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Since there's no business like gnome business, our sleepy time gnome nod to composer Irving Berlin elevates outdoor garden gnome statues to a musically artistic level. Sculpted with the classic lawn gnome bushy beard, a bright red gnome hat and with his lazy gnome-napping feet dangling, this Design Toscano-exclusive is as happy in your gnome garden as on your desktop. Our garden gnome statues are cast in quality designer resin and individually hand-painted 1-piece at a time in cheerful forest hues. This funny gnome figurine welcomes guests and makes a light-hearted gift for most any occasion. 8 in. W x 4.5 in. D x 6.5 in. H, 1 lb.

This pioneering effort links history and personality by pairing intellectual friends, most notably Lionel Trilling and Irving Howe, but also Thomas Carlyle and John Stuart Mill, D. H. Lawrence and Bertrand Russell, George Eliot and Emanuel Deutsch, Theodore Roethke and Robert Heilman. Chronologically the essays range from the early 1830s, when Carlyle and Mill discovered each other, to 1975, when Lionel Trilling died. The essay that gives this volume its title is also the most ambitious. Alexander examines Trilling and Howe in relation to one another and to Jewish quandaries, Henry James, politics and fiction, antisemitic writers, literary radicals, 1960s insurrectionists, the state of Israel, the nature of friendship itself. The chapter on the friendships (and ex-friendships) of Carlyle and Mill, Lawrence and Russell, views their stories against the background of the modern conflict between reason and feeling, positivism and imagination. Though some relationships began in adversity, they developed into friendships. This happened with Roethke and Heilman, and with Eliot and Deutsch. As a young woman, Eliot disparaged Jews as candidates for "extermination," but her friendship with the Talmudic scholar Deutsch changed her into one of the major Judeophiles of the Victorian period. The quartet of Carlyle and Mill, Lawrence and Russell shows how quickly-formed literary friendships, especially those based on hunger for disciples, can dissolve into ex-friendships. This volume offers new perspectives on leading literary figures and their relationship, and shows how friendship influences art.

This Elibron Classics book is a facsimile reprint of a 1824 edition by H. C. Carey & I. Lea, Philadelphia. Irving's travels in Euorope inspired Tales of a Traveller, 32 sketches and stories drawn largely from his 1822-23 tour. The last section of Tales r

The distinctive irving decorative square mirror measures at a substantial 48 x 48 in. to make a bold impression in any room. Each mirrored panel is held in place by a frame finished in weathered gold. The outer frame consists of another ring of mirrors for dramatic effect.

Distinctive Irving decorative square mirror measures at a substantial 48 x 48 in. to make a bold impression in any room. Each mirrored panel is held in place by a frame finished in weathered gold. The outer frame consists of another ring of mirrors for dramatic effect.

Collects biographical information on American composers and lyricists, including George Gershwin, Duke Ellington, Irving Berlin, Dorothy Fields, and Hank Williams.

A collection of classic Fantasy short stories by H.G. Wells, Ursula Le Guin, E. Nesbit, Hugh Lofting, Ruth Ainsworth, Joan Aiken, Mary Norton, J.R.R. Tolkien, Norton Juster, Washington Irving, Lewis Carroll, Eric Linklater, C.S. Lewis, Alan Garner, Helen Cresswell and L. Frank Baum.

Over 100 full page illustrations of artists' works in color and b&w: Ernest L. Blumenschein, Bert G. Phillips, Joseph H. Sharp, E. Irving Couse, Oscar E. Berninghaus, W. Herbert Dunton, Walter Ufer, W. Victor Higgins, E. Martin Hennings, Kenneth M. Adams.

Over 100 full page illustrations of artists' works in color and b&w: Ernest L. Blumenschein, Bert G. Phillips, Joseph H. Sharp, E. Irving Couse, Oscar E. Berninghaus, W. Herbert Dunton, Walter Ufer, W. Victor Higgins, E. Martin Hennings, Kenneth M. Adams.

The most spine-tingling suspense stories from the colonial era―including Washington Irving, Nathaniel Hawthorne, James Fenimore Cooper, Edgar Allan Poe, Henry James, and H. P. Lovecraft―are presented anew to the contemporary reader. This stunning anthology of classic colonial suspense fiction plunges deep into the native soil from which American horror literature first sprang. While European writers of the Gothic and bizarre evoked ruined castles and crumbling abbeys, their American counterparts looked back to the Colonial era’s stifling religion and its dark and threatening woods. Today the best-known tale of Colonial horror is Washington Irving’s “The Legend of Sleepy Hollow,” although Irving’s story is probably best-known today from various movie versions it has inspired. Colonial horror tales of other prominent American authors―Nathaniel Hawthorne and James Fenimore Cooper among them―are overshadowed by their bestsellers and are difficult to find in modern libraries. Many other pioneers of American horror fiction are presented afresh in this breathtaking volume for today’s reading public. Some will have heard the names of Increase and Cotton Mather in association with the Salem witch trials, but will not have sought out their contemporary accounts of what were viewed as supernatural events. By bringing these writers to the attention of the contemporary reader, the book will help bring their names―and their work―back from the dead. Featuring stories by Cotton Mather, Washington Irving, Nathaniel Hawthorne, James Fenimore Cooper, Edgar Allan Poe, Henry James, H. P. Lovecraft, and many more. 

The most spine-tingling suspense stories from the colonial era―including Washington Irving, Nathaniel Hawthorne, James Fenimore Cooper, Edgar Allan Poe, Henry James, and H. P. Lovecraft―are presented anew to the contemporary reader. This stunning anthology of classic colonial suspense fiction plunges deep into the native soil from which American horror literature first sprang. While European writers of the Gothic and bizarre evoked ruined castles and crumbling abbeys, their American counterparts looked back to the Colonial era’s stifling religion and its dark and threatening woods. Today the best-known tale of Colonial horror is Washington Irving’s “The Legend of Sleepy Hollow,” although Irving’s story is probably best-known today from various movie versions it has inspired. Colonial horror tales of other prominent American authors―Nathaniel Hawthorne and James Fenimore Cooper among them―are overshadowed by their bestsellers and are difficult to find in modern libraries. Many other pioneers of American horror fiction are presented afresh in this breathtaking volume for today’s reading public. Some will have heard the names of Increase and Cotton Mather in association with the Salem witch trials, but will not have sought out their contemporary accounts of what were viewed as supernatural events. By bringing these writers to the attention of the contemporary reader, the book will help bring their names―and their work―back from the dead. Featuring stories by Cotton Mather, Washington Irving, Nathaniel Hawthorne, James Fenimore Cooper, Edgar Allan Poe, Henry James, H. P. Lovecraft, and many more. 

AIRCRAFT TYPES INCLUDED: J2M3 (Jack), G4M (Betty), Ki-21 (Sally), H8K2 (Emily), C6N1-S (Myrt), G5N1 (Liz), Ki-46 (Dinah), P1Y1 (Frances), J1N1-Sa (Irving), Ki-67 (Peggy), J7W1 (Shinden), Ki-9 (Spruce); COCKPIT DETAIL: IJAAF: Ki-9 (p. 30), Ki-21 (p. 6), Ki-46 (p. 17-22), Ki-67 (p. 26-28); IJNAF: C6N1 (p. 12-14), G4M (p. 4, 5), G5N1 (p. 15, 16), H8K2 (front cover, p. 0, 7-11), J1N1 (p. 24, 25), J2M3 (p. 1-3), J7W1 (p. 29), P1Y1 (p. 23, 32); This volume also includes Japanese aircraft ground equipment (p. 31)

"Wicked Lit" is a dynamic new collection of plays adapted from the classic horror literature of Charles Dickens, Edgar Allen Poe, Mark Twain, Robert Louis Stevenson, Washington Irving, H.P. Lovecraft, and more. These timeless stories have been ambitiously reimagined to create surprising and impactful theatrical experiences. Originally devised as immersive theater, the shows in the "Wicked Lit" collection have previously been staged in cemeteries, museums, mansions, and hotels. Produce them in a theater or in a creative guerrilla setting and watch these chilling horror classics come alive.