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Newly restored and digitally remastered from the original 35 mm film, the legendary soprano Elisabeth Schwarzkopf stars in this acclaimed film of Richard Strauss' delightful opera, Der Rosenkavalier. This Salzburg Festival production of Strauss' great work toured the world, and this filmed version was hailed by the New York Times as "Superb." Schwarzkopf performs her signature role as Princess von Werdenberg, an aging beauty involved with a younger man, Octavian. But when Octavian agrees to assi

Newly restored and digitally remastered from the original 35 mm film, the legendary soprano Elisabeth Schwarzkopf stars in this acclaimed film of Richard Strauss' delightful opera, Der Rosenkavalier. This Salzburg Festival production of Strauss' great work toured the world, and this filmed version was hailed by the New York Times as "Superb." Schwarzkopf performs her signature role as Princess von Werdenberg, an aging beauty involved with a younger man, Octavian. But when Octavian agrees to assi

Octavo, 238pp, [2]. Softcover. Illustrated boards. Appears unread. Text in German. Brigitte Helm was a German actress born on March 17, 1906, in Berlin. She was best known for her dual role as Maria and the Maschinenmensch in Fritz Lang's 1927 silent film "Metropolis." Helm's film career began in 1925 and spanned over 30 films, including "The Love of Jeanne Ney" (1927) and "Alraune" (1928). Despite her success, she retired from acting in 1935, following her marriage to Hugo Kunheim, a wealthy industrialist, and chose to live a private life away from the public eye. Helm passed away on June 11, 1996, in Ascona, Switzerland.

Good condition. German. Paperback edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

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Bitte Beachten: Höhere Versandkosten Ausserhalb Deutschland - Please Note: Higher Shipping Charge Outside Germany - Ask Before Order. Mit Zahlreichen Schwarzweißen Historischen Fotoabbildungen. Weiße Illustrierte Klappenbroschur, 252 Seiten, 21 X 16,2 Cm. Gewicht: 999

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Film ALS Medium Der Verf�hrung: Einf�hrung in Die Seduktionstheorie Des Films 0.49

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Vorbei ist es mit dem beschaulichen Leben von Bilbo Beutlin, seit er sich auf ein Abenteuer eingelassen hat, das Hobbitvorstellungen bei Weitem übersteigt. Nicht nur, dass er sich auf eine Reise von der Dauer eines Jahres begibt, die ihn quer durch Mittelerde führen wird, er lässt sich auch vom Zwergenkönig als Meisterdieb unter Vertrag nehmen und verpflichtet sich, den Zwergen bei der Rückgewinnung ihres geraubten Schatzes zu helfen. Auf seiner abenteuerlichen Reise gelangt Bilbo in den Besitz des Ringes, den er später an seinen Neffen Frodo weitergibt die Grundlage für die legendäre Trilogie um den »Einen Ring«.

366 Seiten 23,5 cm x 21 cm, kleine äußere Gebrauchsspuren, Buchblock etwas gelöst, innen sehr sauber und ordentlich Q79 Sprache: Deutsch Gewicht in Gramm: 1250

Die Gewalt im Film ist so vielgestaltig wie die Gewalt selbst. Der Band erschliesst das Verhaeltnis von Film und Gewalt schwerpunktmaessig durch die Lektuere einzelner Werke er strebt keinen systematisierenden Ueberblick an. Ausgewaehlt wurden Filme, die die Impl.

Excerpt from Die Industrie der Steinkohlentheer-Destillation und Ammoniakwasser-Verarbeitung2. Film hard; ibeilung he9 umfangreirben Stoffe? unter beriebiehene ßearbei ter farm mit 8unerficbt her 'liufgabe genügt toerhen, iid) her äßrari9 io nabe aib möglich anguiebliefien. 6ämmtlicbe mitarbeiter fteben her Materie her bon ibnen übernommenen 'llbtbeilungen he6 28erfeß entneha hard; 2bragiß aber ipecielie ßeobacbtung nabe.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The celebrated Laurens van der Post made a life of lies. Those who know him as the advisor of Prince Charles and Margaret Thatcher, author of twenty-three popular, award-winning books, (several of which were made into films) and a speaker for the cause of African peoples will be startled by the revelations in this fascinating biography of a consummate fabricator. Among the romantic highlights in van der Post’s version of his life were an Afrikaner childhood that featured a Bushman nursemaid, decorated military service, a brutal stretch as a POW in the Pacific, his devoted friendship with Carl Jung, and his sympathetic chronicles of the Kalahari Bushmen. Peeling away van der Post’s stories, J. D. F. Jones’s biography shows that most of his tales were tall—designed to dazzle an all-too-gullible world. In reality, van der Post had no Bushman nanny; his World War II military service, for which he abandoned his wife and children, was not particularly distinguished; and his relationship with Jung was tenuous at most. He also advised Britain’s elite, although his credentials were only a tissue of invention that he kept aloft until his death at age ninety in 1996. While disclosing van der Post’s many fictions, Jones never loses sight of his very real charisma and the widespread devotion he inspired. At once probing and unsparing, Teller of Many Tales is also a model of biographic balance and illumination. “...a fantasist, a liar, a serial adulterer... It was to this man that Lady Thatcher turned for advice... Devastating...”—Sunday Telegraph

Werner Herzog's Nosferatu: Phantom der Nacht (1979) is sometimes called a minor work, despite the film's towering central performance by Klaus Kinski. But in this book, we see Nosferatu: Phantom der Nacht as one of the masterpieces of the New German Cinema, a film that exhibits all of Herzog's melancholy and pessimistic romanticism as well as his spirituality and technical flair. Adapted from Bram Stoker's Dracula, and mindful of an earlier German version of that same novel, Herzog's film, with its terrifying coda in which the reincarnated fiend rides out into the world, is perhaps the most compelling screen treatment of the vampire myth. Beginning with Stoker's book and the nineteenth-century obsession with vampires, S. S. Prawer goes on to explore the evolution of Herzog's career. To complete a comprehensive account of Nosferatu, Prawer describes the film's production history as well as the cultural and aesthetic components that combine to such powerful effect: the skill of the actors; the debts to romanticism and to Murnau; the use of music by Wagner, Gounod, and Florian Fricke; and the film's many extraordinary, haunting images.

Neuware - Ein wichtiger Baustein zu einer Kulturgeschichte des Fremden - mit zahlreichen Beispielen aus der europäischen Literatur und Kunst.Seit rund 500 Jahren verbreiten Literatur, Bildende Künste, Musik, aber auch die sogenannte Ziganologie und schließlich auch der Film immer wieder dieselben Klischees über »Zigeuner«: Die hexenhafte Wahrsagerin, die schöne Tänzerin oder der Vagabund und Zaubergeiger verkörpern die Vorstellungen von Freiheit und Wildheit, aber auch von archaischem Leben und kreatürlicher Not. Nicht die Lebenswirklichkeit von Sinti und Roma, von Manouches oder Kalderasch dient diesen Konstruktionen als Vorlage, sondern Phantasien der Mehrheit über eine Minderheit, die seit Jahrhunderten ungeprüft abgeschrieben und weitergegeben werden. Die »Zigeuner« im Roman und in der Malerei, in Opern und Operetten, im Fernsehkrimi, im Jugendbuch und der Reiseliteratur erscheinen als Artefakte, die offenbar der Mehrheitsgesellschaft als unverzichtbare negative Orientierungen zur Selbstverständigung dienen.

Neuware - Dieser Band versammelt Beiträge von Thomas Brandlmeier, Volker Kühn und Michael Wedel, welche die Entwicklung des Schauspielers Curt Bois nachzeichnen: vom Theater und Film der Weimarer Republik, dem Kabarett der 20er Jahre über die Arbeiten während des Exils bis zu seinem Schaffen nach seiner Rückkehr, vom Kinderdarsteller bis zur Rolle des Homer in Wim Wenders' 'Der Himmel über Berlin'. Ein ausführliches Verzeichnis der Film-, Theater- und Kabarettrollen sowie zahlreiche Fotos dokumentieren seine schauspielerische Tätigkeit über einen Zeitraum von mehr als 80 Jahren.

Richard Oswald's Der Hund von Baskerville, the last silent film starring Sherlock Holmes, has been less a legend than a rumor among cinephiles and Sherlockians. This seven-reel film, with it's long pedigree extending back to a German stage play written while Germany was at war with England, has been regarded as the most important of the 'Hound' made in Europe. Long considered lost, it was the last silent Sherlock Holmes film ever made, produced when German studios were the envy of the world. See