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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++Bodleian Library (Oxford)N017482P.x misnumbered xi.Belfast : printed by James Magee, 1786. xi[i.e.x],[2],74p. ; 12°

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++Bodleian Library (Oxford)N017482P.x misnumbered xi.Belfast : printed by James Magee, 1786. xi[i.e.x],[2],74p. ; 12°

Book is in NEW condition. 2.57

Used Item. Does not include New Access Codes , Cd's or one time use items that come when New. This item is Used.

Crisp copy with a sturdy binding and light shelf wear. Used copies may not include access codes or Cd's.

This colourful picture dictionary combines clarity with humour to make it appealing to primary and lower secondary students. Approximately 1500 words are illustrated, with difficult key words contextualized in full sentences. Tasks and activities, designed to build vocabulary and train children in dictionary and referencing skills, make the dictionary ideal for use in the classroom or at home. At the back of the book, there is a list of all the words which appear in the dictionary, with page references. The dictionary comes in a variety of language editions and there is also an accompanying cassette available which contains all the words in the dictionary, as well as songs and rhymes.

Unread book in perfect condition.

The extraordinary life of Lewis & Clark's right-hand manIn 1804, John Colter set out with Meriwether Lewis and William Clark on the first U.S. expedition to traverse the North American continent. During the twenty-eight month ordeal, Colter served as a hunter and scout, and honed his survival skills on the western frontier. But when the journey was over, Colter stayed behind, spending four more years trekking alone through dangerous and unfamiliar territory. Along the way, he charted some of the West's most treasured landmarks.Historian David W. Marshall crafts this captivating history from Colter's primary sources, and has retraced Colter's steps―seeing what he saw, hearing what he heard, and experiencing firsthand how he and his contemporaries survived in the wilderness (how they pitched a shelter, built a fire, followed a trail, and forded a stream)―adding a powerful layer of authority and detail.The American Grit series brings you true tales of endurance, survival, and ingenuity from the annals of American history. These books focus on the trials of remarkable individuals with an emphasis on rich primary source material and artwork.50 b&w photographs

. with dustjacket, 1973 clean bright copy

Baltimore native John Clark Mayden's photographs are distinctive to the city and specific to black life there, lingering on the front stoops and in the postage-stamp backyards of Charm City row houses. But these pictures are far from nostalgic. Informed by the photographer's deep commitment to both social justice and storytelling, they strip Baltimore of pretense and illusion and show the city's veins.Baltimore Lives gathers 101 of Mayden's best photographs in print for the first time. Taken between 1970 and 2012, these photos illuminate the experiences of life throughout the predominantly African American city, capturing the relaxed intimacy of community, family, and the comfort of home in contrast to the harsh sting of social injustice, poverty, and crime. In Mayden's work, we meet people who are not expecting us. We bear witness to their lives―their emotions, gestures, and faces that often reveal more than they conceal. But regardless of the camera's presence, people go on waiting for the bus, catching a breeze on their front steps, slogging through the snow to work and school, and, every so often, returning the photographer's gaze with a sly grin, a backward glance, a curious frown.Including a brief biography of John Clark Mayden written by his sister, Ruth W. Mayden, and an essay by art historian Michael Harris on how Mayden's work fits into larger trends of black photography, Baltimore Lives is a stunning visual history of the spatial and human elements that together make Baltimore's inner city.

In 1818 John Ross led an expedition to search for the Northwest Passage. He got as far as Baffin Bay, but when he reached the only practicable entrance to the passage he declared it to be no more than a bay enclosed by mountains. In subsequent years he was widely derided for that error and carried the scars of public and professional humiliation for the rest of his life. In 1829 he mounted a private expedition to search for the passage, during which he became trapped in the Canadian Arctic and survived a four-year ordeal of isolation and hardship. He proved that whatever his shortcomings as an explorer, he could never be accused of lacking courage. James Clark Ross was one of the most experienced and respected explorers of his day. He led or took part in eight expeditions to the Arctic, including John Ross' 1818 and 1829 expeditions and three with the great explorer William Edward Parry. He also led a highly successful scientific expedition to the Antarctic in 1839-43. His many important discoveries included locating the North Magnetic Pole, and he ensured the presence of the Ross family name throughout both polar regions: Ross Island, Ross Ice Shelf, and Ross Sea in the Antarctic; James Ross Strait, Ross Bay, Ross Point, and Rossøya in the Arctic. Drawing on family papers and extensive research, M.J. Ross traces the careers of these two very different men, highlighting their achievements and defeats, and presents a detailed picture of their private lives.

The dependable and matter-of-fact John Ordway was one of the mainstays of the Corps of Discovery, promoted early on to sergeant and serving as an able leader during the captains' absence. Fascinated by the peoples and places he encountered, Ordway became the most faithful journalist on the expedition—recording information not found elsewhere and making an entry for every day during the expedition. Ordway later married and became a prosperous owner of two plantations in Missouri. His honest and informative account, which remained undiscovered for a century, offers an unforgettable glimpse of an enlisted man's experiences and observations as he and the Corps of Discovery embarked on the journey of a lifetime. In contrast to Ordway's extensive chronicle stands the far-too-brief but intriguingly detailed eyewitness account of Sergeant Charles Floyd, the only member to die on the expedition. The journals of John Ordway and Charles Floyd are part of the celebrated Nebraska edition of the complete journals of the Lewis and Clark expedition, which feature a wide range of new scholarship on all aspects of the expedition from geography to Indian cultures and languages to plants and animals.

The extraordinary life of Lewis & Clark's right-hand manIn 1804, John Colter set out with Meriwether Lewis and William Clark on the first U.S. expedition to traverse the North American continent. During the twenty-eight month ordeal, Colter served as a hunter and scout, and honed his survival skills on the western frontier. But when the journey was over, Colter stayed behind, spending four more years trekking alone through dangerous and unfamiliar territory. Along the way, he charted some of the West's most treasured landmarks.Historian David W. Marshall crafts this captivating history from Colter's primary sources, and has retraced Colter's steps―seeing what he saw, hearing what he heard, and experiencing firsthand how he and his contemporaries survived in the wilderness (how they pitched a shelter, built a fire, followed a trail, and forded a stream)―adding a powerful layer of authority and detail.The American Grit series brings you true tales of endurance, survival, and ingenuity from the annals of American history. These books focus on the trials of remarkable individuals with an emphasis on rich primary source material and artwork.50 b&w photographs

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With contributions by Emily Apter, George Baker, Malcolm Baker, John Brewer, Martha Buskirk, Margaret Iversen, Ewa Lajer-Burcharth, Karen Lang, Mark A. Meadow, Helen Molesworth, Marcia Pointon, Christian Scheidemann, Edward J. Sullivan, and Martha Ward            This latest volume in the critically acclaimed Clark Studies in the Visual Arts series examines the force of art history’s attraction to particular objects and the corresponding rhythms of attachment and detachment that animate the discipline. In a series of thought-provoking essays, distinguished curators, conservators, and scholars from various disciplines within the humanities consider how artists, the public, and art historians have encountered objects in periods ranging from the Renaissance to Surrealism and contemporary art. They grapple with the questions of how art and art history are shaped by the confrontation with the object―painted, drawn, and sculpted; lost, found, and ready-made; exhibited and conserved; made and unmade.Art historian Stephen Melville provides the introduction to the volume. Other contributors include Emily Apter, George Baker, Malcolm Baker, John Brewer, Martha Buskirk, Margaret Iversen, Ewa Lajer-Burcharth, Karen Lang, Mark Meadow, Helen Molesworth, Marcia Pointon, Christian Scheidemann, Edward J. Sullivan, and Martha Ward.

Put together as a companion volume to his earlier volume, Word and Church, in this book John Webster begins to give voice to a reordered conception of the substance of Christian teaching, at the heart of which lies a discovery of the content and consequences of Christian teaching about God's perfection.Webster gives the readers a worked example of 'theological theology', that is, Christian theology which takes its rise in the Christian confession of the gospel which seeks to hear, celebrate and commend. This classic volume from one of the leading theologians in the world remains an important contribution to the field of systematic theology. For this Cornerstones edition Webster has written a new preface in which he sets the work against the current debate and his own current theology.

Colonial architect John James Clark was 14 when he began his career, and by the age of 19 he had designed Australia’s finest Renaissance Revival building—the Melbourne Treasury. The inspiration and drama of Clark's controversial career is revealed in this fascinating biography of the architectural master whose designed some of the most beautiful buildings in Australia and New Zealand over more than six decades: Melbourne’s Government House, City Baths, and Royal Mint as well as the Treasury Building in Brisbane and the Auckland Town Hall. Including original plans, elevations, and previously unpublished sketches, this record celebrates a man once described as “Australia’s greatest architect.”

The so-called extra Calvinisticum-the doctrine that the incarnate Son of God continued to exist beyond the flesh-was not invented by John Calvin or Reformed theologians. If this is true, as is almost universally acknowledged today, then why do scholars continue to fixate almost exclusively on Calvin when they discuss this doctrine? The answer to the “why” of this scholarly trend, however, is not as important as correcting the trend. This volume expands our vision of the historical functions and christological significance of this doctrine by expounding its uses in Cyril of Alexandria, Thomas Aquinas, Zacharias Ursinus, and in theologians from the Reformation to the present. Despite its relative obscurity, the doctrine that came to be known as the “Calvinist extra” is a possession of the church catholic and a feature of Christology that ought to be carefully appropriated in contemporary reflection on the Incarnation.

In Word and Church readers are treated to chapters that examine the field of Christian Dogmatics, presenting a clear trajectory in the work of John Webster, that moves from interpretation of 20th-century Protestant theology to doctrinal construction. Webster addresses the modern traditions of Christian divinity, and the topics which come to the fore in making sense of these traditions: the nature of the Bible and its interpretation; the place of Jesus Christ in modern theological culture; and the basis and shape of human agency. As a whole the book boldly indicates how dilemmas or inadequacies in modern treatments of these topics might be clarified by more direct employment of language about God and the gospel.The classic chapters present the work of one of the world's leading contemporary theologians at his creative best. For this Cornerstones edition the author has provided a new preface in which he contextualizes the work within his current theology.