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Unread book in perfect condition.

The inspiration for this collection was found in the rich culture of the challenging but beautiful Himalaya mountains. The combination of warm, vibrant colours and ethnic designs with a modern twist, will certainly enhance any space, by adding a touch of sherpa coziness. On top of that, the luxurious softness and the rich look of this collection guarantee a longlasting enjoyment. Woven with 100% polypropylene fiber for soft and volumized texture, that is non-shedding and very easy to maintain. Color: Navy. Pattern: Abstract.

The inspiration for this collection was found in the rich culture of the challenging but beautiful Himalaya mountains. The combination of warm, vibrant colours and ethnic designs with a modern twist, will certainly enhance any space, by adding a touch of sherpa coziness. On top of that, the luxurious softness and the rich look of this collection guarantee a longlasting enjoyment. Woven with 100% polypropylene fiber for soft and volumized texture, that is non-shedding and very easy to maintain. Color: Burnt Orange. Pattern: Abstract.

The inspiration for this collection was found in the rich culture of the challenging but beautiful Himalaya mountains. The combination of warm, vibrant colours and ethnic designs with a modern twist, will certainly enhance any space, by adding a touch of sherpa coziness. On top of that, the luxurious softness and the rich look of this collection guarantee a longlasting enjoyment. Woven with 100% polypropylene fiber for soft and volumized texture, that is non-shedding and very easy to maintain. Color: Burnt Orange. Pattern: Abstract.

Open copy in very good condition, light to mild wear on DJ/dust jacket which is wrapped in complimentary Brodart protector, light to mild wear along book edges, tight binding

Unread book in perfect condition.

Text is in Italian. Smudge mark on front cover, not covering text. Cover edges are lightly worn. Spine is sunned, not affecting legibility of text. Binding is secure and inside is clean and unmarked.

Pubbl.del Centro Studi L.B.Alberti. cm.17x24, pp.454, num.figg.bn.nt. Coll.Ingenium, vol.8. Firenze, Olschki cm.17x24, pp.454, num.figg.bn.nt. brossura Coll.Ingenium, vol.8.

Jean-Michel Basquiat è, stato un personaggio di grande rilievo sulla scena artistica degli anni Ottanta a New York, città, nella quale è, nato nel 1960. Attraverso una cinquantina di dipinti e alcuni dei primi disegni, la mostra allestita presso il Chiostro del Bramante, a Roma, ripercorre la breve ma inte

The principal elements of High Renaissance art, first formulated by Leonardo da Vinci in the 1490s, came to their true flowering in the brilliant achievements of Bramante, Raphael and Michelangelo in Rome, of Michelangelo in Florence and Giorgione and Titian in Venice. After the death of Raphael in 1520, the next generation in Italy was to see the rise of the complex and refined sensibility summed up in the term "Mannerism." In this uniquely comprehensive guide to sixteenth-century Renaissance art, Linda Murray examines the manifold achievements of Italian artists and identifies the individual forms taken by artists in Northern Europe and in Spain, including Durer, Bruegel and El Greco.

Catalogo della mostra esposta a Roma, Chiostro del Bramante, 26 ottobre 2002 - 2 febbraio 2003, e a Venezia, Museo Correr, 28 febbraio - 1 giugno 2003. Brossura, 24x28 cm, 336 pg. con riproduzioni a colori. Ottimo.

This classic work presents a survey of Italian Renaissance architecture in the Cinquecento. It discusses the work of Bramante, Giulio Romano, Michelangelo, and Palladio, among others, as well as the various centers of architectural activity throughout Italy. This book was first published in 1974 as part two of a volume entitled Architecture in Italy, 1400-1600. Part one, by Ludwig Heydenreich, is being reissued as a separate volume. Lotz`s text is now accompanied by a critical introduction and updated bibliography by Deborah Howard, who assesses Lotz`s standing as an architectural historian and surveys the developments in the discipline and the new material published since the first edition.

Originally written in 1925, this work is now published in a special edition intended to reach students and the wider market. It is illustrated with 26 surveys of key Renaissance gardens by such famous architects as Michelozzi, Bramante, Vignola and Scamozzi, and Palladio. The text includes a preliminary section on the design principles involved. It is intended to aid understanding of this key period in garden design.

Originally written in 1925, this work is now published in a special edition intended to reach students and the wider market. It is illustrated with 26 surveys of key Renaissance gardens by such famous architects as Michelozzi, Bramante, Vignola and Scamozzi, and Palladio. The text includes a preliminary section on the design principles involved. It is intended to aid understanding of this key period in garden design.

Originally written in 1925, this work is now published in a special edition intended to reach students and the wider market. It is illustrated with 26 surveys of key Renaissance gardens by such famous architects as Michelozzi, Bramante, Vignola and Scamozzi, and Palladio. The text includes a preliminary section on the design principles involved. It is intended to aid understanding of this key period in garden design.

Originally written in 1925, this work is now published in a special edition intended to reach students and the wider market. It is illustrated with 26 surveys of key Renaissance gardens by such famous architects as Michelozzi, Bramante, Vignola and Scamozzi, and Palladio. The text includes a preliminary section on the design principles involved. It is intended to aid understanding of this key period in garden design.

Originally written in 1925, this work is now published in a special edition intended to reach students and the wider market. It is illustrated with 26 surveys of key Renaissance gardens by such famous architects as Michelozzi, Bramante, Vignola and Scamozzi, and Palladio. The text includes a preliminary section on the design principles involved. It is intended to aid understanding of this key period in garden design.

Between 1480 and 1520, a concentration of talented artists, including Melozzo da Forlì, Bramante, Pinturicchio, Raphael, and Michelangelo, arrived in Rome and produced some of the most enduring works of art ever created. This period, now called the High Renaissance, is generally considered to be one of the high points of Western civilisation. How did it come about, and what were the forces that converged to spark such an explosion of creative activity? In this study, Ingrid Rowland examines the culture, society, and intellectual norms that generated the High Renaissance. This interdisciplinary 2001 study assesses the intellectual paradigm shift that occurred at the turn of the fifteenth century. It also finds and explains the connections between ideas, people, and the art works they created by looking at economics, art, contemporary understanding of classical antiquity, and social conventions.

Giacomo Favretto. Sentimento e seduzione. (ISBN: 8836616887) Quantità 1 Descrizione libro: Silvana Editoriale, 2010. Condizione libro: new. Roma, Chiostro del Bramante, 16 aprile - 4 luglio 2010. A cura di Paolo Serafini. Cinisello Balsamo, 2010; br., pp. 168, 100 ill. col., cm 23x28. (Cataloghi di Mostre). Questo volume, dal taglio monografico, è dedicato a Giacomo Favretto (Venezia 1849-1887), il maggior pittore veneto dell'800, a cui il Chiostro del Bramante dedica la prima retrospettiva a Roma. Favretto fu un pittore di straordinario successo, corteggiato da collezionisti e regnanti, mancato prematuramente all'età di soli trentotto anni. Un centinaio di opere, illustrate nel catalogo, ripercorrono la sua produzione con completezza e storicità: dagli esordi all'Esposizione di Belle Arti di Brera del 1873 - momento che segna la nascita della moderna scuola veneziana - ai dipinti degli anni settanta, con cui partecipa all'Esposizione di Parigi del 1878, fino alle opere degli anni ottanta, il periodo creativo più felice del pittore. Il contesto artistico e culturale della Venezia del secondo Ottocento viene ricostruito grazie anche all'esposizione di opere di altri noti pittori come Guglielmo Ciardi, Luigi Nono, Alessandro Milesi ed Ettore Tito, insieme ad artisti che seguono, copiano, imitano o vengono influenzati dalle opere di Favretto. Codice libro della libreria 005367 - language : Italian text Size: 230 x 280 Mm.