34 products were found matching your search for Boom und Crisis in 2 shops:

Unread book in perfect condition.

The boom of the U.S. economy in the late 1990s suggests that Americans are better off than they were a decade ago, but this is not true across the board and the reason, as James Galbraith explains, is wage inequality. He contends that inequality is not the result of impersonal market forces but of specific government decisions and the poor economic performance they created. Featuring a new afterword on wage shifts since 1994, Created Unequal is a rousing book that reminds us we can reclaim our country through economic understanding, commonsense policy, and political action. "Created Unequal is not light reading, but Galbraith's elegant arguments, passionate exposition, and profound conclusions make it worth the trouble. . . . [Galbraith] remind[s] us that the economy is and ought to be run by humans, not humans by the economy."—Joanna Ciulla, Los Angeles Times Book Review"Created Unequal is a lucid and wise explanation of why America seems to be prospering while most Americans aren't. James Galbraith takes steady aim at a variety of widely accepted economic myths and hits most of them dead center. This book will tell you a lot about the way your economic world really works."—Jeff Faux, President of the Economic Policy Institute "[A] brilliant and iconoclastic examination of the major social trend of our time."—Michael Lind, Washington Monthly

Cultural politics and American bohemians in pre–Civil War New York Amid the social and political tensions plaguing the United States in the years leading up to the Civil War, the North experienced a boom of cultural activity. Young transient writers, artists, and musicians settled in northern cities in pursuit of fame and fortune. Calling themselves “bohemians” after the misidentified homeland of the Roma immigrants to France, they established a coffeehouse society to share their thoughts and creative visions. Popularized by the press, bohemians became known for romantic, unorthodox notions of literature and the arts that transformed nineteenth–century artistic culture. Bohemian influence reached well beyond the arts, however. Building on midcentury abolitionist, socialist, and free labor sentiments, bohemians also flirted with political radicalism and social revolution. Advocating free love, free men, and free labor, bohemian ideas had a profound effect on the debate that raged among the splintered political factions in the North, including the fledgling Republican Party from which President Lincoln was ultimately elected in 1860. Focusing on the overlapping nature of culture and politics, historian Mark A. Lause delves into the world of antebellum bohemians and the newspapermen who surrounded them, including Ada Clare, Henry Clapp, and Charles Pfaff, and explores the origins and influence of bohemianism in 1850s New York. Against the backdrop of the looming Civil War, The Antebellum Crisis and America’s First Bohemians combines solid research with engaging storytelling to offer readers new insights into the forces that shaped events in the prewar years.

People are living longer, creating an unexpected boom in the elderly population. Longevity is increasing not only in wealthy countries but in developing nations as well. In response, many policy makers and scholars are preparing for a global crisis of aging. But for too long, Western experts have conceived of aging as a universal predicament―one that supposedly provokes the same welfare concerns in every context. In the twenty-first century, Kavita Sivaramakrishnan writes, we must embrace a new approach to the problem, one that prioritizes local agendas and values.As the World Ages is a history of how gerontologists, doctors, social scientists, and activists came to define the issue of global aging. Sivaramakrishnan shows that transnational organizations like the United Nations, private NGOs, and philanthropic foundations embraced programs that reflected prevailing Western ideas about development and modernization. The dominant paradigm often assumed that, because large-scale growth of an aging population happened first in the West, developing societies will experience the issues of aging in the same ways and on the same terms as their Western counterparts. But regional experts are beginning to question this one-size-fits-all model and have chosen instead to recast Western expertise in response to provincial conditions. Focusing on South Asia and Africa, Sivaramakrishnan shows how regional voices have argued for an approach that responds to local needs and concerns. The research presented in As the World Ages will help scholars, policy makers, and advocates appreciate the challenges of this recent shift in global demographics and find solutions sensitive to real life in diverse communities.

The days of boom and bubble are over, and the time has come to understand the long-term economic reality. Although the Great Recession officially ended in June 2009, hopes for a new phase of rapid economic expansion were quickly dashed. Instead, growth has been slow, unemployment has remained high, wages and benefits have seen little improvement, poverty has increased, and the trend toward more inequality of incomes and wealth has continued. It appears that the Great Recession has given way to a period of long-term anemic growth, which Foster and McChesney aptly term the Great Stagnation.   This incisive and timely book traces the origins of economic stagnation and explains what it means for a clear understanding of our current situation. The authors point out that increasing monopolization of the economy—when a handful of large firms dominate one or several industries—leads to an over-abundance of capital and too few profitable investment opportunities, with economic stagnation as the result. Absent powerful stimuli to investment, such as historic innovations like the automobile or major government spending, modern capitalist economies have become increasingly dependent on the financial sector to realize profits. And while financialization may have provided a temporary respite from stagnation, it is a solution that cannot last indefinitely, as instability in financial markets over the last half-decade has made clear.

; 5. ed.; gebundene Ausgabe; Hardcover; originaler Schutzumschlag; 595pp: illustr.; Zustand: Einband und OU gut, innen: stellenweise mit Unterstreichungen; sonst gut; NaV; Versand EURO 4

The alarming, untold story of Citigroup—one of the largest financial institutions in the world—from its founding in 1812 to its role in the 2008 financial crisis, and the many near-death experiences in between.During the 2008 financial crisis, we were told that Citi was a victim of events beyond its control—the larger financial panic, unforeseen economic disruptions and a perfect storm of credit expansion and private greed. To save the economy and keep the bank afloat, the government provided huge infusions of cash through multiple bailouts that frustrated and angered the American public.But, as Wall Street Journal writer James Freeman and financial expert Vern McKinley reveal, the 2008 crisis was just one of many disasters Citi has experienced since its founding more than two hundred years ago. In Borrowed Time they reveal Citi’s disturbing history of instability and government support. It’s a story that neither Citi nor Washington wants told.Citi has long been tied to the federal government in a relationship that has benefited both. From its earliest years, its well-connected leadership—most of its initial stockholders had owned stock in the Bank of the United States—took massive risks that led to crisis. But thanks to a rescue by private investors, including John Jacob Astor, the bank survived throughout the nineteenth century.This is just the tip of the iceberg. The scale of the financial panic of 2008 was hardly unprecedented. As Borrowed Time shows, crisis and outright disasters have been surprisingly common during the century of government-protected banking—especially at Citi.

Scary headlines and scarier statistics tell the story of a financial crisis on a scale not seen in decades—certainly not within the lifetime of most Americans. Moreover, this is a worldwide financial crisis. Financial institutions on both sides of the Atlantic have either collapsed or have been saved from collapse by government bailouts, as a result of buying securities based on American housing values that eroded or evaporated.Now completely revised in paperback, The Housing Boom and Bust is designed to unravel the tangled threads of that story. It also attempts to determine whether what is being done to deal with the problem is more likely to make things better or worse.

180 gram. High Definition Premium Virgin Vinyl Pressing For Super Fidelity. Direct Metal Mastering. The transition from country to urban blues that began in the 1920s was driven by the successive waves of economic crisis and booms and the associated move of African Americans from rural to urban areas. This has come to be known as the Great Migration. In the aftermath of World War II, the long boom period induced the Second Migration, which marked a massive migration of the African American popu

From market crisis to market boom, from welfare to wealth care, from homelessness to helplessness, and an all-out assault on the global environment-these are just some of the indecencies of contemporary economic life that Profit Pathology takes on. Here, Michael Parenti investigates how class power is a central force in our political life and, yet, is subjected to little critical discernment. He notes how big-moneyed interests shift the rules of the game in their favor while unveiling the long march by reactionaries through the nation's institutions to undo all the gains of social democracy, from the New Deal to the present. Parenti also traces the exploitative economic forces that have operated through much of American history, including the mass displacement and extermination of Native Americans and the enslavement of Africans. Parenti is a master at demonstrating the impact of monomaniacal profit accumulation on social services-especially health care-and human values. Here he takes us one step further, showing how unrestrained capitalism ultimately endangers itself, becoming a "self-devouring beast" that threatens us all. Finally, he calls for a solution based on democratic diversity and public ownership-"because it works."

This book recasts the "development problem" for countries relying on commodity exports in entirely new ways by analyzing the so-called coffee paradox--the coexistence of a "coffee boom" in consuming countries and of a "coffee crisis" in producing countries. In consuming countries, coffee continues to grow in popularity. At the same time, international coffee prices have fallen dramatically and producers receive the lowest prices in decades. As long as coffee farmers and their organizations do not control at least parts of this production, they will remain on the losing end.

The postwar economic boom, the building of the Wall, the Cuban missile crisis, the conflict in Vietnam―rigid frontlines defined the years between 1945 and 1968. The atmosphere of the Cold War informed the visual arts; East and West were divided by figuration and abstraction. In the East, Socialist Realism was the basis for any innovation; the West glorified Abstract Expressionism and, later, Pop Art as symbols of freedom. This book, which documents the second in a series of major exhibitions held by the Nationalgalerie, deliberately transcends such divisions to focus on the coexistence of styles and the simultaneity of disparate tendencies as artists charted new terrain in Happening and light, video, and performance art. Thomas Wagner has selected excerpts from the works of contemporary writers―Christa Wolf, Samuel Beckett, Albert Camus, Rolf Dieter Brinkmann, Ernst Jandl, Elfriede Jelinek, Bob Dylan, Ray Bradbury, William S. Burroughs, Allen Ginsberg, Bertolt Brecht, Heiner Müller, Paul Celan, Mao Zedong, Oswald Wiener―to complement the survey of the art of the period. With essays by Philip Ursprung and Joachim Jäger as well as a preface by Udo Kittelmann.

In the late nineteenth and early twentieth centuries, the production of literary and cultural manifestoes enjoyed a veritable boom and accompanied the rise of many avant-garde movements. Legitimizing the Artist considers this phenomenon as a response to a more general crisis of legitimation that artists had been struggling with for decades. The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements – decadentism, Italian futurism, vorticism, and imagism – and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siécle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project aiming at a complete renewal of the process of literary communication and the abolition of the difference between producer and consumer. It is to this challenge that the English avant-garde artists, and Ezra Pound in particular, responded with their more polemical pieces. Somigli suggests that this debate allows us to rethink the relationship between modernism and post-modernism as complementary ways of engaging the loss of an organic relationship between the artist and his social environment.

Vanity Fair 100 Years showcases a century of personality and power, art and commerce, crisis and culture―both highbrow and low. From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day. This sumptuous book takes a decade-by-decade look at the world as seen by the magazine, stopping to describe the incomparable editor Frank Crowninshield and the birth of the Jazz Age Vanity Fair, the magazine’s controversial rebirth in 1983, and the history of the glamorous Vanity Fair Oscar Party. With its exhaustive sweep, visual impact, and time-capsule format, Vanity Fair 100 Years is the book everyone will want in 2013. Praise for Vanity Fair 100 Years: “The book is a stunning artifact that begets staring, less for the words and publishing industry than as an exercise in visual storytelling reflected through the prism of society and celebrity. The best photographers, the best designers, the best illustrators all came together over Vanity Fair’s contents, and the book unfolds in page after page of stunningly rendered images, some iconic and some that never even ran.” ―New York Times Book Review  

The postwar economic boom, the building of the Wall, the Cuban missile crisis, the conflict in Vietnam―rigid frontlines defined the years between 1945 and 1968. The atmosphere of the Cold War informed the visual arts; East and West were divided by figuration and abstraction. In the East, Socialist Realism was the basis for any innovation; the West glorified Abstract Expressionism and, later, Pop Art as symbols of freedom. This book, which documents the second in a series of major exhibitions held by the Nationalgalerie, deliberately transcends such divisions to focus on the coexistence of styles and the simultaneity of disparate tendencies as artists charted new terrain in Happening and light, video, and performance art. Thomas Wagner has selected excerpts from the works of contemporary writers―Christa Wolf, Samuel Beckett, Albert Camus, Rolf Dieter Brinkmann, Ernst Jandl, Elfriede Jelinek, Bob Dylan, Ray Bradbury, William S. Burroughs, Allen Ginsberg, Bertolt Brecht, Heiner Müller, Paul Celan, Mao Zedong, Oswald Wiener―to complement the survey of the art of the period. With essays by Philip Ursprung and Joachim Jäger as well as a preface by Udo Kittelmann.

The 1960s was famously the decade of sex, drugs and rock'n'roll. It was also a decade of revolution and counter-revolution, of the Cuban missile crisis, of the American intervention in Vietnam, of economic booms and the beginning of consumerism (and the rebellion against it). It was a decade in which the avantgarde came out of the closet and into the street, expressing itself on album covers and posters as much as in galleries. And it was a decade in which the old popular art - crooners and show bands, Hollywood musicals and melodramas - seemed destined to be swept away by the tide of novelty emerging across the world. The cinema was central to this atmosphere of cultural ferment. Hollywood was in decline, both artistically and commercially. The genres which had held audiences captive in the 1940s and 50s - musicals, Westerns, melodramas - were losing their appeal and their great practitioners were approaching retirement. The scene was therefore set for new cinemas to emerge to attract the young, the discriminating, the politically conscious and the sexually emancipated. The innovative features of the new cinemas were not the same everywhere. Common to most of them, however, were a political and aesthetic radicalism and a break with the traditions of studio filmmaking and its cult of perfect illusion. Making Waves, Revised and Expanded is a sharp, focused, and brilliant survey of the innovative filmmaking of the 1960s, placing it in its political, economic, cultural and aesthetic context - capturing the distinctiveness of a decade which was great for the cinema and for the world at large. Geoffrey Nowell-Smith pays particular attention to a handful of the most remarkable talents (Godard, Antonioni, Oshima) that emerged during the period and helped to make it so special.

No economist has written more incisively and provocatively on financial crisis than Hyman Minsky. Minsky is best known for his claim that "stability is destabilizing" – that the seeds of the bust are sown in the boom. This financial instability hypothesis received renewed attention – and substantial confirmation – in the global financial crisis of 2008.  Minsky's insights are not limited to moments of crisis; they grow out of a comprehensive and critical theory of financial capitalism. This book provides a systematic overview of Minsky's thought, covering his entire body of work. It shows how financial crises arise not as exceptions, but out of the normal operation of a financial capitalist system. It explains why Minsky's theories sit uncomfortably with economics and what efforts have been made to integrate them, and shows how Minsky's work can be incorporated into other fields of social thought. This book will be of interest to students and scholars in economics, political economy, finance, politics, and social theory, as well as to anyone with an interest in the financial system and its tendency toward crisis.

The year 1873 was one of financial crisis. A boom in railway construction had spurred a bull market―but when the boom turned to bust, transatlantic panic quickly became a worldwide economic downturn. In Transatlantic Speculations, Hannah Catherine Davies offers a new lens on the panics of 1873 and nineteenth-century globalization by exploring the ways in which contemporaries experienced a tumultuous period that profoundly challenged notions of economic and moral order.Considering the financial crises of 1873 from the vantage points of Berlin, New York, and Vienna, Davies maps what she calls the dual “transatlantic speculations” of the 1870s: the financial speculation that led to these panics as well as the interpretative speculations that sprouted in their wake. Drawing on a wide variety of sources―including investment manuals, credit reports, business correspondence, newspapers, and legal treatises―she analyzes how investors were prompted to put their money into faraway enterprises, how journalists and bankers created and spread financial information and disinformation, how her subjects made and experienced financial flows, and how responses ranged from policy reform to anti-Semitic conspiracy theories when these flows suddenly were interrupted. Davies goes beyond national frames of analysis to explore international economic entanglement, using the panics’ interconnectedness to shed light on contemporary notions of the world economy. Blending cultural, intellectual, and legal history, Transatlantic Speculations gives vital transnational and comparative perspective on a crucial moment for financial markets, globalization, and capitalism.

They say that the Trend is Your Friend, but what happens at the End of a Trend? Think about what happened to millions of investors when the dot-com boom went bust, or the subprime mortgage crisis blew up the world's financial markets. In this step-by-step (and always entertaining) guide, a proven counter-trend trader shows real-world examples of how to identify and profit from the warning signs that short-term and long-term trends are reaching a conclusion. The trading style is called "The Wallaby Trade," and it's the most complete book available on the subject of using divergence to trade against the crowd. If you are a trend-follower, then this book contains essential strategies and techniques for entering a trend on critical "pullbacks," and if you're a straight-up contrarian, Rob demonstrates powerful examples of divergence that serve as low-risk entries before the biggest moves in the financial world. When the crowd realizes that the party is over, where will you be? This book isn't about the general concept of trading against the masses, but rather a practical guide suitable for new and experienced traders alike. The chapters move fast and the book doesn't waste any time: Lots of examples, clear rules, and brutal honesty on every page. Chapters include: 1. What the heck is a Wallaby Trade? 2. What can the Wallaby Trade Do? 3. Bearish Divergence 4. Bullish Divergence 5. Bending the Divergence Rules for More Trades 6. Entering a Wallaby Trade Successfully 7. Wallaby Trade Sizing 8. Risk Management and the Wallaby 9. Profit Targets for the Wallaby And 9 bonus Appendix sections that detail best financial instruments for trading the Wallaby, dealing with adversity in counter-trend trading, character traits of great contrarian traders, and more.

The year 1873 was one of financial crisis. A boom in railway construction had spurred a bull market―but when the boom turned to bust, transatlantic panic quickly became a worldwide economic downturn. In Transatlantic Speculations, Hannah Catherine Davies offers a new lens on the panics of 1873 and nineteenth-century globalization by exploring the ways in which contemporaries experienced a tumultuous period that profoundly challenged notions of economic and moral order.Considering the financial crises of 1873 from the vantage points of Berlin, New York, and Vienna, Davies maps what she calls the dual “transatlantic speculations” of the 1870s: the financial speculation that led to these panics as well as the interpretative speculations that sprouted in their wake. Drawing on a wide variety of sources―including investment manuals, credit reports, business correspondence, newspapers, and legal treatises―she analyzes how investors were prompted to put their money into faraway enterprises, how journalists and bankers created and spread financial information and disinformation, how her subjects made and experienced financial flows, and how responses ranged from policy reform to anti-Semitic conspiracy theories when these flows suddenly were interrupted. Davies goes beyond national frames of analysis to explore international economic entanglement, using the panics’ interconnectedness to shed light on contemporary notions of the world economy. Blending cultural, intellectual, and legal history, Transatlantic Speculations gives vital transnational and comparative perspective on a crucial moment for financial markets, globalization, and capitalism.