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Neuware -Ein Gespenst geht um in Europa, ja in der ganzen Welt - das Gespenst der Cancel Culture. Glaubt man diversen Zeitungen, dürfen insbesondere weiße Männer jenseits der vierzig praktisch nichts mehr sagen, wenn sie nicht ihren guten Ruf oder gar ihren Job riskieren wollen. Ist da etwas dran Oder handelt es sich häufig um Panikmache, bei der Aktivist:innen zu einer Gefahr für die moralische Ordnung stilisiert werden, um ihre berechtigten Anliegen zu diskreditieren Der Ursprung der Cancel Culture wird üblicherweise an US-Universitäten verortet. Adrian Daub lehrt im kalifornischen Stanford Literaturwissenschaft. Er zeigt, wie während der Reagan-Jahre entwickelte Deutungsmuster über Campus-Romane verbreitet und auf die Gesellschaft insgesamt übertragen wurden. Man pickt einige wenige Anekdoten heraus und reicht sie herum, was auch hierzulande zu einer verzerrten Wahrnehmung führt. Anhand quantitativer Analysen zeichnet Daub nach, wie diese Diagnosen immer weitere Kreise zogen, bis sie auch die Twitter-Kanäle deutscher Politiker erfassten. 371 pp. Deutsch

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Revolutionary Kamikaze: Martyrdom in the Fascistic Age of Cancel-Culture 0.7

This volume seeks to foreground a “borderless” history and geography of South, Southeast, and East Asian littoral zones that would be maritime-focused, and thereby explore the ancient connections and dynamics of interaction that favoured the encounters among the cultures found throughout the region stretching from the Indian Ocean littorals to the Western Pacific, from the early historical period to the present. Transcending the artificial boundaries of macro-regions and nation-states, and trying to bridge the arbitrary divide between (inherently cosmopolitan) “high” cultures (e.g. Sanskritic, Sinitic, or Islamicate) and “local” or “indigenous” cultures, this multidisciplinary volume explores the metaphor of Monsoon Asia as a vast geo-environmental area inhabited by speakers of numerous language phyla, which for millennia has formed an integrated system of littorals where crops, goods, ideas, cosmologies, and ritual practices circulated on the sea-routes governed by the seasonal monsoon winds. The collective body of work presented in the volume describes Monsoon Asia as an ideal theatre for circulatory dynamics of cultural transfer, interaction, acceptance, selection, and avoidance, and argues that, despite the rich ethnic, linguistic and sociocultural diversity, a shared pattern of values, norms, and cultural models is discernible throughout the region.

Our conception of cultures and cultural change has altered dramatically in recent decades: no longer do we understand cultures as isolated units; rather, we see them as hybrid formations constantly engaged in a multidirectional process of exchange and influence with other cultures. Yet the very process by which we represent these cultural transfers is itself subject to cultural, political, and ideological conditions that affect our understanding, acknowledgment, and representation of them. Built around concrete examples of controversial representations of cultural transfer from Asia, the Arab world, and Europe, Cultural Transfers in Dispute presents a critical self-reflection on the scholarly practices that underpin our attempts to study and describe other cultures.

This volume seeks to foreground a “borderless” history and geography of South, Southeast, and East Asian littoral zones that would be maritime-focused, and thereby explore the ancient connections and dynamics of interaction that favoured the encounters among the cultures found throughout the region stretching from the Indian Ocean littorals to the Western Pacific, from the early historical period to the present. Transcending the artificial boundaries of macro-regions and nation-states, and trying to bridge the arbitrary divide between (inherently cosmopolitan) “high” cultures (e.g. Sanskritic, Sinitic, or Islamicate) and “local” or “indigenous” cultures, this multidisciplinary volume explores the metaphor of Monsoon Asia as a vast geo-environmental area inhabited by speakers of numerous language phyla, which for millennia has formed an integrated system of littorals where crops, goods, ideas, cosmologies, and ritual practices circulated on the sea-routes governed by the seasonal monsoon winds. The collective body of work presented in the volume describes Monsoon Asia as an ideal theatre for circulatory dynamics of cultural transfer, interaction, acceptance, selection, and avoidance, and argues that, despite the rich ethnic, linguistic and sociocultural diversity, a shared pattern of values, norms, and cultural models is discernible throughout the region.

Drawing on a decade-long ethnographic study of seven Illinois farming communities, Salamon demonstrates how family land transfers serve as the mechanism fro recreating the social relations fundamental to midwestern ethnic identities. She shows how, along with the land, families pass on a cultural patrimony that shapes practices of farm management, succession, and inheritance and that ultimately determines how land tenure and the personality of rural communities evolve.

“Injections + Appointments + Egg Retrieval + Embryo Transfer = Resources (Energy x Time x Emotion)” That’s the equation that was projected onto the screen when Beth Kohl and her husband first showed up at the in vitro fertilization (IVF) clinic. “Good evening,” the program’s psychologist told the gathered infertile couples. “Before you begin your treatment, you should know that this program is emotionally and psychologically stressful.”And how. In this marvelously unconventional account of her struggles to bear children, Kohl leads the reader on an oh-so-up-close tour of fertilization in America, and the ways in which science and miracle, technology and faith, converge to create life in the twentyfirst century. Along the way, Kohl wrestles with a new world of medical ethics: Should she “selectively reduce” the number of embryos successfully implanted in the womb in order to prevent a potentially complicated pregnancy? How much genetic testing of fertilized eggs is too much? What is she supposed to do with the seven embryos left over from the IVF process? When Andrew Solomon wrote The Noonday Demon, he opened the world of depression to readers as no writer had done before. And when Stephen L. Carter wrote Reflections of an Affirmative Action Baby, many readers were forced to completely rethink race and prejudice. Kohl’s spirited and rich exploration of “embryo culture” will completely revise how we see modern motherhood.

This collection of essays is dedicated to the theory and practice of drama translation. The focus is on foreign-language plays translated into English and staged in Anglo-American theatres. In this connection, concepts like acculturation and cultural transfer, Werktreue, adaptation, transformation and rewrites are discussed. Bringing together academia, the stage, and the ‘backstage’, Drama Translation and Theatre Practice involves a wealth of European cultures (Austrian, English, French, German, Italian, Polish, Romanian, Scottish, etc.) and spans more than five centuries. Where the essays concentrating on Molière, Racine, Marivaux, Sheridan, Da Ponte, Ibsen, Brecht, Jelinek and others meet is in questions of theory and questions concerning the target language. How are committed plays emerging in a particular socio-political context put on stage for audiences lacking such experience? How do translations produced for readers differ from stageable versions? How are libretti made singable? How does humour translate from one culture to another culture? Addressing such a variety of issues from both theoretical and practical perspectives, this book makes a weighty contribution to current debates about the role and function, performance and performability of plays in translation.

Without question, most parents have said that they are glad they don t have to be raised in the current adolescent culture. The problem is, their teens do! The biggest challenge a parent faces is learning how to transfer the principles and values they hold dear, to their teen who is growing up in a contrary culture. Parents are frustrated with how to make an impact, and teens are equally unsatisfied and disappointed that they re not learning the necessary skills to make it in today s world. Mark Gregston shares his wisdom gained from forty years of working and living with teens and helping their families. As the founder of Heartlight, a residential counseling center for struggling teens, Mark has gained proven insight and understanding, and now shares those concepts necessary for every parent to make a connection with their teen...a connection that offers real help, and ushers in hope for every teen. Understanding the influences a teen must deal with today calls for a new way of parental engagement and a shift in parenting styles. Mark s authentic relational model will enlighten you with creative and successful ways to deal with today s issues and develop deeper relationships within your family!

This is an important new analysis of the secular impact of the Reformation on English towns. It shows how the transfer of property, coupled with new statutory responsibilities and the destruction of a doctrine-based political culture, enabled many towns to extend their holdings and increase their institutional authority.

Many organizations have found it difficult to transfer the Voice of the Customer methods and technologies developed for manufacturing quality and apply them to knowledge and service work. This how-to guide makes it easier! Lawton challenges the traditional thinking about quality and service and provides approaches for integrating the two into a plan that works. Covers successfully applying formal quality management methods--from Taguchi, Deming, and others--to the service enterprise.

Drawing on a decade-long ethnographic study of seven Illinois farming communities, Salamon demonstrates how family land transfers serve as the mechanism fro recreating the social relations fundamental to midwestern ethnic identities. She shows how, along with the land, families pass on a cultural patrimony that shapes practices of farm management, succession, and inheritance and that ultimately determines how land tenure and the personality of rural communities evolve.

Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individual—which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer. It is also, most challengingly, an explanation of what Bacon’s art tells us about ourselves as individuals. For, during this very personal investigation, the author comes to realize that the effect of Bacon’s work is founded upon the way that each of us carves our identity, our “self,” from the inchoate evidence of our senses, using the conventions of representation as tools. It is in his warping of these conventions of the senses, rather than in the superficial distortion of his images, that Bacon most radically confronts “art,” and ourselves as individuals.

"man who completed the transfer was Oliver Lodge"

"Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surrealism, the function of the "token woman" in artistic canons, and the role of the New York City Ballet in the development of mid-century modernism, and situates her central figures in relation to such colleagues and contemporaries as O'Hara, T. S. Eliot, Clement Greenberg, Walter Benjamin, and Lincoln Kirstein.Moore, Cornell, and Ashbery are connected by acquaintance and affinity-and above all, by the possession of what Moore calls "criminal ingenuity," a talent for situating themselves on the fault lines that fissure the realms of art, sexuality, and politics. As we consider their lives and works, Levy shows, the seemingly specialized question of the source and meaning of the struggle for power between art forms inexorably opens out to broader questions about social and artistic institutions and forces: the academy and the museum, professionalism and the market, and that institution of institutions, marriage.