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Contents: The Great Wall Imperial Palace of the Ming and Qing Dynasties Mount Taishan Mausoleum of the First Qin Emperor and Terracotta Warriors The Mogao Caves Peking Man Site at Zhoukoudian Mount Huangshan Jiuzhaigou Valley Scenic and Historic Interest Area Wulingyuan Scenic and Historic Interest Area Huanglong 'Scenic and Historic Interest Area The Mountain Resort and Outlying Temples, Chengde Temple and Cemetery of Confucius and the Kong Family Mansion in Qufu The Potala Palace at Lhasa Ancient Building Complex in the Wudang Mountains Lushan National Park Mount Emei and Leshan Giant Buddha The Ancient City of Pingyao Classical Gardens of Suzhou The Old Town of Lijiang The Summer Palace The Temple of Heaven Mount Wuyi Dazu Rock Carvings Mount Qingcheng and the Dujiangyan Irrigation System Longmen Grottoes Ancient Villages in Southern Anhui - Xidi and Hongcun Imperial Tombs of the Ming and Qing Dynasties Yungang Grottoes Sanjiang, Where Three Mighty Rivers Run Abreast Capital Cities and Tombs of the Ancient Koguryo Kingdom The Historic Centre of Macao Habitat of Sichuan Giant Panda Yin Xu Kaiping Diaolou and Villages The Limestone Landscapes of South China

Until now, China has been scarcely represented in the burgeoning comparative literature on pilgrimage. This volume remedies that omission, discussing the interaction between pilgrims and sacred sites from the tenth century to the present. From the perspectives of literature, art, history, religion, politics, and anthropology, the essays focus on China's most famous pilgrimage mountains as well as lesser known sites.

In recent years, China has produced a wealth of hominid fossils that shed new light on the course of human evolution. This book--the first comprehensive treatment of these fossil finds--offers a brief description of Chinese paleoanthropology and documents all major Chinese sites. Original translations of Chinese-language materials and new analyses of numerous fossils are included. Each fossil description includes the fossil name and location of site; how, when, and by whom it was found; a detailed description; archaeological remains at the site; and floral and faunal content of the site. Students and researchers in human evolution, evolutionary biology, evolutionary anatomy, and archaeology will welcome this much-needed guide to a remarkable treasure trove of fossil remains.

These made in China 8 ohm woofers/subwoofers are conservatively rated at 500 watts RMS/1000 watts program with 100db sensitivity! They feature die ...

The present book is the author's third on the subject of vertical seismic profiling (VSP). Ten years have elapsed since the pUblication of the fIrst book. During this period, VSP has become the principal method of seismic observations in boreholes and the chief method of experimental studies of seismic waves in the real earth. VSP combines borehole studies in the seismic frequency band, well velocity surveys, proximity or aplanatic surveys, all of which previously existed as separate methods. The high effectiveness ofVSP, its great practical value, the express nature and clarity of the results obtained have all contributed towards a very rapid acceptance of the method. In the USSR VSP has been used in an overwhelming majority of areas and is being used increasingly in many foreign countries as well. This has been greatly facilitated by the translation into English and the publication in the U. S. A. by the Society of Exploration Geophysicists of the book Vertical Seismic Profiling (Tulsa, Oklahoma, 1974). As the method has become more familiar, it has attracted growing interest outside the USSR This has been substantiated by the special seminar on VSP (Oklahoma, 1979) which was organized for 22 U. S. companies and universities and presented by the author.

The present book is the author's third on the subject of vertical seismic profiling (VSP). Ten years have elapsed since the pUblication of the fIrst book. During this period, VSP has become the principal method of seismic observations in boreholes and the chief method of experimental studies of seismic waves in the real earth. VSP combines borehole studies in the seismic frequency band, well velocity surveys, proximity or aplanatic surveys, all of which previously existed as separate methods. The high effectiveness ofVSP, its great practical value, the express nature and clarity of the results obtained have all contributed towards a very rapid acceptance of the method. In the USSR VSP has been used in an overwhelming majority of areas and is being used increasingly in many foreign countries as well. This has been greatly facilitated by the translation into English and the publication in the U. S. A. by the Society of Exploration Geophysicists of the book Vertical Seismic Profiling (Tulsa, Oklahoma, 1974). As the method has become more familiar, it has attracted growing interest outside the USSR This has been substantiated by the special seminar on VSP (Oklahoma, 1979) which was organized for 22 U. S. companies and universities and presented by the author.

In the late nineteenth century, scientists, psychiatrists, and medical practitioners began employing a new experimental technique for the study of neuroses: hypnotism. Though the efforts of the famous French neurologist Jean-Martin Charcot to transform hypnosis into a laboratory science failed, his Viennese translator and disciple Sigmund Freud took up the challenge and invented psychoanalysis. Previous scholarship has viewed hypnosis and psychoanalysis in sharp opposition or claimed that both were ultimately grounded in the phenomenon of suggestion and thus equally flawed. In this groundbreaking study, Andreas Mayer reexamines the relationship between hypnosis and psychoanalysis, revealing that the emergence of the familiar Freudian psychoanalytic setting cannot be understood without a detailed analysis of the sites, material and social practices, and controversies within the checkered scientific and medical landscape of hypnotism.          Sites of the Unconscious analyzes the major controversies between competing French schools of hypnotism that emerged at this time, stressing their different views on the production of viable evidence and their different ways of deploying hypnosis. Mayer then reconstructs in detail the reception of French hypnotism in German-speaking countries, arguing that the distinctive features of Freud’s psychoanalytic setting of the couch emerged out of the clinical laboratories and private consulting rooms of the practitioners of hypnosis.

George Frison and Dennis Stanford's Agate Basin monograph is not only a classic of Plains paleoindian archaeology, but also of multidisciplinary research, geoarchaeology, zooarchaeology, and experimental archaeology. Lucid presentation of meticulously excavated and analyzed sediments, bones, and artifacts convey an unmatched sense of the sights, sounds, and smells of Paleoindian life on the High Plains-from brutal winters and blistering summers, to killing and butchering bison, and to making lethal weaponry. As Matthew Hill writes in his new prologue, ""Not merely an important volume of the Frison canon, Agate Basin stands as a foundational document in modern Americanist archaeology and a major accomplishment in American science."" Originally published by Academic Press in 1982.

In the late nineteenth century, scientists, psychiatrists, and medical practitioners began employing a new experimental technique for the study of neuroses: hypnotism. Though the efforts of the famous French neurologist Jean-Martin Charcot to transform hypnosis into a laboratory science failed, his Viennese translator and disciple Sigmund Freud took up the challenge and invented psychoanalysis. Previous scholarship has viewed hypnosis and psychoanalysis in sharp opposition or claimed that both were ultimately grounded in the phenomenon of suggestion and thus equally flawed. In this groundbreaking study, Andreas Mayer reexamines the relationship between hypnosis and psychoanalysis, revealing that the emergence of the familiar Freudian psychoanalytic setting cannot be understood without a detailed analysis of the sites, material and social practices, and controversies within the checkered scientific and medical landscape of hypnotism.          Sites of the Unconscious analyzes the major controversies between competing French schools of hypnotism that emerged at this time, stressing their different views on the production of viable evidence and their different ways of deploying hypnosis. Mayer then reconstructs in detail the reception of French hypnotism in German-speaking countries, arguing that the distinctive features of Freud’s psychoanalytic setting of the couch emerged out of the clinical laboratories and private consulting rooms of the practitioners of hypnosis.

This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses, and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and enter her work into the lexicon of the art world. Accompanied by two hundred images, Responding to Site will be of interest to scholars and students of performance studies, feminist performance, feminist art history, and performance history. It will also contribute to the history of alternative spaces and galleries that is only now being written.

George Frison and Dennis Stanford's Agate Basin monograph is not only a classic of Plains paleoindian archaeology, but also of multidisciplinary research, geoarchaeology, zooarchaeology, and experimental archaeology. Lucid presentation of meticulously excavated and analyzed sediments, bones, and artifacts convey an unmatched sense of the sights, sounds, and smells of Paleoindian life on the High Plains-from brutal winters and blistering summers, to killing and butchering bison, and to making lethal weaponry. As Matthew Hill writes in his new prologue, ""Not merely an important volume of the Frison canon, Agate Basin stands as a foundational document in modern Americanist archaeology and a major accomplishment in American science."" Originally published by Academic Press in 1982.

This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses, and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and enter her work into the lexicon of the art world. Accompanied by two hundred images, Responding to Site will be of interest to scholars and students of performance studies, feminist performance, feminist art history, and performance history. It will also contribute to the history of alternative spaces and galleries that is only now being written.

Site-Specific Art charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world. The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before. Site-Specific Art investigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented. The artistic processes involved are demonstrated through entirely new primary articles from: * Meredith Monk * Station House Opera * Brith Gof * Forced Entertainment. This volume is an astonishing contribution to debates around experimental cross-arts practice.

An action-packed, utterly authentic story of duty, war, and the stress of command by the most popular living author of American sea fiction David Poyer In Tipping Point, medal of Honor Holder Captain Dan Lenson, USN, takes an experimental missile crusier into the Indian Ocean just as the first theater nuclear war sets off a titanic struggle between China and the U.S. His command of the USS Savo Island is threatened when he’s called home to testify before Congress. Shaken by the near end of his career, Lenson is determined to make do with a damaged ship―and an increasingly divided crew―as he heads to Eastern shores.“First-class storytelling by a master of the genre.” ―Kirkus Reviews (starred review) But what begins as routine patrol turns ominous when an unknown assailant begins assaulting female crew members. Meanwhile, a war is being waged in Asia, pirates continue to threaten the shipping lanes, and a deadly tsunami is on the rise. Now it’s up to Lenson―under fire both at sea and back in Washington―to unite and heal the Savo Island, and use her unique but still not battle-ready ability to intercept ballistic missiles, to do nothing less than prevent worldwide nuclear destruction. And time is running out. . .This edition of the book is the deluxe, tall rack mass market paperback.

Twenty years of experimental art from a globalized ChinaPublished on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and China after 1989: Theater of the World explores recent experimental art from 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history.Featuring over 150 iconic and lesser-known artworks by more than 70 artists and collectives, this catalog offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization and the rise of China. Critical essays explore how Chinese artists have been both agents and skeptics of China’s arrival as a global presence, while an extensive entry section offers detailed analysis on works made in a broad range of experimental mediums, including film and video, ink, installation, land art and performance, as well as painting and photography. Featured artists include Ai Weiwei, Big Tail Elephant Group, Cai Guo-Qiang, Cao Fei, Chen Zhen, Chen Chieh-jen, Ding Yi, Geng Jianyi, Huang Yong Ping, Kan Xuan, Rem Koolhaas/OMA, Libreria Borges, Liu Wei, Liu Xiaodong, New Measurement Group, Ou Ning, Ellen Pau, Qiu Zhijie, Shen Yuan, Song Dong, Wang Guangyi, Wang Jianwei, Yan Lei, Yang Jiechang, Yu Hong, Xijing Men, Xu Bing, Zeng Fanzhi, Zhang Peili, Zhang Hongtu, Zhang Xiaogang and Zhou Tiehai. An appendix includes a selected history of contemporary art exhibitions in China, artist biographies and a bibliography.

The Tao of Seduction consists of two texts on ancient Taoist sexual alchemy, discovered while excavating the Mawangdui archaeological site in Hunan province. Lin Liao Yi, a specialist in Chinese literature and philosophy, has translated and commented on this two-thousand-year-old treatise on ancient Chinese ways of love, which teaches the art of “nourishing life.” The first of these texts is a series of questions, from the emperor to his high functionaries, concerning Taoist precepts for enjoying a healthy and spiritual sex life. For example, the advisors recommend breathing only five times through the mouth during lovemaking to energize the members of the body. In addition, this portion of the book includes recipes for erotic dishes such as pan-fried beef, tea with dates and eggs, and sheep’s kidney. The second half of the book is illustrated with sexual positions, including the tiger’s ballad, the grasshopper’s landing, the caterpillar on a stem, the Phoenix’s takeoff, and others. This title is bound in the style of a traditional Chinese text, along with a lavish casing.

GLOBAL STUDIES is a unique series designed to provide comprehensive background information and selected world press articles on the regions and countries of the world. Each GLOBAL STUDIES volume includes an annotated listing of World Wide Web sites and is now supported by an online Instructor's Resource Guide. Visit our website for more information: www.mchls.com.

Drawing on museum collections and archaeological sites previously closed to Westerners, a group of scholars traces the development of Chinese painting over three millennia