2740 products were found matching your search for Cine in 3 shops:

Be at the forefront of cinematic excellence with the NiSi ATHENA PRIME Cine 5-Lens Kit for Canon RF mount. This comprehensive collection of professional-grade lenses is meticulously engineered to meet the rigorous demands of modern filmmaking and cinematography. With a full-frame coverage and a 46mm imaging circle, this kit spans a versatile focal length range from the ultra-wide 14mm T2.4 to the classic portrait 85mm T1.9, ensuring that you're well-equipped for virtually any shooting scenario.Crafted for high-quality performance, the ATHENA PRIME lenses boast an impressive T1.9 maximum aperture (25mm, 35mm, 50mm, 85mm) for exceptional low-light capabilities and a T2.4 aperture for the 14mm, allowing for precise control over depth of field and stunning bokeh. This makes them ideal for capturing breathtaking visuals with a professional touch, whether you're working on a feature film, an intimate documentary, or an artistic music video.The innovative design of these lenses emphasizes ultra-low chromatic aberration and advanced micro-contrast control, delivering images with remarkable clarity, color fidelity, and attention to the finest details. The ATHENA PRIME series also addresses the common issue of focus breathing with a design that minimizes this effect, maintaining a consistent field of view during focus adjustments from the minimum focus distance to infinity.For filmmakers who value efficiency and creative flexibility, the ATHENA PRIME lenses feature a drop-in filter mount, streamlining your workflow and expanding your creative options. The uniformity across the lens series is a testament to NiSi's commitment to convenience and quality; each lens shares a consistent weight and size profile, negating the need for time-consuming rebalancing when transitioning between lenses on a gimbal.The thoughtful design extends to the practical aspects as well, with a 77mm filter thread on all lenses except the 14mm, and harmonized aperture and focus rings across the range for seamless compatibility with lens accessories. The focus ring itself is a standout feature, offering 300 degrees of rotation and fluorescent focal scales for precise and accurate focus pulls in any lighting condition.In summary, the NiSi ATHENA PRIME Cine 5-Lens Kit for Canon RF is a versatile, high-quality, and innovative solution for filmmakers seeking unparalleled image quality and creative control. With its range of focal lengths, fast apertures, and professional-grade features, this lens kit is an indispensable tool for achieving your unique creative vision.

Sigma Cine 50-100mm T2 - Canon EF Fit provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

Over the past decade, Ethiopian films have come to dominate the screening schedules of the many cinemas in Ethiopia’s capital city of Addis Ababa, as well as other urban centers. Despite undergoing an unprecedented surge in production and popularity in Ethiopia and in the diaspora, this phenomenon has been broadly overlooked by African film and media scholars and Ethiopianists alike. This collection of essays and interviews on cinema in Ethiopia represents the first work of its kind and establishes a broad foundation for furthering research on this topic. Taking an interdisciplinary approach to the topic and bringing together contributions from both Ethiopian and international scholars, the collection offers new and alternative narratives for the development of screen media in Africa. The book’s relevance reaches far beyond its specific locale of Ethiopia as contributions focus on a broad range of topics—such as commercial and genre films, diaspora filmmaking, and the role of women in the film industry—while simultaneously discussing multiple forms of screen media, from satellite TV to “video films.” Bringing both historical and contemporary moments of cinema in Ethiopia into the critical frame offers alternative considerations for the already radically changing critical paradigm surrounding the understandings of African cinema.  

Sigma Cine 50-100mm T2 - Canon EF Fit provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

Be captivated by the high-quality, professional-grade Catta 35-80mm T2.9 Cine Lens for Sony E, Black. This lens is designed with a dedication to natural, original, and authentic color reproduction, bringing the real world to life on your camera's sensor. The versatile focal lengths of 35-80mm allow cinematographers to create cinematic images without the need for frequent lens changes, saving valuable time on set.Experience the comfort of vivid and natural skin tone reproduction, all perfectly balanced for a flattering result. The Catta lens offers superior breathing control, minimizing distortion whether you're zooming in or out. This ensures a smooth, seamless shooting experience, free from additional concerns.The aesthetic appeal of this lens is further enhanced by its ability to produce rounded bokeh, thanks to its 16-bladed Iris. This feature creates an exquisite texture and gentle sharpness, contributing to outstanding image quality. The lens delivers uniform and consistent performance, both mechanically and optically, making it an ideal choice for shooting videos from wide to long focus. Its zero distortion feature enhances the multidimensional sense and flatters the subject.The Catta lens features a parfocal design, allowing you to retain focus while zooming. This dramatically reduces breathing and image shift, ensuring a stable and clear image throughout your shoot. The lens also comes with a 77mm detachable front filter and a rear plug-in filter, adding versatility to your shooting experience. You can change ND/UV/Streak/Mist filters freely, unlocking new creative possibilities.Finally, trust in the reliable and durable construction of the Catta zoom lenses. Lighter and stronger, these lenses are built to last, embodying the quality that DZOFILM is known for. Choose the Catta 35-80mm T2.9 Cine Lens for Sony E, Black for a versatile, reliable, and high-quality addition to your photography equipment.

The Sigma 18-35mm T2 Cine High-Speed Zoom Lens with a Sony E-mount and with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High-Speed Zoom lineup, which makes for rapid lens changes.

The Sigma 18-35mm T2 Cine Lens, Canon EF Fit with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

The Canon EF mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls.

The Canon EF mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls.

The Sigma 18-35mm T2 Cine Lens, Canon EF Fit with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

The Canon EF mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls.

Boasting a new compact and sleek design with matte black finish, ROKINON CINE DSX lenses offer additional welcome features including a rounded nine blade aperture for even smoother circular bokeh. Lens mounts are now weather sealed, and Cine DSX lenses are even available in Canon RF mount. In addition, DSX lenses are fully compatible in terms of color rendition and gear placement with ROKINON CINE DS lenses.

The Rokinon 50mm T1.5 Cine DSX is a manual focus cine lens designed for Fujifilm X-mount cameras. It's a great choice for cinematographers and videographers who are looking for a fast, affordable lens for shooting in low-light conditions.

The Sigma 18-35mm T2 Cine Lens, Canon EF Fit with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

Irix Cine 15mm T2.6 is an ultra wide-angle 8K-ready cinema lens. The combination of high light transmission (T2.6) with the possibility of using filters makes this product ideally suited to a variety of lighting conditions.

The Canon EF mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Canon EF mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

Rokinon 10mm T3.1 Cine Lens - Micro Four Thirds Fit for Micro 4/3 Mount Cameras has been specifically designed for video use with Olympus and Panasonic Micro 4/3 mirror less cameras. It utilises a Nano Crystal Anti-Reflection Coating System, Aspherical Lens Elements and Extra Low Dispersion Glass to provide a high performance frame filling ultra wide view equivalent to 20mm on a full frame camera.

Laowa 24mm T14 2X Periprobe lens brought a new shooting possibility to the market. It is widely used in wildlife, table-top shootings, advertisements, and other creative works. The new 24mm T14 2x Macro Periprobe brings the probe lens to another level. Users could now explore more possibilities and shoot in a more handy way.The new Periprobe inherits all the features from the old probe lens. It features 85 Degree AoV with a periscope and a very close working distance, which features a bug-eye perspective. The 2x magnification allows for capturing subjects of different sizes with details. Users could poke the long and waterproof barrel into a tight space and underwater to obtain a unique perspective. The LED Ring Light provides an extra light source. Users could also switch the 90 Degree periscope back to the 0 Degree straight scope. The lens could rotate 360 Degree along the axis by using the clutch mechanism to unlock the orientation ring. Additional accessories can also be installed at the tip of the lens.Usage• Stay close to the ground• Side shots• Periscope• Look up• Look down• 45 Degree tilt-up• Travel through tight space• Spinning shotsBug-eye perspectiveThe lens is able to focus really close to the subject i.e. 2cm/ 0.8" at 2x magnification. In the meantime, it has a wider perspective i.e. 85 Degree than other macro lenses to create a 'Bug-eye perspective'.2x MagnificationWith 2x magnification, users would have higher flexibility to shoot subjects of different sizes. More details can be captured with higher magnification.Deep depth of fieldThe Periprobe has a wider perspective than other telephoto macro lenses and the aperture range starts from T14 to T40; therefore, it would have a greater depth of field at close distances. It is beneficial when shooting wildlife and in a studio as more information of the background can be included.Long & tubular lens barrelThe long and tubular lens barrel makes itself more accessible to different subjects. With the 40cm/15.7" long barrel, you could poke it into different tight spaces like tree holes, Lego houses, etc. Users could also stay at a safe distance from the subjects.Waterproof front barrelThe front barrel of the periprobe is waterproof so users could make underwater shots without a housing to get unique shots that other lenses cannot do.360 Degree RotationUse the clutch mechanism to unlock the orientation ring for adjustment.Interchangeable lens tubeUsers could also switch the 90 Degree periscope back to the 0 Degree straight probe.Threaded Tip (1/4 20)The threaded tip allows for the mounting of accessories like lighting or provides an attachment point for stabilization.

Boasting a new compact and sleek design with matte black finish, ROKINON CINE DSX lenses offer additional welcome features including a rounded nine blade aperture for even smoother circular bokeh. Lens mounts are now weather sealed, and Cine DSX lenses are even available in Canon RF mount. In addition, DSX lenses are fully compatible in terms of color rendition and gear placement with ROKINON CINE DS lenses.