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Enhance your audio projects with the Birds of Prey Sound Effects DVD, a comprehensive and realistic collection of over 160 lifelike raptor recordings. This product, from the reputable brand Sound Ideas, offers a diverse range of bird sounds, including the calling, chirping, cawing, screeching, growling, and jabbering of over 30 different birds of prey such as buzzards, cranes, eagles, falcons, goshawks, vultures, owls, and more. Each sound effect is provided in 192kHz & 48kHz / 24-bit High Definition Audio, ensuring high-quality and detailed audio that can be creatively adapted to suit any multimedia project. With a total of 3.6 GB of audio files, this DVD offers an extensive library of authentic bird sounds, providing filmmakers, video editors, and other professionals in the film industry with a valuable resource to enhance the audio quality of their productions.The Birds of Prey Sound Effects DVD is not just a product, but a tool to expand your creative possibilities in the realm of sound design. For a complete list of the Birds of Prey Sound Effects included in this DVD, please visit the Sound Ideas website.

Based on more than a decade of research, Crows offers an accurate, humorous, and wide-ranging introduction to these fascinating birds. Who would have guessed that there are more than 40 species of ravens and crows, all variations on a theme, cawing and croaking their way through the woodlands of North America, Europe, Asia, Africa, Australia, and various South Sea islands? (Of the temperate continents, only South America doesn’t know the charms of these amusing, intelligent birds.) Topics explored include evolution, distribution, diet and food-getting practices (including their ingenious use of tools), social behavior (including the many crow languages”), and impact on the human imagination, as reflected in mythology, literature, and popular aphorisms. Appealing to both the avid birder or the more casual nature lover, Crows is rich in insight, humor, and stories.

"From the summit of the ivy-grown tower, the very rooks, in the midst of their cawing, are scared away by the furious rush and the wild howl with which the Wehr-Wolf thunders over the hallowed ground." - G. W. M. Reynolds, Wagner, the Wehr-Wolf This collection brings together fifteen chilling stories of lycanthropy and murder written from 1838 to 1896, all taken from their original appearances in Victorian periodicals and story collections, many of them reprinted here for the first time. This edition includes a new introduction by Alexis Easley and Shannon Scott, explanatory notes, and numerous rare Victorian werewolf illustrations. This collection contains: "Hugues, the Wer-Wolf" (1838) by Sutherland Menzies, "The White Wolf of the Hartz Mountains" (1839) by Frederick Marryat, "A Story of a Weir-Wolf" (1846) by Catherine Crowe, excerpts from Wagner, the Wehr-Wolf (1846-47) by George W. M. Reynolds, "Lycanthropy in London; or, The Wehr-Wolf of Wilton-Crescent" (1855) by Dudley Costello, "The Gray-Wolf" (1871) by George MacDonald, "The Were-wolf of the Grendelwold" (1882) by F. Scarlett Potter, "The White Wolf of Kostopchin" (1889) by Gilbert Campbell, "A Pastoral Horror" (1890) by Arthur Conan Doyle, "The Mark of the Beast" (1890) by Rudyard Kipling, "The Were-Wolf" (1890) by Clemence Housman, "Dracula's Guest" (ca. 1892) by Bram Stoker, "The Other Side: A Breton Legend" (1893) by Eric Stenbock, "Morraha" (1894) by Joseph Jacobs, and "Where There is Nothing, There is God" (1896) by William Butler Yeats. An appendix of contextual materials is also included, featuring nonfiction articles from Victorian periodicals dealing with lycanthropy, Rosamund Marriott Watson's poem "A Ballad of the Were-wolf" (1891), excerpts from Sabine Baring-Gould's The Book of Were-Wolves (1865) and Laurence Housman's illustrations for Clemence Housman's The Were-wolf (1896).