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A history of aging in America surveys and compares actualities and attitudes in the eighteenth, nineteenth, and twentieth centuries and suggests practical improvements on the current inadequate system of pensions, social security, medicare, and other programs.

Vinyl LP pressing in gatefold sleeve includes digital download. George Clarke (vocals), Kerry McCoy (guitar), Dan Tracy (drums), Stephen Lee Clark (bass), and Shiv Mehra (guitar) recorded New Bermuda live to tape at 25th Street Recording in Oakland, CA and Atomic Garden Recording in East Palo Alto, CA in April 2015. It was produced, engineered, mixed, and mastered by Jack Shirley who has worked with the band on their previous releases. Clarke says that he came up with the idea of "New Bermuda" t

Deluxe double vinyl LP pressing in gatefold sleeve includes digital download and has embossing and a foil stamp on the packaging. George Clarke (vocals), Kerry McCoy (guitar), Dan Tracy (drums), Stephen Lee Clark (bass), and Shiv Mehra (guitar) recorded New Bermuda live to tape at 25th Street Recording in Oakland, CA and Atomic Garden Recording in East Palo Alto, CA in April 2015. It was produced, engineered, mixed, and mastered by Jack Shirley who has worked with the band on their previous rele

Limited vinyl LP repressing of this 1965 album from the late great Pop/Country singer, songwriter, and record producer. Sanford Clark, Dean Martin and Nancy Sinatra, the ever-industrious Lee Hazelwood still found time to release his excellent third solo album in 1965. His second solo recording for the Reprise label, Friday's Child indulges his signature country-pop flare and pioneering use of vocal reverb. With electric guitar leads, harp and female backup vocals, the album finds Hazelwood embel

Based on Owen Wister's 1902 western novel. Set in the semi-mythical town of Medicine Bow, Wyoming in the 1890s, the Viginian chronicled the lives & relationships of the people who came west and settled the land. Starring Lee.J. Cobb, Doug McClure, Gary Clark, & Roberta Shore. Bonus Disc includes Interviews with James Drury, Roberta Shore, Gary Clark, Robert Fuller & Peter Brown. Includes 30 Complete Season 1 Episodes (1962-1963) Over 39 Hours!

“The Deaf poet is no oxymoron,” declares editor John Lee Clark in his introduction to Deaf American Poetry: An Anthology. The 95 poems by 35 Deaf American poets in this volume more than confirm his point. From James Nack’s early metered narrative poem “The Minstrel Boy” to the free association of Kristi Merriweather’s contemporary “It Was His Movin’ Hands Be Tellin’ Me,” these Deaf poets display mastery of all forms prevalent during the past two centuries. Beyond that, E. Lynn Jacobowitz’s “In Memoriam: Stephen Michael Ryan” exemplifies a form unique to Deaf American poets, the transliteration of verse originally created in American Sign Language.This anthology showcases for the first time the best works of Deaf poets throughout the nation’s history — John R. Burnet, Laura C. Redden, George M. Teegarden, Agatha Tiegel Hanson, Loy E. Golladay, Robert F. Panara, Mervin D. Garretson, Clayton Valli, Willy Conley, Raymond Luczak, Christopher Jon Heuer, Pamela Wright-Meinhardt, and many others. Each of their poems reflects the sensibilities of their times, and the progression of their work marks the changes that deaf Americans have witnessed through the years. In “The Mute’s Lament,” John Carlin mourns the wonderful things that he cannot hear, and looks forward to heaven where “replete with purest joys/My ears shall be unsealed, and I shall hear.” In sharp contrast, Mary Toles Peet, who benefitted from being taught by Deaf teachers, wrote “Thoughts on Music” with an entirely different attitude. She concludes her account of the purported beauty of music with the realization that “the music of my inward ear/Brings joy far more intense.”Clark tracks these subtle shifts in awareness through telling, brief biographies of each poet. By doing so, he reveals in Deaf American Poetry how “the work of Deaf poets serves as a prism through which Deaf people can know themselves better and through which the rest of the world can see life in a new light.”

Clark Lee was an AP reporter stationed in Manila when World War 2 broke out. They Call It Pacific is an insightful account of events leading up to the war and beyond from an authority on Japanese-American affairs at the time. It is also a thrilling journal detailing Lee's unbelievable real-time escape from the Philippine Islands with the help of the Filipino resistance.

"This anthology samples for interested professionals the more significant scholarly forays into what has come to be known as the near-death experience." Contributors include the editors, Carl B.Becker, Daniel B. Carr, Kimberly Clark, John C. Gibbs, Michael Grosso, Anthony Lee, Raymond A. Moody Jr., Russell Noyes Jr., Annalee R. Oakes, Kenneth Ring, Ernst A. Rodin, Michael Sabom (who also contributes the foreword), Carl Sagan, Ronald K. Siegel, and Donald J. Slymen. Blue cloth w/silver lettering to front cover/spine, 289 pages. A nice copy in dust jacket w/rubbing, thin impressions/scratches, light chipping to corners/spine ends. Uncommon in decent condition and boasting a dust jacket. Size: 8vo - over 7¾ - 9¾" tall

Profiles such well-know trial lawyers as F. Lee Bailey, Marcia Clark, Clarence Darrow, William Kunstler, and Robert Shapiro.

This book includes Donald Hall, Jack Kerouac, Robert Kelly, Bill Lee, Paul Metcalf, Anne Waldman, Tom Clark, and Bernadette Mayer. The quality of the work in this anthology varies widely, but the sheer unlikeliness of a volume of neo-beat baseball poetry and new-age-inflected essays cannot help but inspire generosity. The photography is remarkable, and the photo essays of baseball stars of the 1950s and 1960s have this awe-inspiring sense of the mundane about them.

“The Deaf poet is no oxymoron,” declares editor John Lee Clark in his introduction to Deaf American Poetry: An Anthology. The 95 poems by 35 Deaf American poets in this volume more than confirm his point. From James Nack’s early metered narrative poem “The Minstrel Boy” to the free association of Kristi Merriweather’s contemporary “It Was His Movin’ Hands Be Tellin’ Me,” these Deaf poets display mastery of all forms prevalent during the past two centuries. Beyond that, E. Lynn Jacobowitz’s “In Memoriam: Stephen Michael Ryan” exemplifies a form unique to Deaf American poets, the transliteration of verse originally created in American Sign Language.This anthology showcases for the first time the best works of Deaf poets throughout the nation’s history — John R. Burnet, Laura C. Redden, George M. Teegarden, Agatha Tiegel Hanson, Loy E. Golladay, Robert F. Panara, Mervin D. Garretson, Clayton Valli, Willy Conley, Raymond Luczak, Christopher Jon Heuer, Pamela Wright-Meinhardt, and many others. Each of their poems reflects the sensibilities of their times, and the progression of their work marks the changes that deaf Americans have witnessed through the years. In “The Mute’s Lament,” John Carlin mourns the wonderful things that he cannot hear, and looks forward to heaven where “replete with purest joys/My ears shall be unsealed, and I shall hear.” In sharp contrast, Mary Toles Peet, who benefitted from being taught by Deaf teachers, wrote “Thoughts on Music” with an entirely different attitude. She concludes her account of the purported beauty of music with the realization that “the music of my inward ear/Brings joy far more intense.”Clark tracks these subtle shifts in awareness through telling, brief biographies of each poet. By doing so, he reveals in Deaf American Poetry how “the work of Deaf poets serves as a prism through which Deaf people can know themselves better and through which the rest of the world can see life in a new light.”

Zalman King (Two Moon Junction, Wild Orchid) stars as Aaron Silverman, one of the eager young students offering assistance to the communitys poor individuals unable to afford legal help. Lee J. Cobb (12 Angry Men, On The Waterfront), Judy Pace (Brians Song, The Thomas Crown Affair) and Phillip Clark (Another World) also starred. The series featured guest appearances from some of todays most well-known actors including Martin Sheen, Richard Dreyfuss, Meredith Baxter and Russell Johnson. The 25-ep

CONDUCTOR: Danny Fratina VOCALS: John Stevens, Laura Brunner, Jen Hirsh, Micha Goolsby SAXES/FLUTES/CLARINETS: Rick Stone, Arthur Felluca, Mark Zaleski, Leon Cotter, Tucker Antell, Melanie Howell TRUMPETS: Yaure Muniz, John Replogle, Don Clough, Vivek Patel, Alex Lee-Clark, Daniel Henderson, Chris Rymes, Matt Joseph TROMBONES: Ryan Dragon, Clayton Dewalt, Randy Pingrey, Scott Flynn, Tim Lienhard, David Roth PIANO: Steve Boudreau, Takeshi Ohbayashi GUITAR: Chris Brown BASS: Genevieve Rose DRUMS:

Law student David Clark (John Derek-The Ten Commandments) finds himself in trouble when he accidentally kills his best friend. Wracked with guilt he tells his father attorney Howard Clark (Lee J. Cobb-12 Angry Men) about it. David is urged to confess but when another man is arrested for the crime David clams up and offers his assistance to put the wrongly accused man away. But as the case continues the tension between father and son grows and David has to decide whether or not to confess. Newly

Starring Frankie Howerd, Margaret Rutherford, Petula Clark, George Coulouris, Toke Townley and Belinda Lee. When heavy fog prevents any flights from leaving London Airport, a group of passengers are put on a bus driven by Percy Lamb.

28 tracks: Thunderbird Beach - Floyd Brown, Puddin' - Roy Clark, Pretty Little Girl - Johnny Hughes, Don't Send Me Away - Garry Shelton, Lonesome Soul - Tune Tones, So Young - Dave Lowe, Ain't That Love Grand - Ron & Joe & Crew, a Tramp - Dave Lowe, Ugly Ducking - Don Crawford, Walk Away - Robin Lee, I Got a Ring - Roger Hamilton & Tune Topers, Patsy Darling - Maynie & Howie, Angel Love - Arlie Neaville, Chubie Dubie - Larry McKinzie, Teenage Party - Ted & Johnny, She's Right for Me - Tune Tones

Good-hearted small-town newspaper owner Kenesaw H. Clark (Will Rogers) has a chance meeting with ex-con Lee Austin, just in time to prevent Austin from committing a crime. When Kenesaw sees something worthwhile in the boy, he takes him in and teaches him to earn an honest wage. He also schools Austin the ways of romance, helping him to woo local beauty Adele Anderson. Austins mere presence in town is enough to irritate town banker Colonel Abercrombie, who still holds a grudge against the man he