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This book focuses its attention on this delightful and friendly bird. Doreen Haggard has bred Bourke's Parakeets for many years and considers their particular needs, in terms of breeding, feeding, care and health.

The Echelon Collection creates a sophisticated timeless look with traditional colors and designs with exquisite details. The rugs are low profile with minimal pile height and the designs are applied using cutting edge technology with a new heat transfer process giving extra life to the designs with crisp edges and pops of color. The low pile and detailed designs give the rugs the look and feel of a handmade silk rug while keeping the rugs affordable. Color: Red& Ivory. Pattern: Abstract.

The Echelon Collection creates a sophisticated timeless look with traditional colors and designs with exquisite details. The rugs are low profile with minimal pile height and the designs are applied using cutting edge technology with a new heat transfer process giving extra life to the designs with crisp edges and pops of color. The low pile and detailed designs give the rugs the look and feel of a handmade silk rug while keeping the rugs affordable. Color: Red& Ivory. Pattern: Abstract.

Anybody can find a recipe for brownies these days, but can you guarantee that it will use the best possible ingredients to make the chocolate brownies of your dreams? Paul Allam and David McGuinness’ Bourke Street Bakery: All Things Sweetâ?? is not just any cookbook, but the baking book you need on your kitchen shelf to create the most incredible pastries, cakes, tarts, cookies and confectionery imaginable. Representing years of testing, adapting and refining of the recipes, Bourke Street Bakery: All Things Sweet is comprised of ten chapters (Cakes and Muffins; Cookies and Biscuits; Sweets; Sweet Pastry Doughs; Tarts; Sweet, Sweet Pies; Puff Pastries; Choux Pastries; Croissant Pastries; Brioche and Sweet Breads) of delicious recipes that promise to deliver the very best results, using the very best ingredients. Whip up a Flourless Mocha and Hazelnut Cake for that charity bake sale and grab an Apple, Bran and Sour Cherry Muffin as you run out the door for breakfast. Impress your guests at your dinner party with Ginger brulee tarts and top off that Sunday lunch with Pain au chocolat bread and butter pudding. Complete the kid’s party table with Marshmallows and Rocky Road and get festive with Gingerbread men biscuits, Christmas fruit mince pies and Christmas cake. Complete with advice, tools, step-by-step photography and trouble-shooters, Bourke Street Bakery: All Things Sweet is the must-have comprehensive baking guide for every occasion.

This book focuses its attention on this delightful and friendly bird. Doreen Haggard has bred Bourke's Parakeets for many years and considers their particular needs, in terms of breeding, feeding, care and health.

Situated in the hip foodie enclave of Sydney's Surry Hills is the original Bourke Street Bakery, a cozy nook selling artisanal baked goods of the highest order. The bakery's long queue of customers waiting for their daily fix is testament to the popularity of their utterly delicious wares, from rustic breads such as their famous spelt sourdough to the flaky pork and fennel sausage rolls and the most addictive sweet pastries like ginger brulée and pistachio tart. Bourke Street Bakery is the ultimate baking companion with clear and concise instructions, aimed at the novice home baker while remaining an inspirational and technical reference for professionals of the crust and crumb world.

Glossy card cover, 100 pages, stamp inside front cover, text pages spotless. A firm straight book.

The definitive collection of the photographs of Margaret Bourke-White encompasses her work as an industrial photographer, her famous portraits as an original staff member of LIFE magazine, and previously unpublished work from her personal archives. 15,000 first printing.

America’s first female war correspondent, Margaret Bourke-White was also something of a media star, with the portrait of her decked out in flying gear, camera in hand, about to set off on a bombing raid, being a favorite pin-up among U.S. forces. Focusing on the work Bourke-White made in the 1930s and 40s in Czechoslovakia, Germany, Italy, the Soviet Union and the U.K., Moments in History presents 150 classic photographs alongside revelatory extracts from letters and publications in periodicals. Bourke-White traveled to the USSR when the first Five-Year Plan was being implemented; she documented the German invasion of the Soviet Union in 1941, and the Allied bombing of Germany. In the summer of 1945 she was commissioned by Life to make a photographic record of the destroyed German cities. She was present at the liberation of the Buchenwald concentration camp and the Leipzig-Thekla forced labor camp. She recorded the partition of India and the Korean War, and one of her most famous pictures of this period is “Gandhi,” which shows the subject at his spinning wheel. Also included in the catalogue are some of the word–picture sequences Bourke-White did for Fortune and Life, as well as extracts from her correspondence with personalities from the worlds of politics and culture, such as Winston Churchill and Georgia O’Keeffe. Bourke-White wanted to be the “eyes of the age,” and her pictures testify to (as she put it) her “unquenchable desire to be present when history is being made.”Margaret Bourke-White (1904–1971) was born Margaret White in the Bronx, New York, and grew up in Middlesex, New Jersey. According to her brother Roger, “Her interest in photography began as a ... hobby, supported by her father’s enthusiasm for cameras.” Bourke-White first came to national attention with her photographs of the Otis Steel Company mill, which led to her working at Life, where she was staff photographer from 1936–1940. She died in Stamford, Connecticut, aged 67, in 1971.

Margaret Bourke-White (1904-1971) was one of the leading photojournalists of her time, a mainstay of the Luce empire whose signature work for Fortune celebrated the machine age and whose later work for Life featured the human face and a "progressive" humanitarian sensibility. Many of her photo essays are classics; indeed those on the Louisville Flood and its victims, on the liberation of the Nazi death camps, and on the poverty of India and Pakistan are now part of the iconography of the twentieth century. In this brief collection of her earliest work, two art historians present the "unknown" Bourke-White, the young amateur aged eighteen to twenty-six. Her first photographs, created in 1921 under the tutelage of Columbia University's Clarence H. White, were impeccably designed soft-edged still lifes, "painterly" images characteristic of the period but not of the artist. Bourke-White took this technique to college – to the University of Michigan and to Cornell – and there made traditional portraits of campus buildings and, almost by accident, her first "industrial" photograph, a Duchamp-like study of loudspeakers. After graduation she moved to Cleveland, where, trembling with fear and aesthetic excitement, she photographed the interior of the Otis Steel Mill, the trestles of the High Level Bridge, and the new Terminal Tower. It was these thrilling Cleveland photographs, made in 1928–30, that won her an audience with Luce, who sent her on to Fortune . . . and to fame. The eighty photographs reproduced here have seldom been seen outside the archives of Cornell's Herbert F. Johnson Museum of Art and the University of Syracuse Library. They will fascinate anyone interested in the life and work of Margaret Bourke-White and the early history of American photojournalism.

Sleeve and Book are flawless! Untouchedd since I bought it at the Berlin exhibition in 2013. Light(est!) wearings from storage at bottom. Comes with the original flyer of Martin-Gropius-Bau Berlin.

Profiles the pioneering photojournalist whose accomplishments included being the only foreign photographer in Moscow during the Nazi bombardment, being the first woman photographer accredited to the U.S. armed forces, and being the first to photograph the Allied entry to Buchenwald

Before Margaret Bourke-White became America's first well-known photojournalist, she was photographing the beginnings of Americas machine age, focusing on factories, machinery and the objects this technology produced. These striking images, which transformed prosaic objects into modernist masterpieces–were the foundation for work she later did for Fortune, Life, and other important national magazines. Organized by the Phillips Collection, an exhibition and this accompanying catalogue feature many photographs which have never before been published, and presents new research on the images. An extensive chronology of her career is also provided.

Profiles the pioneering photojournalist whose accomplishments included being the only foreign photographer in Moscow during the Nazi bombardment, being the first woman photographer accredited to the U.S. armed forces, and being the fist to photograph the Allied entry to Buchenwald

The definitive collection of the photographs of Margaret Bourke-White encompasses her work as an industrial photographer, her famous portraits as an original staff member of LIFE magazine, and previously unpublished work from her personal archives. 15,000 first printing.

America’s first female war correspondent, Margaret Bourke-White was also something of a media star, with the portrait of her decked out in flying gear, camera in hand, about to set off on a bombing raid, being a favorite pin-up among U.S. forces. Focusing on the work Bourke-White made in the 1930s and 40s in Czechoslovakia, Germany, Italy, the Soviet Union and the U.K., Moments in History presents 150 classic photographs alongside revelatory extracts from letters and publications in periodicals. Bourke-White traveled to the USSR when the first Five-Year Plan was being implemented; she documented the German invasion of the Soviet Union in 1941, and the Allied bombing of Germany. In the summer of 1945 she was commissioned by Life to make a photographic record of the destroyed German cities. She was present at the liberation of the Buchenwald concentration camp and the Leipzig-Thekla forced labor camp. She recorded the partition of India and the Korean War, and one of her most famous pictures of this period is “Gandhi,” which shows the subject at his spinning wheel. Also included in the catalogue are some of the word–picture sequences Bourke-White did for Fortune and Life, as well as extracts from her correspondence with personalities from the worlds of politics and culture, such as Winston Churchill and Georgia O’Keeffe. Bourke-White wanted to be the “eyes of the age,” and her pictures testify to (as she put it) her “unquenchable desire to be present when history is being made.”Margaret Bourke-White (1904–1971) was born Margaret White in the Bronx, New York, and grew up in Middlesex, New Jersey. According to her brother Roger, “Her interest in photography began as a ... hobby, supported by her father’s enthusiasm for cameras.” Bourke-White first came to national attention with her photographs of the Otis Steel Company mill, which led to her working at Life, where she was staff photographer from 1936–1940. She died in Stamford, Connecticut, aged 67, in 1971.

Traces the life and accomplishments of the noted photojournalist who served as a foreign correspondent for "Life" magazine during World War II and the Korean War

Edited by Sean Callahan. Introduction by Theodore M. Brown. Foreword by Carl Mydans. More than 200 black and white photographs . 4to pp. 208 Rilegato tela, sovracoperta (cloth, dust jacket) Ottimo (Fine)

Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.82

John Gregory Bourke kept a monumental set of diaries as aide-de-camp to Brigadier General George Crook. This fourth volume (of a projected set of eight) chronicles the political and managerial affairs in Crook's Department of the Platte. A large portion centers on the continuing controversy concerning the forced relocation of the Ponca Indians from their ancient homeland along the Dakota-Nebraska line to a new reservation in the Indian Territory. An equally large portion concerns Bourke's ethnological work under official sanction from the army and the Bureau of Ethnology. Each volume in the series is extensively annotated and contains a biographical appendix on Indians, civilians, and military personnel named in the volume.