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This copy is in new, unmarked condition bound in black cloth covered boards with bright gilt titling to the spine and the upper board. This copy is bright, tight, white and square. The unclipped dust wrapper is lightly sunned to the front panel but is still in fine condition. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. The format is larger and there are one hundred and fifty more pages than "Masons Patent Ironstone China" which was the basis for this book. Godden brings more information to light but more importantly adds extra specimens in the sections pictured. Text is all very well but pictures of the items and patterns are the meat of all book on antiques, especially ceramics. There is so much extra content that to call it an update does not do it justice. Any fan of Masons ironstone and other ironstone producers needs a copy of this book. Ref FCD

Under mount lavatory sinks from Glacier Bay are well crafted by skilled masters and fired in a temperature over 2200°F. They are affordable pieces of designer ware, strong, durable. Sporting robust designs tempered in straight lines (rectangular shape) or sleek lines (oval shape), they are a highly adaptable range that can be applied to versatile living space with ease, either they are deemed to be mounted and installed with a single bowl counter or a double-bowl counter. Sizes of these under mount lavatory sinks are just right and perfect wherever they go for a flat or a villa. Their simple forms bring easy daily care and maintenance. And the reliable warranty back by Glacier Bay is a sound testament to their build quality and longevity. Whether fitted with a single hole faucet or a 3-hole faucet set, these under mount sinks are compatible with a range of faucet in a variety of styles. Color: White. Material: Vitreous China.

Under mount lavatory sinks from Glacier Bay are well crafted by skilled masters and fired in a temperature over 2200°F. They are affordable pieces of designer ware, strong, durable. Sporting robust designs tempered in straight lines (rectangular shape) or sleek lines (oval shape), they are a highly adaptable range that can be applied to versatile living space with ease, either they are deemed to be mounted and installed with a single bowl counter or a double-bowl counter. Sizes of these under mount lavatory sinks are just right and perfect wherever they go for a flat or a villa. Their simple forms bring easy daily care and maintenance. And the reliable warranty back by Glacier Bay is a sound testament to their build quality and longevity. Whether fitted with a single hole faucet or a 3-hole faucet set, these under mount sinks are compatible with a range of faucet in a variety of styles. Color: White. Material: Vitreous China.

Under mount lavatory sinks from Glacier Bay are well crafted by skilled masters and fired in a temperature over 2200°F. They are affordable pieces of designer ware, strong, durable. Sporting robust designs tempered in straight lines (rectangular shape) or sleek lines (oval shape), they are a highly adaptable range that can be applied to versatile living space with ease, either they are deemed to be mounted and installed with a single bowl counter or a double-bowl counter. Sizes of these under mount lavatory sinks are just right and perfect wherever they go for a flat or a villa. Their simple forms bring easy daily care and maintenance. And the reliable warranty back by Glacier Bay is a sound testament to their build quality and longevity. Whether fitted with a single hole faucet or a 3-hole faucet set, these under mount sinks are compatible with a range of faucet in a variety of styles. Color: White. Material: Vitreous China.

Under mount lavatory sinks from Glacier Bay are well crafted by skilled masters and fired in a temperature over 2200°F. They are affordable pieces of designer ware, strong, durable. Sporting robust designs tempered in straight lines (rectangular shape) or sleek lines (oval shape), they are a highly adaptable range that can be applied to versatile living space with ease, either they are deemed to be mounted and installed with a single bowl counter or a double-bowl counter. Sizes of these under mount lavatory sinks are just right and perfect wherever they go for a flat or a villa. Their simple forms bring easy daily care and maintenance. And the reliable warranty back by Glacier Bay is a sound testament to their build quality and longevity. Whether fitted with a single hole faucet or a 3-hole faucet set, these under mount sinks are compatible with a range of faucet in a variety of styles. Color: White. Material: Vitreous China.

From the finest collections of bone china to contemporary and practical everyday dishes and kitchenware, the willow pattern has graced dining tables and adorned ceramic wares for more than 200 years. First introduced during the early 19th century in England, the willow pattern has been replicated and reproduced over the years by a countless number of manufactures in England, America, Japan, and other countries around the world. Today, the pattern remains a time-honored classic, one of the most recognizable and cherished patterns in ceramics. This book delves into the world of willow ware collecting, with over 550 photographs of plates, cups, saucers, teapots, pitchers, platters, kitchenware, jewelry, condiments pieces, and much more. It illustrates the beauty and widespread popularity of the willow pattern in all its variations of color, shape, multiplicity of border designs, traditional and variant patterns, and polychrome pieces. Information on manufacturer's marks, historical background, helpful hints for the collector, a price guide, and an index are included. Enjoy remarkable examples of early 1800 blue and white pearlware, gaudy willow, and pekin, among other traditional, polychrome, and variant pattern items. Ceramics collectors and dealers, along with willow ware enthusiasts, will welcome this fabulous collection of willow ware.

This encyclopedic reference presents thousands of tea ware patterns produced by Shelley Pottery*TM and its predecessors, Wileman & Company*TM and Foley China*TM, of Staffordshire, England, from the 1860s through 1966. Arranged by pattern number, thorough listings include the color variations, back stamps, and the numerous body shapes on which the patterns appear. Over 760 beautiful color photographs display Shelley*TM porcelain tea wares. A bibliography, index, and current market values in the captions complete this valuable guide. About the Author: Sheryl Burdess is an acknowledged authority on Shelley China*TM, which she has been collecting and researching for many years. She lives in Norfolk, England.

British Ironstone China and the related stone china and granite ceramic bodies are as important in their way as English creamwares or indeed bone china itself. Initially, the ironstone-type bodies were introduced to emulate, rival and undersell the vast and popular importations of Oriental porcelains. Not only did the ironstone manufacturers succeed in this ideal but they progressed to take over the trade.

Exuberant, ornate and colorful, Straits Chinese porcelain is a variety of polychrome enameled export ware made to specification in China during the nineteenth and early twentieth centuries. This lovely porcelain was made for the Straits-born Chinese or Peranakan communities in Penang, Malacca and Singapore and was used on festive occasions such as weddings, birthdays, anniversaries and Chinese New Year.Peranakan Chinese Porcelain is illustrated with over 800 full-color photographs of these distinctive porcelain types. Supported by text and photographs on many related aspects of the characteristic Straits Chinese culture, such as architecture, dress and cuisine, Peranakan Chinese Porcelain is a wonderful contribution to the history of the Straits Chinese.

This encyclopedic reference presents thousands of tea ware patterns produced by Shelley Pottery*TM and its predecessors, Wileman & Company*TM and Foley China*TM, of Staffordshire, England, from the 1860s through 1966. Arranged by pattern number, thorough listings include the color variations, back stamps, and the numerous body shapes on which the patterns appear. Over 760 beautiful color photographs display Shelley*TM porcelain tea wares. A bibliography, index, and current market values in the captions complete this valuable guide. About the Author: Sheryl Burdess is an acknowledged authority on Shelley China*TM, which she has been collecting and researching for many years. She lives in Norfolk, England.

Yixing ware elevates something as simple as a teapot or cup into a work of art accessible to all collectors. Its history is rich and vigorous, offering something for just about everyone interested in pottery, tea, or Chinese culture.

Over 440 vivid color images display the wide range of ceramics produced by the English pottery firm, established by Josiah Spode in the 1760s and continuing today. From historic blue and white transfer printed wares of the early 1800s to popular dinnerware patterns of the 1900s, this book includes sprig decorated wares, delicate bone china table and tea sets, graceful figurines, and sturdy stoneware candlesticks and loving cups. The famous and much coveted patterns represented include Willow, Rosebud Chintz, Patricia, and Tower. \nOrganized by periods of production, the fascinating text provides a history of the Spode firm through the centuries and its various name changes. Included are techniques for dating Spode ceramics, makers marks, a bibliography, and index. Values are found in the captions. This book is a must for everyone who appreciates fine English ceramics.

This is an expansive introduction to the popular ceramics produced by the prolific Hall China Company of East Liverpool, Ohio, beginning in 1903. Over 600 brilliant color photographs display these popular pottery wares, ranging from coffee pots and mixing bowls to refrigerator wares and teapots, in both solid color glazes and beautiful decorations including Autumn Leaf, Crocus, Silhouette, and many more. A history of the company, manufacturer's marks, an extensive bibliography, an index, and current market values are included in this fascinating study of one of America's most prolific pottery companies. This book is a must for every collector of twentieth century ceramics.

China has one of the richest and most continuous traditions of ceramic production in the world. At their best the early Chinese wares rival those of the Tang and the Song periods for their boldness and imagination, mastery of technique and decoration, the shaping of forms and the use of materials, especially those of the Han Dynasty (206BC-221AD). This book makes extensive use of recent excavations and research in China, where many discoveries are still being made in the fields of pottery and ceramics.

Volume 2 is organized alphabetically by manufacturer, with brief histories, product information, date codes, 950+ dated backstamps, nearly 900 color photographs with individual value ranges of ware predominantly used in restaurants, hotels, clubs, schools, and so forth with a sprinkling of the subjects offered in Volume 1, and more than 350 catalog pages. Coverage includes American as well as foreign china companies. The extensive appendix includes an additional 89 manufacturers and 146 distributors, along with capsule histories and dated logos of 114 hotel and 170 restaurant chains. Particularly useful is the lengthy index which contains a cross-reference to backstamps lacking the manufacturer's name. This book would be of value to any dealer or collector of porcelain or vitrified china dinnerware. Priced and illustrated. 8.5 x 11. 2003 values.

This bright and colorful guide presents a sweeping survey of the Homer Laughlin China Company's most popular dinnerware-Fiesta Ware. These brilliantly colored, inexpensive dishes helped brighted The Depression when they were introduced in 1936, and are avidly collected today. Hundreds of color photographs chronicle Fiesta's many forms, from the most common to much sought-after rarities, and the dazzling spectrum of glaze colors which adorn them. Also included in the text is a history of the Homer Laughlin Company and examples of their manufacturer's marks. Values are provided for the various wares, along with an index and bibliography.

This is an expansive introduction to the popular ceramics produced by the prolific Hall China Company of East Liverpool, Ohio, beginning in 1903. Over 600 brilliant color photographs display these popular pottery wares, ranging from coffee pots and mixing bowls to refrigerator wares and teapots, in both solid color glazes and beautiful decorations including Autumn Leaf, Crocus, Silhouette, and many more. A history of the company, manufacturer's marks, an extensive bibliography, an index, and current market values are included in this fascinating study of one of America's most prolific pottery companies. This book is a must for every collector of twentieth century ceramics.

The beauty of Haviland China is captured here in both picture and word. Over 400 color photographs display the Haviland china wares which graced dining tables throughout the Victorian Age of Elegance. A discussion of the life is included, along with the history of Haviland production and its decoration. Many of the Haviland patterns have been cataloged using the well established Schleiger numbers, enabling readers to identify unnamed patterns with certainty. Valuable descriptions are also provided concerning the use of various Haviland table wares. A listing of back stamps and a price guide are also included

Over 440 vivid color images display the wide range of ceramics produced by the English pottery firm, established by Josiah Spode in the 1760s and continuing today. From historic blue and white transfer printed wares of the early 1800s to popular dinnerware patterns of the 1900s, this book includes sprig decorated wares, delicate bone china table and tea sets, graceful figurines, and sturdy stoneware candlesticks and loving cups. The famous and much coveted patterns represented include Willow, Rosebud Chintz, Patricia, and Tower. \nOrganized by periods of production, the fascinating text provides a history of the Spode firm through the centuries and its various name changes. Included are techniques for dating Spode ceramics, makers marks, a bibliography, and index. Values are found in the captions. This book is a must for everyone who appreciates fine English ceramics.

Chinese painted enamels on copper are an intriguing but little-studied group of wares developed during the first half of the 18th century. These brightly coloured enamelled copper pieces were created for the imperial court, domestic and export markets, and often influenced by China's principal artistic export, porcelain. This catalogue presents a selection of shapes and decorative motifs found in the West and explores the possible links between porcelain and enamelled copper. In a letter from The Hague of 13th August 1728, the British Ambassador, Philip Dormer Stanhope regaled Henrietta Howard, Countess of Suffolk (1689-1767), with news of an exciting discovery. Describing a very particular sort of ware, wrought in metal and painted with 'china of all colours', the Earl's account is one of the earliest known records of Chinese painted enamels on copper in the West. This intriguing but little-studied group of objects were developed during the first half of the 18th century, predominantly produced in the Qianlong period (1736-1795) and continuing into the 19th century. Made for the export and domestic markets, as well for the imperial courts in Beijing, this type of ware was referred to as yang ci in Chinese-literally 'foreign porcelain'-becoming known as 'Canton enamel' after the main centre of production in China. Produced in a range of forms, these copper objects were coated with an initial layer of white or turquoise enamel and over-decorated with designs in polychrome enamels, some of which are comparable to those found on Chinese porcelain. This catalogue and accompanying exhibition of over 160 enamelled copper pieces provides a valuable opportunity to study a variety of shapes and decorative motifs, to pose some questions concerning the medium's history, while exploring the possible formal and decorative links with China's principal artistic export, porcelain.