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This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil's Aeneid, and Caesar's Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.

Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about 37 CE. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles which followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favours from these two as emperors and from Domitian and assumed their family name Flavius. He died after 97. As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BCE to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to 66 CE. The Loeb Classical Library edition of the works of Josephus also includes the autobiographical Life and his treatise Against Apion.

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Although most prevalent and obvious during the early decades of the Republic, the influence of classical antiquity on American politics persists even into the 21st century. This study tracks the movement of classicism throughout U.S. history and illustrates how the ancient Greeks and Romans continue to influence political theory and determine policy in the United States, from the education of the Founders to the War in Iraq.

Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about 37 CE. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles which followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favours from these two as emperors and from Domitian and assumed their family name Flavius. He died after 97. As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BCE to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to 66 CE. The Loeb Classical Library edition of the works of Josephus also includes the autobiographical Life and his treatise Against Apion.

Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it? How could they ensure that their scenes would be recognized? What problems did they have? How did they solve them? This generously illustrated book explores the ways classical artists portrayed a variety of myths. It explains how formulas were devised for certain stories; how these inventions could be adapted, developed and even transferred to other myths; how one myth could be distinguished from another; what links there were with daily life and historical propaganda; the influence of changing tastes, and problems still outstanding. Examples are drawn from a wide range of media--vases, murals, mosaics, sarcophagi, sculpture--used by the ancient Greeks and Romans. The myths are mostly those that are also easily recognized in later works of art. No previous knowledge of the subject is assumed, all examples are illustrated and all names, terms and concepts are fully explained. Susan Woodford teaches Greek and Roman art at the University of London and is engaged in research for the Department of Greek and Roman Antiquities at the British Museum. A former Fullbright Scholar and Woodrow Wilson Fellow, she and is author of The Parthenon (Cambridge, 1981), The Art of Greece (Cornell, 1993), An Introduction to Greek Art (Cornell, 1986) and The Trojan War in Ancient Art (Cornell, 1993).

Book is in NEW condition. 0.65

In Between Empires Greg Fisher tackles the problem of pre-Islamic Arab identity by examining the relationship between the Roman Empire and the Empire of Sasanian Iran, and a selection of their Arab allies and neighbours, the Jafnids, Nasrids, and Hujrids. Fisher focuses on the last century before the emergence of Islam and stresses the importance of a Near East dominated by Rome and Iran for the formation of early concepts of Arab identity. In particular, he examines cultural and religious integration, political activities, and the role played by Arabic as factors in this process. He concludes that interface with the Roman Empire, in particular, played a key role in helping to lay the foundation for later concepts of Arab identity, and that the world of Late Antiquity is, as a result, of enduring interest in our understanding of what we now call the Middle East.

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Although the orgins of The Septuagint, the most influential of the Greek versions of the first five books of the Hebrew Bible, are uncertain, different versions of a legend about the miraculous nature of its translation have existed since antiquity. The legend describes how Ptolemy Philadelphus (285-247 BCE) commissioned 72 Jewish scribes to translate the sacred Hebrew scriptures for his famous library in Alexandria and how the scribes, working independently, produced identical Greek versions. Adapted and changed by Jews, Pagans, Christians, and Muslims for many different reasons, all versions of the legend are included in this volume.

200 pages. 8.60x5.80x0.50 inches. In Stock. This item is printed on demand.

Bathing in antiquity elevates a prosaic function to the level of a civic institution for which there is no counterpart in contemporary culture. Enriched by over 500 illustrations, many of them by the author, Baths and Bathing in Classical Antiquity is an important sourcebook for this ancient institution. Through hundreds of examples, it reviews and analyzes the structure, function, and design of baths, seeking to integrate their architecture with the wider social and cultural custom of bathing, and examining in particular the changes this custom underwent in Late Antiquity and in Byzantine and Islamic cultures. Yegul explores the complexities of ancient bathing from several points of view. Sociologically, the baths with their vast appeal for all levels of society - were seen as the epitome of democratic ideals and institutions. Politically, they provided the perfect vehicle of propaganda: their lavish and magnificent interiors reflected the might and prosperity of the Roman empire and the apparent generosity of the emperor himself. Architecturally, baths are at the vanguard in the development of Roman building technology. Some of the earliest uses of concrete as a building material and the most innovative applications of the aesthetics of concrete - bold, curvilinear forms, vaults, and domes involved bath buildings. Because of their status as transition between purely utilitarian structures and the more conservative, traditional forms of public and religious architecture, the baths helped to propagate and make acceptable new ideas and new styles in architecture. An Architectural History Foundation Book

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.9

Historians have long argued about the place of trade in classical antiquity: was it the life-blood of a complex, Mediterranean-wide economic system, or a thin veneer on the surface of an underdeveloped agrarian society? Trade underpinned the growth of Athenian and Roman power, helping to supply armies and cities. It furnished the goods that ancient elites needed to maintain their dominance - and yet, those same elites generally regarded trade and traders as a threat to social order. Trade, like the patterns of consumption that determined its development, was implicated in wider debates about politics, morality and the state of society, just as the expansion of trade in the modern world is presented both as the answer to global poverty and as an instrument of exploitation and cultural imperialism. This 2007 book explores the nature and importance of ancient trade, considering its ecological and cultural significance as well as its economic aspects.

This is the first book to offer a comprehensive analysis of the impact of money on the economy, society and culture of the Greek and Roman World, using new approaches in economic history to explore how money affected the economy and which factors need to be considered in order to improve our understanding of ancient money. Covering a wide range of monetary contexts within the Mediterranean over almost 1000 years (c. 600 BC - AD 300) its method is comparative and specific in order to demonstrate that money plays different roles under different social and political circumstances. In line with the aim of the Key Themes Series, the book not only offers guidance to students and course directors for studying money at University level, but also some perspectives for future research to graduate students and specialists.

This is a broad-based, comprehensive general study of food in antiquity. The book deals with food as food or nutrition, the discussion revolving around the concrete issues of food availability and the nutritional status of the population. It also treats the nonfood uses of food, focusing on the role of food in forming and marking the social hierarchy. Food defines the group, whether social, religious, philosophical or political.

Ever since the International Monetary Fund’s first bailout of Greece’s sinking economy in 2010, the phrase “Greek debt” has meant one thing to the country’s creditors. But for millions who claim to prize culture over capital, it means something quite different: the symbolic debt that Western civilization owes to Greece for furnishing its principles of democracy, philosophy, mathematics, and fine art. Where did this other idea of Greek debt come from, Johanna Hanink asks, and why does it remain so compelling today?The Classical Debt investigates our abiding desire to view Greece through the lens of the ancient past. Though classical Athens was in reality a slave-owning imperial power, the city-state of Socrates and Pericles is still widely seen as a utopia of wisdom, justice, and beauty―an idealization that the ancient Athenians themselves assiduously cultivated. Greece’s allure as a travel destination dates back centuries, and Hanink examines many historical accounts that express disappointment with a Greek people who fail to live up to modern fantasies of the ancient past. More than any other movement, the spread of European philhellenism in the eighteenth and nineteenth centuries carved idealized conceptions of Greece in marble, reinforcing the Western habit of comparing the Greece that is with the Greece that once was.Today, as the European Union teeters and neighboring nations are convulsed by political unrest and civil war, Greece finds itself burdened by economic hardship and an unprecedented refugee crisis. Our idealized image of ancient Greece dangerously shapes how we view these contemporary European problems.

Traces the rise and fall of the Toltec civilization, and describes what has been learned about their culture from the excavation of Tula, their principal city

Paperback. Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome. From Mycenaean weaponry found among the cargo of a Bronze Age shipwreck off the Turkish coast to the Egyptian-inspired domestic interiors of a luxury villa built in Greece during the Roman Empire, Egypt and the Classical World documents two millennia of cultural and artistic interconnectedness in the ancient Mediterranean. This volume gathers pioneering research from the Getty scholars' symposium that helped shape the major international loan exhibition Beyond the Nile: Egypt and the Classical World (J. Paul Getty Museum, 2018). Generously illustrated essays consider a range of artistic and other material evidence, including archaeological finds, artworks, papyri, and inscriptions, to shed light on cultural interactions between Egypt, Greece, and Rome from the Bronze Age to the Late Period and Ptolemaic dynasty to the Roman Empire. The military's role as a conduit of knowledge and ideas in the Bronze Age Aegean, and an in-depth study of hieroglyphic Egyptian inscriptions found on Roman obelisks offer but two examples of scholarly lacunae addressed by this publication. Specialists across the fields of art history, archaeology, Classics, Egyptology, and philology will benefit from the volume's investigations into syncretic processes that enlivened and informed nearly twenty-five hundred years of dynamic cultural exchange. The free online edition of this open-access publication is available at and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book. Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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