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180 pages. 8.82x5.98x0.47 inches. This item is printed on demand.

Seventh Heaven: James Cassidy mystery

Richard Poirier, one of America's most eminent critics, reveals in this book the creative but mostly hidden alliance between American pragmatism and American poetry. He brilliantly traces pragmatism as a philosophical and literary practice grounded in a linguistic skepticism that runs from Emerson and William James to the work of Robert Frost, Gertrude Stein, and Wallace Stevens, and on to the cultural debates of today.More powerfully than ever before, Poirier shows that pragmatism had its start in Emerson, the great example to all his successors of how it is possible to redeem even as you set out to change the literature of the past. Poirier demonstrates that Emerson―and later William James―were essentially philosophers of language, and that it is language that embodies our cultural past, an inheritance to be struggled with, and transformed, before being handed on to future generations. He maintains that in Emersonian pragmatist writing, any loss―personal or cultural―gives way to a quest for what he calls “superfluousness,” a kind of rhetorical excess by which powerfully creative individuals try to elude deprivation and stasis. In a wide-ranging meditation on what James called “the vague,” Poirier extols the authentic voice of individualism, which, he argues, is tentative and casual rather than aggressive and dogmatic.The concluding chapters describe the possibilities for criticism created by this radically different understanding of reading and writing, which are nothing less than a reinvention of literary tradition itself. Poirier's discovery of this tradition illuminates the work of many of the most important figures in American philosophy and poetry. His reanimation of pragmatism also calls for a redirection of contemporary criticism, so that readers inside as well as outside the academy can begin to respond to poetic language as the source of meaning, not to meaning as the source of language.

The thirteenth-century monarch Alfonso the Learned of Castile and his contemporary rival James the Conqueror, of Aragon-Catalonia, are key figures who made enduring contributions to Western civilization--although neither is well known to American students. This book explores the contrasts and convergences not only of the kings but of the scholarly-cultural with the military-commercial society.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

As early as 1822, James Abbington Everett established a trading post at the convergence of Native American trails, which became known as Fort Valley and eventually the world's "Peach Paradise." The 1856 charter established city limits as one mile in each direction from the railroad depot, and large cotton plantations devoted to peaches, asparagus, and pecans lay beyond. By the 1860s, more than 30 percent of Georgia's cotton traveled on rail lines through Fort Valley. During the Civil War, there were multiple Buckner and Gamble field hospitals, as well as temporary ones in what are now Fort Valley's historic homes and structures. The development of the Elberta peach, the refrigerated railroad car, hydro-cooling, and rail connections to transport fragile peaches combined to make Fort Valley the peach-growing center of the South. People prospered, and thousands celebrated the peach at the Peach Blossom Festivals of the 1920s. Fort Valley became home to the Blue Bird Body Co., Wanderlodge, the American Camellia Society, and Fort Valley State University. Motorists traveling on the Old Dixie Highway, Andersonville Trail, Presidential Parkway, or the Golden Isles Parkway are still treated to the warm hospitality of Fort Valley.

As early as 1822, James Abbington Everett established a trading post at the convergence of Native American trails, which became known as Fort Valley and eventually the world's "Peach Paradise." The 1856 charter established city limits as one mile in each direction from the railroad depot, and large cotton plantations devoted to peaches, asparagus, and pecans lay beyond. By the 1860s, more than 30 percent of Georgia's cotton traveled on rail lines through Fort Valley. During the Civil War, there were multiple Buckner and Gamble field hospitals, as well as temporary ones in what are now Fort Valley's historic homes and structures. The development of the Elberta peach, the refrigerated railroad car, hydro-cooling, and rail connections to transport fragile peaches combined to make Fort Valley the peach-growing center of the South. People prospered, and thousands celebrated the peach at the Peach Blossom Festivals of the 1920s. Fort Valley became home to the Blue Bird Body Co., Wanderlodge, the American Camellia Society, and Fort Valley State University. Motorists traveling on the Old Dixie Highway, Andersonville Trail, Presidential Parkway, or the Golden Isles Parkway are still treated to the warm hospitality of Fort Valley.

Milo (Danny Masterson, TVs That 70s Show), Tyler (Michael Cassidy, Argo), Neal (Adam Busch, All American Orgy), Amy (Meredith Hagner, Going the Distance) and Gibbs (James Lesure, TVs Las Vegas) return for another hilarious season of MEN AT WORK. The guys continue to traverse through issues with relationships and their jobs at Full Steam magazine, where they have a new boss (Peri Gilpin, TVs Frasier). Including guest appearances by Jason Lee, Seth Green and Mark-Paul Gosselaar, this sea

The relationship between eternity and time is a common subject for theologians and philosophers. What difference does it make for this discussion that God became man and inhabited time in Jesus Christ? In God's Time for Us, James J. Cassidy examines the theology of Karl Barth to show that God is our Father who does not neglect us for lack of time; he is the God who has time to be with us. God also quite literally has time in his own being by virtue of the incarnation. Cassidy shows that Barth seeks a rapprochement between eternity and time, which is overcome by Jesus Christ.There is today a resurgence in interest in the theology of Barth, especially among evangelicals. Yet Barth is often read without discernment and discussed in churches without full understanding. Cassidy illuminates his thought so evangelicals can make a better, more well-informed appraisal of the man and his theology.

A historic and folkloric path that meandered from Canada to Mexico, the Outlaw Trail was used by outlaws such as Butch Cassidy, the Sundance Kid, and the James brothers. Following existing Western routes such as the Oregon Trail, the highway connected towns and natural hideouts essential for bandits escaping the law. Some in Western communities were sympathetic toward the outlaws. Many, like Cassidy, were seen as Robin Hoods, fighting for common people who were under siege by economic forces, corporate encroachment, and other changes occurring in the Old West. Images of America: Wyoming's Outlaw Trail details the history, folklore, and geography behind some of Wyoming's outlaw towns and hideouts--chief among them the Hole in the Wall and Red Desert. Also highlighted are the deeds of the robbers, lawmen, and ordinary folk who rode those dusty trails during the late 1800s and early 1900s.

The relationship between eternity and time is a common subject for theologians and philosophers. What difference does it make for this discussion that God became man and inhabited time in Jesus Christ? In God's Time for Us, James J. Cassidy examines the theology of Karl Barth to show that God is our Father who does not neglect us for lack of time; he is the God who has time to be with us. God also quite literally has time in his own being by virtue of the incarnation. Cassidy shows that Barth seeks a rapprochement between eternity and time, which is overcome by Jesus Christ.There is today a resurgence in interest in the theology of Barth, especially among evangelicals. Yet Barth is often read without discernment and discussed in churches without full understanding. Cassidy illuminates his thought so evangelicals can make a better, more well-informed appraisal of the man and his theology.

The names of the gunfighters are legendary: Butch Cassidy and the Sundance Kid, Doc Holliday, Jesse James, Billy the Kid, Pat Garrett, Henry Plummer, Bat Masterson, Wyatt Earp, Wild Bill Hickok.... These men, and others like them, epitomize the image of the Wild West. The gunfighting era was born in the late 1830s when Samuel Colt patented his single-barreled pistol with a revolving bullet chamber. But the gunfighter was not common on the frontier until after the Civil War when renegade bands of Confederate soldiers refused to surrender. Their lawless ways spread as they stole from the hated Union bankers and the monopolistic railroads, rustled from wealthy ranchers and killed anyone who dared stand in their way. Railhead towns, where the great Texas cattle drives ended, generated more than their fair share of gunfights. In these towns the distinction between the law and the outlaw was a fine line and many times the men who wore badges worked both sides of the fence. It generally fell to the individual to uphold the law and nearly every western man strapped a six-shooter to his hip. If a man's cattle or horses were stolen, if his home was ransacked or his family attacked, it was up to that man to track down the guilty party and administer swift justice. Around the turn of the 20th century the free-roaming gunfighters found the wild country could no longer hide them as technology, in the form of telegraphs and telephones, cut off escape routes. Even though the era of the gunfighter had drawn to a close, writers and movie makers, using the colorful backdrop of the Old West, turned the frontier gunfighters into larger-than-life folk heros, folk heros who will never die.

A historic and folkloric path that meandered from Canada to Mexico, the Outlaw Trail was used by outlaws such as Butch Cassidy, the Sundance Kid, and the James brothers. Following existing Western routes such as the Oregon Trail, the highway connected towns and natural hideouts essential for bandits escaping the law. Some in Western communities were sympathetic toward the outlaws. Many, like Cassidy, were seen as Robin Hoods, fighting for common people who were under siege by economic forces, corporate encroachment, and other changes occurring in the Old West. Images of America: Wyoming's Outlaw Trail details the history, folklore, and geography behind some of Wyoming's outlaw towns and hideouts--chief among them the Hole in the Wall and Red Desert. Also highlighted are the deeds of the robbers, lawmen, and ordinary folk who rode those dusty trails during the late 1800s and early 1900s.

48 Tracks -In Session Artistes Aly Bain & Jerry Douglas with Ricky Skaggs, John Martyn, Nanci Griffiths, Maura O'Connell, Rosanne Cash, John Leventhal, James Grant, Ishbel MacAskill, Michael Doucet, Breda Smyth, Danny Thompson Tommy Hayes, Paul Brady, Ronan Browne, Boo Hewerdine, Radney Foster, Fiona kennedy, Iain MacDo9nald, Karen Matheson, Eddi Reader, Sharon Shannon, Doanld Shaw, Sharon White