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Poetry. In two long-form poems, PHANTOM HOUR examines the elegiac importance of memory and lineage, both poetic and genealogical, as a mode of reclaiming a father's narrative lost to dementia by embracing the incantatory and reanimating power of the sustained lyric project. The book builds on the idea that history is reliant upon memory and mythopoesis—how we mythologize our own stories. Interweaving threads of family history, the navigation of complex personal relationships, and an investigation into the causes and effects of dementia, PHANTOM HOUR explores the erasure and reclamation of memory's narrative and the mythology a son constructs around his father. It is Meetze's most personal and most project-oriented work yet. "In PHANTOM HOUR, his third full- length collection of poetry, James Meetze continues his brutal investigation of metaphysics, following thoughts in mesmerizing lines of poetry as if doing so might indeed lead to meaning beyond musings. The goal of this particular book, though, is to understand whether the image or the memory of the image is more valuable, and to do so without being sidetracked by the foreboding sense that there may be no value at all. Or as Meetze himself puts it, 'There is no quick brown fox to jump / over anything. / I've been outfoxed. / I'm waiting for something to arrive / in the phantom hour.' This is a brilliantly philosophical collection of stunning long-form poems. I wish I had written it." —Jericho Brown, author of The New Testament

The Vietnam War placed unexpected demands upon American military forces and equipment, which had been focused on the probability of tactical nuclear warfare. The principal US naval fighter, the McDonnell F-4 Phantom, had originally been designed to defend the Fleet from air attack at long range. However, its tremendous power and bomb-carrying capacity made it an obvious candidate for the attack mission in Vietnam from 1965 onwards. Its opponent was the MiG-17, a direct descendant of the MiG-15, which had given USAF Sabre jets a hard fight in the Korean War. This book brings to life their dangerous duels and includes detailed cockpit views and other specially commissioned artwork to highlight the benefits and shortcomings of each plane type. It was in the skies over Vietnam that many of the techniques of air combat evolved as pilots learned how to use and to defeat supersonic fighters for the first time.

The second of two books on the Navy's Phantom II MiG killers of the Vietnam War (1955-1975), this book covers the numerous actions fought out over North Vietnam during the Linebacker I and II operations of 1972-73. No fewer than 17 MiGs were downed during this period, five of them by the Navy's sole aces of the conflict, Lts Randy Cunningham and Willie Driscoll of VF-96. Drawing on primary sources such as surviving Phantom II aircrew and official navy documentation, the author has assembled the most precise appraisal of fighter operations involving US Navy Phantom II units and those elusive MiGs ever seen in print.

The F-4 Phantom II was the USAF workhorse fighter-bomber for the Linebacker campaign of the Vietnam War (1955-1975), which eventually saw US forces withdraw from Vietnam 'with honour' in 1973. This book covers the F-4 attacks on numerous targets in North Vietnamese cities such as Hanoi and Haiphong, as well as its engagements with Vietnamese MiG-19s and MiG-21s hell-bent on defending the north from 'Yankee air pirates'. The USAF's only ace crew, which scored their five kills during 1972, is also covered in a book containing many detailed photographs, a large proportion of which haven't been published before.

2-channel Mic/Line Preamp with 71dB of Gain Highpass Filter Phantom Power DI Switchable Impedance and Polarity Reverse - No Power Supply.

1-channel Mic/Line Preamp with 71dB of Gain Highpass Filter Phantom Power DI Switchable Impedance and Polarity Reverse.

2-channel Mic/Line Preamp with 71dB of Gain Highpass Filter Phantom Power DI Switchable Impedance and Polarity Reverse.

1-channel Mic/Line Preamp with 71dB of Gain Phantom Power DI Switchable Impedance and Polarity Reverse.

Single-channel Mic/Instrument Preamp with 70dB of Mic Gain Phantom Power Polarity Invert Highpass Filter Air Boost Insert Jack and Output Lev...