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A history of the early years of the American Academy of Arts & Sciences, & the life & career of James Bowdoin, the Academy's first president. The strength of the work rests in a combination of its subject matter & execution. The subject matter is both intrinsically interesting & simultaneously neglected. Neither the accomplishments of Bowdoin nor the contributions of the members of the Academy have been adequately studied, & the Manuel's careful exploration is a valuable addition to our understanding of the founding of the nation. Using primary manuscript sources, the work is, by turns, witty, learned, & often simply fascinating. An incomparable account of one of Revolutionary America's most elusive & fascinating figures.

Presenting historic and contemporary selections from one of the nation’s oldest collections of drawings, this richly illustrated and highly engaging volume explores the significance and pleasures found in tracing movements of the hand on paper by asking the question Why Draw? An intimate art form, drawing offers a direct connection to one’s imagination; a means of exercising the eye, brain, and the hand; and a way to spark new ideas and resolve pictorial challenges. This volume features more than 100 exceptional drawings, pastels, watercolors, and collages from the Bowdoin College Museum of Art, which has been collecting drawings since the 1811 bequest of James Bowdoin III. The works exemplify what compels artists to draw and thus illustrate the ongoing relevance of drawing as the most foundational artistic practice. Gathered here for the first time in a book, the range, quality, and uniqueness of the drawings will captivate anyone interested in drawing as an art form. Reproduced in gorgeous color illustrations, works from Peter Paul Rubens to Mary Cassatt, Ed Ruscha, and Jim Dine are accompanied by brief commentary. Statements from acclaimed contemporary artists, leading curators, and distinguished scholars provide insights into the creative process. Why Draw? grants personal access to this singular, evolving collection and will appeal to art lovers everywhere.

Two CD set. Bowdoin, a small liberal arts college in Maine was the setting for this previously unreleased 1960 live performance. It was before the political upheavals and social revolutions that would rock college campuses only a few years later when much more of society synched with Seeger's ideals. A mixed crowd of young folkies, jazz fans, democrats and republicans, heard an exemplary mix of traditional, current topical songs, sea chanteys and world music tunes. Seeger also used this concert

This catalogue accompanied The Disembodied Spirit Exhibition presented at Bowdoin College Museum of Art, the Kemper Museum of Art and the Austin Museum of Art. This exhibition was a unique interdisciplinary exploration of art and culture in the late nineteenth century and the late twentieth century involving the depiction or suggestion of ghosts. This major exhibition examines the social and cultural circumstances in which ghosts entered public discourse while considering as well the manner and media through which the ghostly has been rendered in images. The Disembodied Spirit observes how artists have represented absence while still indicating presence-using formal elements such as transparency, light, shadows, and weightlessness-and their manipulation, alteration, and exaggeration of these characteristics. The exhibition and accompanying catalogue essays examine cultural phenomena, such as Spiritualism in the late nineteenth century, as well as the contemporary fixation with cyberspace, virtual reality, and the less techno-hip phenomenon of angels. Included are works by nineteenth-century photographers such as William Mumler, Georgiana Houghton, Julia Margaret Cameron and contemporary artists such as Jeremy Blake, Nancy Burson, Gregory Crewdson, Anna Gaskell, Ann Hamilton, Glenn Ligon, Tracey Moffatt, Mariko Mori, and Bill Viola.

This second edition of The American College Novel cites and describes 648 novels that are set at American colleges and universities, from Nathaniel Hawthorne's Fanshawe (Bowdoin College, 1828) to William Hart's Never Fade Away (University of California, 2002). This revised and updated edition contains 225 new entries, most new novels published since 1981. The annotations provide information about the novels' plots, settings, and central characters, as well as brief biographies of the authors. The bibliography is divided into two sections: student-centered and staff-centered novels, both cited in chronological order by publication year. A "starter list" of 50 American college novels is included, to help the novice reader distinguish classics within the genre, as well as indexes by author, title, college and university, and academic discipline. Intended for scholars as well as the layperson, this is a useful reference work for studying the portrayal of American higher education over time in popular fiction, as well as helping a casual reader locate a pleasurable read.

Boston's rapid-transit Blue Line covers a distance of 5.94 miles, a twenty-three-minute commute that begins at Bowdoin station in downtown Boston, travels under the harbor, passes Revere Beach, and stops at Wonderland. Today's commuters might be surprised to learn that the line they are riding was once operated by trolley cars and narrow-gauge steam-powered commuter trains, for it was not until 1904 that the East Boston Tunnel under the harbor was completed. By 1917, the number of people riding the Blue Line had climbed to twenty-five thousand a day. Although significant advances had been made to accommodate high-volume commuter traffic, rush-hour congestion at downtown stations remained a problem. In the 1920s, with ridership exceeding forty-two thousand people a day, the Boston Elevated Railway and the Boston Transit Commission agreed to convert the tunnel to a rapid-transit operation with a transfer station at Maverick Square. Further expansion occurred in the 1950s, when the Blue Line was extended to Orient Heights, Suffolk Downs, and Revere Beach.

A conference on Harmonic Analysis on Reductive Groups was held at Bowdoin College in Brunswick, Maine from July 31 to August 11, 1989. The stated goal of the conference was to explore recent advances in harmonic analysis on both real and p-adic groups. It was the first conference since the AMS Summer Sym­ posium on Harmonic Analysis on Homogeneous Spaces, held at Williamstown, Massachusetts in 1972, to cover local harmonic analysis on reductive groups in such detail and to such an extent. While the Williamstown conference was longer (three weeks) and somewhat broader (nilpotent groups, solvable groups, as well as semisimple and reductive groups), the structure and timeliness of the two meetings was remarkably similar. The program of the Bowdoin Conference consisted of two parts. First, there were six major lecture series, each consisting of several talks addressing those topics in harmonic analysis on real and p-adic groups which were the focus of intensive research during the previous decade. These lectures began at an introductory level and advanced to the current state of research. Sec­ ond, there was a series of single lectures in which the speakers presented an overview of their latest research.

This is the first full-scale biography of Nathan Smith -- medical pioneer, founder of Dartmouth Medical School and cofounder of three other medical schools (Yale, Vermont, and Bowdoin), and progenitor of a long line of physicians. Smith was a central figure in early American medical education, from 1787 when he began practicing in New Hampshire, to his death in New Haven in 1829. In his day, Smith was probably the nation's leading physician, surgeon, and medical educator, and well ahead of his time in insisting that doctors practice "watchful waiting" and emphasizing patient-centered care. In the process of telling Smith's life and story, authors Hayward and Putnam fill out in new ways the picture of medical treatment and medical education in post-Colonial America.The tale of Smith's remarkable career unfolds in New England, where the authors create a sense of time and place through an exhaustive study of primary and secondary sources, and especially Smith's own letters and lecture notes taken by his students. Readers become immersed in Smith's life and the spirit of the times as they examine early Victorian notions of disease, how medical students were taught (the chapter on body snatching is especially lively), the politics and economics of founding professional medical schools in early America, and other topics. The book provides a vivid description of what it was like to study and practice medicine, and be the recipient of the ministrations of physicians, during this critical period.

Celebrating the life and work of botanist Kate Furbish, Rowman and Littlefield is pleased to partner with the Bowdoin College Library to publish the first ever catalog of Furbish’s artwork.In the late nineteenth and early twentieth centuries, in a field dominated by her male counterparts, Kate Furbish made a name for herself traveling the length and breadth of Maine, collecting, classifying, and illustrating the native flora of the state. She discovered two previously unknown plants, which were named for her, and devoted sixty years of her life to this endeavor, producing over 1,000 illustrations, most of which are now housed at the Bowdoin College Library.Plants and Flowers of Maine: Kate Furbish's Watercolors presents nearly 1,300 of Furbish’s color paintings, all printed full size. This large format, two-volume set is a treat for the eyes and an almanac of the rich variety of plant life to be found in Maine. It is also a testament to Kate Furbish’s lifelong passion to record all of Maine's plants and flowers in meticulous watercolor paintings.Plants and Flowers of Maine: Kate Furbish's Watercolors comes in three formats:This shrink-wrapped edition is available for $350.00. Use ISBN 9781442253759 when ordering. Terms are non-returnable; also, if you place your order on the Rowman website, a customer service specialist will contact you with shipping costs.ALSO available is a collectible limited deluxe edition of 75 numbered copies, signed by Richard H. F. Lindemann, presented with forest green cloth and hand bound spine for $750.00. Use ISBN 9781442253735 when ordering. Terms are non-returnable; also, if you place your order on the Rowman website, a customer service specialist will contact you with shipping costs.An eBook edition is also available from rowman.com or your preferred eBook vendor.Use ISBN 9781442253766 when ordering.

Encourages dialogue on controversial issues affecting the fashion industry, global economy, environment, and popular cultureFeatures contemporary film, installations, and performance art and an insightful, thought-provoking textAccompanies an exhibition at the Textile Museum and Bowdoin College Museum of Art, MaineThis elegantly designed and provocative new publication focuses on videos, performances and installations by a diverse group of contemporary artists and filmmakers that encourage scrutiny of contemporary textile production and distribution. Is it possible to protect workers' rights and ensure safe working conditions while keeping up with consumer demands? How does technology affect the experience and conditions of labor? What skills does the mass production of textiles require? Can design and technology offer sustainable solutions to the environmental effects of fast fashion? What role do art and popular culture have in raising consumer consciousness? These questions and more will catalyze broad-ranging conversations about issues such as the merits of the local and tailor-made versus the global mass production of fast fashion.

While World War II raged overseas, the people of midcoast Maine responded with remarkable achievements on the homefront. The shipyard at Bath Iron Works launched a new destroyer every seventeen days. Bowdoin College had more military than civilian students and held three commencements per year. Boothbay Harbor, Bailey Island and Damariscotta all had military bases, and anyone who owned or sailed a boat was recruited for coastal defense. Women worked at machine shops, registered their neighbors for rationing and volunteered for the Civil Defense and Red Cross. Author Margaret Shiels Konitzky reveals the stories of local heroes and the relentless spirit of midcoast Maine.

This catalogue accompanies an exhibition of the same name at the Bowdoin College Museum of Art from April 3 to July 5, 1987. Illustrated with 8 color plates and 28 black and white plates. 11 figures accompany the text.

Is trouble brewing at Boston’s historic Loring house, a rare survival of Federal period architecture on Cambridge Street in Bowdoin Square? On leave while recovering from a nasty bout of influenza, Inspector Norton Kane of the Boston police is importuned by a most agitated caller, John Faraday, to look into something sinister that he suspects is afoot within the hallowed walls of the Loring mansion: a plot to murder owner Aaron Loring himself! Lacking any real evidence that would justify an official police investigation yet nevertheless intrigued as ever by the bright lure of murder, Inspector Norton in the guise of a lodger inveigles himself into the company of the Lorings to perform a spot of freelance detection. Most provokingly, however, foul murder is committed at the mansion, despite the inspector’s presence. Can the keen-minded Inspector Kane bring this baffling crime home to its clever perpetrator?With this last brainteasing detective novel Roger Scarlett departed from the mystery stage in a blaze of glory, Isaac Anderson in New York Times Book Review avowing: "[T]here is a surprise in store for the reader who thinks it is easy. . . . [T]he plot is as ingenious as it is unusual."All three volumes of The Roger Scarlett Mysteries include Curt Evans' bibliographic introduction to the women who wrote behind the pseudonym, Roger Scarlett, along with other fascinating details about these often-overlooked books. For more classic mystery reprints, visit CoachwhipBooks.com.

This second edition of The American College Novel cites and describes 648 novels that are set at American colleges and universities, from Nathaniel Hawthorne's Fanshawe (Bowdoin College, 1828) to William Hart's Never Fade Away (University of California, 2002). This revised and updated edition contains 225 new entries, most new novels published since 1981. The annotations provide information about the novels' plots, settings, and central characters, as well as brief biographies of the authors. The bibliography is divided into two sections: student-centered and staff-centered novels, both cited in chronological order by publication year. A "starter list" of 50 American college novels is included, to help the novice reader distinguish classics within the genre, as well as indexes by author, title, college and university, and academic discipline. Intended for scholars as well as the layperson, this is a useful reference work for studying the portrayal of American higher education over time in popular fiction, as well as helping a casual reader locate a pleasurable read.