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What does feminism mean to the women of rural India, young Thai sex workers, or Filipino maids in Hong Kong? Chilla Bulbeck presents a bold challenge to the hegemony of white, Western feminism in this incisive and wide-ranging exploration of the lived experiences of "women of color." She examines debates on human rights, family relationships, sexuality and notions of the individual and community to show how their meanings and significance in different parts of the world contests the issues that preoccupy contemporary Anglophone feminists.

What are the relations between feminism and history, feminist politics and historical practice? What are the connections between gender and class? What part have racial identities and ethnic difference played in the construction of Englishness?Through a series of provocative and richly detailed essays, Catherine Hall explores these questions. She argues that feminism has opened up vital new questions for history and transformed familiar historical narratives. Class can no longer be understood outside of gender, or gender outside of class.But English identities have also been rooted in imperial power. White, Male and Middle Class explores the ways in which middle-class masculinities were rooted in conceptions of power over dependants - whether black or female.

This is the first English-language book on controversial female director Catherine Breillat, whose films include Romance, A ma soeur! (Fat Girl), Anatomy of Hell and The Last Mistress. This volume explores the director's complex relation to religion and to feminism, and it examines the differences between Breillat's films and patriarchal pornography, engaging in detailed analysis of her intimate scenes between men and women. Keesey also discusses the literature, films, paintings and photos that have influenced Breillat's work, and extends this to show how Breillat's films have influenced other filmmakers and artists in turn.A lively and accessible introduction, this book will appeal to students and researchers, as well as all those with an interest in gender studies, French film and contemporary cinema.

This is the first English-language book on controversial female director Catherine Breillat, whose films include Romance, A ma soeur! (Fat Girl), Anatomy of Hell and The Last Mistress. This volume explores the director's complex relation to religion and to feminism, and it examines the differences between Breillat's films and patriarchal pornography, engaging in detailed analysis of her intimate scenes between men and women. Keesey also discusses the literature, films, paintings and photos that have influenced Breillat's work, and extends this to show how Breillat's films have influenced other filmmakers and artists in turn.A lively and accessible introduction, this book will appeal to students and researchers, as well as all those with an interest in gender studies, French film and contemporary cinema.

If the burlesque stripper, with her bawdy spirit and unruly insubordination, has emerged for many as a new 'empowering' model for the sexually aware woman, then she also strikes horror in the heart of second wave feminism. Embodied by high profile artistes such as Dita von Teese and Catherine D'Lish, the explosive revival of striptease, burlesque and overt female sexual performance has proved no less alluring to a new generation of women artists familiar with the provocative work of 70's performance artists such as Hannah Wilke and Carolee Schneeman. Eloquent on 'prettiness' and power, desire and 'knowingness', money, sex and class, and with an extensive knowledge of burlesque's rich tradition, Willson raises long overdue questions about women's erotic expression within a 'postfeminist' condition. The 'new burlesque' demands above all a response - this fresh, brazen, provocative book at last provides it.

It is 1941, and friends Adam, Joe, Dale, and Catherine are similar to most young adults. College, dating, and fast cars are what they know and live for. And in Chicago, Illinois, the near center of America, world conflict seems merely a distant rumor.But as turmoil in Europe develops into full-scale war, Chicago suddenly abounds with talk of America's entering the fight. Drawn by the promise of freedom and the allure of battle, Joe and Dale join the Army, Adam the Marines, and Catherine the Naval Nurse Service. Far away from home and facing the reality of war in all its horror, they find the world a frighteningly big and unforgiving place, and what began as a quest for freedom becomes a battle to stay alive in one of the bloodiest wars of the twentieth century.