21 products were found matching your search for Circularity in 4 shops:

Creating pieces that are treasured forever, ‘of the earth’ as well as ‘from the hands’ of a human, Sally uses precious and semi-precious stones, and man-made gemstones. Striking an effortless balance between sensuality and strength, Sally’s designs embody the depth of a woman and the power of the gemstones in which she adorns herself. Combining distinctive Labradorite and Gold Rutile Quartz elements with her signature black diamond and pave detailing she has created a craftsmanship and finish synonymous to fine jewelry while providing greater accessibility to her international clientele. Premium Black Rhodium Plate 925 Sterling Silver Base Hypoallergenic Handmade This product is a result of innovative design and precision craftsmanship resulting in fine details synonymous with high jewelry. Metalwork is crafted by artisans’ using the ancient practice of lost-wax casting in solid 925 Silver and plated in 18k Gold or Premium Rhodium for durability. Each stone is lovingly and meticulously set by hand. All materials are sourced or made sustainability for their high grade and material value. CARE GUIDANCE TIPS Keep it dry! Remove jewelry before showering, swimming or working with your hands to prevent scratches and damage. For extra care, gently wipe jewelry clean of makeup and skin oils with a soft cloth after each wear. Store jewelry pieces separated from each other to prevent scratching. The best way to store jewelry is in a ‘ziplock’ bag to prevent oxidation. Try to apply your jewelry last on, first off. SALLY SKOUFIS designs are the fulfillment of a pioneering collaboration of elite international craftsmen who meticulously hand make each piece. A combined determination has helped realize the designer's vision to create artful pieces worn with everyday ease. Artisan Handmade in Thailand.

Dark blue hardback with gilt lettered spine, complete with original dustjacket. In nearly new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered for sale at a very reasonable price.

Stay stylish and comfortable in this Tommy Hilfiger hoodie for women. Featuring long sleeves, embroidery, print, and logo details, this hoodie is designed for circularity.

Stay stylish and comfortable in this Tommy Hilfiger hoodie for women. Featuring long sleeves, embroidery, print, and logo details, this hoodie is designed for circularity.

Stay stylish and comfortable in this Tommy Hilfiger hoodie for women. Featuring long sleeves, embroidery, print, and logo details, this hoodie is designed for circularity.

Stay stylish and comfortable in this Tommy Hilfiger hoodie for women. Featuring long sleeves, embroidery, print, and logo details, this hoodie is designed for circularity.

Marine Serre operates under an ethos of circularity, regenerating end-of-life materials to create something entirely new. Expertly crafted from deadstock denim pants, the Deadstock Denim Mini Dress is a unique piece which holds its own story. It’s shaped to a flattering fit and is fastened by zip at the rear. The front is laser-engraved with the iconic crescent moon motif, chosen for its multiplicity of meaning and universality. 100% Cotton Recycled Denim, Slim Fit, Zip Closure, Printed Branding, Machine Wash Cold, Marine Serre. Marine Serre Women's Deadstock Denim Mini Dress in Blue, Size UK 10

Marine Serre operates under an ethos of circularity, regenerating end-of-life materials to create something entirely new. Expertly crafted from deadstock denim pants, the Deadstock Denim Mini Dress is a unique piece which holds its own story. It’s shaped to a flattering fit and is fastened by zip at the rear. The front is laser-engraved with the iconic crescent moon motif, chosen for its multiplicity of meaning and universality. 100% Cotton Recycled Denim, Slim Fit, Zip Closure, Printed Branding, Machine Wash Cold, Marine Serre. Marine Serre Women's Deadstock Denim Mini Dress in Blue, Size UK 14

Stay stylish and comfortable in this Tommy Hilfiger hoodie for women. Featuring long sleeves, embroidery, print, and logo details, this hoodie is designed for circularity.

Marine Serre operates under an ethos of circularity, regenerating end-of-life materials to create something entirely new. Expertly crafted from deadstock denim pants, the Deadstock Denim Mini Dress is a unique piece which holds its own story. It’s shaped to a flattering fit and is fastened by zip at the rear. The front is laser-engraved with the iconic crescent moon motif, chosen for its multiplicity of meaning and universality. 100% Cotton Recycled Denim, Slim Fit, Zip Closure, Printed Branding, Machine Wash Cold, Marine Serre. Marine Serre Women's Deadstock Denim Mini Dress in Blue, Size UK 8

Dagny is an upcycled denim jacket made from discarded and broken jeans. The name, Dagny, is of old Nordic origin and it means "new day" - it symbolizes the circularity of this item. Each jacket has its own colour shades, making it a truly precious and unique piece. The jacket has puffy, ruffled sleeves, 2 front pockets and button closure. Please notice, that due to the upcycling method, each product is unique! Colour shades vary between the products. Hand-wash or Machine-wash in 30 degrees with a delicate program Ironing with 1 spot No bleaching No tumble drying Save the climate Wash cool - Hang dry

Dagny is an upcycled denim jacket made from discarded and broken jeans. The name, Dagny, is of old Nordic origin and it means "new day" - it symbolizes the circularity of this item. Each jacket has its own colour shades, making it a truly precious and unique piece. The jacket has puffy, ruffled sleeves, 2 front pockets and button closure. Please notice, that due to the upcycling method, each product is unique! Colour shades vary between the products. Hand-wash or Machine-wash in 30 degrees with a delicate program Ironing with 1 spot No bleaching No tumble drying Save the climate Wash cool - Hang dry

Dagny is an upcycled denim jacket made from discarded and broken jeans. The name, Dagny, is of old Nordic origin and it means "new day" - it symbolizes the circularity of this item. Each jacket has its own colour shades, making it a truly precious and unique piece. The jacket has puffy, ruffled sleeves, 2 front pockets and button closure. Please notice, that due to the upcycling method, each product is unique! Colour shades vary between the products. Hand-wash or Machine-wash in 30 degrees with a delicate program Ironing with 1 spot No bleaching No tumble drying Save the climate Wash cool - Hang dry

Dagny is an upcycled denim jacket made from discarded and broken jeans. The name, Dagny, is of old Nordic origin and it means "new day" - it symbolizes the circularity of this item. Each jacket has its own colour shades, making it a truly precious and unique piece. The jacket has puffy, ruffled sleeves, 2 front pockets and button closure. Please notice, that due to the upcycling method, each product is unique! Colour shades vary between the products. Hand-wash or Machine-wash in 30 degrees with a delicate program Ironing with 1 spot No bleaching No tumble drying Save the climate Wash cool - Hang dry

Dagny is an upcycled denim jacket made from discarded and broken jeans. The name, Dagny, is of old Nordic origin and it means "new day" - it symbolizes the circularity of this item. Each jacket has its own colour shades, making it a truly precious and unique piece. The jacket has puffy, ruffled sleeves, 2 front pockets and button closure. Please notice, that due to the upcycling method, each product is unique! Colour shades vary between the products. Hand-wash or Machine-wash in 30 degrees with a delicate program Ironing with 1 spot No bleaching No tumble drying Save the climate Wash cool - Hang dry

Is linguistic meaning to be accounted for independently of the states of mind of language users, or can it only be explained in terms of them? If the latter, what account of the mental states in question avoids circularity? In this book Brian Loar offers a subtle and comprehensive theory that both preserves the natural priority of the mind in explanations of meaning, and gives an independent characterisation of its features. the nature of meaning and its relation to the mind is probably the area of paramount concern among philosophers. The theory presented here, by its reach and substance and the thoroughness and sophistication of its development, makes a major contribution to the debate.

To the Navajo, sandpaintings are sacred, living entities that reflect the interconnectedness of all living beings--humans, plants, stars, animals, and mountains. This book, now available in paperback, explores the circularity of Navajo thought in sandpaintings, Navajo chantway myths, and stories reflected in the celestial constellations. Beautifully illustrated by the author, this well-documented book explores the spiritual world of the Navajo, their ceremonial practices, and their conceptions of time and stellar motion. Griffin-Pierce shows how the images of sacred sandpaintings not only communicate the temporal and spatial dimensions of the Navajo universe but also present, in visual form, Navajo ideas about relationships among nature, self, and society. "Griffin-Pierce's approach is highly original, bringing this material together in an innovative and creative manner while grounding it holistically within the context of Navajo world view."--M. Jane Young, author of Signs from the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art

Reflective Knowledge argues for a reflective virtue epistemology based on a kind of virtuous circularity that may be found explicitly or just below the surface in the epistemological writings of Descartes, Moore, and now Davidson, who on Sosa's reading also relies crucially on an assumption of virtuous circularity. Along the way various lines of objection are explored.In Part I Sosa considers historical alternatives to the view developed in Part II. He begins with G.E. Moore's legendary proof, and the epistemology that lies behind it. That leads to classical foundationalism, a more general position encompassing the indirect realism advocated by Moore. Next he turns to the quietist naturalism found in David Hume, Ludwig Wittgenstein, and P.F. Strawson. After that comes Thomas Reid's commonsense alternative. A quite different option is the subtle and complex epistemology developed by Wilfrid Sellars over the course of a long career. Finally, Part I concludes with a study of Donald Davidson's distinctive form of epistemology naturalized (as Sosa argues). The second part of the book presents an alternative beyond the historical positions of Part I, one that defends a virtue epistemology combined with epistemic circularity. This alternative retains elements of the earlier approaches, while discarding what was found wanting in them.

To the Navajo, sandpaintings are sacred, living entities that reflect the interconnectedness of all living beings - humans, plants, stars, animals, and mountains. This book explores the circularity of Navajo thought in analyses of sandpaintings, Navajo chantway myths, and stories reflected in the celestial constellations.Beginning with an introduction to Navajo history and ethnography, the author explores the spiritual world of the Navajo, their ceremonial practices, and their conceptions of time and stellar motion. The Navajo depict the heavens in a group of sacred sandpaintings, and Griffin-Pierce shows how these images not only communicate the temporal and spatial dimensions of the Navajo universe but also present, in visual form, Navajo ideas about relationships among nature, self, and society.Beautifully illustrated by the author, this well-documented book is based on six years of fieldwork with Navajo chanters and on the author's twenty-year friendship with a Navajo family.Earth Is My Mother, Sky Is My Father is an engaging study for anyone who wants to better understand modern Navajo philosophy and sacred practices.

An old pro at the circularity that is the single largest distinction of Joyce’s outré masterpiece Finnegans Wake, Živkovic has written much in the spiraling, overlapping form of this book’s four “loops.” Never before, though, has his technical intent been so obvious. The similar incidents and dialectic procedures of each story in a loop essentially displace linear narrative suspense. Not that the pleasures of getting from here to there are entirely absent. Each story features a protagonist or two in a predicament that he or she or they inspect and propose to alter before either one of them or a new character diverts attention by beginning to tell the next story in the loop. Characters and situations in one loop’s tales tangentially recur in stories in the other loops in no easily predictable manner, and that binds all four loops. Whereas there’s a way out in earlier examples of Živkovic’s circularity (e.g., “The Square” in Impossible Stories II, 2009), no such luck here. Leavening and lightening the experiment is plenty of laugh-out-loud absurdist humor. --Ray Olson