15 products were found matching your search for Clark Rebeccar Schatten ohne in 3 shops:

Already brimming with symbols and transformations, the epic fairytale recounted by Strauss and his librettist Hofmannsthal in Die Frau ohne Schatten acquires a further allegorical dimension in Christoph Loy's inventive production for the Salzburg Festival. The central character, the Empress - half-spirit, half-human, and unable to bear children until she finds a shadow - here becomes a young soprano who makes a voyage of personal and professional discovery as she records the opera. A superb cast

The Mariinsky label presents a stunning reading of Strauss' most Wagnerian of operas, Die Frau ohne Schatten. Filmed in the historic Mariinsky Theatre in 2011 and conducted by maestro Valery Gergiev, it stars Russian tenor Avgust Amonov as the Emperor, Mlada Khudoley as the Empress and Olga Savova as the Nurse. This epic production, premiered in 2009, is a collaboration between two British artists, director Jonathan Kent and designer Paul Brown, and has become a regular fixture in the opera comp

The Mariinsky label presents a stunning reading of Strauss' most Wagnerian of operas, Die Frau ohne Schatten. Filmed in the historic Mariinsky Theatre in 2011 and conducted by maestro Valery Gergiev, it stars Russian tenor Avgust Amonov as the Emperor, Mlada Khudoley as the Empress and Olga Savova as the Nurse. This epic production, premiered in 2009, is a collaboration between two British artists, director Jonathan Kent and designer Paul Brown, and has become a regular fixture in the opera comp

Die Frau Ohne Schatten Karl B hm - CD 4011790668321

Neuware - Die in ungewöhnlich zahlreichen Niederschriften überlieferte Oper 'Die Frau ohne Schatten', in den Jahren 1911 bis 1915 entstanden und im Oktober 1919 in der Vertonung von Richard Strauss uraufgeführt, transponiert das Motiv des verlorenen Schattens ins Symbolische. Wie in der bereits vorliegenden Erzählung gleichen Titels (Band XXVIII der Kritischen Ausgabe) geht es in der Oper um die Gewinnung der menschlichen Existenz - durch die Erfahrung der Endlichkeit und des Schmerzes und auf dem Weg gegenseitiger Verwandlung. Um die Jahreswende 1919/20 greift Hofmannthal mythologische Themen auf, denen er ein Libretto leichteren Genres abzugewinnen hofft. 'Danae oder die Vernunftheirat' liegt als Szenar vor, wird aber vom Dichter schließlich nicht als Libretto ausgeführt.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A comprehensive study guide for Richard Strauss's DIE FRAU ohne SCHATTEN (The Woman Witout a Shadow) featuring Principal Characters, Brief Story Synopsis, Story Narrative with Music Highlight Examples, a Libretto with German to English translation in parallel, side-by-side, plus Burton D. Fisher's in depth and insightful Commentary and Analysis.

A comprehensive study guide for Richard Strauss's DIE FRAU ohne SCHATTEN (The Woman Witout a Shadow) featuring Principal Characters, Brief Story Synopsis, Story Narrative with Music Highlight Examples, a Libretto with German to English translation in parallel, side-by-side, plus Burton D. Fisher's in depth and insightful Commentary and Analysis.

Already brimming with symbols and transformations, the epic fairytale recounted by Strauss and his librettist Hofmannsthal in Die Frau ohne Schatten acquires a further allegorical dimension in Christoph Loy's inventive production for the Salzburg Festival. The central character, the Empress - half-spirit, half-human, and unable to bear children until she finds a shadow - here becomes a young soprano who makes a voyage of personal and professional discovery as she records the opera. A superb cast

Die Frau ohne Schatten concerns itself with the mystery of birth and the mystery of death. For composer Richard Strauss, and librettist von Hofmannsthal, influences of Goethe and Mozart's Magic Flute played an important role in the opera's conception. This great work was Sebastian Weigle's admission ticket as Frankfurt Opera Chief Music Director; what could be more appropriate then, than to issue this performance on CD? Strauss specialist Weigle brought established singers and role debutantes to

Contents: Ariadne auf Naxos * Der Burger als Edelmann * Die Frau ohne Schatten * Intermezzo.Features:HornPages: 72Instrumentation: French HornInstr...

Contents: Ariadne auf Naxos, Die Frau ohne Schatten, Arabella, Die schweigsame Frau, Daphne, Capriccio, Der Burger als Edelmann (Orchestersuite).Fe...

Richard Georg Strauss (11 June 1864 - 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, Ein Heldenleben, Symphonia Domestica, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.

Hugo von Hofmannsthal is one of the modern era's most important writers, but his fame as Richard Strauss's pioneering collaborator on such operas as Der Rosenkavalier and Die Frau ohne Schatten has obscured his other remarkable writings: his precocious lyric poetry, inventive short fiction, keen essays, and visionary plays. The Whole Difference, which includes new translations as well as classic ones long out of print, is a fresh introduction to the enormous range of this extraordinary artist, and the most comprehensive collection of Hofmannsthal's writings in English. Selected and edited by the poet and librettist J. D. McClatchy, this collection includes early lyric poems; short prose works, including "The Tale of Night Six Hundred and Seventy-Two," "A Tale of the Cavalry," and the famous "Letter of Lord Chandos"; two full-length plays, The Difficult Man and The Tower; as well as the first act of The Cavalier of the Rose. From the glittering salons of imperial Vienna to the bloodied ruins of Europe after the Great War, the landscape of Hofmannsthal's world stretches across the extremes of experience. This collection reflects those extremes, including both the sparkling social comedy of "the difficult man" Hans Karl, so sensitive that he cannot choose between the two women he loves, and the haunting fictional letter to Francis Bacon in which Lord Chandos explains why he can no longer write. Complete with an introduction by McClatchy, this collection reveals an artist whose unusual subtlety and depth will enthrall readers.

Hugo von Hofmannsthal is one of the modern era's most important writers, but his fame as Richard Strauss's pioneering collaborator on such operas as Der Rosenkavalier and Die Frau ohne Schatten has obscured his other remarkable writings: his precocious lyric poetry, inventive short fiction, keen essays, and visionary plays. The Whole Difference, which includes new translations as well as classic ones long out of print, is a fresh introduction to the enormous range of this extraordinary artist, and the most comprehensive collection of Hofmannsthal's writings in English. Selected and edited by the poet and librettist J. D. McClatchy, this collection includes early lyric poems; short prose works, including "The Tale of Night Six Hundred and Seventy-Two," "A Tale of the Cavalry," and the famous "Letter of Lord Chandos"; two full-length plays, The Difficult Man and The Tower; as well as the first act of The Cavalier of the Rose. From the glittering salons of imperial Vienna to the bloodied ruins of Europe after the Great War, the landscape of Hofmannsthal's world stretches across the extremes of experience. This collection reflects those extremes, including both the sparkling social comedy of "the difficult man" Hans Karl, so sensitive that he cannot choose between the two women he loves, and the haunting fictional letter to Francis Bacon in which Lord Chandos explains why he can no longer write. Complete with an introduction by McClatchy, this collection reveals an artist whose unusual subtlety and depth will enthrall readers.