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Vinyl LP pressing includes bonus CD edition. 2013 debut album from this Electronic collaboration between Monster X and Stormfield. The whole is here more than the sum of it's parts: far from replicating their breakcore, techno and dubstep solo tracks, these two musicians give birth here to a deep album which moves very slowly but does so with an unstoppable drive. Fausten's dbut is a misanthropic, oppressive work which reunites noise with modern production techniques as only these two renowned

Breakcore for the human ear and mind: Ruby My Dear takes his complex and energetic breaks to a new level with his second album. More organic, more flowing, this new full-length doesn't focus on one "Form" but shifts with elegance from hard to beautiful, from exhilarating to seducing. Enriched by a very lush sound and an impressive recording quality, it is the confirmation that Ruby My Dear is one of the top producers of the genre.

After years of waiting and expectations, Enduser finally comes back with a new album. This towering artist of the drum'n'bass and breakcore scene comes up here with an extremely important and soulful album in which his hard breaks and beats share the stage with much gentler melodies and atmospheres. A highly emotional album whose palette ranges from melancholy to rage, it is a new awe-inspiring album by a musician which proves again that his talent is multidimensional, humane and essential.

After his initial breakcore, dubstep and electro beginnings as Math Head and Campos Verdes, Brooklyn's wunderkind Ben Deitz made his debut as Passions in 2007 with the explosive single "Emergency", which swept the dance charts instantly, gaining acclaim from artists like Girl Talk, MSTRKRFT, Simian Mobile Disco, Fischerspooner. After perfecting a riotous style of electro-punk with a multitude of remixes and chaotic live shows, the sound of Passions evolved into much more personal, darker, colder

Double vinyl LP pressing. 2010 release. A lesson in mutant jungle, My So-Called Life rips up the taste and decency rulebook and mashes up 10 songs in the characteristic style of breakcore king Venetian Snares (AKA. Aaron Funk). "Posers with Camera Phones" sets the standard: Melody? Check. Jungle breaks? Check. Tongue-in-cheek offensive sample? Check. "Aaron2" shows Funk's love of the old school with crazy hoovers. Other tracks like "Welfare Wednesday" are straight-up fun with lyrics that make on

After years of waiting and expectations, Enduser finally comes back with a new album. This towering artist of the drum'n'bass and breakcore scene comes up here with an extremely important and soulful album in which his hard breaks and beats share the stage with much gentler melodies and atmospheres. A highly emotional album whose palette ranges from melancholy to rage, it is a new awe-inspiring album by a musician which proves again that his talent is multidimensional, humane and essential.

Planet Mu is a label that has always survived on it's own very independent terms. For 20 years it's existed both on the fringes and in the centre of emerging electronic music, from IDM and breakcore to dubstep and grime and lately to footwork, which it took a chance on, opening it up to the world through the two Bangs & Works compilations. It also has a strong history of connecting the dots in between those genres by supporting idiosyncratic artists, from label stalwart Venetian Snares to Kuedo,

Audio vandalism is the first release by the young artist jb zeller who is based in southern france. this release includes eleven tracks which were recorded between 2005 and 2008. Zeller is effected by 'all kinds of subversive music' (ranging from breakcore and industrial music to dubstep) in such a way that he is able to assimilates these different musical facets into his own style. needless to say the results are unique and subversive in their own right. audio vandalism is an aggregation of com

It's clean, it's sharp, and it invokes images of futuristic, spacious constructions. For his first full-length album, breakcore artist Techdiff leaves the dancefloor anthems behind and demonstrates an insolent talent for ultra-edited, highly dynamic tracks mixing break beats, electronica and sound design. Myriad of details and idea flow together in this beast of a work, which demonstrates (as his label mate Ruby My Dear also did recently) that there's much hope to be had in this new wave of brea

All good things are three: Abelcain & Cdatakill two of the most essential breakcore act to have ever graced this scene pair up once again on Passage a full length CD presenting for the first time their tracks from the Six Stigmata and\nPlaying with Knives record enriched by four new collaborations. Hard-hitting highly varied & presenting anew some cornerstone material of the breakcore sound Passage is a mandatory release not only for fans of these two veterans \nbut for anybody.

At a very young age, the norwegian one man project HPC started creating electronic music that ranged from danceable electronica and psytrance to hard-/speed-/breakcore, ambient and noise. after some experimentation and development he felt the time for a first release was right and now 'halfbreed' has been realized.

2013 debut album from this Electronic collaboration between Monster X and Stormfield. The whole is here more than the sum of it's parts: far from replicating their breakcore, techno and dubstep solo tracks, these two musicians give birth here to a deep album which moves very slowly but does so with an unstoppable drive. Fausten's dbut is a misanthropic, oppressive work which reunites noise with modern production techniques as only these two renowned musicians could; a colossal, smart and twiste

Within the last few years lynn standafer has become a\nwell-recognized artist in the breakcore scene. His output is tremendous\n- not too long after 'the end' he now presents his new full length\n release 'form without function' (featuring guest appearances by dj\nhidden speaker wrath somatic responses submerged & silentkiller).\n'form without function' follows what began with 'comparing paths': a\nmovement from the raw sampling & breakbeat madness of his earlier\nworks to the 21st cent.