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A consortium of British architects and their patrons rebelled against the early eighteenth century's Baroque excesses and turned instead toward the Renaissance works of Andrea Palladio for inspiration. These Neo-Palladians guided the course of British architecture toward classical principles, and the Vitruvius Britannicus (British Vitruvius) reflects their vision. A sumptuous collection of magnificent copperplate engravings, it depicts great English country houses and public buildings.Published between 1715 and 1725 in a three-folio set, the Vitruvius Britannicus documents in meticulous detail many of the buildings from the previous two centuries. Its 300 illustrations include facades, ground plans, exterior elevations, and perspective views. Featured buildings include those designed by Inigo Jones, the seventeenth-century architect who introduced Palladianism to England; the work of Sir John Vanbrugh, whose innovative Classical-Revival architecture retained a Baroque flair; and contemporary designs, including those of the author, Scottish architect Colen Campbell.The popularity of this volume fostered the development of the Neo-Palladian movement, and Vitruvius Britannicus continues to influence architects and designers. Handsome and modestly priced, this new edition is an essential complement to any design library.

A consortium of British architects and their patrons rebelled against the early eighteenth century's Baroque excesses and turned instead toward the Renaissance works of Andrea Palladio for inspiration. These Neo-Palladians guided the course of British architecture toward classical principles, and the Vitruvius Britannicus (British Vitruvius) reflects their vision. A sumptuous collection of magnificent copperplate engravings, it depicts great English country houses and public buildings.Published between 1715 and 1725 in a three-folio set, the Vitruvius Britannicus documents in meticulous detail many of the buildings from the previous two centuries. Its 300 illustrations include facades, ground plans, exterior elevations, and perspective views. Featured buildings include those designed by Inigo Jones, the seventeenth-century architect who introduced Palladianism to England; the work of Sir John Vanbrugh, whose innovative Classical-Revival architecture retained a Baroque flair; and contemporary designs, including those of the author, Scottish architect Colen Campbell.The popularity of this volume fostered the development of the Neo-Palladian movement, and Vitruvius Britannicus continues to influence architects and designers. Handsome and modestly priced, this new edition is an essential complement to any design library.

The three works in this volume established Racine as a playwright who enjoyed high favour both with the public and at the court of Louis XIV and presented a growing challenge to the older writer Corneille.

Maciej Kazimierz Sarbiewski (1595-1640) was known in his lifetime as the Christian Horace. He was one of the most famous Neo-Latin poets of the Baroque, widely read, commented and translated throughout Europe. He was nominated Poet Laureate by Pope Urban VIII. Sarbiewski was also famous for his studies in rhetoric and critical works such as De perfecta poesi sive Vergilius et Homerus. His Latin poetry was read, translated and imitated also in England, especially from 1640 until the first half of the 19th century. The first edition of Sarbiewski's English translations, by George Hills, was published in 1646. From that time onwards, Sarbiewski was translated by a variety of poets ranging from Hills to such famous authors as Vaughan, Burns and Coleridge. His poetry was universally read in grammar schools and used as a medium of improving the knowledge of Latin during a period exceeding two centuries. Thanks to Sarbiewski, English poets started to imitate Horace, which was an important factor in overcoming the Pindaric tradition. Sarbiewski's oeuvre was also attractive owing to its immersion in various cultural traditions such as Stoicism, Ignatian spirituality, Platonism, and Hermeticism. This revised edition includes all known English translations of Sarbiewski's poems. The texts are accompanied by an introduction presenting the biography and works of Sarbiewski, as well as a short critical analysis of the translations included in the volume.

The Baroque excesses of the early eighteenth century inspired a rebellion among a consortium of British architects and their patrons. Taking their cue from the Renaissance works of Andrea Palladio, these Neo-Palladians returned the direction of British architecture toward classical principles. The Vitruvius Britannicus (British Vitruvius) reflects their vision, offering magnificent copperplate engravings of great English country houses and public buildings. The sequel to Dover’s first edition of Vitruvius Britannicus, this volume comprises three folios, originally published between 1739 and 1771. More than one hundred plates depict facades, ground plans, exterior elevations, and perspective views of grand buildings, including royal palaces at Richmond, Kensington, and Hampton Court as well as country homes and gardens throughout England and Scotland. The Neo-Palladian works featured in this volume and its predecessor continue to influence architects and designers. Handsome and modestly priced, this new edition of an architectural classic is an essential complement to any design library.

The Baroque excesses of the early eighteenth century inspired a rebellion among a consortium of British architects and their patrons. Taking their cue from the Renaissance works of Andrea Palladio, these Neo-Palladians returned the direction of British architecture toward classical principles. The Vitruvius Britannicus (British Vitruvius) reflects their vision, offering magnificent copperplate engravings of great English country houses and public buildings. The sequel to Dover’s first edition of Vitruvius Britannicus, this volume comprises three folios, originally published between 1739 and 1771. More than one hundred plates depict facades, ground plans, exterior elevations, and perspective views of grand buildings, including royal palaces at Richmond, Kensington, and Hampton Court as well as country homes and gardens throughout England and Scotland. The Neo-Palladian works featured in this volume and its predecessor continue to influence architects and designers. Handsome and modestly priced, this new edition of an architectural classic is an essential complement to any design library.

Henry Purcell: Ayres & Songs from Orpheus Britannicus Purcell / Feldman, Jill / North, Nigel / Cunningham - CD 3760195734308

"George Dillon has elected for speed and clarity; his speed, of which short quotations can impart no notion, is his equivalent for Racine's impetuous dexterity with the French Alexandrine. . . . Momentum, in such a version, is everything. It stands as a homage to Racine's strength of construction . . . and to the expressive power of his themes, on which Mr. Dillon's prefaces have eloquent and sensible things to say."—Hugh Kenner, National Review "His literal and flexible blank verse actually forms the nearest thing in English to the longer-measured rhymed couplets of Racine; even an ordinary reading aloud of so faithful a rendering provides something of the experience that Proust described."—Elliott Coleman, Poetry"A superb introduction . . . flawless translations, infused with poetic fire and charm."—Margaret Carpenter, Norfolk Virginian-Pilot

(Boosey & Hawkes Voice). Most of Britten's rich Purcell realizations had previously been out fo print for some years. This new edition, with new music engravings and extensive historical notes, includes 9 songs from Harmonia Sacra, 24 solos songs and 6 duets from Orpheus Britannicus, and selections from Dido and Aeneas and The Fairy Queen. Contents: Ah! Belinda, I am prest with torment * Alleluia * The Blessed Virgin's Expostulation * But ere we this perform * Come away, fellow sailors * Dialogue of Corydon and Mopsa * Evening Hymn * Fairest Isle * Fear no danger to ensue * Hark the ech'ing air * How blest are shepherds * I attempt from love's sickness to fly * I spy Celia * I take no pleasure * I'll sail upon the Dog-star * If music be the food of love (1st version) * If music be the food of love(3rd version) * In the black dismal dungeon of despair * Job's Curse * Let sullen discord smile * Lord, what is man * Lost is my quiet * Mad Bess * Man is for the woman made * A Morning Hymn * Music for a while * No, resistance is but vain * Not all my torments * Oft she visits this lov'd mountain * On the brow of Richmond Hill * Pious Celinda * Pursue thy conquest, love * The Queen's Epicedium * Saul and the Witch at Endor * Shake the cloud from off your brow * Shepherd, leave decoying * So when the glittering queen of Night * Sound Fame thy brazen trumpet * Sound the trumpet * Sweeter than roses * Take not a woman's anger ill * Thanks to these lonesome vales * There's not a swain of the plain * Thou tun'st this world * 'Tis holiday * Turn then thine eyes * We sing to him * What can we poor females do? * When I am Laid in earth * Why should men quarrel?

(Boosey & Hawkes Voice). Most of Britten's rich Purcell realizations had previously been out fo print for some years. This new edition, with new music engravings and extensive historical notes, includes 9 songs from Harmonia Sacra, 24 solos songs and 6 duets from Orpheus Britannicus, and selections from Dido and Aeneas and The Fairy Queen. Contents: Ah! Belinda, I am prest with torment * Alleluia * The Blessed Virgin's Expostulation * But ere we this perform * Come away, fellow sailors * Dialogue of Corydon and Mopsa * Evening Hymn * Fairest Isle * Fear no danger to ensue * Hark the ech'ing air * How blest are shepherds * I attempt from love's sickness to fly * I spy Celia * I take no pleasure * I'll sail upon the Dog-star * If music be the food of love (1st version) * If music be the food of love(3rd version) * In the black dismal dungeon of despair * Job's Curse * Let sullen discord smile * Lord, what is man * Lost is my quiet * Mad Bess * Man is for the woman made * A Morning Hymn * Music for a while * No, resistance is but vain * Not all my torments * Oft she visits this lov'd mountain * On the brow of Richmond Hill * Pious Celinda * Pursue thy conquest, love * The Queen's Epicedium * Saul and the Witch at Endor * Shake the cloud from off your brow * Shepherd, leave decoying * So when the glittering queen of Night * Sound Fame thy brazen trumpet * Sound the trumpet * Sweeter than roses * Take not a woman's anger ill * Thanks to these lonesome vales * There's not a swain of the plain * Thou tun'st this world * 'Tis holiday * Turn then thine eyes * We sing to him * What can we poor females do? * When I am Laid in earth * Why should men quarrel?

Throughout the widely praised Camulod Chronicles, Merlyn Britannicus has been driven by one sacred dream--to see Britain united under one just, powerful king. In The Sorcerer: Metamorphosis, it is time for the Sorcerer to fulfill his promise--to present the battle-proven Arthur as the Riothamus, the High King of Britain. When Arthur miraculously withdraws the Sword of Kingship from the stone in which it is set, he proves himself the true and deserving king--sworn to defend the Christian faith against invaders, and to preserve Britain as a powerful, united force.The Sorcerer has fulfilled his promise. The King is crowned, Britain is united--and the face of history and legend is forever changed.

Merlyn Britannicus, leader of the Colony known as Camulod, is faced with the task of educating his younger charge, Arthur, future King of the Britons. Fearing for the life of his nephew when an assassination attempt goes awry, Merlyn takes Arthur and his boyhood companions Gwin Ghilleadh, and Bedwyr on a journey that will take then to the ruins of a long-abandoned Roman fort--far from Camulod and the only place where Merlyn feels they will be safe. It is there that Merlyn will enlist the help of this close-knit group of friends to help Arthur learn the skills of a warrior and the tough lessons of justice, honor, and the responsibilities of leadership. Arthur is just a boy..but the day is not far off when he will have to claim the sword that is his birthright: Excalibur.

Merlyn Britannicus and Uther Pendragon---the Silver Bear and the Red Dragon---are the leaders of the Colony, lifeblood to the community from which will come the fabled Camulod.But soon their tranquility is in ruins, Uther lies dead from treachery, and all that is left of the dream is the orphaned babe Arthur. Heir to the Colony of Camulod, born with Roman heritage as well as the blood of the Hibernians and the Celts, Arthur is the living incarnation of the sacred dream of his ancestors: independent survival in Britain amidst the ruins of the Roman Empire.When Arthur is adopted by Merlyn Britannicus, an enormous responsibility is placed on Merlyn's shoulders. Now he must prepare young Arthur to unify the clans of Britain and guard the mighty sword Excalibur.And, above all, Merlyn must see that Arthur survives to achieve the rest of his ancestors' dreams, in spite of the deadly threats rumbling from the Saxon Shore."Of the scores of novels based on Arthurian legend, Whyte's Camulod series is distinctive, particularly in the rendering of its leading players and the residual Roman influences that survived in Britain during the Dark Ages."--The Washington Post

After an assassination attempt, Merlyn Britannicus takes his young nephew Arthur to a derelict Roman fort, where he and a group of warrior friends teach the innocent Arthur the skills and responsibilities demanded of a king. By the author of The Saxon Shore. 25,000 first printing.