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Simone Nieweg’s latest book is a compilation of nearly every variety of agricultural cultivation, rang ing from small market gardens with vegetable beds and fruit trees to pastures, fallow land, forest fringes, arable land, and fields of grain. Without exception, Nieweg photographs her subjects in a soft, almost shadowless light that does not obscure the fine structure of her images. Her long exposure times require an absolutely breezeless day in order to capture images of plants and landscapes in hitherto unseen clarity and richness of detail. Nieweg’s photographs tell of the unconventional marriage, which nature and civilization have entered upon inthe course of their long evolution, and everything in them gives the impression of being known and familiar through many encounters. The present work is a selection of photographs taken by Simone Nieweg over the last ten years. The introduction was written by Heinz Liesbrock.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

96 Seiten, überw. Abb. Sehr gutes, frisches Exemplar. - Beigelegt ist ein kurzes Schreiben der Galerie Gisela Capitain an Kaspar König. - Mit einem Vokabular einfacher, flächiger Formen gelingt Tobias Pils ein eigener malerischer Ton, der unmittelbar erkennbar ist. Seine Bildsprache greift rudimentäre Elemente einer Körperlichkeit von Menschen und Dingen auf, die sich zu spannungsvollen Verbindungen fügen. Der Katalog konzentriert sich auf zwei kürzlich entstandene Werkgruppen. Es handelt sich zunächst um einen Raum mit 19 Bildtafeln, der für die Art Basel konzipiert wurde. Bein zweiten Bildkomplex handelt sich um Gemälde auf Leinwand und Papier, die im vergangenen Winter in Marfa, Texas entstanden sind. Verknappung, Vereinfachung der Elemente und Flächigkeit der Bildkonzeption sind die Merkmale von Pils Ästhetik. (Buchhandlung Walther König) / Inhalt: Heinz Liesbrock -- Vorwort -- Introduction -- MARFA Bilder -- MARFA Paintings -- MARFA Papierarbeiten -- MARFA Works on Paper -- Matthew Simms -- Flat Feelings: -- Flat Feelings: -- Tobias Pils -- Tobias Pils -- in Marfa -- in Marfa -- Elena Brugnano -- Ohne Titel [RAUM] -- Untitled [ROOM] -- Ohne Titel [RAUM] -- Untitled [ROOM] -- Liste der ausgestellten -- Werke -- List of Works -- in the Exhibition -- MARFA -- Chinati Foundation -- John Chamberlain -- Gebäude -- MARFA -- Chinati Foundation -- John Chamberlain -- Building. ISBN 9783960981756 Sprache: Deutsch Gewicht in Gramm: 250 Orig.-Lw.; Orig.-Schutzumschlag.

Nine-year old Liesel Steffen’s charming world is shattered one sunny Spring afternoon in her front yard in Bottrop—Eigen, Germany, 1951, when a handsome Neighbor returns ‘home.’ Proud Liesel parades the man inside to celebrate her idol—her late father— certainly the hero who saved the Neighbor’s infant son during Kristallnacht, also known as ‘The Night of Broken Glass.’ Liesel is whisked away to her room while her mother ejects the Jew from their home. When the young girl discovers that her father was a German Nationalist, one of Hitler’s Loyal Lieutenants...she questions: · How could her parents be part of such unspeakable evil? · Was Liesel herself so wicked? · Was she too a German Nationalist, destined to carry out this hideous mission? · Should Liesel turn her back on her parents? Could she love them anymore? · Could she love herself? Who is she? Who are our ‘Neighbors?’ Who are we? Candid, coming-of-age story of a generation of unknowing Germans who wear the ‘Yellow Star’ of guilt and shame. Liesel questions her identity across three continents. More important, this gripping story chronicles Liesel’s search for self, truth, family, guilt, forgiveness, and justice and delivers a different look at this dark time in our history.