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In the 1960s the Architecture Principe group, formed by Claude Parent and Paul Virilio, designed and built the modern bunker church for Bernadette of Banlay in Nevers, as an experiment with a new rapport between man and his environment. With a series of texts and hitherto unpublished images this book traces the history and impact of this 20th century masterpiece.

St. Claude la Colombiere, recently canonized by Pope John Paul II, ranks among the masters of the spiritual life as a director of souls. He gave direction to countless souls, including St. Margaret Mary Alacoque, the visionary of the Sacred Heart revelations. Jesus told St. Margaret Mary, "Father Claude is my perfect friend and servant. His gift is to lead souls to God."St. Claude preached missions and retreats on the Sacred Heart. He was also a clever psychologist who easily read the hearts of other. His sure judgment, aided by grace, enabled him to understand the difficulties of each soul and give the advice most needed for each person. Readers of this spiritual gem will find his insights full of wisdom and inspiration. His writings cover such important areas of the spiritual life as Confession, Mass and Holy Communion, Confidence in God, Perfection and Holiness, Peace of Soul, Charity, Education of Children, Spiritual Joy, Prayer, Zeal and much more.

2010 Text by Paul Hayes Tucker; selected chronology by Charles Stuckey; extract from Monet, or the World Turned Upside Down (1962) by Michel Butor; compendium of articles and reviews (1909-1927) by Claire Durand-Ruel Snollaerts; Monet's library by Claudette Lindsey 11 5/16 x 11 5/16 inches (28.7 x 28.7 cm); 216 pages; fully illustrated Designed by Mucca Design, New York; Printed by Shapco Printing, Minneapolis, MN Weight: 3 lb. 10 oz.

This revised edition of the Handbook highlights the collections of the Getty Museum at the Getty Center, including the Museum's latest acquisitions. In recent years the paintings collection has grown substantially, and featured here are paintings new to the Getty by artists such as Claude Monet, Jean-Honoré Fragonard, Nicholas Poussin, Jacques-Louis David, and Paul Cézanne, as well as recently acquired works in every department of the Museum. Three hundred forty objects are reproduced-each with information about content and style-to help enhance appreciation and insight by non-specialist readers and museum-goers alike. The book is organized by curatorial department-antiquities, decorative arts, drawings, illuminated manuscripts, paintings, photographs, and sculpture. An introduction by Deborah Gribbon, director of the museum, traces the fascinating history of the Getty through its move to the Getty Center.

Jean-Paul Riopelle Catalogue Raisonne. Tome 2, 1954-1959. Addendum au Tome 1, 1939-1953. Hardcover in illustrated slipcase. Profusely illustrated with colour reproductions. Texts by Monique-Brunet Weinmann, Luciano Caprile, Marie-Claude Corbeil and David Moos. CD in sealed pocket inside front cover. Tiny scrape to tip of front lower corner of dust jacket. Otherwise a fine copy with no noticeable wear or signs of use. 495 pages.

An analysis of the paintings produced by Claude Monet while living in Argenteuil from 1871 to 1878 examines the influence of the French town on his art

"From two of the most prolific flautists of all time, Claude-Paul Taffanel and Philippe Gaubert's Methode Complete de Flute provides an essential a...

"From two prolific flautists of all time, Claude-Paul Taffanel and Philippe Gaubert's Complete Method of the Flute provides an essential and well-i...

One of Photography's Greatest Classics Now Published In English for the First Time Aperture is delighted to release a unique classic featuring its first ever-English translation. In La France de Profil, Paul Strand's photographs and commentary by the celebrated French author, poet Claude Roy, combine to capture the essence of rural life in post-war France. Like Strand's renowned books Time in New England and Un Paese, La France de Profil is a profound meditation on place. Strand's portraits of the young and old evoke a sense of history and character. Images of narrow alleys, old tabaco shops, sidewalk cafes and fields convey the textures and rhythms of the French countryside. Claude Roy complements Strand's photographs by adding collages made from small town newspapers and his own wry handwritten musings on French mentality and mores.Today, La France de Profil is not only a tribute to a way of life that still exists in the French countryside, but a monument to the evocative power of skillfully synthesized pictures and text.

When more than one thousand lost artworks by artists such as Paul Cézanne, Emil Nolde, Claude Monet, and Wassily Kandinsky turned up in the collection of Cornelius Gurlitt in 2012, the find was celebrated as a sensation. But the accusation that the collection was the product of wartime looting also hovered, unspoken, in the air. Now, for the first time, the works from the Gurlitt estate on view in Bonn and Bern are introduced in a comprehensive book that unfolds their turbulent history. This volume presents the artworks found at Gurlitt’s estate in their historical context, investigating the provenance of the works, which in some cases had been vilified by the National Socialist regime as “degenerate art,” and probing which works were looted, which purchased legally, and which acquired in forced sales. Additionally, contributors to the volume explore the biographies of Jewish collectors and artists who were the victims of art theft and the Holocaust, and retrace how stolen works were returned to museums and private collections after 1945. The official catalog to the exhibition from the Kunstmuseum Bern and the Bundeskunsthalle in Bonn, Gurlitt displays these artworks to the public for the first time and offers a nuanced account of this unique case in the postwar history of Germany.   

When more than one thousand lost artworks by artists such as Paul Cézanne, Emil Nolde, Claude Monet, and Wassily Kandinsky turned up in the collection of Cornelius Gurlitt in 2012, the find was celebrated as a sensation. But the accusation that the collection was the product of wartime looting also hovered, unspoken, in the air. Now, for the first time, the works from the Gurlitt estate on view in Bonn and Bern are introduced in a comprehensive book that unfolds their turbulent history. This volume presents the artworks found at Gurlitt’s estate in their historical context, investigating the provenance of the works, which in some cases had been vilified by the National Socialist regime as “degenerate art,” and probing which works were looted, which purchased legally, and which acquired in forced sales. Additionally, contributors to the volume explore the biographies of Jewish collectors and artists who were the victims of art theft and the Holocaust, and retrace how stolen works were returned to museums and private collections after 1945. The official catalog to the exhibition from the Kunstmuseum Bern and the Bundeskunsthalle in Bonn, Gurlitt displays these artworks to the public for the first time and offers a nuanced account of this unique case in the postwar history of Germany.   

An unprecedented volume featuring over two hundred drawings by twenty Impressionist and Post-Impressionist artists.Claude Monet, Mary Cassatt, Edgar Degas, Paul Ce´zanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the impressionists and post-impressionists in the context of late nineteenth-century France, explaining why these particular works are as important as these artists’ paintings in the representation of modernity.A new approach to materials and a wholly inclusive attitude to exhibitions elevated drawing's status higher in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time, painting and drawing shared the same stylistic principles of spontaneity, freer handling, and lack of finish. Pastels by Degas, watercolors by Ce´zanne, pen-and-ink drawings by Van Gogh, and mixed media works by Henri de Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. With short introductory essays on twenty of the leading Impressionist and Post-Impressionist artists, each followed by a portfolio of their drawings, Impressionist & Post-Impressionist Drawing highlights an aspect of French avant-garde art that was of immense importance for the art movements that followed. 200 illustrations

145pages. in8. broché. Un vol. couv. imp. , à  rabats, int. frais. Paul VIRILIO est un urbaniste et un essayiste français, né en 1932 à  Paris, En 1963, il fonde avec Claude Parent, le groupe «Architecture Principe» et il forme les plus grands architectes dont Jean Nouvel. En plus d'être d'urbanisme, il écrit sur l'art contemporain, sur la technologie et sur la vitesse. Dans «Ville panique» le principal sujet traité est la géopolitique.

One of Photography's Greatest Classics Now Published In English for the First Time Aperture is delighted to release a unique classic featuring its first ever-English translation. In La France de Profil, Paul Strand's photographs and commentary by the celebrated French author, poet Claude Roy, combine to capture the essence of rural life in post-war France. Like Strand's renowned books Time in New England and Un Paese, La France de Profil is a profound meditation on place. Strand's portraits of the young and old evoke a sense of history and character. Images of narrow alleys, old tabaco shops, sidewalk cafes and fields convey the textures and rhythms of the French countryside. Claude Roy complements Strand's photographs by adding collages made from small town newspapers and his own wry handwritten musings on French mentality and mores.Today, La France de Profil is not only a tribute to a way of life that still exists in the French countryside, but a monument to the evocative power of skillfully synthesized pictures and text.

Nouvel vague: France's leading architect   Jean Nouvel, winner of the 2008 Pritzker Prize, is widely regarded as France’s most original and important contemporary architect. From 1967 to 1970 he assisted influential architects Claude Parent and Paul Virilio, before creating his own practice in Paris. His first widely acclaimed project was the Institut du Monde Arabe in Paris (1981–87). Since then he has completed the Lyon Opera House and the Fondation Cartier, Paris. His major completed projects since 2000 include the Culture and Convention Center in Lucerne, Switzerland, the spectacular Agbar Tower in Barcelona, the Quai Branly Museum in Paris, the Guthrie Theater in Minneapolis, Minnesota, and the Hotel Sofitel Vienna Stephansdom with shopping mall. Jean Nouvel was the 2001 recipient of the RIBA Royal Gold Medal for Architecture. In his citation, Peter Cook said of Nouvel: "In an age of blandness, imitation, or doubt, his work shines through as having both clarity and finesse, originality and lyricism."   About the Series: Each book in TASCHEN’s Basic Architecture Series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)

Gustave Courbet (1819–77) was a French artist whose work heralded the realist movement of the nineteenth century and his paintings have had a profound influence on other artists from around the world, including Claude Monet, James McNeill Whistler, and Paul Cézanne. This catalog is published to accompany an exhibition of the same name at the McMullen Museum, Boston College, in the autumn of 2013, which was put together in tandem with the Royal Museums of Fine Arts of Belgium. Approaching its subject from a unique perspective, Courbet: Mapping Realism looks at the artist’s reception on both sides of the Atlantic, and includes paintings by Courbet himself, as well as Belgian and American realist-influenced artists. American and Belgian scholars, including Jeffery Howe, Claude Cernuschi, Dominique Marechal, and Katherine Nahum, contribute essays that explore Courbet’s art in light of this expanded view of his career. Complete with color illustrations, Courbet: Mapping Realism showcases artwork from both the United States and Belgium that are rarely exhibited or published together.  

An unprecedented volume featuring over two hundred drawings by twenty Impressionist and Post-Impressionist artists.Claude Monet, Mary Cassatt, Edgar Degas, Paul Ce´zanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the impressionists and post-impressionists in the context of late nineteenth-century France, explaining why these particular works are as important as these artists’ paintings in the representation of modernity.A new approach to materials and a wholly inclusive attitude to exhibitions elevated drawing's status higher in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time, painting and drawing shared the same stylistic principles of spontaneity, freer handling, and lack of finish. Pastels by Degas, watercolors by Ce´zanne, pen-and-ink drawings by Van Gogh, and mixed media works by Henri de Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. With short introductory essays on twenty of the leading Impressionist and Post-Impressionist artists, each followed by a portfolio of their drawings, Impressionist & Post-Impressionist Drawing highlights an aspect of French avant-garde art that was of immense importance for the art movements that followed. 200 illustrations

Nicolas-Claude Fabri de Peiresc (1580–1637) was, during his lifetime, one of Europe’s most famous men. A friend of Pope Urban VIII and Galileo, of Peter-Paul Rubens and Hugo Grotius, of Tommaso Campanella and Marin Mersenne, Peiresc played an important role in the intellectual culture of his time. This book is the first study in English of this extraordinary man, as well as a vivid portrait of his whole circle. Looking through the lens of Peiresc’s life, Peter N. Miller brings into focus the early-seventeenth-century world of learning―its people, places, and ideas. Drawing on the extensive Peiresc archive (more than 50,000 pieces of paper), Miller brilliantly evokes the lives of antiquaries, philosophers, theologians, and politicians of Peiresc’s day, only some of whom remain known today. He explores the age in which Peiresc’s toleration and sociability, his political action and cosmopolitanism, and his serious scholarship without dogmatism were identified as a set of virtues and practices by which to live. Peiresc’s notion of scholarship as a moral exercise, the sweep of his interests, and the cross-Continental reach of his intellectual life show with new clarity what it meant to be a man of learning during the decades around 1600.

Paul Cézanne, Claude Monet, and Auguste Rodin. The names of these brilliant nineteenth-century artists are known throughout the world. But what is remembered of their wives? What were these unknown women like? What roles did they play in the lives and the art of their famous husbands?In this remarkable book of discovery, art historian Ruth Butler coaxes three shadowy women out of obscurity and introduces them for the first time as individuals. Through unprecedented research, Butler has been able to create portraits of Hortense Fiquet, Camille Doncieux, and Rose Beuret—the models, and later the wives, respectively, of Cézanne, Monet, and Rodin, three of the most famous French artists of their generation. The book tells the stories of three ordinary women who faced issues of a dramatically changing society as well as the challenges of life with a striving genius. Butler illuminates the ways in which these model-wives figured in their husbands’ achievements and provides new analyses of familiar works of art. Filled with captivating detail, the book recovers the lives of Hortense, Camille, and Rose, and recognizes with new insight how their unique relationships enriched the quality of their husbands’ artistic endeavors.

Japanese art is of fundamental importance for the development of modern art in Europe. Nearly all of the great nineteenth-century masters―from Edgar Degas, Édouard Manet, Claude Monet, Paul Gauguin and Vincent van Gogh to Pierre Bonnard, Henri de Toulouse-Lautrec and Édouard Vuillard―embraced the charm of Japanese pictorial motifs and stylistic devices, developing them in their own work. Even Henri Matisse and Pablo Picasso expressed enduring interest in Japan well into the twentieth century. Monet, Gauguin, Van Gogh ... Japanese Inspirations explores the most fascinating chapters of French art in the second half of the nineteenth century, in the phenomenon known as Japonisme. The catalogue and the exhibition it accompanies focus on the period between 1860 and 1910, the heyday of the craze for Japanese art in France. Alongside paintings and prints by artists active in France such as Paul Gauguin, Vincent van Gogh and Claude Monet, the volume showcases an extensive selection of Japanese color woodcut prints by Utagawa Hiroshige, Katsushika Hokusai, Kitagawa Utamaro and others. Japanese artifacts are likewise juxtaposed with works by French artists such as Félix Bracquemond, Jean Carriès and Émile Gallé, inspiring a dialogue between works rarely considered in tandem. Featuring essays by well-known authors as well as younger scholars, this comprehensively illustrated catalogue sheds light on the most important aspects of this formative epoch and the productive exploration of Japan embarked upon by artists living and working in France.