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In Hans Urs von Balthasar and the Critical Appropriation of Russian Religious Thought, Jennifer Newsome Martin offers the first systematic treatment and evaluation of the Swiss Catholic theologian’s complex relation to modern speculative Russian religious philosophy. Her constructive analysis proceeds through Balthasar’s critical reception of Vladimir Soloviev, Nicholai Berdyaev, and Sergei Bulgakov with respect to theological aesthetics, myth, eschatology, and Trinitarian discourse and examines how Balthasar adjudicates both the possibilities and the limits of theological appropriation, especially considering the degree to which these Russian thinkers have been influenced by German Idealism and Romanticism. Martin argues that Balthasar’s creative reception and modulation of the thought of these Russian philosophers is indicative of a broad speculative tendency in his work that deserves further attention. In this respect, Martin consciously challenges the prevailing view of Balthasar as a fundamentally conservative or nostalgic thinker. In her discussion of the relation between tradition and theological speculation, Martin also draws upon the understudied relation between Balthasar and F. W. J. Schelling, especially as Schelling's form of Idealism was passed down through the Russian thinkers. In doing so, she persuasively recasts Balthasar as an ecumenical, creatively anti-nostalgic theologian hospitable to the richness of contributions from extra-magisterial and non-Catholic sources.

She's Got What It Takes gathers American painter and installation artist Deanna Sirlin's essays on the lives and work of nine historically important (and frequently marginalized) living American women artists: Jennifer Bartlett, Louise Fishman, Jane Freilicher, Joyce Kozloff, Elaine Reichek, Ursula von Rydingsvard, Joan Snyder, Pat Steir and Betty Woodman. A fan of these artists for more than 30 years, Sirlin decided to visit and talk with each of them in their studios or at their galleries, most of which are in New York--indeed, many of these artists are key protagonists in the city's art culture of the past 50 years. Sirlin's essays are built around these conversations, lending them an intimate, chatty tone full of observations on the artists' working environments, their décor and contents, and testimony by Sirlin to their importance for her.

She's Got What It Takes gathers American painter and installation artist Deanna Sirlin's essays on the lives and work of nine historically important (and frequently marginalized) living American women artists: Jennifer Bartlett, Louise Fishman, Jane Freilicher, Joyce Kozloff, Elaine Reichek, Ursula von Rydingsvard, Joan Snyder, Pat Steir and Betty Woodman. A fan of these artists for more than 30 years, Sirlin decided to visit and talk with each of them in their studios or at their galleries, most of which are in New York--indeed, many of these artists are key protagonists in the city's art culture of the past 50 years. Sirlin's essays are built around these conversations, lending them an intimate, chatty tone full of observations on the artists' working environments, their décor and contents, and testimony by Sirlin to their importance for her.