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New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

The KNOWLED LiteFlow 50 Cine Light Reflector Panel Kit (20 x 20") from Godox is a professional-grade, innovative lighting solution designed for photographers and videographers seeking to control and shape their lighting environment. This durable and high-quality reflector ecosystem features hard, mirror-like panels in a versatile 20 x 20" size, perfect for a variety of lighting setups.Engineered to redirect and diffuse light effectively, the LiteFlow 50 allows you to adjust a downward-facing spot to point forward, all without moving the entire light source. Instead, you're simply manipulating a lightweight, yet robust piece of metal on a light stand, offering you maximum control with minimal effort.Beyond its primary function, this versatile reflector panel kit can also be utilized to reflect sunlight through a window, illuminating subjects in interior settings with natural light. The LiteFlow system includes panels of varying strengths, designed to reflect direct lighting sources and create indirect, soft, and evenly distributed light.Whether you're capturing a dramatic portrait or filming a cinematic scene, the KNOWLED LiteFlow 50 Cine Light Reflector Panel Kit is an essential tool for creating the perfect lighting conditions. Its innovative design and superior functionality make it a standout choice in the market of photography and videography equipment.

Find the perfect lighting solution with the KNOWLED LiteFlow K1 Assorted Cine Light Reflector Panel Kit from Godox. This innovative reflector ecosystem is designed to enhance your photography and videography lighting setup, offering a range of hard, mirror-like reflectors in four versatile sizes: 3 x 3", 6 x 6", 10 x 10", and 20 x 20". The LiteFlow system is expertly crafted to redirect light, allowing you to adjust a downward-facing spot to point forward without moving the entire light source. This lightweight, durable metal reflector can be easily positioned on a light stand, making it an essential tool for creating the perfect lighting conditions. Ideal for a variety of environments and applications, the LiteFlow reflectors offer different diffusion levels, from a hard to a soft strip ray of light. The aluminum-coated surface of these high-quality reflectors ensures a minimal 3% loss of intensity, maintaining light quality and accuracy with a 100% color rendering. The LiteFlow system stands out with its exceptional reflectance, precise control, and ability to produce multiple beams of light, making it a professional-grade cinematic lighting solution. For ease of use, the system is color-coded on the back, with each color and number corresponding to a different diffusion and reflection type for quick identification. Whether you need to reflect tungsten sources or sunlight with the hard light diffusion, work with direct light using the medium diffusion, create soft and natural shadows with the soft diffusion, or alter the light's beam into a strip shape with the soft strip diffusion, the LiteFlow system has you covered. This efficient lighting control system can redirect a single light source multiple times, reducing the need for additional fixtures or modifiers. It's also ideal for outdoor environments, reflecting sunlight through a window to illuminate subjects in interior spaces. The LiteFlow's lightweight structure and sleek rail on the back of the reflector make adjustments and mounting a breeze. For added versatility, reflectors with extended rails can be connected together with optional flexible arms. To maintain the longevity of your LiteFlow, Godox recommends using gloves during handling to prevent scratching and cleaning the reflector immediately after use to keep it free from stains. Elevate your lighting game with the KNOWLED LiteFlow K1 Assorted Cine Light Reflector Panel Kit.

Because of its innovative design and superior functionality, the KNOWLED LiteFlow 15 Cine Light Reflector Panel Kit (6 x 6") from Godox is a game-changer in the world of photography and videography. This high-quality reflector ecosystem is composed of durable, mirror-like panels in various sizes, each designed to expertly redirect and shape light. Unlike traditional lighting setups, the LiteFlow system allows you to adjust the direction of light without moving the entire light source. Instead, you manipulate a lightweight, yet robust piece of metal on a light stand, offering an efficient and versatile solution for your lighting needs. This portable reflector panel kit is not only ideal for adjusting a downward-facing spot to point forward, but it also excels in scenarios where you need to reflect sunlight through a window to illuminate an interior subject. The LiteFlow system includes various-sized panels with different strengths, providing a wide range of lighting options for both direct and indirect light sources. Designed for professional photographers and videographers, the KNOWLED LiteFlow 15 Cine Light Reflector Panel Kit (6 x 6") is a testament to Godox's commitment to producing versatile and high-quality lighting equipment. This adjustable and portable kit is an essential tool for creating the perfect lighting setup, enhancing the mood and effect of your images or videos.

Sharper corners, less distortion, reduced vignettingOptical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting.Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors(APS-C), such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance.Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image.Optical• Increase maximum aperture by 1 stop. (with a maximum output aperture of f/0.9)• Increase MTF• Makes lens 0.71x wider• Advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic in the USA (patent granted)Electronic• Canon EF mount lens to Fujifilm X-mount camera• Autofocus. Phase-detection autofocus (PDAF) is supported no matter which AF lens is used. Adapters support PDAF by translating pertinent metadata about the optics between the lens interfaces. In this way, broad support of the widest range of lenses is made possible• Lens iris/aperture is set by the controls on the camera body• Fujifilm XF Teleconverters support• Optical image stabilization (IS) lens support• Smooth iris support with the latest Canon (2009+), Tamron (SP series 2013+) and Sigma (2016+) lens models• Focal length and aperture are adjusted in EXIF (see note 3)• Store EXIF data (lens name, focal length and maximum/minimum aperture) for one manual lens in the adapter• Parallax correction on the X-Pro series rangefinders is also supported• LED indicator shows communication status• Powered by camera body. With most lenses, no external power source requiredMechanical• Patented positive-lock EF lens mount• Flocking to reduce internal reflection• Rubber gasket protects the X-mount connection from dust and moisture• Aluminum alloy and brass construction with chromium plating• Satin surface finish• Detachable tripod foot compatible with Arca Swiss Style ball head, such as Markins and Photo Clam or attach to quick release plate by a 1/4"-20 screw

You'll find the Sumire Prime CN-E 14mm T3.1 FP X Cinema 7-Lens Kit for PL Mount to be an exceptional addition to your professional photography and filmmaking gear. Named after the Japanese flower Sumire, these lenses, like the petals of a flower, are most beautiful when fully opened, providing a unique and artistic image rendering.This comprehensive kit offers a versatile range of focal lengths, from 14mm to 135mm, designed to meet the demands of high-end productions. Each lens in the kit is crafted with proven Canon lens elements, ensuring high-quality performance and reliability in various shooting environments. The lenses feature a compact and consistent design, with markings on angled surfaces on both sides of the barrel for easy reading of focus and aperture settings. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to meet contemporary 4K production standards, these lenses feature a full-frame imaging circle in a lightweight, compact design. They are perfect for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers. The CN-E14mm T3.1 FP X Sumire Prime Lens introduces a unique optical design that subtly modifies the textural renderings of the human facial close-up as the lens aperture approaches its maximum setting. It also smooths the transition to the fall-off portions of the scene, resulting in pleasing bokeh. The lenses produce warm color tones that softly capture facial expressions and enable better depiction of textures. Operating at T3.1 allows users to shoot brighter in low-light settings and with softer and greater bokeh. The Sumire Prime CN-E14mm T3.1 FP X features an 11-blade iris, creating artistic and beautiful out-of-focus areas and broadening the range of visual expression. The iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording. Designed to meet the needs of professional cinematographers, the Sumire Prime CN-E14mm T3.1 FP X features a unified front diameter, rotation angle, and gear position on the focus and iris rings across the entire Sumire Prime Lens series. This makes lens switching quick and convenient, and ensures that matte boxes and accessories can be used even after switching lenses. Experience the superior performance and versatility of the Sumire Prime CN-E 14mm T3.1 FP X Cinema 7-Lens Kit for PL Mount, a must-have for any serious photographer or filmmaker.

SmallRig CINE 4 x 5.65" Black Diffusion Filter is meticulously crafted to fulfill the exacting demands of premium film and video production. Tailored for users aiming to achieve a subtle and velvety film-like texture, enhance skin tones, and attain a captivating halo effect. This filter series includes the 1/8 Stop (ID: 4741) and the 1/4 Stop (ID: 4740), catering to common demands for subtle softness and refinement.Crafted with imported glass materials and a unique interlayer structure with fine particles, the Black Diffusion Filter employs a proprietary multi-layer color correction film to control color biases. Featuring nano anti-glare and anti-smudge coatings, along with a dual-sided 22-layer coating process, this filter effectively suppresses glare caused by direct and oblique light sources on its surface, enhancing shadow details. It ensures color consistency across different grades and boasts precision-polished edges for optimal performance.Noteworthy for its resistance to mold, water, oil smudges, and scratches from sharp objects, the Black Diffusion Filter is easy to clean and convenient to store. Its standardized 4 x 5.65" dimensions enable compatibility with commonly available 4 x 5.65" matte boxes in the market.Consistent Color ReproductionDual-sided 22-layer coating creates a soft film-like texture with reliable color accuracy across the spectrum.Advanced Visual EnhancementUnique color correction layers, nano anti-glare coating, and fine particle structure combine for unparalleled image quality.Cinematic Halo EffectProduces a high-quality halo effect, infusing a frosted texture that harkens back to the classic aesthetics of traditional film.Designer: Victor Tang

SmallRig CINE 4 x 5.65" White Diffusion Filter is meticulously crafted to meet the high standards of cinematic and video production, catering to users seeking a dreamy, soft film-like texture and enhanced skin tones. Available in 1/8 Stop (ID: 4743) and 1/4 Stop (ID: 4742) variations, this filter meets the standard specifications for achieving desired special effects in cinematic and video production.Crafted with imported glass material, it features unique multi-layer color correction films to control color bias, nano anti-glare and anti-dirt coatings, and a dual-sided 22-layer coating. This ensures the softening of highlights during video shoots, creating a diffused effect on white highlights for a gentle visual appeal, while maintaining brightness in dark tones. The consistent color reproduction across different grades ensures a cohesive imaging effect closer to natural light color rendition. Carefully adjusted soft light layers provide smooth and rounded transitions at object edges, replicating a cinematic feel.The meticulously polished edges of the White Diffusion Filter offer advantages such as mold, water, oil, and scratch resistance, facilitating easy cleaning and convenient storage. Designed in a standard 4 x 5.65" size, this filter is compatible with commonly available 4 x 5.65" matte boxes in the market.Consistent Color FidelityDual-sided 22-layer coating creates a delicate film-like texture with reliable color reproduction.Enhanced Depth and ClarityUnique multi-layer color correction and nano anti-glare coatings maintain richness in dark tones.Natural Light SimulationProduces a soft effect mimicking natural light for authentic object color representation.Designer: Victor Tang

SmallRig CINE 4 x 5.65" Black Diffusion Filter is meticulously crafted to fulfill the exacting demands of premium film and video production. Tailored for users aiming to achieve a subtle and velvety film-like texture, enhance skin tones, and attain a captivating halo effect. This filter series includes the 1/8 Stop (ID: 4741) and the 1/4 Stop (ID: 4740), catering to common demands for subtle softness and refinement.Crafted with imported glass materials and a unique interlayer structure with fine particles, the Black Diffusion Filter employs a proprietary multi-layer color correction film to control color biases. Featuring nano anti-glare and anti-smudge coatings, along with a dual-sided 22-layer coating process, this filter effectively suppresses glare caused by direct and oblique light sources on its surface, enhancing shadow details. It ensures color consistency across different grades and boasts precision-polished edges for optimal performance.Noteworthy for its resistance to mold, water, oil smudges, and scratches from sharp objects, the Black Diffusion Filter is easy to clean and convenient to store. Its standardized 4 x 5.65" dimensions enable compatibility with commonly available 4 x 5.65" matte boxes in the market.Consistent Color ReproductionDual-sided 22-layer coating creates a soft film-like texture with reliable color accuracy across the spectrum.Advanced Visual EnhancementUnique color correction layers, nano anti-glare coating, and fine particle structure combine for unparalleled image quality.Cinematic Halo EffectProduces a high-quality halo effect, infusing a frosted texture that harkens back to the classic aesthetics of traditional film.Designer: Victor Tang

SmallRig CINE 4 x 5.65" White Diffusion Filter is meticulously crafted to meet the high standards of cinematic and video production, catering to users seeking a dreamy, soft film-like texture and enhanced skin tones. Available in 1/8 Stop (ID: 4743) and 1/4 Stop (ID: 4742) variations, this filter meets the standard specifications for achieving desired special effects in cinematic and video production.Crafted with imported glass material, it features unique multi-layer color correction films to control color bias, nano anti-glare and anti-dirt coatings, and a dual-sided 22-layer coating. This ensures the softening of highlights during video shoots, creating a diffused effect on white highlights for a gentle visual appeal, while maintaining brightness in dark tones. The consistent color reproduction across different grades ensures a cohesive imaging effect closer to natural light color rendition. Carefully adjusted soft light layers provide smooth and rounded transitions at object edges, replicating a cinematic feel.The meticulously polished edges of the White Diffusion Filter offer advantages such as mold, water, oil, and scratch resistance, facilitating easy cleaning and convenient storage. Designed in a standard 4 x 5.65" size, this filter is compatible with commonly available 4 x 5.65" matte boxes in the market.Consistent Color FidelityDual-sided 22-layer coating creates a delicate film-like texture with reliable color reproduction.Enhanced Depth and ClarityUnique multi-layer color correction and nano anti-glare coatings maintain richness in dark tones.Natural Light SimulationProduces a soft effect mimicking natural light for authentic object color representation.Designer: Victor Tang

A short telephoto cine lens, like the Irix Cine 65mm T1.5 for Mount, is essential for filmmakers, excelling in cinematic portraits, narrative filmmaking, and documentary work. Thanks to its T1.5 aperture, it also enables filmmakers to achieve cinematic looks, even in challenging lighting environments.Functionality and InnovationAll Irix film lenses have very similar dimensions and weight. This allows for quick and easy lens swapping without the need to change the rest of your setup. Our lenses are equipped with a Magnetic Mounting System (MMS), which allows you to connect accessories such as magnetic filters from the Irix Edge line up.Ready For Any Weather ConditionsCome rain or shine, the robust and enduring build of the Irix Cine 65mm ensures you can continue working regardless of the weather's whims. Designed to withstand rain, sand, and dust, this lens is your reliable companion for any adventure, be it in the depths of the desert or the heart of the jungle (provided your camera can handle such environments). Plus, with engraved markings filled with UV-reactive paint, filming in challenging lighting conditions becomes a breeze.Cine StandardThe Irix Cine 65mm embodies the pinnacle of professional film industry standards, blending traditional lens craftsmanship with modern innovation. Boasting a front filter thread size of 95mm and geared Mod 0.8 M rings, this lens ensures seamless compatibility with a wide array of accessories available in the market.While Irix may be a young brand, the introduction of the eighth lens in our line-up marks a significant milestone, covering a comprehensive range of common focal lengths. Each lens undergoes meticulous testing to uphold the highest standards, ensuring uncompromised quality and compatibility. From our uniform neutrino coating, which guarantees consistent color reproduction across all lenses, to the standardized weight and gear placement, we leave no room for compromise in delivering top-notch performance.Compact and LightweightThe Irix Cine 65mm T1.5 fulfills the needs of every filmmaker, whether you prefer a professional setup or shooting with just the bare lens on a stabilizer. Constructed from a blend of aluminum and magnesium alloy, this lens weighs only 1.2-1.4kg, offering both durability and portability.Featuring a front external diameter of 95mm for barndoors and accessories, along with a filter thread of 86mm, the lens is equipped with a Front MMS (Magnetic Mount System) for swift filter changes, showcasing its multifunctional design.Modern Optics Guarantee Outstanding Image QualityYour creativity and passion shine through your unique perspective. Craft a cinematic look that leaves a lasting impression! Thanks to the meticulously refined optical system, your shots will exhibit minimal distortions and aberrations.The internal focusing system of the lens ensures remarkable sharpness, while the 11-blade iris delivers stunning bokeh and seamless adjustment...

Let the Irix T1.5 Entry lens set be your gateway to professional film production. This comprehensive set includes three lenses with the most popular focal lengths - 21mm, 30mm, and 45mm, making it an ideal choice for both Full Frame and crop sensors like Super35. With a fast T1.5 aperture, these lenses ensure exceptional performance in varying light conditions.Each lens in the set offers a 20-degree field of view spacing, providing seamless coverage from -80 to -40 degrees. This makes them a perfect trio for capturing a wide range of shots without any distortion. The Irix Cine 21mm T1.5 lens is a versatile tool for capturing expansive opening shots. Its wide-angle view is perfect for tight spaces, such as event venues or wedding halls. The T1.5 aperture allows for stunning bokeh effects, making it a great choice for creative photography.Next in the set is the Irix Cine 30mm T1.5 lens. This medium shot lens is perfect for capturing more of your subject while leaving some extra space around them. When used on a crop sensor, it functions like a 45mm lens, making it an excellent choice for portrait photography.The Irix Cine 45mm T1.5 lens is a favorite among Irix users for its distinctive "Irix look". With its T1.5 aperture, it delivers sharp, high-quality images across the entire range, even in low light conditions. Add an ND filter for standout shots even in broad daylight.The set also includes an Irix Cine Filter Case, designed to hold up to 4 Irix Edge Magnetic Mount System Filters. Its water-resistant and dustproof design ensures your filters stay protected, while the soft interior prevents scratches.The Irix Edge MMS UV SR Magnetic Filter, designed specifically for Irix Cine Lenses, offers excellent contrast and sharpness. Its Super Resistant (SR) optical glass ensures high resistance to mechanical damage, while its moisture and dirt repellent nano-coatings make maintenance a breeze.The Irix Edge MMS CPL SR Magnetic Filter is a versatile tool that allows you to capture objects from behind glass, bring out true colors from shiny surfaces, or create a deep blue sky effect.The Irix Edge MMS ND8 SR Magnetic Filter is an essential tool for long exposure photography and depth of field manipulation. It reduces light passing through the lens by 3-stops (3EV), helping you create astonishing and surreal images.Finally, the set includes the Irix Cine Lens Case by Nanuk, a waterproof, dustproof, and MIL-SPEC certified case with a dedicated slot for Irix MMS filters. Its lightweight, tough NK-7 resin shell and Nanuk's PowerClaw superior latching system ensure your lenses and filters stay secure during transport.

If you're seeking to elevate your film production capabilities, the Irix T1.5 Entry lens set is an ideal choice. This comprehensive set includes three lenses with the most commonly used focal lengths - 21mm, 30mm, and 45mm. Designed to deliver exceptional performance on both Full Frame and crop sensors like Super35, these lenses are versatile and adaptable to various shooting conditions.The fast T1.5 aperture of these lenses ensures optimal light intake, enabling you to shoot in diverse lighting conditions. Each lens offers a unique field of view, spaced by 20 degrees, providing a seamless coverage range from -80 to -40 degrees. The Irix Cine 21mm T1.5 lens is perfect for capturing wide, distortion-free opening shots. Its wide-angle capability makes it an excellent choice for shooting in tight spaces, such as events or weddings. The T1.5 aperture allows for a shallow depth of field, producing stunning bokeh effects.The Irix Cine 30mm T1.5 lens is your go-to for medium shots. Whether you're capturing an interview or shooting b-roll, this lens offers the flexibility to frame your subject with extra space. On a crop sensor, it functions similarly to a 45mm lens, making it an excellent portrait lens.The Irix Cine 45mm T1.5 lens is a favorite among Irix users, embodying the distinctive "Irix look". Its sharpness across the entire range allows for capturing beautiful wide-open shots. Paired with an ND filter, it delivers standout shots even in daylight.The set also includes an Irix Cine Filter Case, designed to hold up to 4 Irix Edge Magnetic Mount System Filters. The case is water-resistant and dustproof, ensuring your filters are well-protected. The Irix Edge MMS UV SR Magnetic Filter, Irix Edge MMS CPL SR Magnetic Filter, and Irix Edge MMS ND8 SR Magnetic Filter are designed specifically for Irix Cine Lenses. These filters offer excellent contrast and sharpness, high resistance to mechanical damage, and are easy to maintain. They are stackable and provide various effects, from recording objects behind glass to creating surreal images with long exposure photography.Lastly, the set includes the Irix Cine Lens Case by Nanuk, a waterproof and dustproof case with a dedicated slot for the Irix MMS filters. This case is MIL-SPEC certified and features a secure latching system to prevent accidental opening. Its ergonomic handle and soft grip make it easy to transport, ensuring your lenses and filters are safely stored and ready for your next shoot.

Protect your precision Reflectors.High quality neoprene sleeves, that function like Scrimbags to keep your reflectors protected on set.

Protect your precision Reflectors.High quality neoprene sleeves, that function like Scrimbags to keep your reflectors protected on set.

The C-Diff 7 x7 comes with a heavy duty Speedbag. Hang the Speedbag on your stand like a scrim bag for fast exchanges and keeping the C-Reflectors safe.- Diffusion 1 Cine Reflector -Reflector inspired by a ray of sunlight. Maximum punch.Best Used For• Redirecting light from one C-Reflector to another to Avoid adding a new source and Extend the path of your light beam to imitate a natural fall-off (even on short distances)• Hard spells of light in tungsten and daylight environment• Powerful efficiency with hard, spotted and directional light comes with a neoprene sleeveMountingAttach the C-Wheel or a C-Spigot via the easy access point of the C-Rail on the back of the C-Reflector.- Diffusion 2 Cine Reflector -Reflector inspired by skylight. Powerful, strong but with a soft diffusion.Best Used For• Directed - diffused light with a punch• Redirecting light from one C-Reflector to another to Avoid adding a new source and Extend the path of your light beam to imitate a natural fall-off (even on short distances)• Extending light sources with 100% color accurancy (sodium vapour, practicals, green fluorescents, etc.)MountingAttach the C-Wheel or a C-Spigot via the easy access point of the C-Rail on the back of the C-Reflector.- Diffusion 3 Cine Reflector -Reflector inspired by a misty day.Best Used For• Powerful diffused light• Diffused shadows with a natural feel• Fill light with some punchMountingAttach the C-Wheel or a C-Spigot via the easy access point of the C-Rail on the back of the C-Reflector.- Diffusion 4 Cine Reflector -Reflector inspired by natural fill light.Best Used For• Soft fill light• Cloudy sky simulation without loosing direction• Beauty light• Soft eyelight• Evenly lit surfaces• Super diffused shadowsMountingAttach the C-Wheel or a C-Spigot via the easy access point of the C-Rail on the back of the C-Reflector.- Diffusion 0 Cine Reflector -Reflector inspired by a glass mirror.Best Used for• Redirecting light• Very hard spells of light in tungsten and daylight environmentMountingAttach the C-Wheel or a C-Spigot via the easy access point of the C-Rail on the back of the C-Reflector.Note:If you need the quality of a real glass mirror (like sharp square edges when redirecting sunlight), it is in fact best to use a real glass mirror. Even if our manufacturing quality is impeccable, you will see a difference, especially when redirecting sunlight at a large distance.- Neoprene Sleeve -Protect your precision Reflectors.High quality neoprene sleeves, that function like Scrimbags to keep your reflectors protected on set.- Cordura Speedbag -Easy to use transportation for your precision Reflectors.Speedbags give you the option to fix the 4x sleeves with carabiners or give you the option to take the sleeve with the reflector out of the bag for longer protection.