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375 Seiten. Sehr gut erhalten. 9783836577090 Sprache: Deutsch Gewicht in Gramm: 4000

When Flemish engraver and publisher Theodore de Bry issued the first volume of his America series in 1590, the New World was, for most Europeans, truly novel. Gleaned from the travel accounts of adventurers like Thomas Harriot, Sir Francis Drake, and Sir Walter Raleigh, De Bry’s magnificent engravings brought the new continent and its inhabitants to an enraptured audience across the Atlantic.From “Virginia” (today’s North Carolina) and Florida through Central America and down into Patagonia, the first nine volumes of America depict scenery and encounters between native Americans and Europeans, revealing the latter’s perceptions of the former. Portrayals of European discovery and native American customs were based on the explorers’ reports as well as De Bry’s own imagination, he himself never having traveled to the New World. Although based in Frankfurt, De Bry laid the foundations of the series while in London, collaborating with artists John White and Jacques Le Moyne, whose original watercolors he adapted for the opening two volumes. With his sons, De Bry formed a family enterprise known for exquisite copper engravings and high-quality illustrations unrivaled in their mastery.The legacy of America is profound, coloring Europe’s earliest visions of the Atlantic world. Countless European illustrations would, throughout the following centuries, draw inspiration from the spectacular collection. TASCHEN’s edition pays homage to De Bry’s finesse, reprinting all 218 plates from the first nine volumes alongside their respective frontispieces and continental maps. Volumes I to VI are based on the original hand-colored editions held at the John Hay and John Carter Brown Libraries at Brown University in Providence; volumes VII to IX are from the Staats- und Stadtbibliothek in Augsburg, Germany.Exceptionally rare even at the time of their completion, De Bry’s hand-colored America can finally be admired by all, in XXL resolution.

Text: English, French (translation)

Facsimile of the 1884 edition. Green cloth with gold titles; no jacket. Interior is bright, clean and unmarked; 215 text pages with an additional 33 pages of black and white plates at rear of book.

This book deals with the De Bry collection of voyages, one of the most monumental publications of Early Modern Europe. It analyzes the textual and iconographic changes the De Bry publishing family made to travel accounts describing Asia, Africa and the New World. It discusses this editorial strategy in the context of the publishing industry around 1600, investigating the biography of the De Brys, the publications of the Frankfurt firm, and the making of the collection, as well as its reception by Iberian inquisitors and seventeenth-century readers across the Old World. The book draws on a wide variety of primary sources, and is hence important for historians, book historians, and art historians interested in the development of Europe's overseas empires.Originally published in hardcover.

When Flemish engraver and publisher Theodore de Bry issued the first volume of his America series in 1590, the New World was, for most Europeans, truly novel. Gleaned from the travel accounts of adventurers like Thomas Harriot, Sir Francis Drake, and Sir Walter Raleigh, De Bry’s magnificent engravings brought the new continent and its inhabitants to an enraptured audience across the Atlantic.From “Virginia” (today’s North Carolina) and Florida through Central America and down into Patagonia, the first nine volumes of America depict scenery and encounters between native Americans and Europeans, revealing the latter’s perceptions of the former. Portrayals of European discovery and native American customs were based on the explorers’ reports as well as De Bry’s own imagination, he himself never having traveled to the New World. Although based in Frankfurt, De Bry laid the foundations of the series while in London, collaborating with artists John White and Jacques Le Moyne, whose original watercolors he adapted for the opening two volumes. With his sons, De Bry formed a family enterprise known for exquisite copper engravings and high-quality illustrations unrivaled in their mastery.The legacy of America is profound, coloring Europe’s earliest visions of the Atlantic world. Countless European illustrations would, throughout the following centuries, draw inspiration from the spectacular collection. TASCHEN’s edition pays homage to De Bry’s finesse, reprinting all 218 plates from the first nine volumes alongside their respective frontispieces and continental maps. Volumes I to VI are based on the original hand-colored editions held at the John Hay and John Carter Brown Libraries at Brown University in Providence; volumes VII to IX are from the Staats- und Stadtbibliothek in Augsburg, Germany.Exceptionally rare even at the time of their completion, De Bry’s hand-colored America can finally be admired by all, in XXL resolution.

For decades Carl-Theodor Dreyer has been recognized as one of the great master stylists of the cinema. 'La Passion de Jeanne d'Arc,' Vampyr', 'Day of Wrath,' and 'Gertrud' are the most famous works of this rigorous, austere, and powerful filmmaker. In the most extensive and intensive book yet devoted to Dreyer, David bordwell shows how Dreyere's films offer unique challenges to the dominant filmmaking style. He analyzes how Dreyer confronts the viewer with problems of attention, orientation, and narrative comprehension. In the early works, flat tableau compositions alternate with intensively active facial close-ups to shift our attention from physical action to psychological states. In the late masterpieces, Dreyer's style achieves its great complexity, compellingus to concentrate on nuances of space and time...in 'Jeanne d'Arc,' the close-up and a discontinuous space; in 'Vampyr,' an uncertain topography and wrenching camera movements; in 'Day of Wrath,' a circular staging of the action and a slowing of viewing time; in 'Ordet,' a theatrical use of the long take; and in 'Gertrud' an obstinate stasis that verges on boredom. Bordwell shows that Dreyer's style achieves its unique force by violating our expectations and by organizing our film experience in radically new ways. All of Dreyer's works are discussed. Over 300 frame enlargements to clarify points of technique, Bordwell also examines the Hollywood filmmaking style, the concept of authorship in the cinema, and principles of narrative construction.

Un tributo a la memoria del antropologo aleman y pionero de la etnologia en Mexico, Konrad Theodor Preuss, quien emprendio su aventura mexicana hace un siglo. Fruto de ella son sus registros de cantos, rezos, musica y danzas documentados en ceremoniales coras, huicholes y mexicaneros, ademas de la recopilacion de 2 300 piezas artesanales, en su mayoria objetos rituales, que se dan a conocer en Mexico por primera vez en esta edicion.A tribute to the memory of German anthropologist and a pioneer of anthropology in Mexico, Konrad Theodor Preuss, who began his Mexican adventure a century ago. The result of it are their records of songs, prayers, music and ceremonial dances documented in Cora, Huichol Mexicanero addition to the collection of 2 300 handmade pieces, mostly ritual objects, which are made available in Mexico for the first time this issue.

This text is based on an inspection of the most important surviving manuscripts of Antiquity and a re-evaluation of the textual transmission of Cicero in the Middle Ages. All in all, therefore, the new edition rests on the collation of a larger number of manuscripts than that of Theodor Schiche (BT, 1915).

Johann Wolfgang Goethe: Die Leiden des jungen Werther Lesefreundlicher Großdruck in 16-pt-Schrift Großformat, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Erstdruck: Leipzig (Weygand) 1774. Hier in der zweiten Fassung von 1787. Textgrundlage ist die Ausgabe: Goethes Werke. Hamburger Ausgabe in 14 Bänden. Textkritisch durchgesehen und mit Anmerkungen versehen von Erich Trunz, Hamburg: Christian Wegener, 1948 ff. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschränkt)

Johann Georg Theodor Grässe: Gesta Romanorum. Das älteste Märchen- und Legendenbuch des christlichen Mittelalters Lesefreundlicher Großdruck in 16-pt-Schrift Großformat, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Leipzig: Löffler, Alicke 1905. Textgrundlage sind die Ausgaben: Gesta Romanorum, das älteste Mährchen- und Legendenbuch des christlichen Mittelalters, zum ersten Male vollständig aus dem Lateinischen ins Deutsche übertragen, aus gedruckten und ungedruckten Quellen vermehrt, mit Anmerkungen und einer Abhandlung über den wahren Verfasser und die bisherigen Ausgaben und Uebersetzungen desselben versehen von Johann Georg Theodor Gräße. Erste Hälfte: Die ersten 140 Geschichten enthaltend. Zweite Hälfte, die letzten 41 Geschichten des lateinischen Textes und 47 theils gedruckte theils ungedruckte der deutschen und englischen Redaction enthaltend. 3. Auflage, Unveränderter Neudruck Leipzig: Löffler, Alicke 1905. Dieses Buch folgt in Rechtschreibung und Zeichensetzung obiger Textgrundlage. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Hans Memling: Köln, Rheinpartie vom Bayenturm bis Groß-St.-Martin. Spätmittelalterliche Bemalung des Reliquienschreins der hl. Ursula in Brügge mit Szenen aus ihrem Leben.. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschränkt)

Un tributo a la memoria del antropologo aleman y pionero de la etnologia en Mexico, Konrad Theodor Preuss, quien emprendio su aventura mexicana hace un siglo. Fruto de ella son sus registros de cantos, rezos, musica y danzas documentados en ceremoniales coras, huicholes y mexicaneros, ademas de la recopilacion de 2 300 piezas artesanales, en su mayoria objetos rituales, que se dan a conocer en Mexico por primera vez en esta edicion.A tribute to the memory of German anthropologist and a pioneer of anthropology in Mexico, Konrad Theodor Preuss, who began his Mexican adventure a century ago. The result of it are their records of songs, prayers, music and ceremonial dances documented in Cora, Huichol Mexicanero addition to the collection of 2 300 handmade pieces, mostly ritual objects, which are made available in Mexico for the first time this issue.

Johann Wolfgang Goethe: Die Leiden des jungen Werther Lesefreundlicher Großdruck in 16-pt-Schrift Großformat, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Erstdruck: Leipzig (Weygand) 1774. Hier in der zweiten Fassung von 1787. Textgrundlage ist die Ausgabe: Goethes Werke. Hamburger Ausgabe in 14 Bänden. Textkritisch durchgesehen und mit Anmerkungen versehen von Erich Trunz, Hamburg: Christian Wegener, 1948 ff. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschränkt)

Mit Betrachtungen von Theodor Fontane, Anton von Werner, Ludwig Pietsch und Max Liebermann. Als Liebhaber der Kunst Menzels stellt Hochhuth eine Auswahl aus dessen Werk vor und zeigt seine Vielseitigkeit und wegweisende Bedeutung auf. 208 Seiten mit 86 Textabb. und 71 Farbtafeln, Leinen (Insel Verlag 1991). Früher EUR 29,80. Gewicht: 813 g - Gebunden/Gebundene Ausgabe - Sprache: Deutsch

Johann Georg Theodor Grässe: Gesta Romanorum. Das älteste Märchen- und Legendenbuch des christlichen Mittelalters Lesefreundlicher Großdruck in 16-pt-Schrift Großformat, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Leipzig: Löffler, Alicke 1905. Textgrundlage sind die Ausgaben: Gesta Romanorum, das älteste Mährchen- und Legendenbuch des christlichen Mittelalters, zum ersten Male vollständig aus dem Lateinischen ins Deutsche übertragen, aus gedruckten und ungedruckten Quellen vermehrt, mit Anmerkungen und einer Abhandlung über den wahren Verfasser und die bisherigen Ausgaben und Uebersetzungen desselben versehen von Johann Georg Theodor Gräße. Erste Hälfte: Die ersten 140 Geschichten enthaltend. Zweite Hälfte, die letzten 41 Geschichten des lateinischen Textes und 47 theils gedruckte theils ungedruckte der deutschen und englischen Redaction enthaltend. 3. Auflage, Unveränderter Neudruck Leipzig: Löffler, Alicke 1905. Dieses Buch folgt in Rechtschreibung und Zeichensetzung obiger Textgrundlage. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Hans Memling: Köln, Rheinpartie vom Bayenturm bis Groß-St.-Martin. Spätmittelalterliche Bemalung des Reliquienschreins der hl. Ursula in Brügge mit Szenen aus ihrem Leben.. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschränkt)

This text is based on an inspection of the most important surviving manuscripts of Antiquity and a re-evaluation of the textual transmission of Cicero in the Middle Ages. All in all, therefore, the new edition rests on the collation of a larger number of manuscripts than that of Theodor Schiche (BT, 1915).

In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian.The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making.Michael Gaudio is assistant professor of art history at the University of Minnesota.

In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian.The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making.Michael Gaudio is assistant professor of art history at the University of Minnesota.

Theodor Herzl: A Jewish State. Proposal of a modern solution for the Jewish question Large print, 16 pt First published in February 1896 in Leipzig and Vienna by M. Breitenstein's Verlags-Buchhandlung. Translated by Sylvie d'Avigdor and Jacob De Haas, 1917. Minion Pro, 16 pt.

This item is printed on demand - it takes 3-4 days longer - Neuware -Der Dichter und Philosoph Philipp Mainländer (1841 - 1876) schuf mit seinem hier in zwei Bänden vorliegenden Hauptwerk 'vielleicht das radikalste System des Pessimismus, das die philosophische Literatur kennt' (Theodor Lessing, Schopenhauer, Wagner, Nietzsche. Eine Einführung in die moderne Philosophie. Leipzig 1907). Hierin verkündet Mainländer, 'dass dem menschlichen Dasein kein Wert innewohne, und dass der 'von der Erkenntnis, dass Nichtsein besser ist als Sein, entzündete Wille [.] das oberste Prinzip aller Moral' sei.' (Wikipedia) (Zitiert nach Ulrich Horstmann (Hrsg.): Vom Verwesen der Welt und anderen Restposten. Manuscriptum, Warendorf 2003, S. 85)Nachdruck der Originalausgabe aus dem Jahr 1876. 636 pp. Deutsch