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On My Right Michael, on My Left Gabriel: Angels in Ancient Jewish Culture 1.15

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Collection Highlights: The Rubin Museum of Art features 108 worksan auspicious number in Tibetan culture with significance extending into Hinduism and even into popular Western culturethat were chosen by the curatorial team to offer a sense of the geographic, cultural, and chronological breadth of the Museums holdings. Stunning visuals are accompanied by brief descriptions that will speak to both lovers of art from the Himalayan region and those who are new to this rich tradition. A special fold-out panel presents the Museums Tibetan Buddhist Shrine Room. With contributions by Jan Van Alphen, Beth Citron, Karl Debreczeny, David Jackson, Christian Luczanits, Elena Pakhoutova, and Kathryn Selig Brown

Limited 180gm half-speed remastered edition including digital download. Sleeve artwork and inner bag as per the original vinyl release. Co-produced by Peter and David Lord this is the first album where Peter really immersed himself in the music of distant lands and cultures. It was also his first fully digital recording. These two elements created a deeply effective soldering-together of futurism and generations-old tradition. The single Shock The Monkey became Peters first top 30 hit on the

James Sidbury's Ploughshares into Swords places the enslaved population of Virginia squarely within the emerging Atlantic world culture--of the market economy, of urban culture, of Virginia's rapidly changing religious culture. Sidbury stresses the way black Virginians appropriated white cultural forms, transformed their meaning, and in the process created symbols of black liberation and a culture that had autonomous features even though it drew from the larger culture. His skillfull interweaving of these two separate strands of argument provides rare insights into the entire process of identity formation and creolization.

Les Sauvages de la Mer Pacifique is a rare panoramic wallpaper manufactured in France at the beginning of the 19th century. A product of French neoclassical culture, it draws its dramatic subject matter from the exploratory voyages of Europeans to the South Pacific. The imaginatively evoked scene created for the observer within the papered room a world of exotic cultures and environments. Four extensive essays examine the collection and reception of Pacific artifacts in Europe in the late 18th and early 19th centuries; the source material for the wallpaper's imagery; philosophical and technical aspects of its production; and the wallpaper in the context of the post-colonial Pacific region. Included also is a translation from the French of the original prospectus for the wallpaper. The complete wallpaper is reproduced in full color, with details of each of its eight panels, and supplementary illustrations.

'Fiery the angels fell; slow thunder rolled around their shores, burning with the fires of Orc.' Whether in recent popular culture, or back across countless centuries, angels have perpetually enthralled and even terrified us. 'Every single angel is terrible,' wrote the German Romantic poet Rilke: 'and so I hold myself back from the dark bird-cry of my anguished sobbing.' For skeptics, angels may be no more than metaphors: poetic devices to convey, at least for those with a religious sensibility, an active divine interest in creation. But for others, angels are absolutely real creatures: manifestations of cosmic power with the capacity either to enlighten or annihilate those whose awestruck paths they cross. Valery Rees offers the first comprehensive history of these beautiful, enigmatic and sometimes dangerous beings, whose existence and actions have been charted across the eons of time and civilization. Whether exploring the fevered visions of Ezekiel and biblical cherubim; Persian genii; Arab djinn; Islamic archangels; the austere and haunting icons of Andrei Rublev; or Wim Wenders' Wings of Desire and the more benign idea of the watchful guardian angel, the author shows that the ubiquity of these celestial messengers reveals something profound, if not about God or the devil, then about ourselves: our perennial preoccupation with the transcendent.

Sylvester Ahola has played the trumpet on 2,000 records and been part of fifty orchestras and jazz bands. This comprehensive study charts his role as one of the great musicians during a unique period in American musical culture―from the growth of jazz through the Depression to the development of commercial radio.After a classical training, Ahola's prolific recording career among the top bands of the age, in both America and England, was a tribute to the skill and mastery of his chosen instrument. His career as a first-rate studio musician found him equally at ease with classical trumpet solos, light orchestral music, popular dance band tunes, and in groups accompanying such great singers as Paul Robeson and Sophie Tucker. He was also responsible, in no small way, for establishing a style of "hot" jazz-flavored playing among emerging British dance bands.His, however, is a story of anonymity. This bibliography is intended to help restore his name to its proper place in both American and British musical history. The author recalls Ahola's incredible memory of events, anecdotes about musicians, band leaders, and recording studios, and a lifelong passion for amateur radio. With a comprehensive discography of all his known recordings and many photographs.

Sylvester Ahola has played the trumpet on 2,000 records and been part of fifty orchestras and jazz bands. This comprehensive study charts his role as one of the great musicians during a unique period in American musical culture―from the growth of jazz through the Depression to the development of commercial radio.After a classical training, Ahola's prolific recording career among the top bands of the age, in both America and England, was a tribute to the skill and mastery of his chosen instrument. His career as a first-rate studio musician found him equally at ease with classical trumpet solos, light orchestral music, popular dance band tunes, and in groups accompanying such great singers as Paul Robeson and Sophie Tucker. He was also responsible, in no small way, for establishing a style of "hot" jazz-flavored playing among emerging British dance bands.His, however, is a story of anonymity. This bibliography is intended to help restore his name to its proper place in both American and British musical history. The author recalls Ahola's incredible memory of events, anecdotes about musicians, band leaders, and recording studios, and a lifelong passion for amateur radio. With a comprehensive discography of all his known recordings and many photographs.

Although war has been analyzed from many perspectives, no scholar has satisfactorily explained why the human race fights and how we came to create a degree of military sophistication capable of destroying the entire species. Gabriel addresses these questions in his study of the origins and development of warfare. He looks particularly at the relationship between the evolution of the social institution of war and the development of the military institutions, tactical sciences, and technology required for organized conflict.Beginning with a discussion of the biological and evolutionary history of man, Gabriel investigates the proposition that the human race is genetically predisposed to warlike behavior. He next reviews the archaeological record to test the common assumption that war has existed from the earliest times. He traces the evolution of the social institutions and technology of war in a succession of ancient cultures beginning with the Bronze Age. The development of armies, tactics, logistics, and weapons is examined, together with the psychological and social implications of mankind's choice to use them. The work concludes with a discussion demonstrating how the practice of war in modern times relates to the perpetuation of values and institutional forms created by earlier societies--especially those of classical Greece and Rome. The first study to integrate the findings of cultural anthropology with the concerns of military analysis, this work will be of interest to students and academics in these and related fields.

Fiftieth Anniversary EditionNeruda was a kind of King Midas. Everything he touched turned to poetry, says Gabriel García Márquez, who also considers the Chilean Nobel laureate "the greatest poet of the twentieth century, in any language." [The Fragrance of Guava, 1983]. The Canto General, thought by many of Neruda's most prominent critics to be the poet's masterpiece, is the stunning epic of an entire continent and its people. The Canto speaks of the destiny of Latin American peoples and the life of the poet himself. Without question, this is one of the most important and powerful long poems written in the modern period.

Diagnosis and Treatment Planning Skills for Mental Health Professionals by Alan Schwitzer and Lawrence Rubin is a comprehensive textbook addressing all of the clinical thinking skills required in today′s professional counseling settings. The text covers diagnosis, case conceptualization, and treatment planning all in one book, and carefully explains how these individual clinical tools are related to one another and are used together in contemporary clinical practice. Students will easily learn the material as it is organized to promote optimal student learning with each skill presented in a step-by-step manner. Engaging and relevant, this book′s 30 case examples are drawn from pop culture characters giving students a common background from which to learn.

The Second Edition of Alan M. Schwitzer and Lawrence C. Rubin’s Diagnosis and Treatment Planning Skills: A Popular Culture Casebook Approach comprehensively addresses the clinical thinking skills required in professional counseling settings through the innovative use of case examples drawn from popular culture. Fully revised to include DSM-5, the text begins with discussion of diagnosis, case conceptualization, and treatment planning, covering the interplay of individual clinical tools and their application in contemporary practice. Ten DSM-5 updated case illustrations follow, creating a streamlined new edition that engages students in a start-to-finish application of clinical tools.

"The freshness of the authors' approaches . . . is salutary. . . . The collection is stimulating and valuable."—Joan Shelley Rubin, Journal of American History

The proliferation of book clubs, reading groups, "outline" volumes, and new forms of book reviewing in the first half of the twentieth century influenced the tastes and pastimes of millions of Americans. Joan Rubin here provides the first comprehensive analysis of this phenomenon, the rise of American middlebrow culture, and the values encompassed by it.Rubin centers her discussion on five important expressions of the middlebrow: the founding of the Book-of-the-Month Club; the beginnings of "great books" programs; the creation of the New York Herald Tribune's book-review section; the popularity of such works as Will Durant's The Story of Philosophy; and the emergence of literary radio programs. She also investigates the lives and expectations of the individuals who shaped these middlebrow institutions--such figures as Stuart Pratt Sherman, Irita Van Doren, Henry Seidel Canby, Dorothy Canfield Fisher, John Erskine, William Lyon Phelps, Alexander Woollcott, and Clifton Fadiman.Moreover, as she pursues the significance of these cultural intermediaries who connected elites and the masses by interpreting ideas to the public, Rubin forces a reconsideration of the boundary between high culture and popular sensibility.

Vejas Gabriel Liulevicius presents a study of a hidden legacy of World War I: the experience of German soldiers on the Eastern front and the long-term effects of this encounter. Using hitherto neglected sources from both occupiers and occupied, official documents, propaganda, memoirs, and novels, he reveals how German views of the East changed during total war, and how these views affected the return of German armies under the Nazis. This persuasive and compelling study fills a yawning gap in the literature of the Great War.

The Teller and the Tale, the latest book from novelist, playwright, biographer and critic, Gabriel Josipovici, contains essays which take a fresh, analytical approach to the works of literary giants including Proust, Kafka, Eliot, Beckett, Muriel Spark, and many more. Josipovici is the authoritative voice in literature, and this book is the ideal gift for any reader with a deep love of the classics.

Fiftieth Anniversary EditionNeruda was a kind of King Midas. Everything he touched turned to poetry, says Gabriel García Márquez, who also considers the Chilean Nobel laureate "the greatest poet of the twentieth century, in any language." [The Fragrance of Guava, 1983]. The Canto General, thought by many of Neruda's most prominent critics to be the poet's masterpiece, is the stunning epic of an entire continent and its people. The Canto speaks of the destiny of Latin American peoples and the life of the poet himself. Without question, this is one of the most important and powerful long poems written in the modern period.

The Second Edition of Alan M. Schwitzer and Lawrence C. Rubin’s Diagnosis and Treatment Planning Skills: A Popular Culture Casebook Approach comprehensively addresses the clinical thinking skills required in professional counseling settings through the innovative use of case examples drawn from popular culture. Fully revised to include DSM-5, the text begins with discussion of diagnosis, case conceptualization, and treatment planning, covering the interplay of individual clinical tools and their application in contemporary practice. Ten DSM-5 updated case illustrations follow, creating a streamlined new edition that engages students in a start-to-finish application of clinical tools.

Eli Rubin takes an innovative approach to consumer culture to explore questions of political consensus and consent and the impact of ideology on everyday life in the former East Germany. Synthetic Socialism explores the history of East Germany through the production and use of a deceptively simple material: plastic. Rubin investigates the connections between the communist government, its Bauhaus-influenced designers, its retooled postwar chemical industry, and its general consumer population. He argues that East Germany was neither a totalitarian state nor a niche society but rather a society shaped by the confluence of unique economic and political circumstances interacting with the concerns of ordinary citizens.To East Germans, Rubin says, plastic was a high-technology material, a symbol of socialism's scientific and economic superiority over capitalism. Most of all, the state and its designers argued, plastic goods were of a particularly special quality, not to be thrown away like products of the wasteful West. Rubin demonstrates that this argument was accepted by the mainstream of East German society, for whom the modern, socialist dimension of a plastics-based everyday life had a deep resonance.