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Realizing that the members of her family are vampires, Sabrina Van Fleet tries to come to terms with their strange and deadly behavior while avoiding the risk of becoming a vampire herself. Original.

14 x 20,5 cm. Erste Auflage, 164 [165] (1) S. Originalbroschur. Sprache: Französisch, leichte Gebrauchsspuren, Einband teils nachgedunkelt. Widmung des Autors auf dem Vortitel. außerdem handschriftlich die Kommunikationsdaten.

369 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Der Buchblock löst sich vom Buchrücken. Die Einbandkanten sind stark berieben. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 845

This book surveys visual art of all civilizations, from the last 2000 years, and describes the wisdom these artists have implied in their works. These works document prevailing orientations to suicidal behavior in different times and places. An interesting aside is the inverse relation between those who painted suicide versus those who died from self injury behavior.

This book surveys visual art of all civilizations, from the last 2000 years, and describes the wisdom these artists have implied in their works. These works document prevailing orientations to suicidal behavior in different times and places. An interesting aside is the inverse relation between those who painted suicide versus those who died from self injury behavior.

Maybe the best thing that ever happened to Kristan "Stan" Connor was losing her high-stress public relations job. Now there's plenty of time to spend in her sleepy new Connecticut town working on her dream: baking healthy, organic pet treats! Before long the neighborhood dogs are escaping their yards to show up at Stan's doorstep, begging for the kinds of special homemade treats her Maine coon cat Nutty loves so much. And Stan's pet-loving neighbors are thrilled with the new organic options available to their furry family members. But not everyone loves Stan and her newfangled organic ways. . . It seems Carole Morganwick, the town vet, is from the old school of pet care. But when Stan swallows her pride and brings a very unwilling Nutty in for a checkup, she not only finds Carole dead under a pile of kibble. . .but also that she's in the dog house as the prime suspect! Finding the real killer and clearing her name will require some seriously surreptitious sniffing around. . .and hopefully, curiosity won't kill this innocent cat!Includes Gourmet Pet Food Recipes!"Like the goodies Stan makes for her Maine coon kitty Nutty, Kneading To Die is a treat! Liz Mugavero weaves animal knowledge into a fun and frisky whodunit, with plenty of lively pet action." --Clea Simon, author of Cats Can't Shoot

Finally living her dream of baking healthy, organic pet treats after losing her stressful public relations job, Kristan Stan Connor becomes the prime suspect in the murder of the town vet who hated her newfangled organic ways and must find real killer before her business goes belly up. (mystery & detective).

How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In The Dominion of the Dead, Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living—the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us.This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.The Dominion of the Dead is a profound meditation on how the thought of death shapes the communion of the living. A work of enormous scope, intellect, and imagination, this book will speak to all who have suffered grief and loss.

Die angespannte finanzielle Situation im Gesundheitswesen führt dazu, daß neben medizinischen auch immer mehr ökonomische Sachverhalte eine Rolle spielen. Gesundheitsökonomische Evaluationen dienen dazu, die Kosten und den Nutzen verschiedener medizinische Maßnahmen in Relation zueinander zu setzen. In diesem Buch werden die Grundlagen und die aktuellen Forschungsergebnisse solcher Studien sehr praxisorientiert dargestellt. Besondere Berücksichtigung findet dabei auch die Einbeziehung von Lebensqualitätseffekten in entsprechende Studien. Das Buch ist eine große Hilfe bei der praktischen Durchführung von Evaluationsstudien: Es gibt Nicht-Ökonomen einen guten Überblick über das Themengebiet und informiert Experten über den Stand der Forschung. Durch die ausführliche Behandlung aller Aspekte und einheitliche Beschreibung unterscheidet sich das Buch von anderen Sammelwerken.

Wer auf Wiederholungen aufmerksam wird, dem erschließt sich eine Landschaft: Vergangenes und Gegenwärtiges treten in Relation zueinander; zwischen ihnen entstehen Nachbarschaften, die zuvor nicht da waren. Wiederholungen treten dabei nicht nur als Sinn- und Strukturphänomene auf, sondern schaffen Passagen zwischen Sinn und Präsenz, bringen auch Latenzeffekte hervor. Im Zentrum der Untersuchung stehen die Erscheinungsformen der Wiederholung und ihre Effekte in der tschechischen und slowakischen Lyrik der Latenzzeit 1955–1965. Wiederholungen in und zwischen Texten – Permutationen und Variationen, Zitaten und Anspielungen, Selbstzitaten und Textvarianten, Nuancen und Ähnlichkeiten – bilden hier eine virtuelle Gesamtheit, im Rahmen derer nach einer Poetik der Wiederholung gesucht wird.

Thousands camped east of the Jordan, ready to cross it, eradicate a decadent culture and establish their own nation. Their remarkable leader Moses, soon to die, stood and spoke to them. He reminded them of their covenant relation to Yahweh their Lord, of Yahweh's mighty acts on their behalf, of the practical differences their loyalty to Yahweh should make. He implored them to be totally devoted to their Sovereign God.The book of Deuteronomy records these speeches. "The sympathetic reader," writes J. A. Thompson, "cannot fail to be challenged by the persistent demands throughout the book that he should acknowledge the complete and sole sovereignty of God in his life. Nor can he fail to be touched by the noble concept of God that underlies the whole book."

Wer auf Wiederholungen aufmerksam wird, dem erschließt sich eine Landschaft: Vergangenes und Gegenwärtiges treten in Relation zueinander; zwischen ihnen entstehen Nachbarschaften, die zuvor nicht da waren. Wiederholungen treten dabei nicht nur als Sinn- und Strukturphänomene auf, sondern schaffen Passagen zwischen Sinn und Präsenz, bringen auch Latenzeffekte hervor. Im Zentrum der Untersuchung stehen die Erscheinungsformen der Wiederholung und ihre Effekte in der tschechischen und slowakischen Lyrik der Latenzzeit 1955–1965. Wiederholungen in und zwischen Texten – Permutationen und Variationen, Zitaten und Anspielungen, Selbstzitaten und Textvarianten, Nuancen und Ähnlichkeiten – bilden hier eine virtuelle Gesamtheit, im Rahmen derer nach einer Poetik der Wiederholung gesucht wird.

Masterful essays that illuminate not only how we die but also how we live. Thomas Lynch, poet, funeral director, and author of the highly praised The Undertaking, winner of an American Book Award and finalist for the National Book Award, continues to examine the relations between the "literary and mortuary arts." "Lynch engages the reader with a mixture of poetic and funerary elements....his voice is rich and generous."―Richard Bernstein, New York Times "[W]hat makes him such a fine essayist is that it's just the business of everyday life and death to him."―Los Angeles Times Book Review "Few readers will walk away from this volume less than stunned and grateful."―Jay Parini, author of Benjamin's Crossing "A luminous work of words."―Nicholas Delbanco, author of What Remains

How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In The Dominion of the Dead, Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living—the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us.This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.The Dominion of the Dead is a profound meditation on how the thought of death shapes the communion of the living. A work of enormous scope, intellect, and imagination, this book will speak to all who have suffered grief and loss.

How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In The Dominion of the Dead, Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living—the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us. This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn. The Dominion of the Dead is a profound meditation on how the thought of death shapes the communion of the living. A work of enormous scope, intellect, and imagination, this book will speak to all who have suffered grief and loss.

What does ­it mean to live and die in relation to other animals? Animal Intimacies posits this central question alongside the intimate—and intense—moments of care, kinship, violence, politics, indifference, and desire that occur between human and non-human animals. Built on extensive ethnographic fieldwork in the mountain villages of India’s Central Himalayas, Radhika Govindrajan’s book explores the number of ways that human and animal interact to cultivate relationships as interconnected, related beings. Whether it is through the study of the affect and ethics of ritual animal sacrifice, analysis of the right-wing political project of cow-protection, or examination of villagers’ talk about bears who abduct women and have sex with them, Govindrajan illustrates that multispecies relatedness relies on both difference and ineffable affinity between animals. Animal Intimacies breaks substantial new ground in animal studies, and Govindrajan’s detailed portrait of the social, political and religious life of the region will be of interest to cultural anthropologists and scholars of South Asia as well.

Excerpt from An Introduction to Chemical CrystallographyIN 1888 Dr. F ock published the little treatise entitled Einleitung in die chemische Krystallogmphie, in which be summarised the results of recent investigation and the views deduced from them on the subject of crystal growth in its relation to some chemical problems: and in the present small volume this admirable summary has been enlarged by additions necessitated by the advances made in this important subject since 1888. The form of brief chapters into which the discussion is thrown, chapters each devoted to the exposition of a single idea, invests Dr. F ock's little book with a singularly readable character, and its translation by Mr. Pope will have brought it within the reach of University and other students, to the majority of whom its original German dress would present considerable, if not insuperable, difficulties.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.