortuna assai celebre, forse basata su un'idea di Michelangelo e della quale si conoscono molti esemplari sparsi per musei e collezioni private.

"Immensely readable...a significant piece of scholarship."―Fred Volkmer, New York Sun He would become one of the most important poets of the twentieth century; she a muse of Europe's fin-de-siecle thinkers and artists. In this collection of letters, a finalist for the PEN USA translation award, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that spans thirty years and shifting boundaries: as lovers, as mentor and protégé, and as deep personal and literary allies.

AUFGRUND DES GEWICHTES NUR ALS PÄCKCHEN (=derzeit 4,80 Porto) andere Länder auf Anfrage!, 319 Seiten, 327 Illustrationen, illustrierter Einband, noch original eingeschweißt, Anlässlich der Ausstellung Andrea Fraser, organisiert vom Museum der Moderne Salzburg, 21. März - 5. Juli 2015. Übersetzt vom Englischen ins Deutsche von Karl Hoffmann. Mit Texten von Sabine Breitwieser, Andrea Fraser, Shannon Jackson und Sven Lütticken. Ihr Werk ist nicht nur einfallsreich, markant und dreist, sondern auch humorvoll. Diese Künstlerin geht keine Kompromisse ein! Bei ihren performativen Kritiken handelt es sich um auf akribischen Untersuchungen basierende, offiziellen Quellen ausnutzende, erhellende Portraits von Institutionen, die sich allerdings durch eine quälende Mehrdeutigkeit auszeichnen. Zudem hat sie in der Vergangenheit erfolgreich innovative Modelle künstlerischer Praxis erforscht, die den Künstler vor den Einengungen der traditiollen Kunstproduktion als Warenerzeugung befreien könnten. Sprache: Deutsch Gewicht in Gramm: 1620 4° (Quart), kartonierte Ausgabe

"Immensely readable...a significant piece of scholarship."―Fred Volkmer, New York Sun He would become one of the most important poets of the twentieth century; she a muse of Europe's fin-de-siecle thinkers and artists. In this collection of letters, a finalist for the PEN USA translation award, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that spans thirty years and shifting boundaries: as lovers, as mentor and protégé, and as deep personal and literary allies.

In about 35-25 B.C.E., the Roman architect Vitruvius produced his encyclopedic ten-book summary of the principles of Hellenistic architecture, De architectura (On Architecture). These ideas have stimulated architects ever since. In the mid-16th century, the architect Andrea Palladio (1508-1580) and the humanist Daniele Barbaro (1513-1570) looked to the city of Venice in order to understand and interpret Vitruvius's text - still in need of clarification - which would enable them to solve contemporary architectural problems. They found in the city's medieval and Renaissance streets, palaces, churches, and towers living principles that enabled them to interpret the ancient principles. By 1556, Barbaro had incorporated their observations into his "Commentaries" on Vitruvius, and two distinctly new editions for different audiences followed a decade later.Margaret D'Evelyn has gathered evidence to document how Palladio's understanding of Vitruvius influenced Barbaro. This engrossing volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the city of Venice was viewed.

Carroll Quigley (1910 - 1977) war vielleicht der überragendste amerikanische Historiker des letzten Jahrhunderts. Professor an der Georgetown University in Washington war er u.a. Lehrer Bill Clintons. Sein Hauptwerk Tragedy and Hope ist ein legendäres Buch. In seiner Durchleuchtung der Aktivitäten und Verbindungen der englischen und amerikanischen Oberschicht und des internationalen Finanzkapitalismus legte er Dimensionen des internationalen Geschehens offen, ohne die das Zwanzigste Jahrhundert wohl kaum verständlich wird. Tragedy and Hope wird hier zum ersten Male in einer Auswahlausgabe auf Deutsch herausgegeben. Die Auswahl umfasst die relevanten Teile des Werks, die sich auf die Geschichte des Weltkriegszeitalters bis 1939 beziehen. In deutscher Sprache. 544 pages. 23,4 x 15,2 x 3,2 cm

In about 35-25 B.C.E., the Roman architect Vitruvius produced his encyclopedic ten-book summary of the principles of Hellenistic architecture, De architectura (On Architecture). These ideas have stimulated architects ever since. In the mid-16th century, the architect Andrea Palladio (1508-1580) and the humanist Daniele Barbaro (1513-1570) looked to the city of Venice in order to understand and interpret Vitruvius's text - still in need of clarification - which would enable them to solve contemporary architectural problems. They found in the city's medieval and Renaissance streets, palaces, churches, and towers living principles that enabled them to interpret the ancient principles. By 1556, Barbaro had incorporated their observations into his "Commentaries" on Vitruvius, and two distinctly new editions for different audiences followed a decade later.Margaret D'Evelyn has gathered evidence to document how Palladio's understanding of Vitruvius influenced Barbaro. This engrossing volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the city of Venice was viewed.

Este libro presenta una concepción totalmente nueva del cáncer. Por lo general, los tratamientos convencionales, en los que se matan, cortan o queman las células cancerosas, ofrecen a la mayoría de los pacientes una remisión de la enfermedad del 70 %, y la mayor parte de los sobrevivientes quedan «curados ». Moritz muestra por qué los tratamientos contra el cáncer pueden ser fatales, qué es lo que realmente causa el cáncer y cómo eliminar los obstáculos. . . / This book presents a totally new concept about cancer. In general, the conventional treatments, where cells are killed, removed or burned, offer most patients a 70 percent chance of remission from the cancer and most survivors are ""cured"". Moritz shows why cancer treatments may be fatal, what really causes cancer and how to eliminate obstacles.

The complete extant correspondence between a key fin-de-siecle intellectual and one of the most revered poets of the twentieth century. He would become one of the most important poets of the twentieth century; she was the über-muse of Europe's turn-of-the-century thinkers and artists. In this never-before-translated collection of letters spanning almost thirty years, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that moves from that of lovers to that of mentor and protégé, to that of deepest personal and literary allies. From the time of their first meeting and consequent affair to Rilke's death in 1926, Rilke and Salomé reeled through extremes of love, pain, annoyance, desire, and need―yet guided each other in one of the most fruitful artistic exchanges in twentieth-century literature. Despite illness, distance, and emotional and psychological pain, they managed to cultivate, through strikingly honest prose, an enduring and indispensable friendship, a decades-long heartfelt dialogue that encompassed love, art, and the imagination.

Die griechischen Papyri Agyptens bieten einen fur die Antike einzigartigen ungefilterten Einblick in das Alltagsleben der Bevolkerung fur die Zeit von Alexander dem Grossen bis zur arabischen Eroberung im 7. Jh. p. C. Das Material umfasst neben Privatbriefen und Notizen auch Urkunden uber Rechtsgeschafte des taglichen Lebens, Klagen und Beschwerden, Prozessakten mit Urteilen und Akten der allgemeinen und der Steuerverwaltung. Dieser Band bietet einen umfassenden Einblick in das tatsachliche Rechtsleben Agyptens in der griechisch-romischen Zeit. Die Abhandlungen greifen neben grundsatzlichen Problemen der juristischen Papyrologie Fragen des Vertragsrechts auf, vor allem aus dem Schuld- und Sachenrecht sowie aus dem Bereich des Familien- und Erbrechts. Auch das Straf- und Deliktsrecht wird angesprochen ebenso wie die Prozessfuhrung in Einzelfallen und die offentlichen Lasten. Besondere Aufmerksamkeit gilt der Anwendung griechischen oder agyptischen, dann auch romischen Rechts. Gewicht legt der Verfasser zudem auf die Erfassung der tatsachlich zugrundeliegenden Umstande und die Nutzbarmachung des rechtlichen Instrumentariums zur Umsetzung der wirtschaftlichen und rechtlichen Ziele im Einzelfall.

The De Amore of Andreas Capellanus (André the Chaplain), composed in France in the 1180s, is celebrated as the first comprehensive discussion of theory of courtly love. The book is believed to have been intended to portray conditions at Queen Eleanor of Aquitaine's court at Poitiers between 1170 and 1174, and written the request of her daughter, Countess Marie of Troyes. As such, it is important for its connections to themes of contemporary Latin lyric, in troubadour poetry and in the French romances of Chrétien de Troyes. Thereafter its influence spread throughout Western Europe, so that the treatise is of fundamental importance for students of medieval and renaissance English, French, Italian and Spanish.In this comprehensive edition, P.G. Walsh includes Trojel's Latin text with his own facing English translation with explanatory notes, commentary and indexes, along with introduction which sets the treatise in its contemporary context and assesses its purpose and importance.

Andrea se convierte en emigrante el día que sube a un avión destino Londres, con un billete de ida, una pequeña maleta y sus ahorros en busca de lo que no encuentra en su país, trabajo. Lo que no sabe Andrea es que la ciudad del Támesis le ofrecerá mucho más que eso: obstáculos, ilusión, decepciones, amistad y amor. Porque¿puede alguien enamorarse contra pronóstico?Alba Lago, presentadora de El Tiempo en Telecinco, debuta en el panorama literario con una novela enérgica y divertida que nos habla del amor como desenfreno y locura, de los sueños como motor de impulso y de la pasión como imán para acercar a seres diametralmente opuestos.¿Hacemos las maletas? Lee, viaja y ¡descubre!«Quién coño me iba a decir que, después de cinco interminables años de carrera y un máster, tendría que irme del país de mierda en el que había nacido y crecido. Sí, habéis leído bien, una puta mierda... y para vislumbrar el futuro prometedor del que tanto me hablaron desde que aprendí la tabla del dos, tuve que hacer las maletas y empezar de cero. Otro país. Otra cultura. Otro idioma».