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DEEJAY LED D6T2RED DJL Brazil 2 6" 2 TW RED

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In 1972, a group of creative Brazilian musicians and poets informally led by singer-songwriter Milton Nascimento recorded a landmark double-LP titled Clube da Esquina (Corner Club). Already an award-winning, international star, Milton's highly original songs shared vinyl with those of Lô Borges, an unknown eighteen-year-old from Belo Horizonte, the capital of the state of Minas Gerais. There, where the street “corner” still exists, grew their collective also known as the Corner Club, as the artists collaborated on many subsequent albums boasting innovative blends of pop, jazz, rock, folk, classical influences, and, before Brazil's return to civilian rule in 1985, poignant protest songs aimed at a cruel dictatorship. Drawing on a thirty-year relationship with Minas Gerais that includes interviews with Corner Club members and extensive research of Portuguese language sources, Jonathon Grasse presents an analysis of the artists, songs, and ideas comprising the LP that helps define this Brazilian generation.33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

In 1972, a group of creative Brazilian musicians and poets informally led by singer-songwriter Milton Nascimento recorded a landmark double-LP titled Clube da Esquina (Corner Club). Already an award-winning, international star, Milton's highly original songs shared vinyl with those of Lô Borges, an unknown eighteen-year-old from Belo Horizonte, the capital of the state of Minas Gerais. There, where the street “corner” still exists, grew their collective also known as the Corner Club, as the artists collaborated on many subsequent albums boasting innovative blends of pop, jazz, rock, folk, classical influences, and, before Brazil's return to civilian rule in 1985, poignant protest songs aimed at a cruel dictatorship. Drawing on a thirty-year relationship with Minas Gerais that includes interviews with Corner Club members and extensive research of Portuguese language sources, Jonathon Grasse presents an analysis of the artists, songs, and ideas comprising the LP that helps define this Brazilian generation.33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Haunting in it's ardor for subdued atmospheric murk and dissipating electronic dream-pop transmissions, Pazes's debut full-length album, Induced, is an exercise in musical intent vs. The unknown forces that forge the end result. Commenting on the process, the Berlin-based (by way of Brazil) Pazes remarks, I like to think feelings and ideas are separate things and if I'm expressing anything with music, I want it to be the latter. However within the process it becomes very hard to control what you

In 1945, three young brothers joined and eventually led Brazil's first government-sponsored expedition into its Amazonian rainforests. After more expeditions into unknown terrain, they became South America's most famous explorers, spending the rest of their lives with the resilient tribal communities they found there.People of the Rainforest recounts the Villas Boas brothers' four thrilling and dangerous 'first contacts' with isolated indigenous people, and their lifelong mission to learn about their societies and, above all, help them adapt to modern Brazil without losing their cultural heritage, identity and pride.Author and explorer John Hemming vividly traces the unique adventures of these extraordinary brothers, who used their fame to change attitudes to native peoples and to help protect the world's surviving tropical rainforests, under threat again today.

The faces and stories of the sprawling Gracie family, who transformed Brazilian jiu-jitsu from an unknown street technique into the dominant form of martial arts today, are captured here. Introduced are Grandmaster Helio Gracie, who as a frail boy in Brazil in the 1930s developed the art, creating leverage techniques that allowed him to overcome other martial artists, regardless of size or strength; Rickson Gracie, the mystical family champion who has never been defeated in combat; and Royce Gracie, the most famous active martial artist in the United States, who put Brazilian jiu-jitsu on the map by winning the first three Ultimate Fighting Championships before the largest pay-per-view audiences in history. In addition to stunning action shots of the Gracies in all the legendary matches and their unique perspectives on what really went on during those fights, this book includes archival photos of the family, from their beginnings in Brazil in the 1930 to the present day and the new generation of champions. Fans will learn of Renzo's transformation from Rio street brawler to New York celebrity and revered teacher; of Royce and Royler's exploits as mischievous kids; and of Rickson's battle against one of Rio's toughest drug gangs.

The genre-defying artist Regina Silveira (born 1939) has long been among the most respected artists in Brazil, though she remains largely unknown in America. This book distills Silveira's work since 1996, during which time she has become a master of distortion, using hand-rendered marks and shaped prints to create impossible anamorphic shadows and the eerie footprints of unseen wildlife.

The faces and stories of the sprawling Gracie family, who transformed Brazilian jiu-jitsu from an unknown street technique into the dominant form of martial arts today, are captured here. Introduced are Grandmaster Helio Gracie, who as a frail boy in Brazil in the 1930s developed the art, creating leverage techniques that allowed him to overcome other martial artists, regardless of size or strength; Rickson Gracie, the mystical family champion who has never been defeated in combat; and Royce Gracie, the most famous active martial artist in the United States, who put Brazilian jiu-jitsu on the map by winning the first three Ultimate Fighting Championships before the largest pay-per-view audiences in history. In addition to stunning action shots of the Gracies in all the legendary matches and their unique perspectives on what really went on during those fights, this book includes archival photos of the family, from their beginnings in Brazil in the 1930 to the present day and the new generation of champions. Fans will learn of Renzo's transformation from Rio street brawler to New York celebrity and revered teacher; of Royce and Royler's exploits as mischievous kids; and of Rickson's battle against one of Rio's toughest drug gangs.

This book introduces the reader to an unknown Ally of the Second World War. Few people remember that Mexico, like Brazil, took an active part in that conflict. This volume covers Mexican participation in the Second World War for the first time using photos, documents and testimony from official and personal archives. Mexican nationals or those of Mexican descent were already volunteering for the Allied air forces of the British Commonwealth and the Free French naval and air forces While the Mexican Republic first had to defend both its coasts and its shipping from enemy submarines, using its obsolete general purpose biplanes, following the sinking of Mexican ships by German u-boats the first North American Texan armed trainers entered service in the Gulf of Mexico, earning the title of the ‘Mexican Dive Bomber’. Due to the necessities of the war, the service had to reorganize its aviation assets to be able to receive a larger number of American-built lease aircraft, which started the modernization and reorganization process that is felt even today. The war affected all aspect of Mexican military aviation from tactical units, to training, to logistics and military doctrine. This also led to the establishment of Mexican Naval Aviation which led, in turn, to the creation of its first naval squadron to patrol the Gulf of Mexico. One aspect that the war affected was the training of the new generation of military personnel, some of whom would later see action before the end of the war. As Mexico was securing its coasts and sending aviation personnel to train in the USA, it would later field its fighter squadron to participate in the liberation of the Philippine islands. By the end of the war the Mexican Air Force had experienced its most rapid growth since it was officially established back in February 1915. The text is fully supported by numerous previously unpublished photographs and color profiles showing camouflage and markings.