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This lucid and imaginative study uses the French experience to examine one fundamental aspect of the 'civilizing process': the way in which, over the past millennium, attitudes to and perceptions of human cleanliness, health and hygiene have changed, as have the moral properties attributed to the human body. Such changes are clearly manifest in the history of bathing, and Professor Vigarello demonstrates that the use of water for cleanliness has been by no means constant since the Middle Ages: the medieval ideal of visible purity (effectively meaning face and hands only) was replaced by modern notions of hygiene, which in turn reflected the growing concern for personal privacy. Clothes, in particular linen, assumed major importance in the creation of a new physical space for cleanliness; and scientific, bourgeois concepts of 'vigour' and bodily health, related to personal hygiene, gradually transformed the superficial aristocratic purity of earlier generations.

A nation’s standards of private cleanliness reveal much about its ideals of civilization, fears of disease, and expectations for public life, says Kathleen Brown in this unusual cultural history. Starting with the shake-up of European practices that coincided with Atlantic expansion, she traces attitudes toward “dirt” through the mid-nineteenth century, demonstrating that cleanliness—and the lack of it—had moral, religious, and often sexual implications. Brown contends that care of the body is not simply a private matter but an expression of cultural ideals that reflect the fundamental values of a society.The book explores early America’s evolving perceptions of cleanliness, along the way analyzing the connections between changing public expectations for appearance and manners, and the backstage work of grooming, laundering, and housecleaning performed by women. Brown provides an intimate view of cleanliness practices and how such forces as urbanization, immigration, market conditions, and concerns about social mobility influenced them. Broad in historical scope and imaginative in its insights, this book expands the topic of cleanliness to encompass much larger issues, including religion, health, gender, class, and race relations.

Concerned about sanitation during a severe bout of plague in Milan, Leonardo da Vinci designed an ideal, clean city. Leonardo was far from alone among his contemporaries in thinking about personal and public hygiene, as Douglas Biow shows in The Culture of Cleanliness in Renaissance Italy. A concern for cleanliness, he argues, was everywhere in the Renaissance.Anxieties about cleanliness were expressed in literature from humanist panegyrics to bawdy carnival songs, as well as in the visual arts. Biow surveys them all to explain why the topic so permeated Renaissance culture. At one level, cleanliness, he documents, was a matter of real concern in the Renaissance. At another, he finds, issues such as human dignity, self-respect, self-discipline, social distinction, and originality were rethought as a matter of artistic concern.The Culture of Cleanliness in Renaissance Italy moves from the clean to the unclean, from the lofty to the base. Biow first examines the socially elevated, who defined and distinguished themselves as clean, pure, and polite. He then turns to soap, an increasingly common commodity in this period, and the figure of the washerwoman. Finally he focuses on latrines, which were universally scorned yet functioned artistically as figures of baseness, creativity, and fun in the works of Dante and Boccaccio. Paralleling this social stratification is a hierarchy of literary and visual artifacts, from the discourse of high humanism to filthy curses and scatological songs. Deftly bringing together high and low-as well as literary and visual-cultures, this book provides a fresh perspective on the Italian Renaissance and its artistic legacy.

Concerned about sanitation during a severe bout of plague in Milan, Leonardo da Vinci designed an ideal, clean city. Leonardo was far from alone among his contemporaries in thinking about personal and public hygiene, as Douglas Biow shows in The Culture of Cleanliness in Renaissance Italy. A concern for cleanliness, he argues, was everywhere in the Renaissance.Anxieties about cleanliness were expressed in literature from humanist panegyrics to bawdy carnival songs, as well as in the visual arts. Biow surveys them all to explain why the topic so permeated Renaissance culture. At one level, cleanliness, he documents, was a matter of real concern in the Renaissance. At another, he finds, issues such as human dignity, self-respect, self-discipline, social distinction, and originality were rethought as a matter of artistic concern.The Culture of Cleanliness in Renaissance Italy moves from the clean to the unclean, from the lofty to the base. Biow first examines the socially elevated, who defined and distinguished themselves as clean, pure, and polite. He then turns to soap, an increasingly common commodity in this period, and the figure of the washerwoman. Finally he focuses on latrines, which were universally scorned yet functioned artistically as figures of baseness, creativity, and fun in the works of Dante and Boccaccio. Paralleling this social stratification is a hierarchy of literary and visual artifacts, from the discourse of high humanism to filthy curses and scatological songs. Deftly bringing together high and low-as well as literary and visual-cultures, this book provides a fresh perspective on the Italian Renaissance and its artistic legacy.

This book gives a complete history of the American bathroom and describes how the smallest yet most complex room in the American house is at the nexus of personal behavior and public investment.· Offers a comprehensive overview of the history of the American bathroom· Provides a detailed look at the material culture of the bathroom· Focuses on the bathroom as a social space of consumers· Includes chapters that connect the bathroom with the public infrastructure (e.g., sanitation, technology) that surrounds it· Features 20 images that show the historical progression of the bathroom in American homes

In colonial times few Americans bathed regularly; by the mid-1800s, a cleanliness “revolution” had begun. Why this change, and what did it signify? A nation’s standards of private cleanliness reveal much about its ideals of civilization, fears of disease, and expectations for public life, says Kathleen Brown in this unusual cultural history. Starting with the shake-up of European practices that coincided with Atlantic expansion, she traces attitudes toward “dirt” through the mid-nineteenth century, demonstrating that cleanliness—and the lack of it—had moral, religious, and often sexual implications. Brown contends that care of the body is not simply a private matter but an expression of cultural ideals that reflect the fundamental values of a society.The book explores early America’s evolving perceptions of cleanliness, along the way analyzing the connections between changing public expectations for appearance and manners, and the backstage work of grooming, laundering, and housecleaning performed by women. Brown provides an intimate view of cleanliness practices and how such forces as urbanization, immigration, market conditions, and concerns about social mobility influenced them. Broad in historical scope and imaginative in its insights, this book expands the topic of cleanliness to encompass much larger issues, including religion, health, gender, class, and race relations.

Over the past few generations, expectations of comfort, cleanliness and convenience have altered radically, but these dramatic changes have largely gone unnoticed. This intriguing book brings together the sociology of consumption and technology to investigate the evolution of these changes, as well the social meaning of the practices themselves. Homes, offices, domestic appliances and clothes play a crucial role in our lives, but not many of us question exactly how and why we perform so many daily rituals associated with them. Showers, heating, air-conditioning and clothes washing are simply accepted as part of our normal, everyday lives, but clearly this was not always the case. When did the daily shower become de rigueur? What effect has air conditioning had on the siesta at one time an integral part of Mediterranean life and culture? This book interrogates the meaning and supposed normality of these practices and draws disturbing conclusions. There is clear evidence supporting the view that routine consumption is controlled by conceptions of normality and profoundly shaped by cultural and economic forces. Shove maintains that habits are not just changing, but are changing in ways that imply escalating and standardizing patterns of consumption. This shrewd and engrossing analysis shows just how far the social meanings and practices of comfort, cleanliness and convenience have eluded us.

A nation’s standards of private cleanliness reveal much about its ideals of civilization, fears of disease, and expectations for public life, says Kathleen Brown in this unusual cultural history. Starting with the shake-up of European practices that coincided with Atlantic expansion, she traces attitudes toward “dirt” through the mid-nineteenth century, demonstrating that cleanliness—and the lack of it—had moral, religious, and often sexual implications. Brown contends that care of the body is not simply a private matter but an expression of cultural ideals that reflect the fundamental values of a society.The book explores early America’s evolving perceptions of cleanliness, along the way analyzing the connections between changing public expectations for appearance and manners, and the backstage work of grooming, laundering, and housecleaning performed by women. Brown provides an intimate view of cleanliness practices and how such forces as urbanization, immigration, market conditions, and concerns about social mobility influenced them. Broad in historical scope and imaginative in its insights, this book expands the topic of cleanliness to encompass much larger issues, including religion, health, gender, class, and race relations.

In colonial times few Americans bathed regularly; by the mid-1800s, a cleanliness “revolution” had begun. Why this change, and what did it signify? A nation’s standards of private cleanliness reveal much about its ideals of civilization, fears of disease, and expectations for public life, says Kathleen Brown in this unusual cultural history. Starting with the shake-up of European practices that coincided with Atlantic expansion, she traces attitudes toward “dirt” through the mid-nineteenth century, demonstrating that cleanliness—and the lack of it—had moral, religious, and often sexual implications. Brown contends that care of the body is not simply a private matter but an expression of cultural ideals that reflect the fundamental values of a society.The book explores early America’s evolving perceptions of cleanliness, along the way analyzing the connections between changing public expectations for appearance and manners, and the backstage work of grooming, laundering, and housecleaning performed by women. Brown provides an intimate view of cleanliness practices and how such forces as urbanization, immigration, market conditions, and concerns about social mobility influenced them. Broad in historical scope and imaginative in its insights, this book expands the topic of cleanliness to encompass much larger issues, including religion, health, gender, class, and race relations.

How do people come to need products they never even knew they wanted? How, for example, did indigenous Zimbabweans of the 1940s begin to believe that they required Lifebuoy soap? Offering a glimpse into the intimate workings of modern colonialism and global capitalism, Timothy Burke takes up these questions in Lifebuoy Men, Lux Women, a study of post-World War II commodity culture in Zimbabwe.With particular attention to cosmetic products and the contrast between colonial and pre-colonial ideas of cleanliness, Burke examines the role played by commodity culture, changing patterns of consumption, and the spread of advertising in the making of modern Zimbabwe. His work combines history, anthropology, and political economy to show how the development of commodification in the region relates to the social history of hygiene. Within this framework, and drawing on a wide variety of historical sources, Burke explores dense interactions between commodity culture and embodied aspects of race, gender, sexuality, domesticity, health, and aesthetics in a colonial society. Rather than viewing the production of needs simply as an imposition from above, Lifebuoy Men, Lux Women shows what heterogeneous and complex processes, involving the aims and histories of both colonizers and colonized, produced these changes in Zimbabwean society.Integrating political economy, cultural studies, and a wide range of the social sciences, Lifebuoy Men, Lux Women will find readers among scholars of colonialism, African history, and ethnography as well those for whom the problem of commodification is a significant theoretical issue.

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Quality, durable toilet tissue that's soft and absorbent, yet available at an economical price. Two-ply, durable, embossed white tissue on a standard size perforated roll. Individually wrapped for maximum cleanliness and safety. Ideal for use in any industrial, office, restaurant, or retail bathroom where standard size rolls are used. Fits within standard size toilet-roll paper holder or dispenser.

The Bliss seat is bioBidet's premier bidet class with a vast selection of cleaning methods and the latest level of unprecedented cleanliness with the exclusive inside-out nozzle cleaning technology. It features an Eco-friendly Hybrid on-demand heating system for unlimited warm water. This model has an exclusive hydro-flushing self-cleaning technology and a night light on the seat control panel. Color: White.

Effortlessly upgrade your bathroom with the DeerValley Smart Toilet Bidet System. This advanced system boasts auto flush, a heated seat, an air dryer, massage washing, and an antibacterial nozzle for impeccable cleanliness, catering to every aspect of your toilet experience flawlessly. With multiple safety features, including nano glaze, UV sterilization, and low-temperature scald prevention, it ensures a secure environment. This bidet system is thoughtfully designed with a wireless remote for personalized settings. Color: White. Material: Vitreous China.

Enjoy more water pressure and better shower hygiene with less cleaning and maintenance. Designed by top shower experts, Aqua Care takes shower hygiene and cleanliness to the next level. It features an advanced 8-setting 5-zone Powerhead with Built-in Tub and Tile Power Wash and Antimicrobial Anti-clog Nozzles that inhibit the growth of germ and bacteria inside. Color: Silver.

Bathroom Wall-Mounted Towel Hook, made of SUS 304 Stainless Steel in Matte Black finish. Features anti-rust, anti-friction, and anti-fingerprint properties, ensuring durability and cleanliness. Perfect for Bathrooms, Kitchens, Garages, and Hotels. Available in 4 colors, each pack includes two hooks, offering cost-effective convenience. Color: Stainless Steel Matte Black.

Teacher Scissors Caddy offers built-in antimicrobial protection on the handles to provide an added level of cleanliness by inhibiting the uncontrolled growth of microbes. Antimicrobial product protection fights stain-causing, odor-causing bacteria. Cad

Teacher Scissors Caddy offers built-in antimicrobial protection on the handles to provide an added level of cleanliness by inhibiting the uncontrolled growth of microbes. Antimicrobial product protection fights stain-causing, odor-causing bacteria. Cad

An elegant, sculptural design combined with an innovative, integrated soap dispenser, the Safia faucet creates a bold statement of beauty, cleanliness, and efficiency in your kitchen. Its built-in soap dispenser eliminates countertop clutter while providing all the functionality of a traditional hand- or dish-soap dispenser. The uniquely designed soap reservoir can be secured along the wall or the floor of your sink cabinet for easy soap refills. Color: Vibrant Brushed Moderne Brass. Material: Metal.