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"A fresh and modern view of Charlotte Bronte--as a woman searching for love and as a writer who helped change society's perceptions about her sex. Her moving, eloquent portrait will interest not only Bronte devotees but all contemporary women."--Kirkus Reviews

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A groundbreaking biography that places an obsessive, unrequited love at the heart of the writer's life story, transforming her from the tragic figure we have previously known into a smoldering Jane Eyre.Famed for her beloved novels, Charlotte Brontë has been known as well for her insular, tragic family life. The genius of this biography is that it delves behind this image to reveal a life in which loss and heartache existed alongside rebellion and fierce ambition. Harman seizes on a crucial moment in the 1840s when Charlotte worked at a girls' school in Brussels and fell hopelessly in love with the husband of the school's headmistress. Her torment spawned her first attempts at writing for publication, and he haunts the pages of every one of her novels--he is Rochester in Jane Eyre, Paul Emanuel in Villette. Another unrequited love--for her publisher--paved the way for Charlotte to enter a marriage that ultimately made her happier than she ever imagined. Drawing on correspondence unavailable to previous biographers, Claire Harman establishes Brontë as the heroine of her own story, one as dramatic and triumphant as one of her own novels.

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By the age of eight, Charlotte Brontë had lost first her mother and then her two older sisters. Later, in a second wave of deaths, her brother and two younger sisters died, leaving her a sole survivor.With subtlety and imagination, Robert Keefe examines Brontë’s works as the creative response to these losses, particularly the loss of her mother. Terrified and yet fascinated by death, struggling with guilt, remorse, and a deep sense of rejection, Charlotte Brontë found in art a way to come to terms with death through its symbolic reenactment. In her earlier writings she created a fictional world marked by devices that allow her to control or deny death. In her later works these mechanisms evolved into mature expressions of a profound psychological reality.Brontë’s preoccupation with death is seen in her fiction in the recurring patterns of separation and exile. Keefe traces the development of these motifs in the juvenilia and the four novels: The Professor, Jane Eyre, Shirley, and Villette.Unique in its emphasis on the maternal relationships in Brontë’s life and art, this study also explores certain aspects of her life that have often puzzled biographers.

A collection of critical essays on Bronte's famous novel, arranged in chronological order of publication

An unconventional biography discovers the real Charlotte Bronte+a5 behind the loneliness, loss, and unrequited love--a strong woman with a fierce belief in herself, creative energy, and powerful ambition, who shaped her life and transformed it into art.

Charlotte, Emily, and Anne Brontë are the world’s most famous literary siblings.   They were very close and during childhood developed their imaginations first through oral storytelling and play set in an intricate imaginary world, and then through the collaborative writing of increasingly complex stories set therein.  Their work has grown in popularity over the almost two centuries since they were written.This edition collects their great novels: Jane Eyre (Charlotte Brontë), Wuthering Heights (Emily Brontë), and The Tenant of Wildfell Hall (Anne Brontë).

By the age of eight, Charlotte Brontë had lost first her mother and then her two older sisters. Later, in a second wave of deaths, her brother and two younger sisters died, leaving her a sole survivor.With subtlety and imagination, Robert Keefe examines Brontë’s works as the creative response to these losses, particularly the loss of her mother. Terrified and yet fascinated by death, struggling with guilt, remorse, and a deep sense of rejection, Charlotte Brontë found in art a way to come to terms with death through its symbolic reenactment. In her earlier writings she created a fictional world marked by devices that allow her to control or deny death. In her later works these mechanisms evolved into mature expressions of a profound psychological reality.Brontë’s preoccupation with death is seen in her fiction in the recurring patterns of separation and exile. Keefe traces the development of these motifs in the juvenilia and the four novels: The Professor, Jane Eyre, Shirley, and Villette.Unique in its emphasis on the maternal relationships in Brontë’s life and art, this study also explores certain aspects of her life that have often puzzled biographers.

This volume covers the period from 1852 until Charlotte Brontës tragically early death in March 1855. We read of her long struggle to complete Villette, and her indignation when Harriet Martineau finds in it evidence that her mind is "full of the subject of one passion-love." Complete texts of many letters to Mrs. Gaskell illuminate Charlotte's friendship with the fellow-novelist who was to be her biographer. Subsequent letters touchingly reveal her love for her husband, her "tenderest nurse" during her last illness.

Published two years after the novelist's death, this two-volume work is the first and the best-known of the many biographies of the Brontë family. Written by the novelist Elizabeth Gaskell (1810-65), the book was instrumental in the creation of the Brontës' public image as a family set apart by literary genius and personal tragedy. Gaskell's chief source for the biography was some 350 letters between Charlotte and her friend Ellen Nussey, letters which Charlotte's husband had asked Nussey to destroy after his wife's death, fearing they would damage her reputation. Volume 1 consists of 14 chapters and covers the Brontë ancestry, Charlotte's time at school and as a governess, her juvenilia, the 'deplorable conduct' of her laudanum-addicted brother Branwell, and the publication of her poems, along with those of her sisters Anne and Emily, in the volume Poems by Currer, Ellis and Acton Bell in 1846.

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This ground-breaking study successfully challenges the traditional tendency to regard Charlotte Brontë as having existed in a historical vacuum. Using texts ranging from local newspapers to medical tomes belonging to the Brontës, Sally Shuttleworth explores Victorian constructions of psychology, sexuality and insanity, and traces the ways in which Charlotte Brontë's texts operate in relation to this complex framework. Shuttleworth offers a reading of Brontë's fiction informed by a new understanding of the psychological debates of her time.

Jane Eyre has long been one of the most popular of all literary classics. It tells the moving and eventful story of Jane, an orphan entrusted to the care of her aunt by her dying uncle. The aunt cares greatly for her own children, on whom she lavishes praise and attention, but dislikes Jane, whom she ignores and punishes unfairly. Jane escapes by being sent to a strict Evangelical school where, despite the austerities of the environment, she finally meets pupils and teachers who nurture and encourage her. From there she goes to work as a governess at a large country mansion, where she falls in love with the mysterious master of the house, the Byronic Mr Rochester, a charismatic character with a troubled past. Part fairy tale, part Gothic horror, part love story, Jane Eyre is the archetypal account of an orphans progress through a confusing and often cruel world.

Published two years after the novelist's death, this two-volume work is the first and the best-known of the many biographies of the Brontë family. Written by the novelist Elizabeth Gaskell (1810-65), the book was instrumental in the creation of the Brontës' public image as a family set apart by literary genius and personal tragedy. Gaskell's chief source for the biography was some 350 letters between Charlotte and her friend Ellen Nussey, letters which Charlotte's husband had asked Nussey to destroy after his wife's death, fearing they would damage her reputation. Volume 1 consists of 14 chapters and covers the Brontë ancestry, Charlotte's time at school and as a governess, her juvenilia, the 'deplorable conduct' of her laudanum-addicted brother Branwell, and the publication of her poems, along with those of her sisters Anne and Emily, in the volume Poems by Currer, Ellis and Acton Bell in 1846.

This book raises fundamental questions about our understanding of Victorian sexuality. Charlotte Brontë was no 'other Victorian' living out a secret life in a sexual underworld, but she did centre her life's work on exploring the complexities of our sexual nature. John Maynard shows how Brontë's early stories and novelettes, written from her teens to young maturity for a private audience of her sisters and brother, deal openly with a 'world below' of consuming passion, adultery, seduction, promiscuity, frigidity and incest. He traces how these themes are incorporated into Brontë's mature published work, where her psychological insight into the complexities of sexual need finds its consummate expression. Brontë's mature novels, especially Jane Eyre and Villette offer an intensely felt but finely realised vision of sexual awakening. They are however, deeply aware of the difficulties that beset sexual experience. Unlike a number of studies, this book stresses the insight, achievement and artistic mastery of Charlotte Brontë, who still challenges us to comprehend the subtleties and complexities of her impressively articulated discourse on sexuality.

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This volume covers the period from 1852 until Charlotte Brontës tragically early death in March 1855. We read of her long struggle to complete Villette, and her indignation when Harriet Martineau finds in it evidence that her mind is "full of the subject of one passion-love." Complete texts of many letters to Mrs. Gaskell illuminate Charlotte's friendship with the fellow-novelist who was to be her biographer. Subsequent letters touchingly reveal her love for her husband, her "tenderest nurse" during her last illness.

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