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SOMMAIRE Introduction La décoration, un art de vivre Faste grand siècle Une élégance contemporaine Grands projets, décors officiels Changement de look Grunge Albion La Movida   L''objet mobilier Starck system Le quotidien transfiguré Le nouveau design italien Memphis Un design alternatif Objets bavards, humour et dérision Rubbish theory Mouvement postmoderne Une nouvelle tradition Un nouvel artisanat Opulence baroque...   Art et design Design d''architectes Une écriture de l''absence Ceci est une chaise... Une nouvelle syntaxe   Édition populaire Conclusion

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R160214080: 1976. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 799 pages - nombreuses planches d'illustrations hors texte - signet conservé. . . . Classification Dewey : 749-Mobilier et accessoires

The cultural importance, dependencies and mechanics of manufacture in Europe prior to the Industrial Revolution are understudied areas of research. In the case of French royal manufacture during the ancien régime, art-historical interest first awakened in the latter half of the nineteenth century with the publication of several descriptive texts that made archival sources available to a wider public. This volume on the Manufacture royale des meubles de la couronne aux Gobelins examines the current state of research on the royal workshops and indicates the manner by which this research can both extend and challenge the prevailing trends in the historiography of the Gobelins.

Expedition Sous 48 H En Suivi La Poste / Emballage Bullepack

The cultural importance, dependencies and mechanics of manufacture in Europe prior to the Industrial Revolution are understudied areas of research. In the case of French royal manufacture during the ancien régime, art-historical interest first awakened in the latter half of the nineteenth century with the publication of several descriptive texts that made archival sources available to a wider public. This volume on the Manufacture royale des meubles de la couronne aux Gobelins examines the current state of research on the royal workshops and indicates the manner by which this research can both extend and challenge the prevailing trends in the historiography of the Gobelins.

SOMMAIRE Introduction La décoration, un art de vivre Faste grand siècle Une élégance contemporaine Grands projets, décors officiels Changement de look Grunge Albion La Movida   L''objet mobilier Starck system Le quotidien transfiguré Le nouveau design italien Memphis Un design alternatif Objets bavards, humour et dérision Rubbish theory Mouvement postmoderne Une nouvelle tradition Un nouvel artisanat Opulence baroque...   Art et design Design d''architectes Une écriture de l''absence Ceci est une chaise... Une nouvelle syntaxe   Édition populaire Conclusion

Are you looking for a handy storage organizer for the dining area or the coffee bar. This rattan door cabinet will be a good choice. With ample open or enclosed storage space, the freestanding cabinet holds a lot of sundries or ornaments to de-cluttter the space and beautify your room. Besides, it combines Boho flair to the mid-century modern style furniture, which serves well as a storage cabinet and a room decoration. Moreover, stability is also priority. Equipped with solid wood legs and anti-tipping kits, the coffee bar cabinet has a sturdy construction with great load bearing capacity. Color: Natural.

Edition 1995. Tome 1. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 1995. Volume 1. Ammareal gives back up to 15% of this item's net price to charity organizations.

Inspired by French Art Nouveau artist Emile Galle, this elegant buffet lamp, from our Boehme family will add a touch of 19th century French artistry to your home. The shade is double overlaid and etched in earthy green, yellow, orange, pink and beige tones set in a classic French fleur de lis pattern with a textured amber border and art glass jewel accents throughout. The uplit shade sits atop an artistically scrolled wrought iron base that is accented with a large amber art glass orb. Beautiful when displayed alone, this buffet lamp is simply magnificent when displayed in pairs on an elegant buffet, console or mantle.

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Instrumento fabricado a principios de siglo, una joya con m s de un siglo de antig edad en perfecto estado tanto de aspecto como de funcionamiento....

Set of 2 Buffet Crampon clarinets. Buffet Crampon R13 (1984) (258***), signs of wear on some keys (de-plating), in excellent condition for a 1984 ...

Guy Buffet (b. 1943) was born in Paris. At age 14, he was enrolled in the famed Beaux Arts de Toulon. By age 18, he joined the French Navy where his artistic abilities were so distinguished, he was named the official artist of the French Navy and given the prestigious assignment to "paint the world." In the South Pacific, while he was on shore leave and hitchhiking with some fellow sailors, they were picked up by a motorist who was the mayor of the city. After visiting the ship and seeing some of my paintings, the mayor talked to the captain and got permission for me to put on an exhibit in town. From this came a series of one-man exhibitions in exotic Tahiti and New Caledonia. Afterwards, the French Navy helped organize his first exhibition in the Hawaiian Islands introducing Buffet to what he called "Paradise." The year was 1963 and the rest, as they say is history. Guy soon settled in this "Hawaiian Paradise" after the prominent Cooke family offered to provide him living and studio space after his Navy discharge. What followed were several commissions from the Hawaii State Foundation on Culture and the Arts which emblazoned major murals at libraries across the state of Hawaii. Of his paintings, Buffet says, "I invite the viewer to share my experience. I take you into my world like a guest into my home. I want you to be comfortable, relaxed, happy; to forget about problems and sorrows. If you like it and want to come back, my world is yours". Buffet continues to create famous images depicting the folklore of the Hawaiian people, animals, and events. His vibrant color palette helps evoke a playfulness that brings out the child in every aficionado. While some of his works are positively Polynesian, a great deal of it is decidedly derived from his French heritage. Depicting French sommeliers, chefs, and waiters mid-shift, Guy consistently captures the spirit and passion of the French people and their love of fine cuisine.

BACHOUR EN ESTADO PURO Que Antonio Bachour es uno de los pasteleros más universales en la actualidad es algo que no admite discusión. Y, ¿cómo ha conseguido este chef de origen portorriqueño ganarse el respeto y la admiración profesional en los cinco continentes? Pues gracias a una pastelería alegre, vistosa, atractiva y variada, accesible y comprensible, sin complicaciones innecesarias. Y esa pastelería es ni más ni menos el contenido de Bachour Buffets, una obra que radiografía a la perfección el estilo Bachour, ese que el chef pone en práctica a diario en su obrador y en sus tiendas, y el que enseña en sus cursos por todo el mundo.

Guy Buffet (b. 1943) was born in Paris. At age 14, he was enrolled in the famed Beaux Arts de Toulon. By age 18, he joined the French Navy where his artistic abilities were so distinguished, he was named the official artist of the French Navy and given the prestigious assignment to "paint the world." In the South Pacific, while he was on shore leave and hitchhiking with some fellow sailors, they were picked up by a motorist who was the mayor of the city. After visiting the ship and seeing some of my paintings, the mayor talked to the captain and got permission for me to put on an exhibit in town. From this came a series of one-man exhibitions in exotic Tahiti and New Caledonia. Afterwards, the French Navy helped organize his first exhibition in the Hawaiian Islands introducing Buffet to what he called "Paradise." The year was 1963 and the rest, as they say is history. Guy soon settled in this "Hawaiian Paradise" after the prominent Cooke family offered to provide him living and studio space after his Navy discharge. What followed were several commissions from the Hawaii State Foundation on Culture and the Arts which emblazoned major murals at libraries across the state of Hawaii. Of his paintings, Buffet says, "I invite the viewer to share my experience. I take you into my world like a guest into my home. I want you to be comfortable, relaxed, happy; to forget about problems and sorrows. If you like it and want to come back, my world is yours". Buffet continues to create famous images depicting the folklore of the Hawaiian people, animals, and events. His vibrant color palette helps evoke a playfulness that brings out the child in every aficionado. While some of his works are positively Polynesian, a great deal of it is decidedly derived from his French heritage. Depicting French sommeliers, chefs, and waiters mid-shift, Guy consistently captures the spirit and passion of the French people and their love of fine cuisine.

Le capitalisme familial marseillais des XIXe et XXe siècles s'inscrit dans un espace à la fois très fortement marqué par la Méditerranée et résolument ouvert sur le monde. L'ouvrage décrypte les modes de fonctionnement de ces élites entrepreneuriales: les Rastoin, les Charles-Roux, les Rocca, les Rostand... qu'elles soient négociantes, industrielles ou financières. Leur histoire est celle de la grandeur de Marseille, porte de l'Afrique et de l'Orient; mais elle est aussi celle du scénario catastrophe qui emporte en l'espace de trois décennies la quasi-totalité des activités emblématiques de la ville.

En créant en 1912 « Primavera», les grands magasins du Printemps décident de favoriser la création de meubles et d'objets pour la maison et de donner un statut artistique aux « arts décoratifs ».Dans son texte de présentation, Jean-Louis Gaillemin, historien d'art, montre que Primavera s'inscrit dans l'histoire du design du XXe siècle. Commandées à des manufactures et des ateliers de toutes nos provinces, les céramiques de l'atelier d'art Primavera offrent un panorama complet des techniques traditionnelles et des tendances artistiques du XXe siècle.Sélectionnées et analysées par Augustin David, historien d'art spécialiste de la céramique, parmi les 650 pièces de la collection de céramiques Primavera du Printemps, les 120 pièces de l'exposition «Céramiques de l'atelier d'art Primavera» sont présentées par catégories thématiques. Chaque pièce est décrite en vue de préciser l'esthétique de Primavera et de la situer dans les courants stylistiques du temps. Cohérence où dialoguent quelques noms essentiels: Marcelle Thiénot, Claude Lévy, Paule Petitjean, Madeleine Sougez, ou encore Jean Besnard, René Buthaud et Colette Gueden.

Neuf Jamais Ouvert.envoi Rapide Et Soignée. Avertissement Par E-mail de L'envoi Du Colis. Expédié Depuis France

528pages. 20x14x4cm. Broché jaquette. jamais ouvert