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This snare drum has changed the way we look at signature snare drums. Sure, there's a lower price on this than most high end Ludwig snare drums, b...

This snare drum has changed the way we look at signature snare drums. Sure, there's a lower price on this than most high end Ludwig snare drums, b...

DRUM IS NEW JUST OPENED FOR DISPLAYDOMESTIC RETURNS STORE POLICY IS 7 DAYS BUYER PAYS RETURN SHIPPINGThis snare drum has changed the way we look at...

Carl Palmer's "Venus" Signature Snare - A truly-personlized instrument, Carl's "Venus" is crafted for volume and intricate clarity. Its beaded-bras...

Ludwig LW0414CP 4X14 Carl Palmer LTD ED Snare Drum A truly personlized instrument, Carl's "Venus" is crafted for volume and intricate clarity. The...

sehr gut erh., 221 S., kt. Einstein (1885-1940), Kunsthistoriker und Schriftsteller, war u.a. mit Ludwig Rubiner, Kurt Hiller und Franz Pfemfert ("Die Aktion") bekannt; im spanischen Bürgerkrieg wurde er Mitglied in der CNT und kämpfte bei den Internationalen Brigaden (Durruti-Kolonne). Abhandlungen zur Sprache und Literatur 67 Gramm 600

Many books have been written about Beethoven. But it is rare to find one that seeks an alternative between the fragmentation found in most specialized studies and the superficial overview typical of popular biography. In this volume, Carl Dahlhaus, one of the century's leading musicologists, combines interpretations of individual works that focus on issues of composition and musical history, with excursions into the musical aesthetics of the period around 1800; an age that was not only a "classical" period in the history of the arts but also one in that aesthetics carved itself a place in the center of philosophical attention. The theme of the book is the reconstruction of Beethoven's "musical thinking" from the evidence in the works themselves and their context in the history of ideas.

Originally released on CD by Beirut based Al Maslakh Recordings in 2015. Mark Corroto about Ariha Brass Quartet in All About Jazz upon it's initial release: "The practitioners here, three trumpeters Axel Drner, Franz Hautzinger, Mazen Kerbaj, and Carl Ludwig Hubsch on tuba, practice a unique approach to their instruments. All four musicians set aside a traditional approach to playing, substituting breath for notes, abandoning a mouthpiece, and applying amplification to microscopic sounds.

From the Preface by K. Chandrasekharan: "The publication of this collection of papers is intended as a service to the mathematical community, as well as a tribute to the genius of CARL LUDWIG SIEGEL. In the wide range of his interests, in his capacity to uncover, to attack, and to subdue problems of great significance and difficulty, in his invention of new concepts and ideas, in his technical prowess, and in the consummate artistry of his presentation, SIEGEL resembles the classical figures of mathematics. In his combination of arithmetical, analytical, algebraical, and geometrical methods of investigation, and in his unerring instinct for the conceptual and structural, as distinct from the merely technical, aspects of any concrete problem, he represents the best type of modern mathematical thought. At once classical and modern, his work has profoundly influenced the mathematical culture of our time... this publication...will no doubt stimulate generations of scholars to come." Volume III collects Siegel´s papers from 1945 to 1964.

This book examines the development of the ideas of the new Austrian school from its beginnings in Vienna in the 1870s to the present. It focuses primarily on showing how the coherent theme that emerges from the thought of Carl Menger, Ludwig von Mises, Friedrich Hayek, Ludwig Lachmann, Israel Kirzner and a variety of new younger Austrians is an examination of the implications of time and ignorance (or processes and knowledge) for economic theory.

This book argues that the work of the Austrian economists, including Carl Menger, Joseph Schumpeter, Ludwig von Mises and Friedrich Hayek, has been too narrowly interpreted. Through a study of Viennese politics and culture, it demonstrates that the project they were engaged in was much broader: the study and defense of a liberal civilization. Erwin Dekker shows the importance of the civilization in their work and how they conceptualized their own responsibilities toward that civilization, which was attacked left and right during the interwar period. Dekker argues that what differentiates their position is that they thought of themselves primarily as students of that civilization rather than as social scientists, or engineers. This unique focus and approach is related to the Viennese setting of the circles, which constitute the heart of Viennese intellectual life in the interwar period.

This book examines the development of the ideas of the new Austrian school from its beginnings in Vienna in the 1870s to the present. It focuses primarily on showing how the coherent theme that emerges from the thought of Carl Menger, Ludwig von Mises, Friedrich Hayek, Ludwig Lachmann, Israel Kirzner and a variety of new younger Austrians is an examination of the implications of time and ignorance (or processes and knowledge) for economic theory.

This book argues that the work of the Austrian economists, including Carl Menger, Joseph Schumpeter, Ludwig von Mises and Friedrich Hayek, has been too narrowly interpreted. Through a study of Viennese politics and culture, it demonstrates that the project they were engaged in was much broader: the study and defense of a liberal civilization. Erwin Dekker shows the importance of the civilization in their work and how they conceptualized their own responsibilities toward that civilization, which was attacked left and right during the interwar period. Dekker argues that what differentiates their position is that they thought of themselves primarily as students of that civilization rather than as social scientists, or engineers. This unique focus and approach is related to the Viennese setting of the circles, which constitute the heart of Viennese intellectual life in the interwar period.

See Features:Features:Format: BookInstrument: FluteContributors: By Ludwig van Beethoven / ed. Ferdinand David, Carl Hermann, and Paul Gr?mmerSerie...