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The clavichord, forerunner of the piano, was one of the most important instruments in Western keyboard history until the first decades of the nineteenth century. Bernard Brauchli's comprehensive history fills a major gap in the literature on this instrument. Beginning with the earliest-known references, he traces the clavichord's evolution up to the mid-nineteenth century, ending with a study of performance technique. The clavichord's structural developments (traced largely through an analysis of extant instruments), literary documentation (much of it presented here for the first time in English), treatises and iconographical sources are presented in chronological order. What emerges from this study of the various sources is an overview of the essential role this instrument played both socially and musically for more than four centuries, restoring the clavichord to the position it justly deserves in history. Awarded the Nicholas Bessaraboff Prize for 2001, honoring the best book-length organological study in the English language published in 1998/99.

The clavichord, forerunner of the piano, was one of the most important instruments in Western keyboard history until the first decades of the nineteenth century. Bernard Brauchli's comprehensive history fills a major gap in the literature on this instrument. Beginning with the earliest-known references, he traces the clavichord's evolution up to the mid-nineteenth century, ending with a study of performance technique. The clavichord's structural developments (traced largely through an analysis of extant instruments), literary documentation (much of it presented here for the first time in English), treatises and iconographical sources are presented in chronological order. What emerges from this study of the various sources is an overview of the essential role this instrument played both socially and musically for more than four centuries, restoring the clavichord to the position it justly deserves in history. Awarded the Nicholas Bessaraboff Prize for 2001, honoring the best book-length organological study in the English language published in 1998/99.

New copy. 8vo 272 pages. Paperback. Illustrations.

Richard Troeger unites practical insights with a detailed exploration of keyboard technique and expression in music from the Renaissance through the Baroque and early Classical periods.

Unread book in perfect condition.

Keyboard instruments are living witnesses of past times. Their aesthetic and tonal appeal produce an almost mystical attraction which has endured for centuries. All this, with his love of music and his passion for historic instruments, was the incentive for Andreas Beurmann to assemble this collection, piece by piece. Steadily, many precious instruments were acquired over the years, and the collection grew to one of the most significant of its type. It contains a plethora of especially rare treasures including the oldest French harpsichord, and many other artifacts; in fact, about 100 instruments are treated here. The book is a pictorial account of the famous collection, and the reader is asked to learn more from the pictures than from the text. Nonetheless, it is still a catalogue, with notes on both the structure of the instruments as well as their history.

Richard Troeger unites practical insights with a detailed exploration of keyboard technique and expression in music from the Renaissance through the Baroque and early Classical periods.

The Bach Family And The Clavichord: Johann Sebastian, Carl PhilippEmanuel, Johann Christian Sebastian / Emanuel / Breckenridge, Carol Lei - CD 026724692628

A superbly recorded new version of this cycle. Tilney is internationally known for his harpsichord, clavichord and fortepiano playing, with many solo recordings on DG (Archive), EMI Electrola, Decca, Hyperion, Dorian, Doremi and CBC SM 5000. This is a superb recording of a new version of this cycle.

The Pianoteq Clavinet Add-on Software, a digital download, is a meticulously modeled emulation of the iconic D6 electric clavichord. This vintage-inspired software add-on is designed to infuse your electronic keyboard with the captivating, bright staccato rhythms that defined the rhythm and blues, pop, funk, disco, and reggae genres of the 70's. Crafted with precision, this classic and stylish software upgrade enhances your keyboard's functionality and sound quality, allowing you to recreate the timeless, retro sounds of the past. Ideal for musicians and enthusiasts, this Clavinet Add-on Software is a product of Adorama, a trusted retailer renowned for offering top-quality electronics and musical instruments. Experience the transformative power of this software, and let your creativity soar with the Pianoteq Clavinet Add-on Software.

This new release features a fresh interpretation of Bach's masterly cycle The Well-Tempered Clavichord by Heidrun Holtmann. Heidrun Holtmann was born in Germany where she began her musical education at the age of four. Five years later she was accepted by the Music Academy of Detmold, where she worked with Renate Kretschmar-Fischer and completed her studies with highest honors. She was awarded several prizes at national and international competitions. Appearances with conductors such as Antal Do

IMPORTANT: OUT ON HOLIDAY UNTIL 25th AUGUSTOne of the greatest string and brass machine ever made, with piano and clavichord added.Used extensively...

A 5-disc boxed set survey of solo keyboard works CPE Bach gave the title 'For Connoisseur and Amateur'. Recorded 2012-13 and played on fortepiano and clavichord by Pieter-Jan Belder. Pieter-Jan Belder has an extensive Brilliant Classics discography and has been often cited for his consummate artistry and innate musicality and understanding of Baroque and Classical-era period performance practices. Liner notes include details on the music and artist biography.

Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder. This early 'do-it-yourself' manual of instruction not only tells us about music-making in that era, it also illumines other aspects of society in the years just before the Reformation. Its author communicates in a popular style, choosing a mixture of media: a written text in the guise of an informal conversation, coupled with woodcut illustrations and visual aids. Enthusiasts of early music and its performance as well as historians of art, society and the German language will welcome Beth Bullard's substantial introduction and annotations, which help explain the text of this important work and its place in intellectual history.

Inspired by nineteenth-century engravings for the Webster's Dictionary, Engraved explores a fantastic land at the edge of obsolescence and loss. The poems teem with whaling schooners, passenger pigeons, a bayonet, cupola furnace, clavichord -- words and objects at the brink of extinction, placed in and around the death of the poet's father. But these poems also create, or recreate; through illustration, music, and myth, the imagination here allows the dead to reappear, mostly, and sometimes also lets them go. Located at the intersection of art and grief, these poems honor anyone who has set down lines and vanished from the earth.

Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder. This early 'do-it-yourself' manual of instruction not only tells us about music-making in that era, it also illumines other aspects of society in the years just before the Reformation. Its author communicates in a popular style, choosing a mixture of media: a written text in the guise of an informal conversation, coupled with woodcut illustrations and visual aids. Enthusiasts of early music and its performance as well as historians of art, society and the German language will welcome Beth Bullard's substantial introduction and annotations, which help explain the text of this important work and its place in intellectual history.

Tasten-Instrument (Piano, Harpsichord, Organ, Clavichord).Features:Pages: 24Instrumentation: PianoInstrumentation: Keyboard

2 organs, 2 harpsichords, 2 clavichords, 2 pianos or organ and harpsichord.Features:Performance ScorePages: 67Instrumentation: Piano/Keyboard